January Positivity: Mercy Streets (dir by Jon Gunn)

Posted on January 11, 2025 by Lisa Marie Bowman

2000’s Mercy Streets is a strange film.

Two twin brothers, John and Jeremiah, grew up in a series of terrible group homes. One night, John fell off a bridge and Jeremiah failed to rescue him from the water below. Jeremiah was convinced that John drowned. Wracked with guilt, Jeremiah turned his life around. He became an upstanding citizen and, as an adult, he’s an Episcopal deacon who is just a few weeks away from being ordained. His girlfriend (Cynthia Watros) loves him but can tell that he’s not always open with her about his past and his emotions.

What Jeremiah doesn’t know is that John did not drown. He survived and grew up to be a career criminal. Having spent the last few years in jail, he tracks down his mentor, Rome (Eric Roberts), as soon as he’s released. (That’s right! This is an Eric Roberts film!) Rome wants John to help him out with a scheme involving counterfeit money. John decides to grab the money and run. When Rome can’t catch John, he decides to abduct Jeremiah instead.

Meanwhile, John takes over Jeremiah’s life. Pretending to be his brother, John fixes Jeremiah’s relationship with his girlfriend and he even proves to be better at delivering sermons than Jeremiah, despite the fact that John is not religious at all. While Jeremiah gets a crash course in how to be a counterfeiter, John learns how to be an upstanding member of society.

Of course, it doesn’t last. Jeremiah eventually escapes from Rome and finds himself on the streets, where he struggles to not fall into the same criminal lifestyle that previously captured his brother. Fortunately, Jeremiah runs into a priest named Tom (Stacy Keach), who offers some good advice. Meanwhile, John learns about the importance of forgiveness and redemption and discovers that Jeremiah has spent his entire life mourning the brother who he thought was dead.

Mercy Streets is an odd mix of religion and action. On the one hand, the film features David A.R. White playing two brothers who feel like they could have walked out of one of his wholesome Pureflix movies. (White, while being a decent actor, is not exactly the most believable hardened criminal that I’ve ever seen.) On the other hand, you’ve got Eric Roberts teaching Jeremiah how to be a criminal and basically taking over the entire film whenever he’s onscreen. (The scene where Rome teaches Jeremiah how to pass fake money is surprisingly well-acted and directed.) The movie runs into the same problem that plagued many a DeMille production. The heroes may all be Godly but the sinners appear to be having more fun. That said, this film at least reminds us of what a good actor Eric Roberts can be when he’s got a decent role.

Previous Eric Roberts Films That We Have Reviewed:

Late Night Retro Television Review: Check It Out 3.3 “Puppy Love”

Posted on January 11, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!

This week, some new guy shows up.

Episode 3.3 “Puppy Love”

(Dir by Alan Erlich, originally aired on October 11th, 1987)

Derek has a crush on–

WHO!?

This episode introduces a brand new character named Derek (played by Andrew Miller). He’s a shy teenager who works in the store, cleaning the floors and occasionally bagging groceries. We’ve never seen him before but the show acts as if he’s always been around. At one point, he talks to Howard about how much he’s always admired him and Howard acts as if he’s known Derek for years. Derek has quite a bit in common with Murray, who Simon Reynolds played during the first two seasons of the show. To be honest, it wouldn’t surprise me if this episode’s story was originally envisioned as being a Murray episode before Reynolds left the show.

Anyway, Derek has a crush on Marlene. The episode opens with him having an extended fantasy about waking up with Marlene in his house. It’s mostly notable because 1) this is the first time that we’ve ever seen Derek and 2) it’s one of the few times that Check It Out has ever utilized a set other than the grocery store. Feeling too shy to actually ask her out in person, Derek decides to start leaving Marlene anonymous notes. Marlene is excited because she thinks that the notes are being written by a handsome customer (Page Fletcher) who always flirts with her.

