
Artist Unknown

Artist Unknown
This performance was filmed in London on July 15th, 2009. Apparently, Gary Nunan was a surprise guest. While Gary sang, Trent Reznor showed that he knew how to use a tambourine.
Enjoy!
Ryan C.'s Four Color Apocalypse

The connective tissue linking music and memory is very strong indeed — most of us can remember fairly clearly where we were and/or what we were doing the first time we heard a favorite song; hearing one we haven’t heard in years often takes us right back to what was going on in our lives during the period when it was in heavy rotation; feelings attach themselves to songs permanently, inflexibly, the record in question causing at the very least faint echoes of the same particular mood or frame of mind again and again and again.
But there’s a lot more to it than “that song always cheers me up” or “oh my God, this one makes me think of (insert former lover’s name)!” Melody and memory are so inextricably entwined that Alzheimer’s and dementia patients often respond to songs from their younger years while words and even tactile sensations…
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Like many artists from the pulp era, there isn’t much biographical information to be found about Albert Fisher. I did several searches online for him and I did come across a painter named Albert Fisher. That Fisher, though, was born in 1940 and since Albert Fisher’s pulp covers were all published in the 40s and the 50s, it’s safe to say that they are two different artists.
We know of Albert Fisher’s work because he was one of the few pulp artists to sign his work. Almost all of his work that I’ve seen was done for true crime magazines like Inside Detective and Front Page Detective. As was typical of the era, all of the covers below feature women who are either in trouble or who are about to make trouble. My favorite is “the woman who cheated at love,” who appears to be preparing to hide a time bomb underneath a bed.
Good morning! While most of you in America are fretting over Tax Day, here in Massachusetts we’re celebrating Patriots Day, commemorating the 1775 Battles of Lexington and Concord that kicked off the American Revolution. It’s a state holiday, and the Boston Marathon is held every year on this date, with the Red Sox playing their traditional 11:00am game. It’s been a tradition on this blog (well, since last year, anyway ) to feature Revolutionary War-themed films, and today we’ll take a look at THE TIME OF THEIR LIVES, an Abbott & Costello comedy that’s one of the duo’s best.
THE TIME OF THEIR LIVES differs from the usual A&C formula, with Bud and Lou playing separate characters rather than working as a team. The film begins in 1780, as Costello’s Horatio Prim, tinker by trade and true patriot, rides to visit his lady-love Nora. In his possession is a letter…
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by Stephen Gardner
Finally! A video that delivers exactly what it promises.
Speaking of water, I mentioned earlier that it rained all day Saturday. Well, despite that, It didn’t rain at all on Sunday and I have to say that I’m a little bit disappointed. I really enjoyed that rain and the bad weather gave me the perfect excuse to spend an entire day doing nothing. Fortunately, it does appear that it might rain over the upcoming week so keep me in your storm-filled thoughts!
Enjoy!

