It Figures (No. 3) Misaka Mikoto


It may have been awhile since I’ve done an It Figures post, but anyone that’s followed the site with any regularity knows that they’re here to read posts by Lisa Marie Bowman, or maybe Arleigh, but if they’re here to read anything from pantsukudasai56, then they’re in for a long wait in between entries.  My latest entry was about a little show called Toaru Kagaku no Railgun, and keeping with that theme, I have the latest figure I’ve received who also happens to be the protagonist of that show, Misaka Mikoto.DSC00040

First off, this box is big enough to hold an entire Spartan.  Is that Master Chief in there?  Ok, I really only took this pic as a sort of comparison.  My TV is a 55″ screen, so you can see just how big that box is.  Incidentally, the show that I’m watching is Yozakura Quartet.  All in all it’s a pretty average show, so there won’t be a post dedicated to it, but it’s not like it’s a terrible show.  Just one of those shows you watch if you have nothing better to do.  Anyways, that’s all I’ll ever mention of the show, and no, Master Chief is not in this box, although he would almost fit (not really)  The box winds up being 9180 square inches of space.  By far the largest box I’ve ever received from Glorious Nippon, but is this the size of the figure I’m reviewing?DSC00042

No.  There’s two figures in here.  Still, two figures for a box this size is pretty impressive.  The other figure is of the Princess of the Crystal by Good Smile Company, and she in herself is almost worth a post.  But today we’re focusing just on the FREEing Misaka Mikoto (FREEing is also a subsidiary of Good Smile Company, so getting the two in one box makes a certain amount of sense)DSC00043

Even though it’s not as large as you’d think coming from a shipping box that size, this is still a 1/4 scale figure, which is FREEing’s forte.  While they also do the normal 1/6 to 1/8 scale figures, they’re mostly known for doing the larger 1/4 scale figures.  For those who don’t quite get what I’m saying, it basically means that if you increased this figure’s size 4 times what it currently is, you’d have a life size figure.  For the curious, 1/1 size figures do exist, and they also cost several thousands of dollars.  Far more than even this reviewer can afford to spend on a figure, regardless of how awesome it would be to own one.

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The first thing I’d like to point out about this figure is a big difference between her and most other figures.  A lot of other figure collectors would probably spot this right away, but for the uninitiated, here’s something to look at.  She doesn’t have a standard base like so many other figures.  That stool is what supports her, an unlike a lot of other figures, she’s not attached to it by pegs or screws.  She’s just sitting on it, with most of the figure weight being put directly on the stool, and a small amount being put on her foot which is touching the floor.  While this is an interesting choice, it also leads to the possibility that she will not be quite as stable as a figure that has a base that it’s pegged in to.  Still, from my experimentation, it seems that she will remain quite stable, so the chances of her falling off the base are fairly slim, unless you live in an area that experiences a lot of earthquakes.

DSC00045The backside of this figure stays faithful to the bunny girl motif that Japan (and I) so dearly love.  FREEing is well known for its bunny girl figures, having done them for highly popular series like The Melancholy of Haruhi Suzumiya and lesser know but still well loved series like Sora no Otoshimono, so naturally they’re not letting their customers down with this series.  This is actually their second figure from the series, with “good friend” Kuroko Shirai already having debuted in a similar outfit.  So, they’re no strangers to making sure that their figures look good from any angle.

DSC00046Dear Jeebus, she had no face!  Ok, this is a fairly new thing for the 1/4 scale FREEing figures.  Usually with this line, you get what you’re given and that’s that.  But for these figures, they’ve given us the option of changing out the faces.  The face that I showed you earlier had her smiling.  That’s all well and good for most people, but for fans of the series and people that feel they know Mikoto well, that just isn’t good enough.

DSC00047This face is much more suitable to her.  Anyone that has watched the series would know that if Mikoto were to find herself forced to wear a bunny girl outfit, that she would be very uncomfortable doing so.  So it’s great that FREEing had the foresight to include a second face that makes Mikoto look as though she is highly embarrassed to be seen wearing such an outfit.  Now, to each their own of course, so if you liked the previous face then by all means display her as such.  However, for people like myself who feel that Mikoto would normally show a lot more restraint in this situation, this secondary face is a great addition to the figure and I’m thrilled that FREEing gave us a choice.

DSC00048One other aspect that I’d like to focus on is the stockings.  This just goes to show the attention to detail that FREEing made to this figure.  It would have been so easy for them to just paint the stockings on and call it good, but that’s not what FREEing is all about.  You can’t easily tell from this picture, but I’m here to tell you that those stockings are actual net stockings and not just painted on.  What I mean by that is, I can grab a portion of the stockings and pull them off from her legs.  Now, granted, you can’t actually removed the stockings entirely, but the fact that they are actual fabric stockings and not just molded plastic means a lot to figure fans.  These small attention to details makes a figure like this worth putting in ones collection.

