Late Night Retro Television Review: Pacific Blue 1.5 “Out Of The Past”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This show is proving difficult to review.

Episode 1.5 “Out of the Past”

(Dir by Terrence O’Hara, originally aired on March 30th, 1996)

Look, I tried.  I really did.

This episode should have fascinated me.  It featured three storylines.  Palermo was told take a vacation when it became obvious that a serial killer known as The Angel (Tim Thomerson) had returned to the beach and was targeting doctors.  Palermo and The Angel had a history, with Palermo failing to capture The Angel during the killer’s previous spree.  This time, The Angel tried to force a journalist (played by Barry Miller) to record his crimes for posterity.

Meanwhile, Chris and TC went undercover as guests at a hotel so that they could catch a thief and a peeping tom.  Chris and TC pretended to be romantically involved and were so dedicated to maintaining the act that they ended up spending a good deal of the episode hanging out together in their underwear.

Finally, both TC and Del Toro were obsessed with catching a speeding biker who continually managed to outrun and outmaneuver them.  Compounding their embarrassment was the revelation that the biker was a woman.

Mystery, empowerment, and lingerie.  Those are three of my favorites things but this episode still managed to thoroughly bore me.  I had to view it three times because I kept getting distracted whenever I tried to sit down and just watch the show.  Admittedly, with my ADHD, my attention span is on the short side but still, this episode of Pacific Blue was remarkable in that, no matter what happened, I just didn’t care.

Why?  Why can’t this show even work in a so-bad-its-good kind of way?  The characters are just boring and interchangeable.  The men are all grim and serious-minded and, physically, they’re all the same type.  They’re all tall and lean and blandly handsome and none of them have any quirks or interests to really make them stand-out.  The women are also bland and spend most of their time smirking at their male co-workers.  Who are these people?  Who cares?

Perhaps the biggest flaw with this episode and the show so far is that the members of the bicycle patrol just look dorky and they peddle around the beach.  The worse thing is when they have to chase a suspect down a flight of stairs and they literally pick and carry their bicycles as they do so.  It’s hard to take bicyclists seriously, even when they’re cops.

Watching the show, I kept thinking about the bicycle cops who used to patrol the campus where I went to college.  No one took them seriously and everyone knew the experience of being yanked over by one of them and being asked, “You been drinking tonight?” when you were totally sober.  It happened to me, one night, when an old ankle injury was acting up and I was walking with a slight limp.  I was already feeling self-conscious about it and getting stopped when all I wanted to do was get home and rest my ankle didn’t help.  The insistence that I must have been drunk or otherwise under the influence and also the assumption that I was obligated to stand around while the cops slowly talked to each other left me feeling violated.  Whenever I see TC or Palermo sitting on their bikes with their oh-so serious “I am a badass” facial expressions, I remember every bad experience that I’ve ever had or I’ve ever seen someone else have with a cop.

My hope is that Pacific Blue, over the course of its run, eventually found a way to make its characters less annoying and more likable.  (For instance, I don’t mind the cops on CHiPs because at least they’re entertaining.)  I guess we’ll find out!

Retro Television Review: Fantasy Island 6.4 “The Angel’s Triangle/Natchez Bound”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, an angel comes to the Island.

Episode 6.4 “The Angel’s Triangle/Natchez Bound”

(Dir by Bob Sweeney, originally aired on November 6th, 1982)

Death takes a holiday!

Well, not literally.  The Angel of Death, Michael Eden (played by Gary Collins), does come to Fantasy Island but he’s working.  Years ago, he was meant to take soul of Catharine Harris (Carol Lynley), a woman who was in a car accident with her husband, Brent Harris (Doug McClure).  Michael could not bring himself to allow Catharine to die.  So, she miraculously survived.  But now, years later, Michael has been sent to collect the soul of Brent.  Brent and Catharine have come to Fantasy Island to have the honeymoon they missed out on due to the car accident.  Michael has come to make sure that the honeymoon is a tragic one.

Michael very much wants to take Brent’s soul.  If Brent’s dead than maybe Michael and Catharine could (somehow) be together.  But when Brent is taken ill and sent to the Fantasy Island hospital, Michael sees how much Catharine loves her husband.  And he allow Brent to live, which seems a bit unfair to …. well, like anyone.  Or at the very least, anyone who has ever died or lost a loved one.

