This music video from the German group Scorpions has an old west theme that fits the song well. Send Me An Angel is Scorpions at their most soulful and showed audiences outside of Germany that the band was capable of much more than just singing about being rocking you like a hurricane.
This song was included on Scorpions’s 11th studio album, Crazy World. It was the 4th and final single to be released off the album and it went on to become one of Crazy World‘s signature tunes. While the song peaked at #44 at the U.S. Billboard Hot 100 and at #22 in the UK, it was a huge hit for the band in the rest of Europe. It was especially popular in Belgium, proving once again that Belgians just have better taste in music than the rest of the world.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1996. The entire show is currently streaming on Tubi!
Ah, Fantasy Island!
There have been several versions of FantasyIsland. In the late 90s, there was a version that featured Malcolm McDowell as the somewhat aloof owner of the island. More recently, there was a movie that featured Michael Pena as the owner of the Island and which tried to turn the whole thing into a horror franchise. It wasn’t very good. And right now, there’s a show on Fox that features Roselyn Sanchez as the grand niece of the island’s original owner. The Fox series is about to start its second season. It’s a bit silly, which is why I kind of love it.
And then there’s the Fantasy Island that started it all, the Aaron Spelling-produced series that ran from 1977 to 1984 on ABC and which has lived on in reruns and on streaming platforms like Tubi. Both the original series and all of its subsequent spin-offs took place on a mysterious tropical island where people would pay to live out their fantasies. In the original series, the island was run by Mr. Roarke (Ricardo Montalban), who wore a white suit and encouraged everyone to smile whenever the guests arrived. Serving as Mr. Roarke’s second-in-command was Tattoo (Herve Villechaize), who was 3’11, always wore a matching white suit, and announced the arrival of the plane by ringing a bell and shouting, “The plane, the plane!” Of course, each week would bring in a different group of guest stars. They would come to the island with a fantasy and, hopefully, they would learn that reality was the only fantasy that they needed.
All seven seasons of the original Fantasy Island are currently streaming on Tubi. However, if you want to see the 1977 pilot film that started it all, you have to go to YouTube.
In many ways, the 90-minute pilot film feels like a typical episode of Fantasy Island. It’s interesting to see that the show’s basic premise and format was already set in stone when the pilot was filmed. (Pilots are notorious for often being dramatically different from the shows that they were created to sell.) The pilot opens with the plane arriving (and yes, from the start, Tattoo rings the bell and shouts, “The plane!”) and three guests meeting Mr. Roarke. Our three guest stars are Bill Bixby, Hugh O’Brian, and Eleanor Parker. Bixby plays Arnold Greenwood, a former war correspondent who wants to be reunited with Francesca (Sandra Dee), the woman with whom he fell in love during World War II. O’Brian is Paul, a famous big game hunter who wants to be hunted for once. Eleanor Parker is Eunice Hollander Barnes, one of the world’s richest women. She wants to fake her death so she can see who, from her life, would actually mourn her and who would just try to steal her fortune.
If the pilot’s format is the same as the series that followed, the general tone is somewhat different. Mr. Roarke is an almost sinister figure, one who doesn’t really seem to think much of his guests and who is quick to point out that no one gets a fantasy until they’ve paid him the required $50,000. (That’s $50,000 in 1970s money. I have to admit that when Mr. Roarke first mentioned how much the fantasies cost, I was like, “Hey, I could afford this place!”)
Consider the story of the hunter. Paul wants to be hunted because he’s suicidal. His real fantasy is to die. The night before Paul’s fantasy is to begin, Michelle (Victoria Principal) shows up at Paul’s room. Michelle explains that Mr. Roarke has hired her to provide Paul with companionship during the night. Unfortunately, Michelle ends up handcuffed to Paul and, as a result, she’s hunted along with him! Now, you could argue that Mr. Roarke did this to teach Paul to think about someone other than himself. But what if Paul hadn’t learned the lesson? Then Michelle would be dead too! What would Mr. Roarke do then? Just have Tattoo dump the bodies in the lagoon? “To hell with you, Roarke!” Paul yells and who can blame him?