When one note asks her to dinner, Marlene goes to a nice restaurant and expects to see the customer. Instead, Derek’s there to meet her. Still not realizing that Derek is the one who sent her the notes and convinced that she’s been stood up, Marlene makes a joke about Derek being too young for her. Derek’s heart is broken! Then again, Derek is only sixteen so, seriously, he is way too young for Marlene. In fact, what’s he even doing at a restaurant by himself? Where are your parents, Derek!?

In the end, it all works out. Marlene discovers that Derek was the one sending her the notes and she apologizes for breaking his heart. Meanwhile, the handsome customer comes by the store and asks Marlene out. Yay! Marlene is the character to whom I relate so I’m glad when good things happen to her. Though, now that I think about it, Page Fletcher was the host of that Hitchhiker show where he was always showing up right before something terrible happened to someone. Be careful, Marlene!

This episode was okay. Marlene is one of the best characters on the show and Kathleen Laskey can get laughs out of even the lamest of one-liners so the episodes that center around her are usually better than the ones that don’t. The only real problem with this episode is that it requires us to suddenly care about Derek, despite the fact that we have no idea who he is. But, then again, that’s Check it Out for you. The important thing is that this episode continued season 3’s steak of being more consistently funny than season 2.

Lisa Marie’s Week In Television: 1/5/25 — 1/11/25

Posted on January 11, 2025 by Lisa Marie Bowman

Here’s some thoughts on what I watched this week as I waited for the snow to arrive.

Abbott Elementary (Wednesday Night, ABC)

The idea of the dark and cynical It’s Always Sunny In Philadelphia crossing over with the earnest Abbott Elementary sounds like something that shouldn’t work but, instead, it worked brilliantly. Dee becoming Janine’s best friend and then trying to steal away Gregory was brilliant. I was so proud of Charlie, learning how to read at a kindergarten level. Barbara is a wonderful teacher.

Check It Out (Tubi)

Look for my review later tonight.

Dark (Netflix)

As the snow fell in Texas, Case and I watched two more episodes of Dark. We’ll have to get around to reviewing this intriguing German show soon.

Degrassi High (Tubi)

Look for my review tomorrow!

Doc (Tuesday Night, Fox)

This is a new show about a doctor who has amnesia. I feel like this show is going to be limited by the fact that she’s going to have to get her memory back at some point. I watched the premiere but I don’t remember much about it. Maybe I’ve got amnesia!

Fantasy Island (YouTube)

You can read my review here!

Friday the 13th: The Series (YouTube)

You can read my review here!

Going Dutch (Thursday Night, Fox)

The second episode of Going Dutch, much like the pilot, didn’t do much for me. I doubt I’ll be watching the third episode.

Hell’s Kitchen (Thursday Night, Fox)

It’s black jacket time! I felt sorry for Amanda, who I would have kept over the eternally aggrieved Whit. That said, it’s pretty obvious that Brandon’s going to win.

Highway to Heaven (Tubi)

You can read my review here!

Kitchen Nightmares (Tuesday Night, Fox)

Kitchen Nightmares has returned for another season. Chef Ramsay is in New Orleans, helping terrible restaurants prepare for the Super Bowl. This week featured part one of the two-part season premiere. I think that the restaurant that Ramsay is trying to help is a lost cause but we’ll see what happens next week. Nothing kills my appetite quicker than a cockroach-filled episode of Kitchen Nightmares.

The Love Boat (Paramount Plus)

You can read my review here!

Monsters (YouTube)

You can read my review here!

Pacific Blue (Tubi)

I started reviewing Pacific Blue this week. I have a feeling I’m going to regret this decision.

Shifting Gears (Wednesday Night, ABC)

Tim Allen will always be Buzz Lightyear to me and I like Kat Dennings but the first episode of their new sitcom didn’t do much for me. They really should just call it Last Auto Mechanic Standing.

