Late Night Retro Television Reviews: Monsters 1.13 “Glim-Glim”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

This week, humanity screws everything up.

Episode 1.13 “Glim-Glim”

(Dir by Peter Stein, originally aired on February 4th, 1989)

This is Glim-Glim.

Glim-Glim was flying his spaceship over Earth when he lost control and crash-landed in a small town in the Midwest.  Within a week of Glim-Glim’s arrival, almost everyone in the town was dead as the result of a terrible virus, a disease to which Glim-Glim had immunity but most humans did not.  Glim-Glim set up a force field around the town in order to keep the virus from escaping and killing any more humans.  Unfortunately, the force field can only stay powered for so long.  Setting himself up in the local library, Glim-Glim is doing research and looking for a cure.

The cure might be found in the blood of the only three townspeople who haven’t died, Carl (Brian Fitzpatrick), Carl’s unnamed friend (Mark Hofmaier), and the friend’s daughter, Amy (Jenna Van Oy).  The survivors have also set themselves up in the library.  Unfortunately, only Amy understands that Glim-Glim has come in peace and wants to save humanity.  Her father and Carl, on the other hand, are determined to track down Glim-Glim and destroy him.

Oh, humanity!  We really are our own worst enemy, aren’t we?  At least, that’s the theme of this week’s episode of Monsters, in which Carl and his friend are so determined to kill the invader that they don’t realize that they are risking the future of the entire human race.  While the rest of the world celebrates Christmas and has no idea that extinction is looming, Carl and Amy’s Dad stalk the one creature who can save the world.  Glim-Glim sadly writes in his journal that he won’t be able to live with himself if he’s responsible for wiping out the world’s population.  Only Amy understands that Glim-Glim is good but no one will listen to her because she’s young.

This episode had a definite Twilight Zone feel, with its message that the greatest threat to humanity comes not from outer space but instead from humanity itself.  That said, I can kind of understand why Carl and his friend are so quick to assume the worst about Glim-Glim.  They’ve just watched everyone they know die a horrible death and all they know is that it happened as the result of an alien visitor.  Because there’s a language barrier, there’s no way for Glim-Glim to explain himself and Carl assumes the worst because he’s just been through an extremely traumatic experience.  The episode ends on a dark note, one that practically begs for Rod Serling to pop up and remind us that a lesson learned too late is not much help.

Despite the fact that Glim-Glim looked kind of silly, this was an effective and atmospheric episode.  It was a bit heavy-handed but, with barely 22 minutes available to tell a story about an alien invasion and the possible destruction of the human race, that’s to be expected.  All extraterrestrials should be as kind-hearted as Glim-Glim.

Retro Television Reviews: The Love Boat 3.23 “Another Time, Another Place/Doctor Who/Gopher’s Engagement”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Maureen McCormick returns to The Love Boat!

Episode 3.23 “Another Time, Another Place/Doctor Who/Gopher’s Engagement”

(Dir by Allen Baron, originally aired on March 1st, 1980)

Mrs. Elliott (Audrey Meadows) boards this week’s cruise with a very specific mission in mind.  She wants to find a husband for her daughter, Celia (Maureen McCormick).  Mrs. Elliott, whose husband owns a good deal of stock in the cruise line, at first eyes Doctor Bricker as a possible suitor for her daughter, despite the fact that the doctor is considerably older than Celia and has been divorced multiple times.  However, Celia is far more charmed by Gopher, who asks Celia to dance when Julie points out how miserable Celia looks at the ship’s Charleston night.

Celia is charmed by Gopher and, when he accidentally gives her a ring that he’s been carrying around in his pocket, she assumes that he’s asking her to marry him.  (The ring was actually lost by another passenger and Gopher was just carrying it around until he could put it in the lost-and-found.)  Celia says yes and suddenly, Gopher is engaged!  Mrs. Elliott is not happy about this, as Gopher is only an assistant purser.  As for Gopher, he tries to get out of the engagement by having Isaac tell Celia that Gopher’s a drunk.  This only makes Celia even more determined to marry Gopher (so she can “save” him) and this also gets Gopher in trouble with the Captain who, as the show sometimes remembers, is a recovering alcoholic.

