Late Night Retro Television Review: Monsters 3.11 “Sin-Sop”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, Monsters heads down south.  No complaints from me.  I like it when things head on down.

Episode 3.11 “Sin-Sop”

(Dir by P.J. Pesce, originally aired on December 9th, 1990)

In the deep South, a young man named Brother Roy (Christopher Shaw) claims that he can literally extract the sin from people, turning it into a black sludge that can then be disposed of.  Brother Roy has the corpse of the most evil man in the world in his house.  Touching the corpse (ew!) allows for the sin to be extracted.  (This is why I prefer going to confession.)

Laura Daniel (Christine Dunford) is a reporter who is hopeful that she’ll be able to expose Brother Roy as being a fraud.  Larch Lazaar (Richard Borg) is a sociopathic murderer who shows up at Roy’s place shortly after Laura.  Laura and Lazaar are both skeptics but they’re also both about to discover the reality of sin-sop.

This was an atmospheric episode with an intriguing premise.  I’m from the South and I’ve heard the stories of the so-called sin eaters, people who would go to the homes of the recently deceased and “eat” all of the dead person’s sins, usually by eating food that had been placed near the corpse.  The deceased’s family would get the peace of mind of knowing their loved one was now without sin and the sin-eater usually got to eat a fairly large meal.  (That said, I don’t know if I’d want to eat food that had been sitting next to or, in some cases, on a decaying corpse.)  This episode makes good use of the sin eater legend and it features appropriately theatrical performances from Richard Borg and Christopher Shaw.  This was an entertaining piece of Southern Gothic.

Rest In Peace, Peter Engel


I just read the news that Peter Engel passed away yesterday.  My Retro Television reviews started with four Engel-produced shows, California Dreams, One World, Hang Time, and City Guys.  Right now, I’m reviewing one of his later shows, Malibu CA.  I would be lying if I said all of those reviews have been positive.  I loved California Dreams and Hang Time won me over but the only good thing about Malibu CA is that it’s not Pacific Blue.

But here’s the thing.  Peter Engel, regardless of what I may think of some of his later shows. made pop cultural history with Saved By The Bell.  When I was a kid, you couldn’t turn on a TV without finding Saved By The Bell reruns playing somewhere.  (Myself, I only wish Saved By The Bell: The New Class was as easy to find.)  Today, Saved By The Bell has faded a bit from our collective memory, a relic from the childhoods of many elder millennials and their Gen-X siblings.  That reboot on Peacock was never quite as good as I used to tell myself it was.  But the original show can still be found on Prime, just as California Dreams and Hang Time can be found on YouTube.  The Engelverse will live forever.

Peter Engel, RIP.

Retro Television Review: The Love Boat 5.19 “New York, A.C./Live It Up/All’s Fair in Love and War”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you!

Episode 5.19 “New York, A.C./Live It Up/All’s Fair in Love and War”

(Dir by Richard Kinon, originally aired on February 20th, 1982)

Poor Captain Stubing!  He’s just returned from burying an old friend named George and now, he’s thinking about his own mortality.  When he starts to feel unwell, Stubing goes to Dr. Bricker who tells Stubing that his problems are not physical.  The problem is that …. STUBING’S DEPRESSED!  Stubing decides to live each day to the fullest and good for him.  This was a simple storyline but I liked it.  I always appreciate the episodes that allow Stubing to be vulnerable without turning him into a hard-luck doofus.  In this episode, Stubing was dealing with something that almost everyone has either had to or will deal with at some point in their life.  It was also nice to see Doc Bricker giving good advice for once.  Bernie Kopell is so likable in the role that I always appreciate it when he gets to play Doc as being something other than a lech.

As for the other two stories …. agck!

Three New York friends (played by former teen idols Eddie Byrnes, Fabian, and Bobby Sherman) have boarded the cruise.  They are members of the Alimony Club.  They’re all divorced and they’ve all sworn that they’ll keep each other from marrying again.  They are a club that believes all marriages are doomed to failure.  But when Sherman’s ex-wife, Annette Funicello, boards the boat, it looks like the Alimony Club might lose a member.  And listen, I know that guys have their little rituals and their little clubs and that’s okay.  But the Alimony Club just feels weird.  It should be called the Misery Club because they seem to be more interested in keeping Bobby Sherman depressed than anything else.  I always find it odd when previously divorced couples get back together on The Love Boat.  I mean, did they forget why they got divorced in the first place?

