More Of Bronson’s Best: Mr. Majestyk (1974, directed by Richard Fleischer)


Mr_Majestyk_movie_posterWhat happens when you combine the great tough guy writer Elmore Leonard with the great tough guy actor Charles Bronson?

You get Mr. Majestyk, one of Bronson’s finest films.

Vince Majestyk (Bronson) may be a former U.S. Army Ranger instructor and a decorated Vietnam vet but now that he has returned home to Colorado, all he cares about is running his watermelon farm.  With a lucrative harvest approaching, Majestyk hires a group of unionized Mexican migrant workers, led by the fiery Linda Chavez (Linda Cristal), to pick his crops.  When a local criminal named Bobby Kopas (Paul Koslo) shows up and demands that Majestyk hire his drunken crew instead, Majestyk does what Bronson does best.  He gives Kopas an ass-kickin’ beat down.

After Kopas charges him with assault, the local police arrest Majestyk and, despite his request that he be allowed three days to finish harvesting his crop, Majestyk is thrown in jail.  Also in the jail is a Mafia hitman named Frank Renda (Al Lettieri).  Renda may be a tough guy but nobody’s tougher than Vince Majestyk.  When Renda’s associates attempt to hijack a prison bus, Majestyk ends up hijacking it instead.  Majestyk plans to hold Renda hostage until the police agree to give him his three days of freedom so he can get back to his farm.  Renda even offers to pay him off but Majestyk doesn’t care about his money.  He just cares about melons.

Because he was the only 1970s action star who could be believable as both a decorated combat veteran and a no-nonsense watermelon farmer, Charles Bronson is the only actor who could have brought Mr. Majestyk to life.  Before he became an actor, Bronson worked for a living.  From the age of ten until he enlisted in the Army, Bronson worked in the Pennsylvania coal mines, earning one dollar for each ton of coal that he mined.  Though Bronson was never a great actor, his legitimately working class background allowed him to bring an authenticity to a role like Vince Majestyk that most other actors would have lacked.  When Bronson says that all he cares about is bringing in the harvest on time, you believe him just as much as you believe him when he’s beating up Paul Koslo or hijacking a prison bus.

The rest of the cast is full of good 1970s actors who have never really been given their due.  Al Lettieri may be best known for playing Sollozzo in The Godfather but he also does a good job as Frank Renda.  Paul Koslo plays another one his sleazy villains here and does a great job as Bobby Kopas.

Mr. Majestyk was directed by Richard Fleischer but, with its colorful characters, working class hero, and modernized brand of frontier justice, the film is clearly the work of Elmore Leonard. Though Mr. Majestyk is credited as being based on a novel by Leonard, Leonard actually wrote the screenplay before the novel.

The combination of Elmore Leonard and Charles Bronson makes Mr. Majestyk one of the best action films of the 1970s.

majestyk_rifle

 

Bronson’s Best: The Stone Killer (1973, directed by Michael Winner)


Stone_killerAfter tough New York detective Lou Torrey (Charles Bronson) lands in hot water for shooting and killing a teenage cop killer, he moves to Los Angeles and gets a job with the LAPD.  Working under an unsympathetic supervisor (Norman Fell), saddled with an incompetent partner (Ralph Waite), and surrounded by paper pushing bureaucrats, Torrey still tries to uphold the law and dispense justice whenever he can.  When a heroin dealer is murdered while in Torrey’s custody, Torrey suspects that it might be a part of a larger conspiracy, involving mobster Al Vescari (Martin Balsam).

Vescari is plotting something big.  It has been nearly 40 since the “Sicilian Vespers,” the day when Lucky Luciano, Frank Costello, and Busy Siegel killed all of the original mafia dons at the same time.  Viscari has invited mafia leaders from across the country to attend a special anniversary dinner.  During the dinner, all of Vescari’s rivals will be assassinated.  To keep things a secret, Vescari will not be using any of his usual hitmen.  Instead, he has contracted a group of mentally unstable Vietnam vets, led by Lawrence (Stuart Margolin).