And then there’s our war correspondent, Arnold. Arnold’s fantasy seems simple enough but then it turns out that the reason he lost contact with Francesca is because he murdered her! As a result of his fantasy, Arnold not only relives the first time he met Francesca but also how their relationship ended. The entire experience leaves Arnold laughing like a madman as his sanity slips away.
As for Eunice’s story, it’s pretty stupid. She dresses up like a maid so that she can listen to what people have to say about her once they think she’s dead. It’s like an episode of Undercover Boss. At least former Kennedy in-law Peter Lawford makes an appearance as Eunice’s husband. Eunice ends up far less traumatized than either Paul or Arnold but she still had to fake her death to come to peace with her life.
The pilot is entertaining. One can understand why it would lead to a series. The island is lovely to look at. Even with the somewhat sinister tone of two of the stories, it’s still impossible to watch the pilot without wondering what type of fantasy you would pursue if you went to the Island. For me, that’s always been the main appeal of all of the various versions of Fantasy Island. Still, it’s interesting that the fantasies themselves are less comforting than what I think many would expect on account of the show’s reputation. For all the criticism that Blumhouse received for their reinterpretation of Fantasy Island, they were not the first to imagine Mr. Roarke as being somewhat less than benevolent. Of course, when the actual series started, Mr. Roarke was a far friendlier host.
Next week, the series begins and hopefully, no further guests are traumatized to the point of catatonia.
In this music video for Playground Twist, Siouxsie and the Banshees show that, despite it’s fearsome reputation, punk rock could be just as fun as any school playground song. The children who appeared in this video probably had no idea that they were dancing with the woman who Bill Grundy was attempting to hit upon when Steve Jones of the Sex Pistol called him a “dirty sod” on live British television. The British tabloids labeled this exchange and the entire interview between Grundy and the Sex Pistols as being “the filth and the fury.”
This was one of several videos that Clive Richardson did for Siouxsie and the Banshees. He also directed videos for several other groups that were a prominent part of the New Wave scene, including Depeche Mode, Tears for Fears, and Adam and the Ants.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000. The entire show is currently streaming on YouTube!
Hang Time! I’ll always remember my friends at Hang Time!
Imagine California Dreams if it took place in Indiana and if, instead of music, everyone was obsessed with basketball. That’s Hang Time!
Produced by Peter Engel, Hang Time followed the adventures of the Deering High School basketball team. Somewhat notoriously, the cast regularly changed from season to season, with only two members of the cast sticking with the show for every season. The first season featured:
David Hanson as Chris Atwater, the star of Deering High’s basketball team,
Daniella Deutscher as Julie Connor, the newest member of the team,
Chad Gabriel as Danny Mellon, the quirky member of the team who had a crush on Julie,
Megan Parlen as Mary Beth Pepperton, the materialistic head cheerleader who was dating Chris,
Robert Michael Ryan as Earl Hatfield, the dumb country boy who loved basketball and worked as a mall security guard,
Christian Belanvis as Michael Maxwell, who had a lot of talent and an ego to match,
Hillary Tuck as Samantha Morton, the hyper organized team manager,
and
Reggie Theus as Bill Fuller, a former pro player who returned to his old high school to coach the team.
Season one of Hang Time also had an absolutely horrid theme song, one that was luckily abandoned after the season ended.
Episode 1.1 “The Pilot”
(Directed by Howard Murray, Originally aired on September 9th, 1995)
Oh my God, this was bad….
I mean, pilots are usually bad because the characters aren’t as nuanced as they will later be and the initial storyline usually tries to hard to establish everyone’s role in the show’s hierarchy. Veteran retro television viewers know better than to expect anything good from an episode with the dreaded title of “The Pilot.”
That said, the pilot of Hang Time was really, really bad. The show itself was never exactly good but it did eventually develop an oft-kilter charm. But none of that charm is present in the first episode of the show.
Julie Connor (Daniella Deutscher) transfers to Deering High and tries out for the school’s basketball team. A girl playing basketball!? GASP! Anyway, Julie turns out to be a slightly above average basketball player and wins a place on the team and …. well, that’s about it. It would probably seem like more of an accomplishment if it appeared that there was any real competition when it came to getting on the team. Instead, only a handful of people seem to be interested in playing basketball and at least a few of them seem to be …. well, kind of short.
