Music Video Of The Day: Blood Makes Noise by Suzanne Vega (1992, directed by Nico Beyer)


Blood Makes Noise was the 2nd single to be released from Suzanne Vega’s underrated 1992 album, 99.9F°.  Vega is a performer that deserved to be a bigger star than she was.  If you’re the right age, you remember Tom’s Diner but otherwise, I don’t feel like she ever got the type of success and recognition that she really deserved.

This video was directed by Nico Beyer, a German director who has worked extensively in advertising and who also directed music videos for The Verve, The Pet Shop Boys, They Might Be Giants, and others.

Enjoy!

Here’s The Teaser For Nomadland!


Back in 2018, director Chloe Zhao was quite rightfully acclaimed for her quietly beautiful film, The Rider.

Full of haunting images of the western landscape, The Rider was a character study of a rodeo rider struggling to recover after a serious accident.  It was a poignant and affecting film, one that made you cry while steering clear of all of the usual cliches.  Though the film was ignored at the Oscars, it still picked up several awards from the critics groups.

When 2020 began, Chloe Zhao had two movie scheduled to be released.  One was Marvel’s Eternals, a big-budget MCU film that sounds like it’s basically the antithesis of The Rider.  The other is Nomadland, which stars Frances McDormand as a woman who, having lost her job and her home, travels the country in search of employment.  Based on a nonfiction book, Nomadland sounds like it will continue to explore the themes that Zhao first examined in The Rider.

As a result of COVID-19, both films were briefly in limbo.  Eternals was eventually rescheduled for February of next year.  Nomadland is set to premiere at both the Venice and Toronto Film Festivals this Friday.  It’s scheduled to get a theatrical release on December 4th and Searchlight Film is expected to push the film for Oscar consideration.

Here’s the teaser, which features Frances McDormand doing a lot of walking:

Here’s The Trailer For Ben Wheatley’s Rebecca!


Ben Wheatley is one of the most interesting directors working today.  As I’ve stated many times, I consider A Field In England to be one of the best films of the last ten years.

Wheatley’s next film is going to be an adaptation of Daphne du Maurier’s classic gothic tale, Rebecca!  Alfred Hitchcock adaptation of du Maurier’s novel was named the Best Picture of 1940.  Wheatley’s version has been described as a “modern” updating of the classic story.

Rebecca will be released on Netflix on October 21st and it will star Lily James, Armie Hammer, and Kristin Scott Thomas in the roles that were previously played by Laurence Olivier, Joan Fontaine, and Judith Anderson.  Here’s the trailer:

Wedlock (1991, directed by Lewis Teague)


This HBO film opens with a shot of an urban skyline and a title card that reads “somewhere in the future.”  However, the city looks like a present-day city and the cars don’t fly and all of the clothing is 90s fashionable and the people in the movie use pay phones.  Since Wedlock was made in 1991, I guess the movie takes place in … 1992?  Maybe 1993.

Frank (Rutger Hauer), Noelle (John Chen), and Sam (James Remar) are professional thieves who have just managed to make a big score.  They’ve stolen several million dollars worth of diamonds.  Unfortunately, Sam tripped an alarm during the theft so Frank had to make off with the diamonds.  After he hides them, Frank goes to the rendezvous point to meet up with Sam and Noelle.  His partners betray him, shooting Frank and, after discovering that he doesn’t have the diamonds him, leaving him for dead.

However, Frank survives.  He ends up getting sent to Camp Holliday, a prison run by Warden Holliday (Stephen Tobolowsky, who you’ll recognize as Ned Ryerson from Groundhog Day). The Warden explains that his prison is more progressive than most.  Not only is the prison co-ed but prisoners are allowed more freedom to move around.  The only catch is that all the prisoners wear an explosive dog collar.  Each prisoner has a randomly selected mate, someone to whom they are wedlocked, if you will.  Move more than 100 yards away from your partner and boom!  Both collars go off and two prisoners end up losing their heads.

The Warden wants to know where the diamonds are hidden so he sets about torturing Frank (who has been given the prison name of Magneta) but he soon discovers that it won’t be easy to break Frank Warren.  Even after Frank gets locked in a sensory deprivation tank, he just laughs and says the diamonds are with Santa at the North Pole.  Another prisoner, Ivory (Mimi Rogers) approaches Frank and says that she’s figured out that she’s his partner.  She wants to escape and she needs Frank to come with her.  But can Frank trust her and, if she’s wrong, won’t both of their heads explode?  Then again, who in the near future of the 1990s would turn down a chance to run off with Mimi Rogers?  Meanwhile, Frank’s partners are waiting for him to escape from the prison so that they can follow him to wherever the diamonds are located.

Though the plot may be ludicrous, Wedlock works because it has a good cast (even Danny Trejo has a small role) and it was directed by Lewis Teague, who started his directorial career under Roger Corman and who has always understood how to put together a good B-movie.  The prison scenes are more interesting than the scenes that take place in the outside world but the exploding head effects are cool and Rutger Hauer, James Remar, and Mimi Rogers are always enjoyable to watch no matter what they’re doing.

Music Video of the Day: Wake Me Up by Avicii (2013, dir by Mark Seliger and C.B. Miller)


I’m sharing this video in memory of Avicii, who would have been 31 years old today and whose talent was taken from us far too early.

This video tells the story of two sisters, outsiders in their village who find a new and better home.  The older sister is played by Kristina Romanova while the younger sister is played by Laneya Grace.  It’s a song and a video that epitomizes everything that made Avicii such a special talent.  In the end, the sisters find a better life.  They wake up, as hopefully everyone will have a chance to do at some point in their existence.