Charles Bronson has always been an underrated film star.  His legacy has been tarnished by the cheap films he made for Cannon and, unlike Clint Eastwood, he never got a chance to really take control of his career and reinvent his image.  But during the 1970s, not even Clint Eastwood was a more convincing action star than Charles Bronson.  Bronson may have never been a great actor but he was an authentic tough guy with a physical presence that dominated the screen.

It was during this period that Bronson made his first four movies with director Michael Winner.  Though Death Wish and The Mechanic are the best known, The Stone Killer may be the best.  Tough, gritty, and action-packed with a great car chase, The Stone Killer was filmed on location in Los Angeles and some of the best parts are just the scenes of Bronson awkwardly interacting with the local, California culture.  If you have ever wanted to see Charles Bronson deal with a bunch of hippies, this is the film to see.  The Stone Killer also has more of social conscience than the usual 70s cop film, with Bronson’s character not only condemning excessive police brutality but also his racist partner.

(Ironically, Bronson and Winner would follow The Stone Killer with Death Wish, a film that many critics condemned as being racist and which suggested that the police were not being brutal enough.)

The other thing that sets The Stone Killer apart is that it has a great cast, featuring several actors who would go on to find success on television.  Balsam, Fell, and especially Waite and Margolin are all great.  Keep an eye out for a very young John Ritter, playing one of the only cops in the film who is not portrayed as being either corrupt or incompetent.

Though it may not be as well-known as some of his other action films, The Stone Killer is one of Bronson’s best.

Cleaning Out The DVR, Again #13: Final Destiny (dir by Michel Poulette)


47fa7fe28b159a6f21d08620b6288817

In an effort to clean out my DVR and make room for endless episodes of reality television (not to mention the Olympics), I am currently in the process of watching the 40* films that I recorded from the beginning of March to the end of June.  The 13th film on my DVR was Final Destiny, which originally aired on the Lifetime movie network on April 3rd.

This will be a quick one.  Usually, I try to come up with at least 500 words for every movie that I review but it’s going to be a struggle as far as Final Destiny is concerned.  There’s really just not much to say about this particular film.

According to the imdb, Final Destiny was originally entitled Brace For Impact and I assume that the title was changed in an effort to fool viewers into thinking that Final Destiny had something to do with the Final Destination films.  Well, Final Destiny does start out with a scenario that could be lifted from one of those films.  Sofia Gilchrest (Kerry Condon) gets on an airplane with her brother, Shane (Ian Lake).  Right before the plane is scheduled to take off, Sofia gets the feeling that something bad is going to happen.  She freaks out and she’s kicked off the plane.  The plane then takes off and crashes, killing her brother.

Unfortunately, that’s about all that this film has in common with Final Destination.  The plane crash does not lead to a series of increasingly macabre accidents as death attempts to correct itself by killing Sofia.  Tony Todd never shows up to talk about destiny.  There’s no humor, which is a shame because Final Destiny could have used some humor.

(The only humor comes from the fact that, beyond ripping off a more successful franchise, Final Destiny makes absolutely no sense as a title!  That said, Brace For Impact was kind of a crappy title too…)

Instead, Final Destiny turns into a plodding procedural.  It turns out that Sofia is a flight crash investigator, which means that she now gets to investigate the crash that her killed brother.  Or, at least, it would if not for the fact that all of Sofia’s colleagues are totally corrupt and have no faith in her abilities.  It turns out that, in the past, Sofia has been too quick to assume that every plane crash was the result of a conspiracy.  Plus, she is such a careful investigator that it sometimes takes her years to determine why a plane crashed.  The government wants quick answers but Sofia would rather be right than be fast!

But here’s the problem with the movie: Sofia is a totally unlikable character.  That’s a bold statement to make about someone who is investigating the death of her brother but, even with that added layer of motivation, Sofia still comes across as being shrill, self-centered, and generally unpleasant.