All in all, a big part of FREEing’s draw is the sheer size of their figures.  Not many companies make figures larger than a 1/6 size.  But regardless, if it was a large sized figure with poorly sculpted features, it wouldn’t matter what size it was.  With the inclusion of a secondary face, FREEing tackles any problem I might have had with this figure, and makes it one that would be welcome any any serious collector’s home.  This kind of attention to detail is exactly what we all expect when we get a figure related to Good Smile Company.

Song of the Day: Tool – H.


For those of you who have yet to get the memo, music industry giants in 2013 decided that it was time for the 1990s to be cool again. I’m pretty goddamn stoked about it myself, and I hope the sort of neo-grunge/alternative that’s going to be really popular 3-4 years from now inspires a lot of talented musicians to crawl out of the woodwork and start producing quality uncastrated rock again. In the meantime, I’ve been dusting off my neigh-forgotten guitar and revisiting a lot of the bands from my high school days to see if they were really as great as I remembered. (Alice in Chains? Check. Rage Against the Machine? Holy mother of Check. Sublime? Bzzzz, back to the “nostalgia” m3u and dusty jewel case with you.)

There have been a few 90s bands that never really left my playlist all this time. Smashing Pumpkins’ catalog from Siamese Dream though Machina kept on rolling like they were all just released yesterday. Pearl Jam and Nirvana still found their way into Winamp from time to time. And I never quit listening to Tool. My Tool selection for the past decade though has consisted almost exclusively of the Opiate EP and Undertow–those nostalgic recordings that were inevitably rolling in the background every time I ever skipped school to play paintball, experimented with a new drug (I haven’t done any “drugs” since high school, but I must say tripping on shrooms completely changed my perspective on life in a positive way), or got drunk when it was still a novel experience.

When I was a teenager though, it was never Opiate or Undertow that I listened to at home. They were the party albums that all of my friends would play ad pleasant nauseam. In private, I listened to Ænima. I’d all but forgotten about it until a week ago. I’ve kept it on repeat while engaging in the oh-so-rebellious task of remodeling my kitchen, and wow… Fast-forward from having naively experienced a few hundred mass-marketed bands to having researched and intelligently engaged thousands of different acts, I have to say Ænima remains one of the greatest recordings I have ever heard.

Right now I’m peaking on Pushit. It was, alongside Jimmy and Third Eye, one of the tracks I pretty much ignored as a kid, and I’m now hearing it in a new light as one of the most overwhelming tracks on the album. I want to showcase H. though, because it was my favorite Tool song prior to the release of Lateralus (the way I connected with the lyrics to Lateralus’ title track at the time is difficult to describe and sadly lost to me now), and because I do still regard it as my favorite track on the album (Ænema comes pretty close).

The way Maynard’s vocals interplay with the instrumentation is absolutely beautiful; I think Ænima represents Tool’s peak as innovative song-writers, bridging the gap between their earlier edginess and their later brooding experimentalism, and no song captures that quite so extensively as H. The crushing chorus acts as cement to piece together Maynard’s vocals and Adam’s guitar at their most mutually fragile peak. The lyrics present a simple clash between emotions and wisdom under a veil so deliciously esoteric that it might feel personally and uniquely relevant to each individual listener in a legitimately different way:

What’s coming through is a lie.
What’s holding up is a mirror.
What’s singing songs is a snake,
Looking to turn my piss to wine.
They’re both totally void of hate,
But killing me just he same.
The snake behind me hisses what my damage could have been.
My blood before me begs me, open up my heart again.
And I feel this coming over like a storm again.
Venomous voice tempts me, drains me, bleeds me,
Leaves me cracked and empty,
Drags me down like some sweet gravity.
The snake behind me hisses what my damage could have been.
My blood before me begs me open up my heart again.
And I feel this coming over like a storm again.
I am too connected to you to slip away, fade away.
Days away I still feel you, touching me, changing me,
Considerately killing me.
Without the skin,
Here beneath the storm,
Under these tears,
The walls came down.
At last the snake has drowned,
And as I look in his eyes,
My fears begin to fade,
Recalling all of the times
I could have cried then.
I should have cried then.
As the walls come down,
And as I look in your eyes,
My fear begins to fade,
Recalling all of the times
I have died,
and will die.
It’s alright.
I don’t mind.
I am too connected to you to slip away, fade away.
Days away I still feel you, touching me, changing me,
And considerately killing me.

Trailer: The Walking Dead Season 4


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During the panel for The Walking Dead over at San Diego Comic-Con we found out first and foremost the premiere of season 4 for AMC’s huge hit.

