The Visual Effects Society Honors Mank, Soul, and The Midnight Sky


About three days ago (yes, I’m late in sharing this), the Visual Effects Society announced their picks for the best visual effects of 2020!  And here they are:

Outstanding Visual Effects in a Photoreal Feature
JINGLE JANGLE: A CHRISTMAS JOURNEY
PROJECT POWER
TENET
THE MIDNIGHT SKY
THE WITCHES

Outstanding Supporting Visual Effects in a Photoreal Feature
DA 5 BLOODS
EXTRACTION
MANK
NEWS OF THE WORLD
WELCOME TO CHECHNYA

Outstanding Visual Effects in an Animated Feature
ONWARD
OVER THE MOON
SOUL
THE CROODS: A NEW AGE
TROLLS WORLD TOUR

Outstanding Animated Character in a Photoreal Feature
DIE KÄNGURU-CHRONIKEN; Kangaroo
JINGLE JANGLE: A CHRISTMAS JOURNEY; Don Juan Diego
THE ONE AND ONLY IVAN; Ivan
THE WITCHES; Daisy

Outstanding Animated Character in an Animated Feature
ONWARD; Dad Pants
OVER THE MOON; Chang’e
SOUL; Terry
THE SPONGEBOB MOVIE: SPONGE ON THE RUN; SpongeBob

Outstanding Created Environment in a Photoreal Feature
BLOODSHOT: Neuralspace
MULAN; Imperial City
THE EIGHT HUNDRED; 1937 Shanghai Downtown
THE EIGHT HUNDRED; Shanghai Warehouse District

Outstanding Created Environment in an Animated Feature
ONWARD; Swamp Gas
SOUL; You Seminar
TROLLS WORLD TOUR; Techno Reef
TROLLS WORLD TOUR; Volcano Rock City

Outstanding Virtual Cinematography in a CG Project
GHOST OF TSUSHIMA; A Storm is Coming
SOUL
THE MANDALORIAN; The Believer
THE MANDALORIAN; The Siege

Outstanding Model in a Photoreal or Animated Project
THE MANDALORIAN; Boba Fett’s Ship
THE MANDALORIAN; The Rescue; Light Cruiser
THE MIDNIGHT SKY; Aether
THE WITCHES; Rollercoaster

Outstanding Effects Simulations in a Photoreal Feature
BLOODSHOT
GREYHOUND
MONSTER HUNTER
MULAN
PROJECT POWER

Outstanding Effects Simulations in an Animated Feature
ONWARD
OVER THE MOON
SOUL
TROLLS WORLD TOUR
THE WILLOUGHBYS

Outstanding Compositing in a Feature
GREYHOUND
MULAN
PROJECT POWER
UNDERWATER

VES Lifetime Achievement Award
PETER JACKSON

VES Award for Creative Excellence
ROB LEGATO, ASC

Artwork of the Day: Love Cult (by Bernard Safran)


by Bernard Safran

The book is from 1953 but the theme of polygamous love cults is timeless. He’s probably the most clean-cut cult leader that I’ve ever seen. I guess his other wife is just standing outside the barn, waiting for him to get done whatever he’s going to do. William Vaneer was a pseudonym for Harry Wittington. This book was later republished, in 1964, under Wittington’s name.

This cover was done by Bernard Safran, who did several paperback covers but who is best known for his many paintings and photographs of life in New York.

Music Video of the Day: Cambodia by Kim Wilde (1981, directed by Brian Grant)


Kim Wilde having Vietnam War flashbacks is not something you necessarily expect but that’s the concept behind the video for Cambodia and it worked well enough for the video to become an early success on MTV. It’s hard for me to watch this video without thinking about Martin Sheen tearing up his hotel room at the start of Apocalypse Now.

This video was directed by Brian Grant and it feels like a prequel to the video that he would direct, a year later, for Duran Duran’s Hungry Like The Wolf.

Enjoy!

Film Review: Operation Varsity Blues: The College Admissions Scandal (dir by Chris Smith)


In Operation Varsity Blues, Matthew Modine plays Rick Singer, the real-life “college admissions consultant” who was one of the many people involved in the 2019 College Admissions scandal.

Singer was the former basketball coach who helped the rich and famous get their children into the right Ivy League schools. As the film shows (and as you probably already know), he did this by faking test scores, faking athletic activities, and often arranging for money to exchange hands. The film not only features Modine and others actors acting out the actual conversations that Singer was taped as having with his wealthy clients, it also features interviews with a few of Singer’s acquaintances and with the various journalists who covered the scandal. It’s a documentary with dramatic recreations.

