Late Night Retro Television Review: CHiPs 1.22 “Flashback!”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, the first season comes to a close!

Episode 1.22 “Flashback!”

(Dir by Michael Caffey, originally aired on April 1st, 1978)

When a recent graduate from te motor school joins the unit, he immediately rubs everyone the wrong way.  Brent Delaney (Joe Penny) may have graduated at the top of his class but, as Baker points out, he flunked public relations and everyone quickly tires of his holier-than-thou approach to policing.  Add to that, his father is a bigshot politician and everyone assumes that Delaney is just some rich kid who got the job through his connections.  Delaney’s arrogant and cocky attitude doesn’t do much to change that impression.

Fortunately, Baker and Ponch are both willing to look past Delaney’s cockiness.  In fact, they spend the majority of the episode remembering how, one day, a CHiP officer named Jon Baker met a cocky dirt bike rider named Ponch (Erik Estrada) and also how Baker talked Ponch into applying for a spot on the force.  No one gave Ponch much of a chance, largely because of his background as a juvenile delinquent and his friendship with a gang leader named Henry (Edward James Olmos).  But, soon, Ponch and Baker were patrolling the streets and rescuing two women who were trapped in a car that they accidentally drove into a swimming pool.  Ponch proved himself.  Will Delaney?

Yes, this a flashback episode but, interestingly enough, most of the flashbacks appear to have been shot specifically for this episode.  (There were two clips that I recognized as coming from the show’s pilot but the rest of the flashbacks appeared to be original.)  The flashbacks don’t play out in a chronological order, either.  Instead, they are somewhat randomly triggered by Ponch or Baker hearing an engine backfiring or spotting some person on a bike.  This episode comes as close as one can to answering the question of what a cop show directed by Nicolas Roeg would look like.

As for Delaney, he eventually proves his worth when he takes down a group of bikers who were stealing CHP motorcycles.  (One of the bikers is played by John Furey, who is best-known for playing Paul in Friday the 13th Part II.)  It’s a pretty good thing that Delaney caught those guys, seeing as how his motorcycle was one of those that was stolen.  Having proven himself, Delaney is welcomed into the CHP.  Even the formerly skeptical Grossman and Bear end up shaking his hand and telling him that he did a good job.  Way to go, Delaney!  I imagine we’ll never see him again.

And so ends the first season of CHiPs.  It was a fun season.  There was nothing particularly challenging about any of the first 22 episodes but the scenery was gorgeous and some of the chase scenes were exciting.  That’s really all you can ask for with a show like this.  Though I understand that Larry Wilcox and Erik Estrada did not particularly like each other, that wasn’t obvious during the first season.  In fact, even Estrada’s tendency to overact was nicely paired with Wilcox’s tendency to do the opposite.  For the first season at least, they came across like legitimate partners and friends.

Next week, we start season 2!

Monday Live Tweet Alert: Join Us For Easy Money!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

After we finish up this week’s #MondayActionMovie on Mastodon, we will be hopping over to twitter where #MondayMuggers will be showing 1983’s Easy Money!  The film is on Prime and Tubi and it starts at 10 pm et!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Truth or Dare on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then switch over to twitter, pull Easy Money up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!

Retro Television Review: Miami Vice 2.10 “Bought and Paid For”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, things get bleak.

Episode 2.9 “Bought For Paid For”

(Dir by John Nicolella, originally aired on November 29th, 1985)

This is a dark episode.

It opens with Gina’s friend, a Haitian immigrant named Odette (Lynn Whitfield), being attacked and raped in Gina’s apartment.  The rapist is easily identified as Nico Arroyo (Joaquim de Almeida), the sociopathic son of a Bolivian general (Tomas Milian) who has been exiled to Miami after a failed coup attempt.  Odette used to work as a maid in the general’s Art Deco mansion and Nico is obsessed with her.

Gina is able to convince Odette to testify against Nico but then the general brings Odette’s mother to America and offers her a good deal of money in return for Odette agreeing to testify that the encounter with Nico was consensual.  Because her family is poor and desperately needs the money, Odette agrees.  With the charges dropped,  Nico goes to Odette’s home and kills her.

Gina goes to the general’s mansion and confronts Nico, knowing that it will lead to him trying to attack her in her apartment.  When Nico shows up, he’s carrying a switchblade but he drops it as soon as he sees that Gina has a gun.  Gina shoots him dead.