The interesting thing about this fantasy was that it established that Roarke is apparently not an angel.  When Roarke introduces Tattoo to Michael, Roarke says that Michael “is not like us.”  This leads to a funny moment in which Tattoo, upon hearing that Michael is the angel of death, announces that he some work to catch up on.  I always like it when Tattoo gets to do more than just wave at the airplane.  As for the rest of this fantasy, it wasn’t bad.  Carol Lynley did a good job as Catharine.  Gary Collins was a bit stiff but it kind of worked for his character.  Doug McClure was as goofy as ever.

The other fantasy features Jennilee Harrison as Jenny Ryan, a Vegas card dealer who wants to work on a Mississippi steamboat.  She gets her wish and promptly gets involved with helping a writer named Samuel Clemens (Stephen Shortridge, a.k.a. Beau on Welcome Back Kotter) and a kid named Huck Finn (Adam Rich) hide an escaped slave (Sam Scarber) from a dastardly gambler and slave hunter (Roddy McDowall).  Did I mention that Clemens is having trouble coming up with a plot for his new book?  Jenny inspires Mark Twain, helps Jim get to safety, and returns to the present with a pet frog.  Sure, why not?  This storyline was predictable, largely because I read Huckleberry Finn in high school.  However, Stephen Shortridge was, somewhat surprisingly given his work on Kotter, perfectly charming as Mark Twain and Roddy McDowall obviously enjoyed hamming up his villainy.  (To be honest, when I saw Roddy’s name in the opening credits, I was hoping he’d be returning as Satan.)

This was not a bad episode, especially compared to the previous season 6 episodes.  Both fantasies held me attention and apparently, the Angel of Death will leave you alone if he thinks you’re cute.  That’s good to know!

Funny Money (2006, directed by Leslie Greif)


Henry Perkins (Chevy Chase), the most boring man alive, has a job making wax fruit while his wife (Penelope Ann Miller) wants to make a living through drawing naked men.  (I guess that’s fair considering how many men make their living by drawing naked women.)  On Henry’s birthday, Henry spots a briefcase just like his and decides to swap them.  At home, Henry discovers that his new briefcase contains five million dollars!

Henry wants to move to Europe immediately.  But every time he and his wife try to leave their home, something occurs.  A menacing cop (Armanda Assante) shows up.  Henry’s friends drop by to celebrate his birthday.  The Romanian mob makes an appearance, looking for their money.  All Henry and his wife want to do is steal the money but instead, they spend a night dealing with false identities, physical comedy, and slapstick humor.

Funny Money was based on a stage play and it seems like the sort of thing that would have been hilarious if viewed live, with everyone running on and off the stage and some genuine suspense about who was going to show up next.  It does not translate well to film.  This would have been a good vehicle for Chase in the 80s or even the 90s but, by the time the movie was made, Chase seemed old and tired.  Penelope Ann Miller is never convincing as Chase’s wife.  (Someone should have tried to reunite Chase with Beverly D’Angelo or even Goldie Hawn for this movie.)  The main problem is that the supporting characters are never as funny or as quick-on-their-feet as the film needs them to be.  Armand Assante doesn’t seem to know he’s in a comedy.  Even a reliable actor like Christopher McDonald is let down by the film’s script and direction.  That’s too bad because the material had potential.  While it’s not a disaster like Cops and Robbersons, Funny Money is still never funny enough.

A Pre-empted Late Night Retro Television Review: CHiPs 3.17 “Return of the Supercycle”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

Sorry, last night’s review of CHiPs was pre-empted by my own need to get some rest after spending the previous few days dealing with the worst sinus pain ever.  (Well, maybe not ever but it was still pretty bad….)  Here’s last night’s episode of CHiPs, just a few hours late!  Regularly scheduled programming will resume soon.

Episode 3.17 “Return of the Supercycle”

(Dir by Bruce Kessler, originally aired on October 27th, 1979)

The Supercycle is back!  A thief on a supercharged motorcycle is robbing jewelry storefronts.  Baker takes the old Highway Patrol Supercycle out of storage so that he can go after the new Supercycle.  Baker suspects that the Roy Yarnell (George O’Hanlon, Jr) might be up to his old Supercycle tricks again but it turns out that Roy is innocent.  Instead, it’s his mechanic.

In other words: SUPERCYCLE SUPERCYCLE SUPERCYCLE!

