James Whale’s FRANKENSTEIN set the bar high for horror, and his follow-up THE OLD DARK HOUSE is one of the blackest comedies ever made. But with THE INVISIBLE MAN, Whale raises that bar by combining gruesome terror with his macabre sense of humor. THE INVISIBLE MAN doesn’t get the respect of other icons in the First Horror Cycle (Frankenstein’s monster, Dracula, Imhotep), but Claude Rains’s outstanding performance as the mad scientist Jack Griffin, driven to insanity by the chemicals he’s pumped into his veins, is as sick and deranged as any you’ll find in the genre… and the fact Rains does much of his acting using only his voice is an amazing feat, and a testament to the man’s acting genius.
Whale’s opening shot sets the eerie tone, as a solitary figure, his face swaddled in bandages, trudges through a snowstorm and enters the Lion’s Head Inn seeking solitude. The…
Stanley Kubrick’s The Shining is unique in that it’s a horror film that freaks me out every time that I see it. Even though I’ve sat through the film so many times that I now practically have it memorized, The Shining still scares me.
And, to be honest, a lot of that has to do with the daughters of Charles (or was that Delbert) Grady. Early on, we’re told that the previous caretaker, Grady, went crazy from the isolation and ended up killing his daughters with an axe. And yet, if his daughters are dead, what are they doing in the hallway of the Overlook Hotel, inviting poor little Danny Torrance to come play with them!?
AGCK!
Seriously, this scene freaks me out every time that I see it.
Just in time for the month of October we have the first official trailer for Netflix’s series reboot titled Chilling Adventures of Sabrina.
Following the darker-edged comic book series of the same name, this Sabrina the Teenage Witch will not be similar to the more family-friendly iteration that aired on ABC during the 1990’s.
No, this looks particular version looks to be embracing the horror and occultism of the recent comic book about the character. From the look of this trailer alone it looks like horror will be quite up front and center.
Lisa will definitely be glad that Salem the cat will still be in the series.
William Henry Harrison was elected President in 1840. A few months later, he became the first President to die in office, the result of giving a rambling inauguration speech in the rain.
Abraham Lincoln was elected in 1860. He was assassinated by an actor in 1865.
James A. Garfield was elected in 1880. He was shot and subsequently died of medical malpractice in 1881.
William McKinley was reelected in 1900. He was assassinated by a leftist in 1901.
Warren Harding was elected in 1920 and was murdered by his wife in 1923.
Franklin D. Roosevelt was reelected in 1940. He died of natural causes in 1945.
John F. Kennedy was elected in 1960. He was assassinated by a lone gunman in 1963.
The second President to die in office, Zachary Taylor, was elected in 1848 but died in 1850! (In his case, he was either poisoned or died of natural causes. It depends on which book you read.)
That is the Zero Curse. For a period of 120 years, any president was elected in a zero year died before the end of his term. Some people thought it was a coincidence. Some people thought it was a supernatural occurrence. Whatever it was, it was a strange piece of American history.
In fact, it even inspired a novel! The Zero Factor was published in 1980, presumably to capitalize on that year’s presidential election. The Zero Factor tells the story of Augustus “Gus” York, a Republican governor who is nominated for President after the convention deadlocks. Gus is honest, homespun, and naive. To everyone’s shock, Gus narrowly wins the election.
Gus is an ethical President whose moderate political stances manage to alienate every powerful person in the world. Not surprisingly, a group of evil rich people hire an assassin to take out President York. Will Gus be able to survive the zero factor!?
So, this may seem like a strange book to review for October and I’ll be the first to admit that I nearly scheduled this review for November. However, the book does feature three rather odd scenes where Gus is haunted by the ghosts of the zero year presidents. Those scenes are actually a lot of fun. I especially liked the description of Franklin Roosevelt’s ghost rolling around the Presidential bedroom while his eyes glow a ghostly yellow. Best of all, Gus gets advice from the ghost of my favorite scandalous president, Warren G. Harding! Thanks to President Harding and the gang, The Zero Factor can be classified as a book for October.
As for the rest of the book, it’s a well-written political thriller. At times, the book’s politics can be rather heavy-handed (why write about a Republican President if you’re just going to make him act like a Democrat?) and the portrayal of the gay assassin is dated and a bit cringe-inducing. But Gus is a likable character and I appreciate any book that takes the time to rehabilitate Warren Harding.
As for the Zero Curse, it was broken by the President who actually was elected in 1980, Ronald Reagan. George W. Bush continued to break it in 2000. (That said, both Bush and Reagan were targeted by potential assassins during their presidencies.) The next zero year election will be 2020, an election that looks like it’s going to involve a record number of elderly candidates.
Chances are this is going to sound familiar to you.