Special Forces: World’s Toughest Test (Thursday Night, Fox)

A bunch of middle-aged celebs are put through special forces training and are ridiculed when they drop out. Telling 50-somethings Stephen Baldwin and Denise Richards that they failed themselves by not completing the training feels a bit silly. Baldwin dropped out because he didn’t want to get hurt because it would cost him an acting job he had lined up. (As far as I can tell, that’s a totally understandable concern.) Richards was accused of being a princess because she didn’t want to drown. Unless the goal is to actually put together a unit of out-of-shape commandos, how about giving it a rest with the whole, “The Corp doesn’t want quitters!” routine?

St. Elsewhere (Hulu)

You can read my review here!

Welcome Back, Kotter (Prime)

You can read my review here!

A Blast From The Past: Cindy Goes To A Party (dir by Herk Harvey)

Posted on January 11, 2025 by Lisa Marie Bowman

In the 1955 short film, Cindy Goes To A Party, Cindy is upset because she hasn’t received an invitation to a party. Even her dumbass friend Dennis has been invited! Cindy’s mom assures Cindy that her invitation has probably just gotten lost in the mail. Consumed by ennui, Cindy goes to bed at 2 in the afternoon.

Cindy is visited by her fairy godmother who, with the help of her magic wand, transports Cindy to the party and then gives Cindy and Dennis a long list of rules to obey. For those of you who don’t have 9 minutes to watch this film and discover the rules for yourself, here they are:

Be Clean and Neat
Arrive on Time
Leave on Time
Join In The Games (even if the games are totally lame)
Don’t Be Noisy and Rough
Don’t Break Things
Don’t Tease or Make Fun of Others (even if Dennis kind of deserves it)
Obey the Rules of the Game
Be a Good Loser (this rule is specifically given to Dennis because it’s obvious Dennis will never have to worry about being a winner)
Be Considerate
Be A Good Winner (something that Dennis will never have to worry about)
Be Polite
Be Considerate of other (wait a minute, we just did that one)
Remember Your Table Manners
Leave On Time (again, we already did that one)
Thank Your Hostess

That’s a lot of rules! I think Cindy would have more fun just staying home.

This short film was one of the many educational films directed by Herk Harvey. Today, of course, Harvey is best known for directing the horror classic, Carnival of Souls.

Lisa Marie Reviews An Oscar Nominee: King Richard (dir by Reinaldo Marcus Green)

Posted on January 11, 2025 by Lisa Marie Bowman

The Slap.

Oh lord, the Slap.

I have to admit that I was hesitant about reviewing the 2021’s King Richard because the last thing that I wanted to do was talk about the moment that Will Smith slapped Chris Rock at the 2022 Oscar Ceremony. That moment has been talked about and written about to death. The last thing I want to do is rehash it but The Slap has actually overshadowed the Oscar that Smith won that night. As King Richard was specifically made to win Smith that Oscar, the Slap has become a part of the film’s story.

For those who need to be reminded, Chris Rock was brought out on stage to introduce the presenters for Best Documentary Feature. Rock did some material, which largely consisted of making jokes about the nominees in the audience. Myself, I actually remember being a bit annoyed when Rock started in with his jokes because the ceremony was already boring enough without having to spend however long listening to Chris Rock go on about how Penelope Cruz losing Best Actress meant that Javier Bardem would be in trouble if he won Best Actor. I had actually stopped paying attention when Rock made his now famous joke about Jada Pinkett Smith starring in G.I. Jane 2. I did not see Pinkett role her eyes at Will when Will laughed. I heard Rock say, “Uh-oh, here comes Richard,” but I initially missed the slap. I hard the audience gasp. I looked at the screen and I saw Smith yelling at Rock but the audio had been cut. I had to go on YouTube to see an unedited clip of what happened.

Making the moment even more awkward was the knowledge that Will Smith would soon win his first Oscar for King Richard. On Twitter, there were rumors that Smith had been escorted out of the theater but those turned out to be false. After Smith was announced as the winner for Best Actor, I sat there and thought, “Oh no, he’s going to invoke God, isn’t he?” Smith went on stage and promptly invoked God.