Watching this show, one gets the feeling that being a supporting player on Miami Vice could be a thankless task.  Switek, Zito, Trudy, and Gina are in every episode but they rarely get to do much.  This week Gina gets to have a moment and Saundra Santiago makes the most of it.  This episode exists in the shadow of the first season’s Give A Little, Take A Little, in which Gina was raped by Burt Young and, at the end of the episode, shot him dead as well.  At one point, when Sonny is arguing that Gina needs to accept that Odette is not going to press charges against Nico, Gina says that he knows why she can’t do that.  Later, after Odette dies, Gina fears that, because of her own experience, she may have pushed Odette too hard.  In the end, Gina shoots and kills an unarmed man, just as she did in Give A Little, Take A Little.  It’s a ruthless move but both of the men were scum who totally deserved it.  It’s hard not to appreciate the idea of Gina serving as Miami’s version of Ms. 45.

As I said at the start of this review, this is a dark episode.  Nico’s father committed war crimes in Bolivia but now he’s remade himself as a respectable member of Miami society.  Nico and his father live in a fabulous mansion and Nico spends his day lounging by the pool.  Meanwhile, Odette struggles day-to-day and is essentially sold out by her own mother.  (One of the things that gives Nico away as the rapist is the fact that Sonny recognizes the smell of his extremely expensive — and apparently rather pungent — cologne on Odette’s clothes.)  Nico feels that he can do whatever he wants to Odette because he’s rich and  she’s “bought and paid for.”  The system fails and Gina is forced to put her life at risk to get some sort of justice for Odette.  This is Miami Vice at its bleakest.  The world under all of the glitz and glamour is a dark one.

There is one funny moment though.  Gina and Sonny go out to a club with Tubbs and Odette.  Sonny watches Tubbs dance with Odette and he starts laughing.  And he simply can’t stop.  It feels like such a spontaneous moment that I have to wonder if it was scripted or if Don Johnson really did think Philip Michael Thomas was just a terrible dancer.

Next week, a figure from Crockett’s past resurfaces in Miami.  Maybe Castillo can give him so advice on how to deal with that.

Monday Live Tweet Alert: Join Us for Truth or Dare? A Critical Madness!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Truth or Dare?  A Critical Madness, from director Tim Ritter!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Truth or Dare on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Late Night Retro Television Review: Degrassi Junior High 2.13 “Pass Tense”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

The second season of Degrassi Junior High comes to a close with a historic episode!

Episode 2.13 “Pass Tense”

(Dir by Kit Hood, originally aired on March 28th, 1988)

The school year is nearly over and it’s time for the 8th Grade to graduate.  Next year, they will all be going to high school except …. well, they won’t.  Even while Stephanie and the Farrell Twins are making fun of the 7th Graders for having to do all the work to prepare for the big graduation dance, word comes down from the district that, starting next year, Degrassi Junior High will have a Grade 9.  Even though most of the show’s characters are set to graduate and go to High School, they’ll still be attending classes at Degrassi Junior High next season school year.

(The official story is that the high school was overcrowded so adding a Grade 9 to Degrassi was the only option.  The truth, of course, is that the show got popular and was renewed for a third season and the show’s producers didn’t want to lose 75% of their cast.)

However, one eighth grader will not be “graduating.”  Joey Jeremiah has flunked! Oddly, Joey passed his final exams but, as Raditch puts it, he only scraped by and Raditch feels that Joey is too smart to only be scraping by.  Mr. Raditch called Joey’s parents and told them that Joey could either go into the 9th Grade and be put in a low-academic program or he could repeat the 8th Grade and hopefully mature a little.  Joey’s parents agreed that Joey should be held back.  “Flunk our son!” they apparently said.

(To be honest, this seems like kind of an unfair move on the part of Mr. Raditch and I’m not really sure how Joey can be held back after passing all of his exams.  It seems rather arbitrary.)

At first, Joey declares that he’s not going to go to the graduation dance, even though the Zit Remedy is scheduled to make their public debut.  Wheels confronts Joey and tells him that he’s smart and that he owes it to his friends to show up.  Wheels gets a bit judgmental, all thing considered.  Joey is being held back on the whims of Mr. Raditch so Joey really has every right to be mad.  Aren’t there any lawyers in Canada who can sue the school on Joey’s behalf?

(Add to that, I always smile a bit whenever Wheels gets judgmental of anyone.  Hey, Wheels, Joey’s not the one who is destined to go to prison for killing someone while driving drunk.)

Joey eventually does show up at the dance, apparently having been convinced that his friends won’t be laughing at him behind his back.  (From what we see, everyone is supportive.  I guess they’re just nicer in Canada.)  Greeting Snake and Wheels, Joey takes a moment to flirt, for the first time, with Caitlin, who is destined to become the love of his life.  He then says that he’s ready to perform.  This leads to a historic moment as the Zit Remedy takes the stage for the very first time.  They perform their one and only song, the deathless Everybody Wants Something.