The 1981 film, The Last Shark (a.k.a. Great White), takes place in a small seaside community. A teenager goes out in the water, doesn’t pay enough attention to the surroundings, and ends up getting eaten. Local civic leader named Peter Benton (James Franciscus) wants to shut down the beach. A crusty old shark hunter named Ron Hammer (Vic Morrow) says that he can take care of the problem. However, Mayor William Wells (Joshua Sinclair) refuses to even admit that there’s a shark in the water. After all, sharks are not only bad for business but also could potentially keep him from being President someday!
However, the shark attacks continue. After his son is nearly eaten by a shark — a great white, to be exact — even the mayor is forced to admit that something must be done….
If you think that the plot of The Last Shark sounds like it has a lot in common with Jaws…. well, you’re right. And you’re not alone! Universal Pictures though that The Last Shark borrowed a bit too much from Steven Spielberg’s seminal film as well. In 1982, Universal filed a lawsuit to block the film’s distribution in the United States. Though the film played for a month (and grossed 18 million dollars) while the case worked its way through the legal system, a federal judge eventually ruled that The Last Shark was too similar to Jaws and, as a result, The Last Shark was not only yanked from theaters but it also didn’t even get a proper video release until 2013! Because of all this, The Last Shark has developed a cult following. It’s literally the film that the major studios didn’t want people to see. Of course, The Last Shark was neither the first nor the lat film to rip-off Jaws. It was, however, one of the few to make a good deal of money and I imagine that was the main motivation behind Universal’s lawsuit.
Interestingly enough, The Last Shark actually has more in common with Jaws 2than with Jaws. Just as in Jaws 2, a bunch of stupid teenagers make the mistake of going after the shark themselves. Also, much as in Jaws 2, the shark manages to bite down on a helicopter and pull it under the water. A quality shark movie always features at least one helicopter getting destroyed. That the original Jaws become a classic despite not featuring any helicopter destruction is a testament to Steven Spielberg’s ability as a director.
As for The Last Shark, it’s a thoroughly shameless and undeniably entertaining film. Director Enzo G. Castellari (who directed several Franco Nero films and might be best-known to American audiences for directing the original Inglorious Bastards) keeps the action moving at steady pace and even manages to give us a few striking images of shark mayhem. (The scene where a man gets bitten in half manages to be both shocking and ludicrous at the same time.) James Franciscus appears to be taking himself far too seriously in the role of Peter Benton but Vic Morrow seems to be having a good time as the ill-tempered shark hunter.
A few other thoughts on The Last Shark:
Mayor Wells, who has presidential ambitions, also has a mustache and a haircut that makes him look like a 70s porn actor. (In fact, with the exception of James Franciscus, nearly every adult male in this movie has a mustache.) Whenever Mayor Wells walked through a scene, I found myself expecting to hear a lot of bass and plenty of wah wah on the soundtrack.
Secondly, it would appear that the best way to track down a shark is to drop a steak in the water. At least, that’s the lesson I learned from watching The Last Shark. There are actually a handful of scenes of shark hunters announcing that they’re about to go hunt for the shark and then holing up a steak. Forget about using blood or noise to attract your prey! Instead, just toss some spare ribs in the ocean and wait for the shark to show up!
Anyway, Italian filmmakers were always fairly shameless when it came to ripping off successful movies. In fact, one reason why I love Italian cinema is because of that very lack of shame. Whatever its flaws, The Last Shark is a film totally without shame and, for that reason, it’s more than worth viewing.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Nature takes it revenge in these 4 shots from 4 films!
As the title states, this 1983 film is the third sequel to the Jaws. As I pointed out in my reviews of the first film and Jaws 2, the first two films all starred Roy Scheider and took place on Amity Island. In fact, it can be argued that Amity Island was almost as important to the success of the first two films as the shark. When Martin Brody conquered his fears and got out on the water, it wasn’t just to destroy a shark. It was also to protect a community under siege.
Well, there’s no such community like Amity Island in Jaws 3. And there’s no Roy Scheider either. Instead, our hero is Martin Brody’s son, Mike. Mike is all grown up and working as the senior marine biologist at SeaWorld Orlando. Mike is now played by a very young and very bearded Dennis Quaid. This leads to an interesting situation where Mike — who grew up in New England and whose father was a former New York City cop — has a very pronounced Texas accent. That’s not a complaint, of course. I’m from Texas so I’m always happy to see (and hear) a fellow Texan in a movie. Plus, Dennis Quaid’s a likable actor. Still, it somehow seems appropriate that the third installment of the Jaws franchise would feature a New Yorker growing up to be a Texan. I mean, if we’re going to accept that the same outlandish event can keep happening to the members of the same family then I guess anything’s possible.