We all know what happened next. For two weeks straight, the Slap discourse was nonstop. Will Smith was described as being a bully, though I can only guess what we would have said about him if he hadn’t done anything in response. (“Would you slap Chris Rock if he made fun of me?” I asked Jeff at one point. Wisely, he promised he would.) A lot of people predicted that Will Smith would never work again which, in retrospect, was a pretty stupid thing to predict. America has forgiven its celebrities for a lot worse than just being a jackass at an awards ceremony. Smith’s career has recovered just fine. Quite frankly, no one is going to look at the trailer for a new Bad Boys or Men In Black movie and say, “But Will Smith slapped Chris Rock on national television.”

In the end, the most interesting thing about the Slap is that, before Chris Rock made that comment about Jada, the Oscars were supposed to be Will Smith’s greatest night. From the minute the first trailer for King Richard dropped, it was obvious that the film was going to be the one the won Will Smith an Oscar. It didn’t even matter whether or not he gave a good performance, though he does give a good one in the film. The Academy will often decide that it’s an actor’s time and it was obvious that was what had been decided as far as Will Smith was concrned. Will Smith had been a star for a long time. He had made a lot of people a lot of money. Before the Slap, the public perceived him as being a likable and goofy guy. It was time to reward him. From the start of 2021, everyone knew that Will Smith would be getting his Oscar. For The Academy, it was also a chance to make up for not nominating him for his adequate if not particularly memorable performance 2015’s Concussion. Smith not getting nominated for that film was often (incorrectly, I would argue) considered to be the starting point of the whole “#Oscarssowhite” movement. (Personally, I would say the movement’s roots could actually be traced to Ava Duvernay not being nominated for directing Selma.) Along with everything else, honoring Will Smith would be a way for the Academy to say, “See? We learned our lesson!”

Will Smith does give a good performance in King Richard, playing Richard Williams, the father of Venus and Serena Williams (played, respectively, by Saniyya Sidney and Demi Singleton). Smith does a good job of capturing both Richard’s stubbornness and his anger but, even importantly, he makes you believe that, as obsessed as he is with his daughters becoming champions, their will-being is still his main motivation and concern. Richard and his daughters may go from practicing on dangerous courts at night to practicing at an exclusive Florida training center but, through it all, Richard always looks after his daughters. Like 2024’s Saturday Night, this is a film where it’s important that the audience already knows what the future is going to hold for its main characters. The coaches played by Tony Goldwyn and Jon Bernthal may not agree with Richard’s decision to keep his daughters out of the juniors tournaments but those of us watching know that Richard’s right and, as a result, we’re on his side. Richard can be cantankerous and difficult. We understand why his wife (Aunjanue Ellis-Taylor) get frustrated with him. But, the important thing is that we know that he will be vindicated and Will Smith has such a likable screen presence that we root for Richard even when he’s acting like a jerk.

King Richard is not a bad sports films, though I do think there were other films more deserving of a Best Picture nomination in 2021. (The Tragedy of MacBeth comes to mind.) It’s unfortunate that Smith’s performance (which was so much better than his work in Concussion) will probably forever be linked to The Slap. As for the film itself, it lost Best Picture to another heartwarming film, CODA.

Silverado (1985, directed by Lawrence Kasdan)

Posted on January 11, 2025 by Jedadiah Leland

In the old west, a cowboy named Emmet (Scott Glenn) teams up with a reformed outlaw named Paden (Kevin Kline) and they bust Emmet’s wild younger brother, Jake (Kevin Costner), out of jail. After Mal (Danny Glover) helps the three of them escape from a posse, they all end up going to the town of Silverado, where all four of them have business. Emmett and Jake want to protect their sister from the corrupt son (Ray Baker) of a cattle baron who was previously killed by Emmett. Mal wants to save his sister Rae (Lynn Whitfield) from an evil gambler (Jeff Goldblum). Paden discovers that Cobb (Brian Dennehy), his former partner-in-crime, is now the sheriff of Silverado and working for the cattle barons. When Paden tries to protect the new settlers (including Rosanne Arquette), it leads to a confrontation with his former partner.