Everybody wants something

They’ll never give up

Everybody wants something

They’ll take your money

And never give up

Finally, Spike, who is allowed to attend the dance after not being allowed to attend class, goes into a labor as the episode’s end credits roll.  This is a huge moment, both because Spike is giving birth to Emma Nelson, who will be the lead character for the first few seasons of Degrassi: The Next Generation.  A running joke on DTNG would be Emma’s hatred of Everybody Wants Something so, for me, it was kind of fun to watch this episode and discover that this was the last song Spike listened to before giving birth.

(Speaking of Degrassi: The Next Generation, I had to smile at just how much Joey freaked out about getting held back.  DTNG was infamous for using the flimsiest of excuses to keep its more popular characters from graduating on time.  Ashley, Jimmy, Spinner, and a host of others were all held back.  Spinner was actually held back twice.)

And so ends the second season of Degrassi Junior High.  The second season was great and this finale did everything that a good finale is meant to do.  It wrapped up two major storylines while also hinting at what the future held.  It also gave Pat Mastroianni, Neil Hope, and Amanda Stepto a chance to show how much all three of them had developed as actors since the show’s first season. Mastroianni especially did a good job as Joey realized that his year of goofing off and not trying had finally caught up with him.  That said, I still think he needs to sue both the school and Mr. Raditch.  He probably needs to get emancipated from his parents as well.  What type of mother or father says, “Flunk my child?”

Next week, we start season 3!

Lisa Marie’s Week In Review: 4/8/24 — 4/14/24


On Monday, I spent 20 minute staring straight at the sun.

Before anyone freaks out, there was actually a lot of cloud cover so my eyes were protected.  I mean, I don’t think my eyesight has gotten any noticeably worse over the last few days.  The important thing is that I got to watch the solar eclipse.  It was a beautiful moment, standing in my backyard as the afternoon suddenly went dark.  A few minutes later, I experienced the world lighting back up.  I’m glad I was able to witness it.

Here’s what I read, watched, and listened to this week.

Films I Watched:

  1. After Shock (1990)
  2. All-American Girl: The Mary Kay LeTourneau Story (2000)
  3. Back to School (1986)
  4. Berlin Correspondent (1942)
  5. The F.B.I. Girl (1952)
  6. For My Daughter’s Honor (1996)
  7. The Glass House (1972)
  8. Indict & Convict (1974)
  9. The Love Boat: Happily Ever After (2022)
  10. The Man I Married (1940)
  11. Mary Jane Harper Cried Last Night (1977)
  12. Pink Floyd: Live in Venice (1989)
  13. Pink Floyd: Live at Pompeii (1972)
  14. Shadows In An Empty Room (1976)
  15. Shattered Innocence (1988)
  16. Silent Predators (1999)
  17. Stations of the Elevated (1981)
  18. X: The Unheard Music (1986)

Television Shows I Watched:

  1. 1775
  2. Abbott Elementary
  3. Baywatch Nights
  4. Chaser
  5. Check It Out!
  6. CHiPs
  7. Degrassi Junior High
  8. Fantasy Island
  9. Friday the 13th: The Series
  10. Highway to Heaven
  11. Law & Order
  12. The Love Boat
  13. The Masters Tournament
  14. Miami Vice
  15. Monsters
  16. Night Flight
  17. T and T
  18. Unlocked: A Jail Experiment
  19. Welcome Back, Kotter

Books I Read:

  1. The Women (2024) by Kristin Hannah

Music to Which I Listened:

  1. Adele
  2. Adi Ulmansky
  3. Armin van Buuren
  4. Britney Spears
  5. Charli XCX
  6. The Chemical Brothers
  7. Coldplay
  8. David Bowie
  9. Dillon Francis
  10. ELO
  11. Eva X
  12. Lenny Kravitz
  13. Lindsey Stirling
  14. Olivia Rodrigo
  15. Pink Floyd
  16. Robert Koch
  17. Rolling Stones
  18. Sabrina Capenter
  19. Saint Motel
  20. Twenty One Pilots
  21. Van Morrison

Live Tweets:

  1. After Shock
  2. Shadows In An Empty Room
  3. Back To School
  4. Silent Predators

News From Last Week:

  1. Eleanor Coppola Dies At 87
  2. Music Producer Rico Wade Dies
  3. Artist Trina Robbins Dies At 49
  4. Actor Ron Thompson Dies At 83
  5. O.J. Simpson Dies
  6. OJ Simpson to be cremated and no plans to donate brain to science, lawyer says
  7. Here Is The Official Cannes Line-Up!

Links From Last Week:

  1. An Evening with John Cleese and “The Holy Grail” at the Florida Film Festival
  2. Tater’s Week in Review 4/12/24
  3. Thomas Jefferson and a Concrete Jungle Update
  4. “Hard-Boiled Hospitals!” Haunted Houses And Hoosiers Too! “Cinema A – Z” Has The “H” Factor!

