Will R.L. Stine’s “Man-Thing” Give You Goosebumps?


Trash Film Guru

Some may say that the heyday of the swamp creature in comic books has long since passed, but I’m not so sure. Granted, the Alan Moore/Steve Bissette/Rick Veitch/John Totleben run on DC’s Swamp Thing back in the 1980s set the bar pretty high, but rather than try to compete with that, recent swamp-monster comics have been trying for something of a “return to roots” (bad pun, I’m sorry) approach : Swamp Thing himself returned for a six-part mini-series last year helmed by his co-creator, Len Wein, and artist Kelley Jones (whose style has always owed a heavy debt of gratitude to Bernie Wrightson) that saw them basically flat-out ignore Moore and everything after and make the former Alec Holland an old-school “muck monster” all over again, and now Marvel has decided to get in on the throwback act by bringing back their own stalker of the swamps, Man-Thing, with no less…

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Here’s that trailer for Wonder Woman!


Despite my better instincts, I hope Wonder Woman turns out to be a good movie.  I know it probably won’t, just on the basis of Batman v Superman and Suicide Squad.  But still, I hold out hope.

I mean, let’s consider the positives:

Patty Jenkins is a wonderfully unorthodox pick to direct a comic book movie.  Of course, sometimes being unorthodox works and sometimes, it doesn’t.  Ang Lee was an unorthodox pick to direct that Hulk movie and when was the last time you voluntarily watched that?

But Gal Gadot — OMG, Gal Gadot kicks so much ass!

Let’s hope this film does her justice.

Anyway, here’s the trailer!

End of an Era: THE ROARING TWENTIES (Warner Brothers 1939)


crackedrearviewer

Warner Brothers helped usher in the gangster movie era in the early 1930’s with Pre-Code hits like LITTLE CAESAR and THE PUBLIC ENEMY, and at the decade’s end they put the capper on the genre with THE ROARING TWENTIES, a rat-a-tat-tat rousing piece of filmmaking starring two of the studio’s top hoods, James Cagney and Humphrey Bogart , directed with the top down by eye-patch wearing macho man Raoul Walsh for maximum entertainment.

The film’s story was written by Mark Hellinger, a popular and colorful New York columnist in the Damon Runyon mold who based it on his encounters with some of the underworld figures he knew during that tumultuous era. Hellinger was later responsible for producing some of the toughest noirs of the late 40’s: THE KILLERS BRUTE FORCE , THE TWO MRS. CARROLLS, and THE NAKED CITY. Jerry Wald, Richard Macauley, and Robert Rossen adapted Hellinger’s story for the screen, and the film…

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“In Memorium” — The Original “Paranormal Activity” ?


Trash Film Guru

One flick that’s been spoken of with, it seems, nothing but respect — if not something very much akin to awe — over the years is writer/director Amanda Gusack’s 2005 “found footage” indie horror In Memorium, a true no-budgeter that’s said to share a number of stylistic similarities with its better-known semi- contemporary, Oren Peli’s original Paranormal Activity, but while that 2007 film  ended up serving as the spingboard to perhaps the genre’s most unlikely franchise and made Peli a genuine “big-wig” in the cinematic world, this one just sort of continued to be recommended by word of mouth (whether those mouths be literal or digital) but seen by very few, and Gusack herself made one more film, 2008’s relatively-larger-budgeted The Betrayed, before apparently throwing in the towel on this whole dream of making movies altogether. There really is no justice in this world.

Still, maybe the…

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“The Final Project” Gets A Failing Grade


Trash Film Guru

There’s no excuse for it at this point beyond a pathetic combination of sadism and addiction : when new(-ish) “found footage” horror flicks show up in the Amazon Prime streaming queue, I’m in. Particularly if they’re of the “micro-budget” variety. 90-plus percent of these things are absolute turkeys, and of the less-than- ten percent that aren’t, only a small handful rise above the level of “merely competent,” but in my admittedly very tepid defense, there are still a few gems to be found while sifting through all the wretched, nigh-unwatchable dross. Unfortunately, the one I chose to subject myself to last night, 2016’s The Final Project, isn’t one of them.

The brainchild of director/co-writer (along with one Zachary Davis) Taylor Ri’chard, this rancid and rankly amateur effort follows the exploits of six university students who are collaborating on a — you guessed it — final project for their filmmaking…

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