In the 80s, when he wasn’t directing films like The Big Chill and The Accidental Tourist, Lawrence Kasdan specialized in paying homage to the films of Hollywood’s golden age. He started his directorial career with Body Heat, a modern film noir. He worked on the screenplays of both Empire Strikes Back and Raiders of the Lost Ark. With Silverado, Kasdan tried to resurrect the western.

Silverado is a traditional western with a few modern touches, like casting Jeff Goldblum as a gambler and John Cleese as the sheriff who wants to execute Kevin Costner. Silverado also has more humor than a typical western, largely thanks to Kevin Kline. Silverado starts out as a comedy before turning serious and grim once the four heroes finally reach Silverado.

Kasdan’s love of the genre is obvious in every frame of Silverado but, in trying to tell multiple stories at once, the movie spreads itself too thin. I like that Kasdan tried to shake things up by casting actors who most people wouldn’t expect to see in a western but both Kevin Kline and Brian Dennehy seem miscast in their roles and their final confrontation never becomes the epic moment that it needs to be. Scott Glenn and Kevin Costner are far more believable in their roles. Danny Glover is also believable but his character is underused.

Silverado was obviously a labor of love for Kasdan and it shows that, if nothing else, Kasdan understood the appeal of the genre and the beauty of the wide open frontier. The movie has its flaws but fans of westerns will appreciate his effort.

Retro Television Review: Welcome Back Kotter 4.13 “A Winter Coat’s Tale”

Posted on January 11, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show can be purchased on Prime.

It’s Christmas time!

Episode 4.13 “A Winter Coat’s Tale”

(Dir by Norman Abbott, originally aired on December 16th, 1978)

This week’s episode opens with Vinnie Barbarino in his awful little apartment and the audience goes crazy. This episode, which aired a year after the release of Saturday Night Fever, makes full use of John Travolta and his charm. By the time the fourth season began, Travolta looked too old to still be in high school and, having become a movie star, he was only available for a limited number of episodes. This led to a weird compromise where sometimes Vinnie was apparently still a student at the school and then, in other episode, he was a drop-out who had gotten a job as an orderly at the hospital. To give credit where credit is due, John Travolta (along with John Sylvester White) appears to have been the only member of the cast who still making an effort during the fourth season. While the other Sweathogs all seemed to be bored and Marcia Strassman seemed to be annoyed and Gabe Kaplan wasn’t ever around most of the time, Travolta alone still seemed to to be the only cast member with any enthusiasm for delivering the show’s silly punchlines.

As for this episode, it’s a Christmas episode. Yay! I love holiday specials! This one is kind of a depressing Christmas episode because Gabe Kaplan is nowhere around. Seriously, how burned out do you have to be to not even make an appearance during a Christmas episode? I mean, the show was based on his stand-up act. He was the Kotter of the title. I’ve read that Kaplan was frustrated that the network refused to allow the Sweathogs to graduate high school. He understood that the actors were all getting too old for the high school storylines that they were being given. Kaplan’s idea was for the Sweathogs to graduate and enroll in community college. The network turned him down and, as a result, Kaplan only made a few appearance during the final season of the show he inspired.

Instead, in this episode, it’s Julie who is seen teaching in Gabe’s old classroom. I am really confused as to what Julie’s exact job was during season four. Previously, she’s been Woodman’s secretary. And occasionally, she’s acted like a guidance counselor. Now, suddenly she’s a teacher. The inconsistency of it is just annoying and again, it suggests that no one on the show really cared that much.

As for the episode’s plot, Vinnie bought himself a fake camel hair coat for Christmas. Unfortunately, during a fire drill, it got trampled. Vinnie tried to take it to a dry cleaner’s, just for it to be stolen by two muggers who Vinnie described as being “gorillas.” Later, the muggers returned the coat to Vinnie’s apartment and they turned out to be two kids. Vinnie, realizing that the kids had even less than him, gave them a coat for Christmas. Unfortunately, he accidentally gave them Woodman’s coat instead of his. Yes, Mr. Woodman and the Sweathogs were all visiting Vinnie’s apartment for Christmas. Poor Mr. Woodman. The episode confirmed that he had nobody in his life.