Links From The Site:

  1. Leonard shared the trailer for Maxxxine!
  2. I reviewed Degrassi Junior High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, Monsters, 1775, Highway to Heaven, T and T, Friday the 13th: The Series, Welcome Back Kotter, and Check It Out!
  3. I reviewed The Man I Married, Berlin Correspondent, Chaser, and All-American Girl!
  4. I shared my week in television!
  5. I shared a music video from Robert Koch and a song from Pink Floyd!
  6. I shared scenes from A Field In England, Breathless, and Red Dawn!
  7. I paid tribute to Ward Bond and John Milius!
  8. Jeff reviewed Streets of Ghost Town, Phantom Valley, Law of the Canyon, 3 Desperate Men, and Cyclone Fury!
  9. Jeff shared music videos from FireHouse, Slayer, Cinderella, W.A.S.P., Megadeth, and Pantera!
  10. Erin shared Untitled, Breezy Stories, Knockout Magazine, Adventure, Strange Friends, Rogues and Lovers, and Hollywood Love Romances!
  11. Erin shared the Covers of Submarine Stories!

More From Us:

  1. At Days Without Incident, Leonard shared music from Nine Inch Nails!
  2. At my online dream journal, I shared Last Night’s Long and Weird Dream!
  3. At my music site, I shared songs from Sabrina Carpenter, Lindsey Stirling, Van Morrison, Adele, Olivia Rodrigo, Twenty One Pilots, and Eva X!
  4. At her photography site, Erin shared Path, Bus Stop, Horses on a Fence, Together, Paw Prints In The Snow, Camera Shy, and Midday!

Click here for last week!

Retro Television Review: All-American Girl: The Mary Kay Letourneau Story (dir by Lloyd Kramer)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 2000’s All-American Girl: The Mary Kay Letourneau Story!  It  can be viewed on YouTube.

In 1996, a 34 year-old teacher named Mary Kay Letourneau decided that she had fallen in love with someone who was not her husband.

A 34 year-old deciding that they are no longer happy in their marriage and subsequently deciding that that they’ve found love with someone else is hardly an unusual or even surprising occurrence.  What made Mary Kay Letourneau’s case a national scandal was that the person that she decided that she was in love with was a 12 year-old student named Vili Fualaau.  Mary Kay started her affair with Vili when she was his sixth grade teacher.  When she was arrested and charged with two counts of second-degree rape of a child, Letourneau was pregnant with Vili’s child.  Even after being arrested, Letourneau insisted that she and Vili were soulmates.  After giving birth to Vili’s child, Letourneau was sentenced to six months of prison and somehow managed to avoid having to register as a sex offender.  After serving her sentence, Letourneau was promptly arrested again with Vili and was sent back to jail, where she gave birth to Vili’s second child.

All-American Girl opens with Mary Kay Letourneau (Penelope Ann Miller) in jail, insisting that everything that happened between her and Vili was consensual and that their love is real.  The majority of the film is shown in flashbacks.  Some of those flashbacks deal with Mary Kay, her husband (Greg Spottiswood), and Vili (Omar Anguiano).  Watching the flashbacks, I couldn’t help but notice that the film really did seem to be on Mary Kay’s side, to an almost ludicrous extent.  Her husband is portrayed as being a soulless sociopath, even before Mary Kay starts sneaking around with Vili.  As for Vili, he is presented as being the one who initiated his relationship with Mary Kay, flirting with her in class and comforting her when she starts crying in a school hallway.  The actor playing Vili looked, acted, and sounded considerably older than just 12 years old.  At times, he appeared to be nearly as old as Penelope Ann Miller.  And I’ll admit that it’s totally possible that Vili could have looked older than his age and maybe he did have a surprisingly mature vocabulary.  But still …. he was 12 years old!  Apparently, Letourneau cooperated with the film’s producers and that’s pretty obvious from the first minute we see Vili giving Letourneau a wolfish smile in the 6th grade.

The flashbacks dealing with Letourneau’s childhood are a bit more interesting, if just because Letourneau was the daughter of a congressman who ran for president in 1972.  (One of her brothers served in the first Bush White House.  Another served as an advisor to the 2016 Trump campaign.)  At one point, she taunts a group of protestors that have gathered outside of her family’s home and her father praises her courage.  The film hints that it was the twin traumas of her brother’s death and the discovery that her beloved father had fathered two children with a mistress that led to Letourneau’s subsequent instability.  Perhaps that’s true, though I think the film is a bit too eager to accept that as an all-purpose explanation.

You may have guessed that I had mixed feelings about this film.  Penelope Ann Miller gave an excellent performance as Mary Kay but the film’s attempts to portray May Kay as being even more of a victim that Vili were undeniably icky.  

As for the real Mary Kay, she married Vili four years after being released from prison.  They separated a year before Mary Kay died in 2020.  Their relationship inspired several films, most recently May/December.