The Walking Dead Season 4 will premiere on October 13, 2013.

Now what’s in store for fans of the show when it returns in a couple months. It looks like we get another veteran from HBO’s classic drama series (and best drama series in history, ever) The Wire with Larry Gilliard, Jr. coming on-board as the character Bob Stookey. The season will also see the return of fan favorite Lennie James as Morgan Jones. The new season will also bring with the the show’s newest and latest showrunner in show writer Scott M. Gimple.

The Walking Dead is pure genre storytelling which means that at times it will show the best while at times it fails under the weight of the very narrative it’s trying to tell. It’s not Boardwalk Empire, Game of Thrones, Breaking Bad or Mad Men. What the show has become which the other higher quality show still hasn’t reached is a level of popularity that just continues to build with each passing season and episode.

While October 13 is just a little under 3 months away it’s still going to be a long wait.

Trailer: Riddick (Red Band)


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In 2000, a small little scifi-horror film came out starring that guy from Saving Private Ryan. We didn’t really recognize him as the household name of Vin Diesel we know now. It was still that guy who was in that Spielberg WWII film. Pitch Black was a modest success, but modestly enough that a sequel was greenlit right after with a much bigger budget. This sequel was less scifi-horror and more of an epic scifi film that was trying to be the Dune of it’s time. The Chronicles of Riddick wasn’t a modest success this time around and plans for a third film to finish off the trilogy never got off the development stage.

Vin Diesel has since become a big star of some caliber with his Fast and Furious franchise. With the success of the latest film in that franchise it looks like Universal had given the Diesel the go-ahead to make a third film in his scifi franchise simply titled, Riddick.

With a more modest budget than the second film, Riddick looks to return Vin Diesel’s character back to something more similar and thus safe. Riddick is back on a death world of a planet inhabited by dangerous critters who mayor may not hunt once an prolonged darkness sets in. Riddkc must also deal with a pesky band of mercenary bounty hunters after his hide. Where the second film tried to build on the character’s background and further his story in a space opera-like way this red band trailer shows that Riddick is best when playing the anti-hero who may or may not be the villain as well as the hero of the story.

Riddick is set for a September 6, 2013 release date.

Song of the Day: Orion (by Metallica)


MasterofPuppets Been more than a bit listless and tired of late so what do I do to fix that than listening to some classic metal. One can’t get any more classic metal than one of the best metal instrumentals ever: Metallica’s “Orion” off of their Master of Puppets full-length album.

“Orion” would mark one of the the last great works by Metallica’s great bassist, Cliff Burton. He would pass away while on tour to promoting this album. Details of his passing could be read anywhere so will bypass that to instead celebrate one of his great achievements with this extended instrumental which just showed how great a metal bass player he was, but also just one of the greatest metal musicians of his time.

Fans of metal always wonder just how much more he could’ve contributed to Metallica’s success if he had lived. Would their later albums have been up and down in quality? Would he have gone along with the changes wrought by the band’s producer after his death, Bob Rock, whoguided the band out from their thrash metal roots and into a more pop-friendly hard rock sound. Metal will never know the answer to these questions, but if Burton had lived and remained with the band it’s more than likely that Metallica wouldn’t be the one we know now after their many stylistic changes, but probably still considered by their early, loyal fans as being pure thrash.

One thing for sure, we probably would’ve been given more extended instrumentals like “Orion”.

AMV of the Day: Let Them Eat Rei (Neon Genesis Evangelion)


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In honor of GLaDOS’s cameo in Pacific Rim as the A.I. voice of the American Jaeger, Gipsy Danger, I’ve chosen an oldie, but goodie AMV from 2008 as the next “AMV of the Day”.

This has to be the very first AMV I’ve ever seen and it was in the spring of 2008 when I attended my very first anime convention with Anime Boston 2008. The video had won Best In Show and Best Drama. It used scenes from the very popular mecha anime Neon Genesis Evangelion, but more important to the convention attendees was the song used for the video: Jonathan Coulton’s “Still Alive” featuring the voice of GLaDOS herself, Ellen McClain.

“Let Them Eat Rei” was the name of the video and it does a great job in combining some of the dark humor from both the song and the anime, but also it’s more darker dramatic aspects. When I think about it I’m not even sure if this video had won Best Drama or Best Comedy, it could’ve won either in addition to Best In Show.

Anime: Neon Genesis Evangelion (Death & Rebirth), Neon Genesis Evangelion (End of Evangelion)

Song: “Still Alive” by Jonathan Coulton feat. Ellen McClain

Creator: jbone

Past AMVs of the Day

Trash Film Guru Vs. The Summer Blockbusters : “Pacific Rim”


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Let’s start with a life lesson here that’s completely contradictory right on its face and therefore of absolutely no value whatsoever — sometimes the simplest ideas are great, and sometimes they’re really, really dumb.It all depends on the inherent intelligence level of the person who has them.