Usually, I like anything involving Christmas but this episode featured a bit too much Horshack (his Christmas poem made me want to throw away my laptop) and very little of the type of clever humor that made the first two seasons enjoyable. I think graduation would have been the best present this show could have given the Sweathogs.

Song of the Day: Leave Home by The Chemical Brothers

Posted on January 11, 2025 by Lisa Marie Bowman

Today’s song of the day better get you dancing!

The footage in the video below comes from a 1983 film called Koyaanisqatsi. That film featured a soundtrack by Philip Glass. The song is from The Chemical Brother’s first single off of their debut album, Exit Planet Dust.

STAKEOUT (1987) – Richard Dreyfuss and Emilio Estevez stakeout the beautiful Madeline Stowe!

Posted on January 11, 2025 by Bradley Crain

What were those years in your life where movies really became something special to you? I’d say mine began in around 1984 and extended all the way through about 1991, when I headed off to college and the realities of the world started kicking in. Our family got our first VCR around 1984, and this is when I first truly began to fall in love with the cinema. These are the years when I would spend every moment I could in our local video stores inspecting every film in their stock. So many of my favorite movies came out during this time and hold a sense of nostalgic value in my life even now. One of those movies is STAKEOUT, an action comedy from 1987 starring Richard Dreyfuss and Emilo Estevez.

STAKEOUT begins with Richard “Stick” Montgomery (Aidan Quinn) escaping from prison, where he has been sent for killing an FBI agent a year earlier. Enter Seattle police detectives Chris Lecce (Richard Dreyfuss) and Bill Reimers (Emilio Estevez). They are assigned to stakeout the home of Montgomery’s beautiful ex-girlfriend Maria (Madeleine Stowe). In order to listen to her phone conversations, Chris impersonates a telephone repairman and meets her when he goes into her home to install the “bugs.” As fate would have it, he runs into Maria again at the local grocery store when he’s gone out to buy some supplies and donuts. She asks him to give her a ride home when she discovers she has a flat tire on her bike. He reluctantly gives her a ride home, but once he’s there, he puts up her groceries, she makes him a spicy dinner, and then he not so reluctantly makes love to her… all while his partner Bill is across the street waiting for his donuts. As you might imagine, this complicates the entire situation. And meanwhile, “Stick” Montgomery keeps making his way Seattle and Maria’s house where he stashed his cash before going away to prison.

STAKEOUT is one of those movies that our family rented in the late ‘80’s, and I immediately fell in love with. It’s my favorite kind of movie, the buddy cop film. Richard Dreyfuss and Emilio Estevez have a really nice chemistry together, and they come across as old friends. Even though there’s quite a bit of violence, the movie has a playful streak that I enjoy. There’s a series of running gags where Chris and Bill play practical jokes back and forth with the cops who relieve them on the stakeout each day, played by Dan Lauria and Forest Whitaker. The movie even throws in a little self-referential humor. In order to relieve the boredom of the stakeout, Estevez’ character is asking Dreyfuss movie trivia questions. He asks him to identify the movie where the line “this is no boating accident!” is from! Dreyfuss’ character has no idea. These are fun moments for me.

Another thing I love about STAKEOUT is the presence of the gorgeous Madeleine Stowe, who was making her first major film appearance. Seeing the film for the first time as a teenager of 14 years old made me a fan of hers for life. I’m not saying the movie was made specifically for 14-year-old boys, but it certainly wasn’t trying to push us away with its ad campaign that prominently featured the lovely Ms. Stowe. I’ll also point out that Aidan Quinn is effective and intimidating as the escaped murderer Richard “Stick” Montgomery. The fact that his character really does seem dangerous helps to make the film even more exciting when everything finally comes to a head. Veteran Director John Badham has made some really good movies in his career, including SATURDAY NIGHT FEVER (1977), BLUE THUNDER (1983), THE HARD WAY (1991), and NICK OF TIME (1995), to name a few. He knows what he’s doing, and I really started following his work based on how much I enjoyed STAKEOUT.