And that’s fine. Modine does a good enough job portraying Rick Singer, playing him as essentially being a sleazy salesman who knew exactly what to say to the parents who were desperate to get their child into a prestigious university. (The film reveals that Singer would often lie to his clients, brainwashing them into believing that there was no way their children would be able to get into USC or Harvard without his help.) Unfortunately, with his gray hair and, his nervous smile, Matthew Modine as Rick Singer bares an odd but definite resemblance to the great Eric Roberts and, as I watched Operation Varsity Blues, I found myself thinking about how great it would be to see a film in which Eric Roberts did play Rick Singer. (I mean, seriously, Singer just seems like a perfect Eric Roberts role.) That may sound like a petty complaint but it does get at a bigger issue. Operation Varsity Blues is 100 minutes long but, despite its slightly different narrative format, it still doesn’t tell us anything that we couldn’t have learned from all of the other documentaries and dramatic adaptations based on the college admissions scandal. Even with the reenactments and the chance to hear Singer’s own words, Operation Varsity Blues still doesn’t tell us anything new about the scandal or why it happened. If nothing else, Eric Roberts and his neurotic screen presence would have put a new spin on a now-familiar story,

To be honest, the hybrid, docudrama format actually works against the film. On the one hand, you’ve got the real people telling their story in talking head interviews. But every time you start to get into their stories, the film cuts away to a reenactment and the film goes from being a documentary to being a low-budget Matthew Modine film. The film would have worked better if it had chosen to be either a documentary or a drama. By trying to be both, the end result is a movie that often seems disjointed and leaves you still feeling as if you haven’t actually gotten the entire story.

Finally, Lori Loughlin and her husband are featured in the documentary, though only in news footage. At one point, it’s revealed that after their daughter was accepted to USC, her high school guidance counselor called the college to tell them that Olivia Jade was never on her school’s rowing team, regardless of what her application said. Apparently, Lori and her husband got very angry about the counselor doing this and you know what? They had every right to be pissed off. Why is a guidance counselor trying to keep one of his students from getting into a good college? I mean, how was it really any of his business to begin with? That’s something that I would have liked to have seen explored in a bit more detail. Instead, the film just hurries along to another reenactment of Rick Singer explaining how to cheat on the ACT. (I’m still amazed that people spent that much money to do something as easy as cheat on a standardized test. I mean, it’s not that difficult.)

Unfortunately, the entire film is like that. It raises some interesting points but it ultimately leaves you frustrated by its refusal to do anything more than scratch the surface.

Film Review: BMX Bandits (dir by Brian Trenchard-Smith)


Bicyclists!

Oh, don’t even get me started on people who ride bicycles. Don’t get me wrong. I own a bicycle. I like to ride my bicycle occasionally, though only in the park and never in the street. They’re good exercise. They’re good for the environment, I guess. They don’t kill as many people as cars do, I assume. That said, professional bicyclists — and by that, I mean the ones who don’t even own a car — drive me crazy.

Don’t even pretend that you don’t know what I mean. You’re trying to drive to work or the grocery store or maybe you’re just taking a nice drive to clear your head. You’re tapping on the accelerator. You’re going over 60 mile per hour because there aren’t any cops around. Everything’s just fine and then suddenly …. you get stuck behind some jerk on a bicycle. He’s got his helmet on. He’s got his tight little bicycle shorts and his fluorescent shirt. He’s peddling along, all hunched over and with his ass up in the air, like that doesn’t make him look like a total idiot.

And then, you have to slow down. You’re have to be careful that you don’t accidentally run him over. You have to watch his arms because his stupid little bicycle doesn’t have a goddamn turn signal or a brake light. When you reach a red light, he sits there on his bike with one hand on his hips and the other hand holding up his little water bottle, from which he drinks as if he’s spent the past week in a desert. And you’re left to wonder why this guy is even here, riding his bicycle down a busy street that doesn’t even have a bicycle lane. The worst part of it is the smug look of satisfaction on his face as he looks back at your car and thinks, “I may be inconveniencing everyone but at least I’m making a difference.”

Considering my anti-bicyclist feelings, I may not have been the ideal audience for the 1983 Australian film, BMX Bandits. Fortunately, though, the teenager bikers in this film were all extremely fast and very stunt-orientated. These bikers weren’t interested in using their bikes as a symbol of moral superiority. Instead, they were more about using them to jump over shopping carts and to ride across the beaches of Sydney. One of the bikers was played by a 16 year-old Nicole Kidman and she managed to bring at least a hint of reality to even the most absurd pieces of dialogue.