Fortunately, Isaac eventually tells Celia the truth about what’s going on.  Celia is surprisingly forgiving, returning the ring and announcing that she and Gopher will always be good friends.  Celia also finds the strength to tell her mother to let her live her own life.  Mrs. Elliott is okay with this, because she has another daughter who needs a husband and Doc is still single.

This was a storyline that depended too much on everyone involved acting like an idiot.  Those are my least favorite stories.  But, just as with last week, Fred Grandy got to show off his tragic clown qualities and Maureen McCormick was so convincing in her role that it was hard not to suspect that perhaps she related to a character who was tired to everyone assuming that they knew what was best for her and her life.

Speaking of storylines that required everyone to act like an idiot, this episode also featured Bert Parks as Dr. Michael Mervey, a noted sex therapist.  Dr. Mervey boards the ship under an assumed named and tells the Captain that he just wants to relax and not have anyone asking him for any help with their problems or asking him to autograph his book.  However, Evelyn Miller (Phyllis Davis) has heard a rumor that Dr. Mervey is on the boat so she boards with the intention of tracking him down and seducing him.

The only problem is that Evelyn doesn’t know what Dr. Mervey looks like.  (I find that hard to believe, considering how famous Dr. Mervey is supposed to be.)  When she hears Isaac refer to another passenger (Arte Johnson) as being a “doctor,” Evelyn assumes the passenger must be Dr. Mervey.  But instead, he’s just Wilfred Johnson (Arte Johnson), a nerdy nuclear physicist.  At first, Dr. Johnson pretends to be Dr. Mervey but when the real Dr. Mervey inevitably spots Evelyn and starts to hit on her, the truth comes out.  Evelyn dumps Wilfred.  Feeling guilty, Dr. Mervey tries to give them a therapy session.  Neither wants to listen to Dr. Mervey but they do still realize that they actually love each other.  Wilfred and Evelyn leave the cruise arm-in-arm and Mervey pats himself on the back for a job well-done.

Again, this plot was way too dependent on everyone acting like an idiot.  That said, Bert Parks made me laugh as the self-important Dr. Mervey.

Finally, Jane Wyman stars as Sister Patricia, a nun who is heading to Acapulco to be a teacher.  When she discovers that her ex-boyfriend, Steve Brian (Dennis Morgan), is on the cruise, she is forced to reconsider her decision.  In the end, she decides to follow her calling but she tells Steve that they’ll be reunited in another time and another place.  When Stubing comforts Steve, Steve replies that, “if” there’s a Heaven, they’ll be reunited.

Uhmm…. Steve, if there is a Heaven, it’s probably not full of agnostics.  Just saying.

Anyway, this was a simple story and I could tell where it was going to go from the first minute the Steve greeted Patricia on the boat but it worked because of the old school charm of Dennis Morgan and Jane Wyman.  These two Hollywood veterans knew just how to best embrace the melodrama.

Thanks to Wyman and Morgan, this was a pleasant cruise.  Hopefully, next week will be just as pleasant.

Music Video of the Day: All Dressed Up by Hazel English, featuring Day Wave (2022, dir by Hazel English and Jackson Phillips)


Today’s music video has a dream-like and somewhat ominous atmosphere to it.  Watching this video, you get the feeling that you’re watching a world that’s on the verge of ending.

Enjoy!

Late Night Retro Television Reviews: Baywatch Nights 1.7 “Pressure Cooker”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, an detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on Youtube!

This week, Mitch, Ryan, and Lou are held hostage!

Episode 1.7 “Pressure Cooker”

(Dir by Gus Trikonis, originally aired on November 11, 1995)

Episode seven of Baywatch Nights opens with Mitch and Garner, once again, whining about their job.  They have been hired to work undercover in a fried chicken restaurant that has been robbed five times.  Garner wears a chicken costume and greets the customers.  Mitch works in the kitchen.  This is not the type of work that Mitch and Garner had in mind when they decided to become part-time private investigators.