As much as I enjoy STAKEOUT, it’s one of those movies I don’t hear that much about these days even though it was a substantial box office hit. There was a misguided sequel made in 1993, ANOTHER STAKEOUT, that brought back Dreyfus, Estevez, and director Badham. I remember watching the sequel in the 90’s, but I honestly don’t remember anything about it. One of the reasons I enjoy writing about movies is because it gives me an opportunity to share a part of who I am, the things I enjoy, and maybe even serve as a reminder to others of films like STAKEOUT. I don’t think of these movies often myself, but when I was looking at my DVD collection earlier today, I smiled when I saw it and happily pulled it off the shelf to watch it again for the first time in several years!

I’ve included the trailer below:

The TSL Grindhouse: Casablanca Express (dir by Sergio Martino)

Posted on January 11, 2025 by Lisa Marie Bowman

First released in 1989, Casablanca Express takes place during World War II.

The three leaders of the Allied nations — Franklin D. Roosevelt, Joseph Stalin, and Winston Churchill — are scheduled to meet in Casablanca to plan the Allied strategy for the next phase of the war. Churchill insists that he will take a train from Algiers to Casablanca, despite the danger that might put him in. Even though everyone advises him against it, Churchill is determined. He makes it clear that he will be traveling by train.

When Major Valmore (Jean Sorel), Colonel Bats (Donald Pleasence), and Maj. Gen. Williams (Glenn Ford) learn that the Germans are aware that Churchill will be on the train and that they will be sending their own intelligence agents to try to kidnap or even assassinate him, they assign three intelligence agents to travel with Churchill. The agents are Alan Cooper (Jason Connery), Captain Franchetti (Francesco Quinn), and Lt. Lorna Fisher (Jinny Steffan) and they are under orders to do whatever is necessary to protect Churchill’s life. Unfortunately, Cooper gets so busy chasing after a French double agent that he misses the train’s departure time. When Otto van Tiblis (Manfred Lehmann) makes his move to take over the train, it falls to Franchetti and Lorna to stop him. Despite their best efforts, they fail. Now, it appears that Churchill’s only hope is that Cooper will not only be able to reach the train but also defeat the army of Germans who have taken it over.

Directed by Sergio Martino, Casablanca Express is an Italian film that owes quite a bit to the legacy of writers like Ian Fleming and Jack Higgins. The plot to capture Churchill owes more than a bit to The Eagles Has Landed, right down to one of the film’s final twists and Donald Pleasence making a cameo appearance as an authority figure. Alan Cooper is a combination of James Bond and Indiana Jones. He’s just as comfortable in a suit and tie as he is riding a camel across the desert. Sergio Martino was one of the best directors of Italian genre films. He dabbled in everything, from giallo films to Hercules films to crime films to cannibal films to action films like this one. As a filmmaker, he was efficient and quick to get to the point. The action in Casablanca Express moves quickly. In fact, it moves so quickly that the audience often doesn’t have time to consider all of the plot holes. Martino knows better than to worry about authenticity. That’s not the type of film that Casablanca Express is.

The film stars Jason Connery and Francesco Quinn, the sons of Sean Connery and Anthony Quinn. They are both adequate in their roles, even though neither one of them has quite the screen presence of their famous fathers. Jason Connery is handsome and he looks good in a suit and Francesco Quinn looks good throwing a punch. That’s all that’s really required of them. Personally, my favorite character was Lorna Fisher, who fought the Nazis by distracting them with her legs. That would be my strategy as well so I’m glad to see that it worked here.

Casablanca Express was made at a time when the Italian film industry was going through a down period. Hence, the budget is low and the film can sometimes seem a bit rushed. But, all in all, it’s an entertaining B-action movie.