It also doesn’t help that the cause of the crash is pretty obvious from the start.  About an hour into the movie, Sofia figures out that it was the act of domestic terrorists and then she spends the rest of the movie telling everyone that it was the work of domestic terrorists and then, at the end of the movie, she’s like, “Yep, domestic terrorism,” and that’s pretty much it.

There, of course, are a few subplots but none of the subplots are that interesting.  Sofia’s mother is shocked to discover that Shane was gay.  Sofia’s best friend is discriminated against because of his religion.  Sofia is angry because she didn’t get a promotion.  It’s all really predictable and it doesn’t add up too much.

In the end, Final Destiny didn’t even feel like a movie.  It felt like a pilot for a TV show that nobody would want to watch.  If ever a film needed Tony Todd to show up and start talking about life and death, it was this one.

*Yes, I know that I originally said I would have to watch 36 films to clean out my DVR but I recorded 4 more films since making that statement.  So now, it’s 40 films but I’m still hoping to be finished with the series by the end of next week.

In the American City


With the 4th of July only 2 days away, celebrate the diversity of America with these examples of American street photography!

Austin -- Peter Tsai

Austin — Peter Tsai

Chicago -- Craig Litten

Chicago — Craig Litten

Chicago -- Jason Martini

Chicago — Jason Martini

Dallas -- Erin Nicole

Dallas — Erin Nicole

Dallas -- Erin Nicole

Dallas — Erin Nicole

Dallas -- Erin Nicole

Dallas — Erin Nicole

 Dallas -- Erin Nicole

Dallas — Erin Nicole

Los Angeles -- Aaron Paustein

Los Angeles — Aaron Paustein

Los Angeles -- Kim Suarez

Los Angeles — Kim Suarez

New York -- Matt Alberts

New York — Matt Alberts

New York -- Seth Nenstiel

New York — Seth Nenstiel

New York -- Seth Nenstiel

New York — Seth Nenstiel

Music Video of the Day: It’s My Life by Talk Talk (1984, dir. Tim Pope)


Even by 1984, artists and the directors of their videos were rebelling against lip-syncing in them. That’s why you don’t see the lead singer doing that here. Sometimes even black bars go over his mouth to emphasize this fact while the video is primarily made up of nature footage. This discontinuity of image and sound was another example of early experimentation in music videos. There is another version of this video as well that apparently has them lip-synched, but doing other things to still make fun of the process. People of my generation learned of this song obviously because of tomorrow’s Music Video of the Day. Also, some may know it from the Grand Theft Auto: Vice City Stories soundtrack. Although, Grand Theft Auto: Vice City used their song Life’s What You Make It instead. Their hit songs seem to be rather positive and empowering. No doubt that’s why tomorrow’s post exists.

Happy 100th Birthday Olivia de Havilland!: HUSH… HUSH, SWEET CHARLOTTE (20th Century Fox 1964)


gary loggins's avatarcracked rear viewer

char1

Today marks the 100th birthday of one of the last true Golden Age greats, Olivia de Havilland. Film fans across the globe are celebrating the life and career of this fine actress, who fought the Hollywood system and won. Olivia is the last surviving cast member of GONE WITH THE WIND (Melanie Wilkes), won two Academy Awards (TO EACH HIS OWN, THE HEIRESS), headlined classics like THE SNAKE PIT and THE DARK MIRROR, and costarred with dashing Errol Flynn in eight exciting films, including CAPTAIN BLOOD , THE ADVENTURES OF ROBIN HOOD, SANTA FE TRAIL, and THEY DIED WITH THEIR BOOTS ON.