Rest in peace, Tim Bergling.

The Song Remains The Same (1976, directed by Peter Clifton and Joe Massot)


The Song Remains The Same is a concert film that features one of the world’s greatest bands giving one of their worst performances.

Shot over three nights in Madison Square Garden in 1973 (with additional footage later being filmed on a sound stage designed to look like Madison Square Garden), the film features Led Zeppelin sounding tired and bored.  Robert Plant asks, “Does anyone remember laughter?” during Stairway to Heaven while the legendary Jimmy Page has a look on his face like he already knows that, at some point in the future, he’s going to end up playing back-up to Sean Combs on Saturday Night Live.  Even John Bonham’s drum solo seems self-indulgent and uninspired.  Meanwhile, John Paul Jones’s clothing changes from shot-to-shot, a reminder that Jones was the only member of the band not to wear the same thing during all three nights of shooting.  The film looks bland and the soundtrack doesn’t capture the Zeppelin sound.  Instead, it sounds muddy, to the extent that those not already familiar with Led Zeppelin will wonder what the big deal is.

The good news is that you can dislike The Song The Remains The Same and still be a Led Zeppelin fan.  The band reportedly hated the film, feeling that it captured them at their worst.  Robert Plant, who unsuccessfully tried to get the infamous “Does anyone remember laughter?” line removed from the film, called the film “bollocks” while John Paul Jones called it a “massive compromise.”  In 1976, when the film was first released, Jimmy Page told New Musical Express, “The Song Remains The Same is not a great film, but there’s no point in making excuses. It’s just a reasonably honest statement of where we were at that particular time.”

The film also features fantasy sequences, in which the members of the band and their managers get a chance to show what’s going on in their minds and how they viewed themselves in 1973.  The band’s managers appears as gangsters and start the film off by gunning everyone down.  Robert Plant is a knight, in a sequence that inadvertently brings to mind the travels of Brave Sir Robin in Monty Python and the Holy Grail.  Jimmy Page is a hermit who reads tarot cards.  John Paul Jones is chased on horseback.  The only member of the band whose image is helped by his fantasy sequence is John Bonham, who comes across as a likable, down-to-Earth bloke who likes retiring to his farm and driving fast cars.  Knowing that Bonham would die just seven years later makes his fantasy sequence especially poignant to watch.  His son, Jason Bonham, appears, drumming on a child-sized drum kit.  Years later, of course, Bonham would play drums during several Led Zeppelin reunions.

For years, The Song Remains The Same was the only official video footage of Led Zeppelin performing and, flaws and all, that does give it some importance.  The Song Remains The Same is also said to have been one of the major inspirations for This Is Spinal Tap so everything worked out in the end.

Scenes That I Love: The Opening of Four Flies On Grey Velvet (Happy Birthday, Dario Argento)


Since today is Dario Argento’s 80th birthday, I’m going to share a scene that I love that he directed.

I love the opening of Argento’s 1971 giallo, Four Flies On Grey Velvet.  This was Argento’s third film as a director and it tells the story of an American drummer who gets caught up in a gruesome murder.  In the opening credits, we watch as Michael Brandon drums away and finds time to take care of a distracting fly.  In just a matter of minutes, Argento tells us everything we need to know about our hero and the role that he’ll be playing in this film.  Like the best drummers, he holds everything together and that’s a good skill to have because, in typical Argento fashion, his entire life is about to fall apart.

From Four Flies on Grey Velvet:

4 Shots From 4 Films: Special Dario Argento Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is not just Labor Day!  Today is also Dario Argento’s birthday!

The maestro of Italian horror is 80 years old today!  Needless to say, we’re going to celebrate with 4 Shots From 4 Films.  It was a real struggle narrowing it down to only 4 shots.  Argento is one of the most visually impressive directors of all time.

You’ll notice that, with one exception, the four shots below are from the first half of Argento’s career.  Don’t read anything into that.  I’m a fan of Argento’s work, period.  There’s a tendency among some cultural critics to be dismissive of Argento’s post-Tenebrae films and I think that’s a bit unfair.  In fact, it’s so unfair that I think I’ll devote at least a bit of our upcoming October horrorthon to defending the later works of Dario Argento.

Finally, do you remember that movie Juno?  Most people were shocked when Jason Bateman’s character turned out to be a sleaze but I knew it was going to happen as soon as he said that he thought Herschell Gordon Lewis was a better director than Dario Argento.  I mean, Herschell Gordon Lewis was great but c’mon …. ARGENTO!

For now, here are….

4 Shots From 4 Dario Argento Films

Suspiria (1977, dir by Dario Argento)

Inferno (1980, dir by Dario Argento)

Tenebrae (1982, dir by Dario Argento)

The Stendhal Syndrome (1996, dir by Dario Argento)

Happy Labor Day From The Humans and the Cats at Through The Shattered Lens


Happy Labor Day from the Shattered Lens!

I’m not sure what this holiday celebrates.  I guess it celebrates hard work but I rarely see humans working that hard.  There’s so many hours during the day when humans should be paying attention to their cats but instead, they’re just hanging out in some office, store, or warehouse.  Meanwhile, cats work 24 hours a day, patrolling our territory, searching for little rodents to leave on porches, bathing, controlling the bird population, and most importantly, taking naps.  This weekend, while humans were either grilling or watching TV, a million cats were doing their job.  You’re welcome.

So, to all of our human readers: enjoy your undeserved holiday while we cats continue to work hard to make sure that we’re all still here to celebrate in 2021.

(Note: Doc Bowman’s views do not necessarily reflect the views of Through the Shattered Lens, Unobtainium-13, or the Sandoc Corporation.)