First case in point : a retrograde, racist, trigger-happy, self-appointed “neighborhood watch captain” decides it would be a good idea to follow around a kid in his gated suburban subdivision who’s minding his own business and eating Skittles. The cops tell him to back the fuck off and stay in his car, but our low-grade Charles Bronson-wannabe thinks he knows better : he pursues the young man on foot, removes his gun from its holster, loads  some rounds in the chamber, unlatches the safety, and proceeds to generally and obviously tail him for three or four blocks. When the target of his harassment finally decides enough is enough and jumps him, a fight ensues. We’ll never definitely know who threw the first punch, but when “Mr. Tough Guy” was on the ground getting his nose bloodied by the kid’s fist, he decided he’d had enough and shot his “assailant” in the heart.

Dumb idea. I don’t care if a jury gave him a free pass for murdering the victim of his stalking or not, it’s still just not smart. Bargain-basement Bronson was reckless with his firearm, needlessly killed a kid who was, let’s face it, provoked into a confrontation, and now he has this bright, promising youngster’s blood on his conscience (assuming he has one, which is debatable) and has to sleep with one eye open for the rest of his life. Clearly, nothing good came from this guy’s very simple, and very stupid, idea.

Case in point number two : Wouldn’t it be seriously fucking cool if the Transformers fought Godzilla?

The answer to this question is as resounding as it is obvious : hell yes (as long as Michael Bay doesn’t direct it)! Thankfully, Guillermo del Toro is the guy who had this idea, and the result is Pacific Rim, easily the funnest thing to hit the silver screen this summer (even if I did just say the same thing about The Lone Ranger — this tops it, and by a wide margin).

Now, you can take exception to my admittedly over-simplified root description of this film all you want — hey, man, this is about a lot more than that : it’s about giant mentally-linked-to-human-host robots called Jaegers who battle inter-dimensional monsters from beneath the ocean floor known as Kaiju, there’s a nice little low-key love story that develops between out hero, Raleigh Beckett (Charlie Hunnam) and his co-pilot, Mako Mori (Rinko Kikuchi), it’s got Idris Elba as a stoic-but-compassionate military commander, and hey, Ron Perlman’s on board playing a mad scientist/black marketeer with the kind of relish that only he can bring to a role.

All these things are true, of course, but at the end of the day this is still a 12-year-old sci-fi geek’s wet dream realized on an enormous Hollywood budget. And that’s the best thing about it (besides maybe the awesome post-credits dedication to Ray Harryahusen and Ishiro Honda). This is del Toro letting loose his inner child for all of us to see, and that’s a pretty insipiring thing indeed, my friends.

Are there plot holes aplenty here? Sure, bigger than the monsters themselves (most notable among them being that if they know one of these nuclear Jaegers can seal up the dimenstional breach for good by blowing it to kingdom come, why did’t they try it years ago?), but never you mind that. Just sit back and allow yourself to be as thoroughly and completely wowed as is humanly possible by a movie. And when you feel a smile forming at the corners of your lips as the week goes on, don’t fight it — you really did have that much fun at the movies. It’s totally okay to feel like a giddy little kid again for awhile.

The Walking Dead Season 4 Poster Unveiled


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Like the show or not the one thing that The Walking Dead tv series has always had have been some good marketing people. From the marketing leading up to the premiere season and now leading up to it’s upcoming fourth season the show continues to honor it’s comic book legacy.

For the upcoming San Diego Comic-Con spectacle AMC TV and the people behind The Walking Dead tv series have unveiled the SDCC-exclusive poster for the upcoming season. Season 1 saw noted comic book cover artist and illustrator Drew Struzan come up with the exclusive poster. For Season 2 we had another famous comic book illustrator in Tim Bradstreet with the honor. Last year’s Season 3 at SDCC saw Greg Capullo come up with the poster.

For the Season 4 poster that will be given out at this year’s San Diego Comic-Con one of the best cover  and comic book illustrators in the business will do the honors. I speak of Alex Ross who has cemented his place in comic book fandom with his work on such comic books as Marvels and Kingdom Come.

While Alex Ross has been known more for his superhero illustrations the fact that he’s doing a horror-themed illustration just shows that the show still continues to remain strong and people continue to want to be involved with it in one fashion or another (or AMC just paid Alex Ross a nice chunk of change).

Below are the past SDCC-Exclusive posters for The Walking Dead.

Drew-Struzan                         Tim-Bradstreet                         Greg-Capullo

Source: AMC TV