Olivia moved to Paris with her husband in the 1950’s and was semi-retired, acting in a handful of films. In 1962 director Robert Aldrich  scored a huge hit, a psychological horror thriller called WHATEVER HAPPENED TO BABY JANE?, starring screen veterans Bette Davis and Joan Crawford. A new genre was…

View original post 835 more words

Cleaning Out The DVR, Again #12: Naughty Marietta (dir by W.S. Van Dyke)


b70-4632

Continuing the process of cleaning out my DVR, I watched the 1935 film, Naughty Marietta.  I recorded Naughty Marietta off of TCM on April 3rd.  Like many of the films that I record off of TCM, Naughty Marietta was nominated for Best Picture.  In fact, if not for that Oscar nomination long ago, Naughty Marietta would probably be totally forgotten.

Instead, it’s only partially forgotten.

Based on an operetta and containing at least one song that I’ve sung while drunk (that song, incidentally, would be Ah!  Sweet Mystery of Life), Naughty Marietta tells the story of Princess Marie (Jeanette MacDonald).  A Spanish princess, Marie is engaged (against her will) to the elderly Don Carlos (Walter Kingsford).  In order to escape a life of forced marriage, Marie pretends to be a servant girl named Marietta and stows away on a boat to New Orleans.  The boat is carrying women to the new world so that they marry French colonists.  The other women on board are shocked when Marietta announces that she plans to never marry.

However, they are even more shocked when the boat is taken over by pirates!  The pirates kill the crew and take the women prisoner.  The pirates take the women to Louisiana where, fortunately, a group of mercenaries led by Captain Richard Warrington (Nelson Eddy) show up and rescue the women.

Marie negotiates for Warrington to take the women to New Orleans and it’s obvious from the start that Marie and Warrington are attracted to each other.  However, Warrington claims that, much like Marie, he plans to never marry!  Oh my God, could it be that these two are meant to get together!?

It has all the potential for being a good musical and Jeannette MacDonald gives a good performance as Marie.  But, unfortunately, Nelson Eddy is a lot less charismatic in the role of Warrington.  Even his singing voice is a bit blah.  Oddly, Naughty Marietta was one of many romantic musicals that Jeanette MacDonald and Nelson Eddy made together.  The reason I use the term “odd,” is because — judging from this film — they didn’t appear to have much onscreen chemistry.  Whereas MacDonald is personable and relatable, Nelson Eddy seems to hold the audience at a distance.  Watching a film like this, you can’t help but regret that Jeanette MacDonald didn’t have someone like Fred Astaire for a co-star.

As for Naughty Marietta‘s best picture nomination — well, it was a big production and it was also an adaptation of a popular operetta.  At a time when 10 films were nominated every year and the studios pretty much controlled which one of their films was nominated for best picture, Naughty Marietta got a nomination.  However, the Oscar went to Mutiny on the Bounty.

4 Shots From 4 Films: Gone With The Wind, The Snake Pit, Lady In A Cage, The Swarm


Olivia De Havilland and Friends

Olivia De Havilland and Friends

I hope that you will join us all in wishing a happy birthday to the wonderful and legendary Olivia De Havilland, who turns 100 years old today!  Not only is Olivia the last surviving cast member of Gone With The Wind but she’s also one of the last surviving stars from Hollywood’s Golden Age!  Not only was she a wonderful actress but Olivia’s rivalry with sister Joan Fontaine continues to be one of the legendary moments of Oscar history!

This edition of 4 Shots From 4 Films features four movies that starred the one and only, Olivia De Havilland!

4 Shots From 4 Films

Gone With The Wind (1939, dir by Victor Fleming)

Gone With The Wind (1939, dir by Victor Fleming)

The Snake Pit (1948, dirby Anatole Litvak)

The Snake Pit (1948, dir by Anatole Litvak)

Lady in a Cage (1964, dir by Walter Grauman)

Lady in a Cage (1964, dir by Walter Grauman)

The Swarm (1978, dir by Irwin Allen)

The Swarm (1978, dir by Irwin Allen)

By the way, do you know who shares a birthday with Olivia De Havilland?  OUR VERY OWN PATRICK SMITH!  Happy birthday, Pat!!!!!!