In his opening voice over, Mitch says that sometimes, you have to do what you have to do to pay your bills.  Here’s the thing, though.  Mitch is a lifeguard.  He’s not just a lifeguard but he’s one of the top lifeguards in California.  So, no, he doesn’t need to work as a private eye to pay his bills.  I don’t care how much Mitch complains about the job.  I think he just secretly enjoys working as a cook in a fast food restaurant.  And good for him, if that’s the case!  Myself, I like fried chicken and I respect anyone who cooks it for a living.

Eventually, the scummy Sosa brothers show up at the restaurant and try to rob the place.  Garner and Mitch are able to stop the robbery but they only manage to capture one brother, Manny Sosa (Cliff Dorfman).  Duke (Joseph Spencer) and Nick Sosa (Rich Werner) escape.

Later, Duke and Nick show up at Nights, which is the nightclub that doubles as the office of the detective agency.  Because it’s the afternoon, Nights is not open to general public but that doesn’t stop Duke and Nick from taking Mitch, Ryan, and Lou Raymond (Lou Rawls) hostage.  (Lou is the owner of Nights.  Despite the fact that Lou Rawls was prominently featured in the opening credits of each episode, this is only his second appearance on the show.)  Duke demands that Manny be released from prison or he’s going to start shooting hostages!

While they wait out the situation, Lou plays the piano and sings a song while Duke dances with Ryan.  Meanwhile, Garner waits outside the club with the police and the press.  Eventually, reporter Stormy Walters (Sandra Dee Robinson) is invited to enter the club with her crew so that she can interview Duke and get some footage of him dancing with Ryan.  Garner puts on a fake beard and pretends to be Stormy’s sound guy.

As soon as Mitch sees Garner, he nudges Ryan and says, “It’s Garner!”  Even though Mitch whispers, it still seems like a reckless thing to point out when there’s two gun-toting maniacs in the club.  Fortunately, the Sosa brothers are pretty stupid so Mitch, Garner, and Ryan are able to give them a beat down.  Unfortunately, before the situation is resolved, both Lou and Garner are shot but, apparently, not seriously.

This episode …. eh.  As I’ve said elsewhere on this site, I am just not a fan of shows about hostage situations.  As soon as the Sosa brothers show up at the club, the narrative momentum comes to a grinding halt and all that’s left is 30 minutes of sweaty losers pointing guns at people and shouting.  It gets a little boring.  As well, the Sosas were so stupid that, even when they were shooting people, it was difficult to take them seriously as dangerous criminals.  They were just idiots.

Next week, we get the origin story as we learn how Mitch and Garner came to work with Ryan in the first place!

Retro Television Reviews: Fantasy Island 4.6 “With Affection, Jack the Ripper/Gigolo”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

This week, Fantasy Island is full of gigolos and harlots!

Episode 4.6 “With Affection, Jack The Ripper/Gigolo”

(Dir by Michael Vejar, originally aired on November 29th, 1980)

“Here comes a real wimp!” Tattoo declares as Stanley Hocker (Ken Berry) stumbles off of the airplane.

Roarke rolls his eyes at Tattoo’s rudeness but then goes on to admit that most people would consider Stanley to be a bit of a wimp.  Stanley is shy and awkward and he wears dorky clothes and he’s never had much success with romance.  Stanley’s fantasy is to become a gigolo.

“Good luck!” Tattoo says.

Roarke doesn’t need luck when he can get just give Stanley a magical bracelet that once belonged to Don Juan.  As soon as the bracelet appears on Stanley’s wrist, Stanley is suddenly confident, cool, and much better dressed.

“I’m not a turkey anymore!” Stanley declares, “I’m a hunk!”

Soon, every woman on the Island is attracted to Stanley.  However, a trip to the Fantasy Island singles bar, leaves Stanley with a large bar tab.  It turns out that Roarke may have given Stanley the bracelet but he didn’t give him any extra money.  The bill is paid by another gigolo, Monty (Lyle Waggoner).  In return for his help, Monty requests that Stanley seduce the wealthy Jessie De Winter (Carolyn Jones) so that Monty can make a move on Jessie’s niece, Dina (Meredith McRae).