Ponch spends the majority of this episode in a hospital bed.  Early on in the episode, Ponch crashes his motorcycle while chasing the new Supercycle and seriously injures himself.  Apparently, the crash was real and Estrada actually did injure himself.  Watching the episode, it’s easy to see that the show dealt with Estrada’s injuries by just giving all of Ponch’s lines to Baker.  For once, Baker is the one who bends the rules and gets to do all the cool stuff.  He even gets to romance a visiting member of the Highway Patrol, Kathy Mulligan (Anne Lockhart).  In any other episode, Ponch would have been the one doing all of that so it’s interesting to get to see Baker actually get to have a life for once.  And yes, before anyone asks, Estrada finds an excuse to remove his shirt even when he’s relaxing in a hospital bed.  No hospital gowns for Estrada!

The sad thing is that Larry Wilcox was definitely a better actor than Erik Estrada and he also looked a lot more believable on a motorcycle.  But, this episode shows that Estrada just had more screen presence.  As easy as it is to make fun of Ponch, Estrada’s over-the-top displays of vanity were often just what CHiPs needed.  Estrada may not have been a great actor but he amusing to watch.  Wilcox has a much more laid back presence.  He’s a believable cop but he’s just not as much fun to watch as Estrada.

Probably the most amusing thing about this episode is that, when Estrada (or his stuntman pretending to be Estrada) is lying on the pavement, Wilcox cannot bring himself to really act convincingly concerned or worried.  CHiPs is a bit infamous for the fact that Larry Wilcox and Erik Estrada did not have a great working relationship.  That’s all I could think about as I watched Baker casually step over Ponch’s prone form on the street.

Anyway, this episode has some spectacular motorcycle jumps and some good chase footage.  There was an occasionally amusing subplot where the men of the Highway Patrol worried that Kathy was reporting their behavior to Sacramento.  (Grossman, played by the invaluable Paul Linke, made me laugh with his sudden emphasis on doing everything by the book.)  The Supercycle was cool.  Everyone should have one.

Scene That I Love: The Escape Disaster In Night of the Living Dead


Today would have been George Romero’s 85th birthday.

Today’s scene of the day comes from Romero’s best film, Night of the Living Dead.  In this scene, an attempt to escape from a farmhouse ends in disaster.  As was typical of all of Romero’s films, the disaster has less to do with the zombies and more to do with humans that simply can’t work together.

The upload isn’t great but this scene still represents Romero’s vision of a society working to destroy itself.

Brad’s Song of the Day: “Dixieland Delight” by country music Supergroup, ALABAMA!


My earliest memories of listening to music, other than at church, were listening to the group ALABAMA with my family when we were driving down the road in my dad’s Chevy Luv pickup truck. There were five of us in total, my mom, dad, brother, and sister, and we’d all pile into the cab of that little truck. We had to arrange ourselves just right to even fit. This would have been in the very early ’80’s, and seatbelts weren’t required for nothing! I remember listening to songs like “Mountain Music” and “Tennessee River” and “Take Me Down.” We’d all sing our hearts out to our favorites.

Fast forward around 10 years and one of my favorite family vacations took place when I was a junior in high school. We just got in our car and drove, with Pigeon Forge, TN, as our final destination. However, my dad liked to always take the scenic routes, so we took a very crooked path and went through a lot of beautiful, out of the way places as part of the trip. I remember we ended up stopping off one night in Fort Payne, AL, which is where the members of the group were born and raised. We even ran into band member Jeff Cook’s mom in a store there. It was so wonderful.

The picture I share above is from 2020, when my wife and I took a trip to Myrtle Beach, SC. I just had to visit the Bowery while we there because this is the bar where ALABAMA performed for tips for seven years (1973 – 1980) prior to hitting it big. It was quite the nostalgic and special experience!

Without further ado, I’ll share one of my very favorite ALABAMA songs, “Dixieland Delight.” I hope you enjoy!

4 Shots From 4 Films – some of Brad’s “favorite westerns” edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

I thought I’d try one of these “4 shots” posts. It’s really hard for me not to say anything, because each of these movies mean a lot to me, and the western remains my favorite genre even if I am a little stuck in the past. I’ll probably take a stab at a review of each of these films at some point. I hope you enjoy!

THE MAN FROM LARAMIE (1955)

RIDE LONESOME (1959)

RED SUN (1971)

UNFORGIVEN (1992)

The Fantastic Four take their First Steps in a Teaser Trailer!


There was a cute live event leading up to the launch of The Fantastic Four: First Steps teaser trailer. The main cast were on hand – Pedro Pascal as Reed Richards, Vanessa Kirby as Sue Storm, Ebon Moss-Bachrach as Ben Grimm (a.k.a. The Thing) and Joseph Quinn as Johnny Storm. It looks like they’re off to an interesting start.

Enjoy!