That’s a good thing because BMX Bandits is, even by the standards of a bicycle film from the early 80s, is a thoroughly absurd film. A group of bank robbers lose a box of walkie talkies. Three BMX bike enthusiasts find the box. This leads to a long chase through Sydney, as well as a sort of bizarre counter attack launched by hundreds of teenage BMX bike owners. The bank robbers don’t stand a chance! That said, I’m not really sure why, since the movie opened with them successfully robbing a bank, they couldn’t have just purchased a new box of walkie talkies. Interestingly enough, the police also spend a lot of time listening to walkie talkies, which can only lead me to believe that walkie talkies were a really huge deal back in 1983. This film is fascinated by them, to the extent that a more appropriate title for the film might have been Law & Order: Walkie Talkie Squad.

Anyway, what can you really say about something like BMX Bandits? It’s such a silly film that it’s almost impossible to review because to take it seriously is to miss the point. The villains are buffoons. The plot makes no sense. Nicole Kidman’s good, though you still only really notice her because you know what audiences in 1983 did not know, that she’s future Oscar winner Nicole Kidman. At the same time, the scenery is lovely and there’s an extended scene that takes place in a cemetery that has some nice atmosphere even if it does go on a bit too long. There’s not really a lot to be said about BMX Bandits but at least it won’t slow down traffic.

Artwork of the Day: The Adulterers (by Harold W. McCauley)


by Harold W. McCauley

This “nightstand” book was originally published in 1960. “Andrew Shaw” was a pseudonym for Lawrence Block. This was his second nightstand book. He later went on to become a very successful writer of crime thrillers and detective novels.

As for the cover, I’m sure that we’re looking at that big hat. Is she cheating with Zorro? This cover was done by Harold McCauley.

Music Video of the Day: It Hit Me Like A Hammer by Huey Lewis and the News (1991, directed by Nigel Dick)


Huey Lewis & the News were a band who epitomized the early to mid-80s and their music videos played a large part in MTV’s initial popularity. Unfortunately, by the time 1991 rolled around, the band and its style of music was being overshadowed by the growing popularity of both rap and grunge. It Hit Me Like A Hammer was the band’s final top 40 hit in the United States. One of the cool things about Huey Lewis and the News is that, in contrast to a lot of other bands trying to make the transition from the 80s to the 90s, they didn’t change their sound. Huey didn’t start trying to rap. The band didn’t start wearing flannel and covering the Pixies. Instead, they remained who they were, a rocking and unpretentious bar band who wrote songs for people looking to have a good time.

This video was directed by Nigel Dick, who is one of those music video directors who worked with everyone and who still works with everyone. At last count, he has directed over 500 videos.

Enjoy!

Preview : “American Cult”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

This isn’t my usual custom, but since I collaborated with Mike Freiheit on the story “Walk A Mile In My Shoes : A Jonestown History” (I wrote it, he drew it) in editor Robyn Chapman’s new Silver Sprocket-published anthology American Cult, I thought I’d shamelessly plug it here and, of course, encourage all of you to order it. I’ll have more to say about it on my Patreon in fairly short order, I would guess, but for now I’ll regale you all with some sample art pages from the book and the publisher’s official promotional text. I’ll resume regular programming (that being reviews, naturally) with my next post, I promise, but hey, this is the first comic I’ve been a part of as a creator, so I hope you don’t mind indulging me a bit — and I also hope you’ll consider supporting this very worthy project.

A graphic…

View original post 240 more words

Angelina Jolie and Taylor Sheridan team up in the Those Who Wish Me Dead trailer


When it comes to writing, anyone who’s watched either Sicario, Hell or High Water or Yellowstone know that Taylor Sheridan’s a force to be reckoned with. The Sons of Anarchy alum has a pretty good track record. With his latest, Those Who Wish Me Dead, he’s also working in the Director’s chair, his first film since 2017’s Wind River.

Whether it’s onscreen or through activism, Academy Award Winner Angelina Jolie (Girl, Interrupted , Maleficent) always maintains a powerful presence. Jolie’s performance mixed with Sheridan’s script should prove to be really interesting. Based on Michael Koryta’s book, Jolie plays a forest firefighter who finds herself protecting a small child on the run. The film also stars Nicholas Hoult (The Favourite), Jon Bernthal (The Accountant), Tyler Perry (Gone Girl), Aiden Gillen (King Arthur: Legend of the Sword) and Finn Little (Angel of Mine).

Those Who Wish Me Dead is part of the WB’s Same Day Premieres, meaning that HBO Max subscribers can watch the film when it’s released on May 14, or in theatres.