Of course, Stanley falls in love with Dina but she’s the only woman on the Island who is not impressed with his gigolo style.  Stanley finally agrees to remove the bracelet and sacrifice his fantasy so that he can approach Dina as his true self.

While this is going on, Jack the Ripper is stalking Fantasy Island!  Yikes!

It’s all the fault of Lorraine Peters (Lynda Day George).  Lorraine has developed a theory that Jack the Ripper was actually a surgeon named Dr. Albert Z. Fell (Victor Buono, rarely speaking but often dramatically rolling his eyes).  Lorraine’s fantasy is to go back to 1880s London to find proof of her theory.  Despite some reservations, Roarke gives Lorraine her fantasy.  Lorraine steps through a time door and finds herself in London.  She manages to find Dr. Fell’s office and a diary in which Fell has written about his hatred of “harlots.”  However, Dr. Fell also finds the time door, steps through it, and is soon on Fantasy Island!

Upon discovering that history’s most infamous murderer is now stalking the Island, Roarke sends Tattoo out to let everyone know that they need to stay inside.  Of all the people that Roarke could send, it’s interesting that Roarke selected the person least likely to survive if he was caught by Jack the Ripper.  Seriously, there are a lot of athletic guys on Fantasy Island and any one of them could have beaten up the rather portly and middle-aged Jack the Ripper.  Instead of asking one of them to look for the killer, Roarke sends Tattoo.  Even in a moment of crisis, Roarke is always looking for a way to get rid of his assitant.

Fortunately, Dr. Fell is too busy trying to kill Lorraine and her boyfriend, Robert (Alex Cord), to waste any time on Tattoo.  Dr. Fell chases Lorraine all across the island.  Lorraine leads Fell back through the time door and Fell is promptly run over by a carriage in London.  Lorraine returns to the present and tells Mr. Roarke that she’s decided not to reveal the truth about Dr. Fell because …. well, I don’t know why.

Despite some lapses in logic, the Jack the Ripper story was actually really entertaining.  There was nothing subtle about Victor Buono’s performance but it was still exactly what the story needed.  Lynda Day George was appearing in films like Pieces and Mortuary when she appeared in this episode and she puts that horror experience to good use.  The scenes in London were atmospheric and the idea of Jack the Ripper on Fantasy Island was intriguing, even if the episode didn’t do as much with the idea as it could have.  The superior Jack the Ripper fantasy and the silly but inoffensive gigolo fantasy combined to make this an enjoyable trip to Fantasy Island.

Here Are The 2023 DiscussingFilm Critics Awards!


Here are the 2023 nominations of the DiscussingFilm Critics Awards!  The winners will be announced on January 6th!

BEST PICTURE
All Of Us Strangers
Anatomy Of A Fall
Barbie
Killers Of The Flower Moon
May December
Oppenheimer
Past Lives
Poor Things
Spider-Man: Across The Spider-Verse
The Zone Of Interest

BEST DIRECTOR
Martin Scorsese – Killers Of The Flower Moon
Todd Haynes – May December
Christopher Nolan – Oppenheimer
Yorgos Lanthimos – Poor Things
Jonathan Glazer – The Zone Of Interest

BEST ACTRESS
Sandra Huller – Anatomy Of A Fall
Teyana Taylor – A Thousand And One
Lily Gladstone – Killers Of The Flower Moon
Greta Lee – Past Lives
Emma Stone – Poor Things

BEST ACTOR
Andrew Scott – All Of Us Strangers
Zac Efron – The Iron Claw
Bradley Cooper – Maestro
Cillian Murphy – Oppenheimer
Colman Domingo – Rustin

BEST SUPPORTING ACTOR
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Robert De Niro – Killers Of The Flower Moon
Charles Melton – May December
Robert Downey Jr. – Oppenheimer

BEST SUPPORTING ACTRESS
Rachel McAdams – Are You There God? It’s Me, Margaret.
Danielle Brooks – The Color Purple
Da’Vine Joy Randolph – The Holdovers
Julianne Moore – May December
Emily Blunt – Oppenheimer