The other Brody son, Sean, is also featured in the film. Sean is now played by John Putch and, when he first shows up to visit Mike, he’s dressed like he just got off work at the rodeo. You have to kind of wonder if maybe the trauma of nearly getting killed in Jaws 2 led to both of the Brody boys rejecting their New England roots and embracing the ways of the west. Say what you will about Texas and all the states in between El Paso and Los Angeles, we’re pretty much shark free.
Anyway, this is a Jaws films so you can guess what happens. A big shark ends up getting loose in SeaWorld and Mike tries to close the park down, just to be overruled by the park’s manger, Calvin Bouchard (Lou Gossett, Jr.). Meanwhile, a hunter named Philip Fitzroyce (Simon MacCorkindale) announces that he will personally track down and kill the shark. As you might guess just from the fact that his last name is Fitzroyce, Philip is arrogant and speaks with a posh accent. Mike takes an immediate dislike to him but I was happy whenever Philip showed up, mostly because Simon MacCorkindale gave a performance that was so over-the-top that it was fun to watch. Whenever MacCorkindale and Gossett got together in the same scene, the film stopped being about the shark and instead became a contest to see who could overenunciate their dialogue with the most style.
(In the end, MacCorkindale won, but only narrowly. A few years after Jaws 3, Gossett would co-star in The Principal and would go on to secure his spot in the Overenunciation Hall Of Fame by pronouncing the word “drugs” in such a way that I first thought he was talking about druids.)
One of the reasons why Jaws 3 seems odd when watched today is because it was originally released in 3-D. (In fact, the film’s original title was Jaws 3-D.) As a result, there’s a lot of scenes of people either walking towards or pointing directly at the camera. Whenever anyone holds up a pole or a harpoon or anything similar, you know that they’re going to end up pointing the end of it straight at the viewer. At the start of the film, when the shark bites a fish in half, the fish’s head ominously floats closer and closer to the camera. There’s a lot of scenes that were obviously designed to make audiences says, “Oh my God! I feel like I could reach out and touch it!” but, in the non-3D version, those scenes are just weirdly paced and slightly out-of-focus. (At one point during the film, the picture was so blurry that I actually checked to make sure I had my contacts in.)
Add to that, there’s more than few scenes where it’s obvious that the shark has been superimposed into the action. If the first two Jaws films featured big sharks, Jaws 3 often seems to feature a cartoon shark. In short, what may have been impressive in a theater in 1983 to an audience wearing special glasses is far less impressive when you’re watching the movie at 3 in the morning on AMC.
The other weird thing about this film is that it was actually filmed at SeaWorld Orlando. I’m going to guess that the film was supposed to serve as a 99-minute advertisement and a lot of time is devoted to people talking about how much they love SeaWorld. At the same time, this film also features the park’s manager refusing to shut down the park and basically putting everyone’s life in danger. If anything, the film’s main message seems to be, “If you go to SeaWorld, you’ll die.” You have to wonder if some executive lost his job after Jaws 3 came out.
Anyway, Jaws 3 is a silly movie that never quite comes to life in the way that both Jaws and, to a lesser extent, Jaws 2 did. Yes, the shark’s ruthless and we get to hear the familiar music and there’s some cute dolphins but otherwise, the movie itself is just kind of bland. Rumor has it that Jaws 3 was originally going to be a comedy called Jaws 3 People 0. That probably would have made for a more memorable movie but, at the same time, I got some good laughs out of the scene where the tourists in an underwater tunnel realized that a shark was watching them so, in the end, everything worked out for the best.
Watching Ed Wood’s infamous Plan 9 From Outer Space is something of an October tradition here at the Shattered Lens! And you know how much I love tradition!
Some people say that this film has a reputation for being the worst film ever made. Personally, I don’t think that it deserves that reputation. Is it bad? By traditional standards of quality, I guess it can be argued that Plan 9 From Outer Space is a bad movie. But it’s also a lot of fun and how can you not smile when you hear Criswell’s opening and closing statements?
(On another note: Watch this as quickly as you can because, over the least year or so, it seems like all the films of Ed Wood get yanked off YouTube as soon as they are posted. Copyright violations, they say. Personally, I think that’s shameful. First off, Ed Wood is no longer alive. Wood had no children and his widow died in 2006, having never remarried. Whatever money is being made off of his films is not going to support his family. Wherever he is, I think Ed would be more concerned that people see his films than some faceless corporation make money off of them.)
(It seems like, every year, someone threatens to either remake Plan 9 or produce a sequel. Again, the original is all that is needed.)
Yesterday, I shared the first music video for Lordi’s Would You Love A Monsterman? Today’s music video of the day is the second video for Would You Love A Monsterman?
This second video takes the plot of the first video and replaces the little girl in the woods with a young woman in a morgue. There’s no doll in this video but there is twice as much killing. Again, the video ends with the main character deciding that yes, she can love a monsterman.
Through the Shattered Lens 