Meanwhile, Jill St. John and Ron Ely have been having an affair for four years.  Every 12 months, they get together for a romantic getaway.  Ron says he can’t marry Jill because he’s married and has children back home.  (*cough* jerk *cough*)  Jill, who really could do better, insists that Ron leave his wife.  She even has her brother board the cruise and flirt with her (*cough*  Oh my Gosh, creepy! *cough*) to make Ron jealous.  Ron gets jealous, alright.  He beats up Jill’s brother and then reveals that he was lying about having a wife.  He’s not married …. he’s scared of commitment!  And now he’s ready to get married!  Uhmmm …. like seriously, WHAT THE HECK IS THAT!?  (I gave up cursing for Lent.)  Jill — you were a BOND GIRL!  You were TIFFANY FREAKING CASE!  YOU CAN DO BETTER!

Oy vey, this episode.

4 Shots From 4 Films: Special Pier Paolo Pasolini Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

103 years ago, on this date, Pier Paolo Pasolini was born in Italy.  His controversial films and his mysterious death continue to inspire debate to this very day.  Both the man and his works were full of intriguing contradictions.  Pasolini was an atheist who made one of the best Biblical films ever made.  He was a communist who made films that celebrated individual freedom and who had little use for the upper class liberals who made up much of the European counterculture of the 1960s.  In the end, he was an artist unafraid to challenge all assumptions, whether they were found on the right or the left.  His final film, Salo, was the most controversial of his career.  It was also projected to be the first part of a trilogy, though those plans were ended by Pasolini’s murder.

It’s time for….

4 Shots From 4 Pier Paolo Pasolini Films

Accatone (1961, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

The Gospel According To St. Matthew (1964, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

The Hawks and The Sparrows (1966, dir by Pier Paolo Pasolini, DP: Mario Bernardo and Tonino Delli Colli)

Salo (1975, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

Song of the Day: Ashes to Ashes by David Bowie


It’s Ash Wednesday!

I remember, when I was like 14, I got up early in the morning and I woke up my sisters by shouting, “It’s Ash Wednesday, bitches!”  My mom was not amused.  That said, Ash Wednesday is one of my favorite days.  I just love the ritual of it all.  Of course, I also usually wash my forehead fairly early in the day.  That’s allowed, by the way.

Now, before anyone leaves any snarky comments, I fully understand that David Bowie’s Ashes to Ashes is not actually about Ash Wednesday nor are the ashes mentioned in the song literal ashes.  I understand that but hey, this is a good song.

Do you remember a guy that’s been
In such an early song?
I’ve heard a rumor from Ground Control
Oh no, don’t say it’s true

They got a message from the Action Man
“I’m happy, hope you’re happy too
I’ve loved all I’ve needed, love
Sordid details following”

The shrieking of nothing is killing, just
Pictures of Jap girls in synthesis and I
Ain’t got no money and I ain’t got no hair
But I’m hoping to kick but the planet it’s glowing

Ashes to ashes, funk to funky
We know Major Tom’s a junkie
Strung out in heaven’s high
Hitting an all-time low

Time and again I tell myself
I’ll stay clean tonight
But the little green wheels are following me
Oh no, not again
I’m stuck with a valuable friend
“I’m happy, hope you’re happy too”
One flash of light but no smoking pistol

I never done good things (I never done good things)
I never done bad things (I never done bad things)
I never did anything out of the blue, woh-o-oh
Want an axe to break the ice
Wanna come down right now

Ashes to ashes, funk to funky
We know Major Tom’s a junkie
Strung out in heaven’s high
Hitting an all-time low

My mother said, to get things done
You’d better not mess with Major Tom

My mother said, to get things done
You’d better not mess with Major Tom

My mother said, to get things done
You’d better not mess with Major Tom

My mother said, to get things done
You’d better not mess with Major Tom

Songwriter: David Bowie

SHANE (The TV Series) – Episode 10: High Road to Viator (originally aired November 12th, 1966)