BEST INTERNATIONAL FILM
Anatomy Of A Fall
The Boy And The Heron
Fallen Leaves
Godzilla Minus One
Monster
Perfect Days
Society Of The Snow
The Taste Of Things
Totem
The Zone Of Interest

BEST ENSEMBLE
Barbie
The Color Purple
Killers Of The Flower Moon
Oppenheimer
Poor Things

BEST ORIGINAL SCREENPLAY
Anatomy Of A Fall
Barbie
The Holdovers
May December
Past Lives

BEST ADAPTED SCREENPLAY
All Of Us Strangers
American Fiction
Killers Of The Flower Moon
Oppenheimer
Poor Things

BEST CINEMATOGRAPHY
Killers Of The Flower Moon
Maestro
Oppenheimer
Poor Things
Saltburn

BEST ORIGINAL SCORE
The Boy And The Heron
Killers Of The Flower Moon
Oppenheimer
Poor Things
Spider-Man: Across The Spider-Verse

BEST COSTUME DESIGN
Barbie
The Color Purple
Killers Of The Flower Moon
Poor Things
Priscilla

BEST PRODUCTION DESIGN
Asteroid City
Barbie
Beau is Afraid
Oppenheimer
Poor Things

BEST FILM EDITING
Anatomy Of A Fall
John Wick: Chapter 4
Killers Of The Flower Moon
Oppenheimer
Poor Things

BEST SOUND
Killers Of The Flower Moon
Maestro
Oppenheimer
Spider-Man: Across The Spider-Verse
The Zone Of Interest

BEST MAKEUP AND HAIRSTYLING
Barbie
Guardians of the Galaxy Vol. 3
Maestro
Oppenheimer
Poor Things

BEST ORIGINAL SONG
“I’m Just Ken” – Barbie
“What was I Made For” – Barbie
“Road To Freedom” – Rustin
“Peaches” – The Super Mario Bros. Movie
“Camp Isn’t Home” – Theater Camp

BEST VISUAL EFFECTS
The Creator
Godzilla Minus One
Guardians of the Galaxy Vol. 3
Oppenheimer
Poor Things

BEST DOCUMENTARY FEATURE
American Symphony
Beyond Utopia
Four Daughters
Still: A Michael J Fox Movie
20 Days in Mariupol

BEST ANIMATED FILM
The Boy And The Heron
Elemental
The Peasants
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST DEBUT FEATURE
American Fiction
A Thousand And One
Past Lives
Rye Lane
Talk To Me

BEST BREAKTHROUGH PERFORMANCE
Abby Ryder Forston – Are You There God? It’s Me, Margaret.
Dominic Sessa – The Holdovers
Charles Melton – May December
Cailee Spaney – Priscilla
Sophie Wilde – Talk To Me

BEST STUNT ENSEMBLE
Dungeons & Dragons: Honor Among Thieves
Extraction 2
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One

BEST INDEPENDENT FILM
A Thousand And One
How To Have Sex
Passages
Past Lives
Skinamarink

BEST COMEDY
Barbie
Bottoms
Dream Scenario
The Holdovers
Poor Things

BEST HORROR FILM
Evil Dead Rise
Saw X
Scream VI
Skinamarink
Talk To Me

Oppenheimer Wins In Nevada (Again)


On the 23rd, the Nevada Film Critics Society announced their picks for the best of 2023!  Appropriately, given that he left the state with a glowing reputation, Oppenheimer was named Best Picture.

Here are the winners!

Best Film – Oppenheimer
Best Actor – Bradley Cooper (Maestro)
Best Actress – Emma Stone (Poor Things)
Best Supporting Actor – Robert Downey Jr. (Oppenheimer)
Best Supporting Actress – Julianne Moore (May December)
Best Director – Christopher Nolan (Oppenheimer)
Best Original Screenplay – The Holdovers (David Hemingson)
Best Adapted Screenplay – Oppenheimer (Christopher Nolan, Kai Bird & Martin Sherwin)
Best Documentary – 20 Days in Mariupol
Best Animated Movie – Robot Dreams
Best Production Design – Barbie (Sarah Greenwood)
Best Cinematography – Oppenheimer (Hoyt van Hoytema)
Best Visual Effects – The Creator