Game of Thrones is back so I guess I’ll be trying to keep up with all of this for the next few weeks.
Another week, another list. Fortunately, for most of next week, I’m going to be off work for Easter so I can get caught up on all the movies that I’ve missed. Wish me luck!
Movies I Watched:
Television Shows I Watched:
Books I Read:
Music To Which I Listened:
Links From Last Week:
Links From The Site:
Hi, everyone! Case already reviewed the first two episodes of the second season of Netflix’s Chilling Adventures of Sabrina and now, I’m here to take care of episode 3.
Episode 3 is centered around Lupercalia, an actual Pagan holiday from ancient Rome that is reimagined here as a sort of Valentine’s Day for witches and warlocks. Basically, in the Sabrina version of Lupercalia, the holiday begins with the Matching, where each witch is paired up with a warlock. This leads to the Courting, where the warlock and the witch go out into the woods, get naked, and spend the night staring up at the moon. Then, finally, we get the Hunt, where each witch chases her warlock through the woods and the whole thing ends with a big orgy. (The Sabrina version sounds considerably more fun than the real version, which involved a lot of animal sacrifices.) Though participation in Lupercalia is voluntary, Zelda tells Sabrina that it would be foolish for her not to take part. (Hilda, meanwhile, can’t even bring herself to say the word “sex.”) After all, now that Sabrina and Harvey are no more, this would be a perfect opportunity for Sabrina to spend some time with that charming young warlock, Nicholas Scratch.
Interestingly enough, Nick is just as fascinated with Valentine’s Day as Sabrina is with Lupercalia. As eager as Sabrina is to leave behind Baxter High and experience life at the Academy, Nick is just as curious about experiencing what it’s like to be a mortal. It’s actually one of the more clever things about this sometimes uneven episode. Though I don’t trust Nick, he and Sabrina do make for a far more interesting couple than Sabrina and Harvey ever did. It also helps that Kiernan Shipka and Gavin Leatherwood have an undeniable chemistry together. You believe their romance, even when the show occasionally seems determined to mess things up with unnecessary filler.
Yes, that’s right. I just used the dreaded “f” word. As I watched Lupercalia, it occurred to me that I’d probably like The Chilling Adventures of Sabrina a lot more if each episode was only 30 to 40 minutes long. That way, the show could focus on Sabrina and we wouldn’t have to waste time with any of the less interesting characters or subplots. Instead, this episode was a little over an hour long and it seemed that, every time that I started to get really involved in Sabrina and Nick’s storyline, the episode would cut to something less interesting.
For instance, Sabrina and Nick discover that Nick is being stalked by his former familiar, a wolf named Amalia. Amalia is jealous of Nick’s attraction to Sabrina. Ms. Wardwell says that the only solution is for Nick to murder his familiar. Will Nick kill for Sabrina? Will Sabrina kill for Nick? Well, before we can find that out, we have to deal with stuff like Roz suddenly going blind right after she kisses Harvey and Father Blackwood asking Zelda to marry him. Or else Hilda’s trying to let Dr. Cee know how she feels about him, just to discover that he can’t be with her because he has an incubus inside of him. And the whole time this is going on, I was just thinking to myself, “Yes, but what about Sabrina? I DON’T CARE ABOUT ANY OF THESE OTHER CHARACTERS!”
Kiernan Shipka has always been the best thing about Chilling Adventures of Sabrina. Even when the writers fail her, Shipka always manages to keep the show afloat. She’s likable, she’s compelling, and she’s believable as both a curious teenager and a naive witch. Shipka has many great moments in Lupercalia but the episode’s momentum seems to come to a halt whenever she’s not on screen. It’s not that the rest of the cast isn’t capable as much as their characters are all rather one-note. Hilda is always insecure and introverted. Zelda is always arch and sardonic. Roz is always going blind and Harvey is always kind of a goof. The only character, other than Sabrina, who is the least bit interesting is Theo and that’s because his storyline is about how far society has come and how far it has yet to go.
In the end, Lupercalia is an interesting but uneven episode of a frequently interesting but uneven show.
A few final notes:
Ryan C.'s Four Color Apocalypse

Welcome to another Weekly Reading Round-Up, where first issues aren’t just a job, they’re a way of life. Here’s another four, from this Wednesday last —
Faithless #1 comes our way from Boom! Studios and the writer/artist team of Brian Azzarello and Maria Llovet, and it’s kind of hard to get a handle on what this one’s even about, much less where it’s going. A kind of occult take on the “erotic thriller,” I guess, revolving around an amateur practitioner of the magick arts named (big surprise) Faith, who makes herself a mysterious new “special friend,” gets pretty intimate with her pretty fast, and then — well, shit gets weird. Azzarello struggles to write youthful characters with any kind of authenticity, and he also struggles with the balance between erotic and prurient, so the whole story ends up feeling more than just a bit “off.” Boom! is going all-in on…
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