I understand that Reggie Theus was a former basketball player-turned-actor. Judging from this pilot, as an actor, he was a very good athlete.
Episode 1.2 “Trouble in Paradise”
(Directed by Howard Murray, Originally aired on September 16th, 1995)
“You should be home, baking a Cake!” a drunk basketball fan yells at Julie when she and Chris attend a pro basketball game. Julie challenges the jerk to a game. Chris tries to maintain calm. Unfortunately, it gets both Julie and Chris on TV, which leads to Mary Beth and Danny getting jealous.
Bleh. This was a dumb episode. Mary Beth, who doesn’t care about basketball, was the only character to whom I could relate.
The first two episodes of Hang Time felt like California Dreams, without the music. Hang Time would eventually develop a style of its own, with Megan Parlen especially proving herself to be a capable comedic actress. But that style really isn’t present in much of the first season.
Next week: The Deering Tornadoes finally play a game!
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy birthday to one our favorite directors, the great Werner Herzog! It’s time for….
8 Shots From 8 Werner Herzog Films
Fata Morgana (1971, dir by Werner Herzog, DP: Jörg Schmidt-Reitwein)
Aguirre The Wrath of God (1972, dir by Werner Herzog. DP: Thomas Mauch)
The Enigma of Kaspar Hauser (1974, dir by Werner Herzog, DP: Jörg Schmidt-Reitwein)
Heart of Glass (1976, dir by Werner Herzog, DP: Jörg Schmidt-Reitwein)
Stroszek (1977, dir by Werner Herzog, DP: Thomas Mauch)
Nosferatu The Vampyre (1979, dir by Werner Herzog, DP: Jörg Schmidt-Reitwein)
Fitzcarraldo (1982, dir by Werner Herzog, DP: Thomas Mauch)
Bad Lieutenant: Port of Call New Orleans (2009, dir by Werner Herzog, DP: Peter Zeitlinger)
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #MondayActionMovie, we are watching 1996’s Downdraft! Selected and hosted by @RevMagdalen, Downdraftstars Vincent Spano and Kate Vernon in a story about computers and the damage that they do! While the trailer below is in German, the film itself is Canadian. That’s how you know it’s going to be good!
Following #MondayActionMovie, I will be filling in for my friends Brad and Sierra (who are on vacation this week) and guest hosting the #MondayMuggers live tweet. We will be watching the original Rollerball, starring the great James Caan as a future athlete who is forced to choose between the comfort of selling out or the freedom of …. well, freedom. It’s a classic sci-fi film, one that is more relevant today than ever. We start at 10 pm et. Here’s the trailer:
It should be fun and I invite all of you to join in. If you want to join us, just hop onto twitter, start Downdraft at 8 pm et, and use the #MondayActionMovie hashtag! Then, at 10 pm et, start Rollerball and use the #MondayMuggers hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy. And reviews of these films will probably end up on this site at some point this week.
Downdraft can be found on YouTube while Rollerball is available on both Prime and Tubi!
Smashing Detective Stories was a pulp detective magazine that ran from 1951 to 1956. It featured the the usual crime-smashing stories of detectives and criminals but what was really smashing about Smashing Detective Stories were the covers. The covers were about as pulpy as you can get!
Below is a sampling of the covers of Smashing Detective Stories. For all but one of them, the artist is unknown. The cover for the September, 1954 issue has been attributed to Norman Saunders and it would not surprise me if he was responsible for at least some of the others as well.
Charlie Brown, Snoopy, Linus, Lucy and the rest of the Peanuts gang never did a special about Labor Day. I’m sure that if they had, it would have been the only special that we would have ever needed to understand this holiday. It would have been a September perennial, as important to the year as It’s The Great Pumpkin, Charlie Brown and A Charlie Brown Christmas. Unfortunately, we never got It’s The Labor Beagle, Charlie Brown and Linus never got to explain the turn meaning of Labor Day.
Instead, the ultimate Labor Day scene comes from one of my favorite movies, Office Space. If you’ve ever worked in an office, you can relate to this scene.