Episode 10 begins with Marian Starett (Jill Ireland) and her son Joey (Christopher Shea) shopping for fabric in Grafton’s Store. Joey’s not that excited about the shopping experience so he’s just goofing around when he comes across a flyer for a dance in the town of Viator, WY. He shows the flyer to his mom, and you can immediately tell that she would love to go to a dance, even if she won’t say it out loud. Shane (David Carradine) notices how Marian’s face brightens up when the dance is brought up again later that night back at the ranch. He decides right then and there that the family is going to that dance, even though it’s a three-day ride by carriage. Tom Starett (Tom Tully) doesn’t see how they can abandon the work that needs to be done at the ranch, but he relents to Shane when he sees how important the dance is to Marian. 

So, the family heads out on the three-day trip to Viator. They sing and laugh and are having the best time as they make camp on the first night. Unfortunately, a group of thieves attack them and steal their food and many of their other belongings. Not to be deterred, Shane convinces the family to keep moving forward to Viator. Thanks to some brave work from Joey and Shane, Marian still has the special dress that she plans to wear to the dance. As they close in on their destination, Shane goes ahead to make arrangements for the family. When he arrives, he finds that Viator is now a ghost town and that the flyer was actually from the year before. The community’s mine flooded about six months earlier and just about everyone left to restart their lives elsewhere. Will Marian still get to dance? Will Joey get to see his mom happy? Will Tom stop thinking about chores? The answers are all here for those who are truly interested! 

Episode 10 is the most romantic episode of the SHANE TV series that I’ve encountered so far. The needs and desires of Marian Starett take center stage and Jill Ireland is quite wonderful in the episode. Every action Shane takes is to make Marian happy. When Marian won’t admit that she even wants to go to the dance, Shane knows her true feelings and he’s going to take her no matter who objects. When the thieves steal Marian’s dress and conk her on the head, Shane risks his life to get it back because he knows it carries a special meaning in her life. When they make it to Viator, even though they got the date wrong and the dance hall is now a dusty, cobweb filled mess, Shane wants Marian to wear her dress. He asks her if he can remove the wrap that she is wearing, revealing her in her dress, and for the first time in the series, we see Jill Ireland at her most beautiful. She’s stunning. Shane sweetly begins pretending that there are people and music in the dance hall just so Marian can enjoy herself. She happily plays along and Shane and Marian dance together to the music in their minds and stare happily into each other’s eyes. Tom and Joey walk in and watch them dance. Joey asks his grandpa, “How can they dance? There isn’t any music.” Tom replies “Don’t be too sure of that boy.” It’s an endearing exchange and a testament to just how happy Shane and Marian are in that moment. Next week Shane can get back to being a badass. In Episode 10, he just wanted to make Marian happy, and he did. 

Scenes I Love: Brothers


*spoilers*

The film Brothers, released in 2009, came and went with little fanfare, but it was a film that stuck with me when I saw it a couple years later.

It has definitely made an impression on me after seeing it again while convalescing the summer of 2019. The film deals with PTSD with soldiers coming home from the wars in the Middle East. Yet, it also does a great job of portraying of someone going through severe PTSD after experiencing a major tragedy in their life.

One doesn’t have to have been at work to experience PTSD.

Tobey Maguire does such a great job of acting as the tormented Sam Cahill that one feels discomfort at watching his performance. A performance that shows such unrestrained rage and helplessness in the midst of “drowning” in one’s trauma.

Music Video of the Day: I’m A Woman by Jennifer Love Hewitt (2013, dir by ????)


Don’t mess with Jennifer Love Hewitt!

I’ve always liked Jennifer Love Hewitt, largely because we’re both Texas girls, we both have what others seem to consider to be an unusual sense of humor, and I imagine that we both share the same struggle when it comes to having to remind men that our eyes are up here.  Of course, for all that we have in common, a huge difference between the two of us is that Jennifer Love Hewitt can actually sing whereas I can barely carry a tune.  (That said, I’ve always felt that my karaoke version of All Time High was better than all the other karaoke versions.)  Jennifer Love Hewitt has released four albums, which is four more than I’ve released.

This video and song were done for the second season of the wonderfully silly and over-the-top The Client List.  Hey, Lifetime …. BRING IT BACK!

Enjoy!