44 Days of Paranoia #5: The Trial Of Lee Harvey Oswald (dir by Larry Buchanan)


The Trial of Lee Harvey Oswald

Today has been a strange day to live and work in Dallas, Texas.  It is, of course, the 50th anniversary of the day that President John F. Kennedy was assassinated in my hometown.

As I mentioned in my review of Executive Action, those of us who live in Dallas are still expected to live in the shadow of something that happened before a lot of us were even born.  Today, the city of Dallas did everything that it could to embrace that shadow.  Despite the fact that it was cold and rainy today, a lot of people attended the memorial ceremony at Dealey Plaza.  (Despite the weather, nobody was allowed to open an umbrella during the ceremony.  Having been raised Catholic, I appreciate a little self-punishment as much as the next girl but considering how bad the weather  was, it all seems a bit much to me.)  One of the local talk radio stations spent today rebroadcasting all of its programming from November 22nd, 1963.  I guess the idea was to give people a chance to experience a terrible day in real time.  That seems a bit creepy to me but it does illustrate just how much the Kennedy assassination continues to overshadow life here in Dallas.

Considering just how much my city is identified with it, it’s perhaps appropriate that the very first film ever made about the Kennedy assassination was made by a Dallas filmmaker, the infamous Larry Buchanan.  As a filmmaker, Buchanan specialized in exploitation films that claimed to either be ripped-from-the-headlines or were presented as being lurid dramatizations of real-life events.  Hence, it’s not surprising that, in 1964, Buchanan gathered together a group of local (and obscure) Dallas actors and filmed The Trial of Lee Harvey Oswald.

Lee Harvey Oswald

The eyes of a killer?

The Trial of Lee Harvey Oswald takes place in an alternative reality in which Lee Harvey Oswald was not murdered by Jack Ruby and, instead, actually stood trial for the assassination of John F. Kennedy.  The prosecution pretty much presents the case that was made by the infamous Warren Commission.  The defense argues that the evidence against Oswald is circumstantial and that, even if Oswald did fire the fatal shots, he should still be found “not guilty for reason of existing insanity.”  The film’s audience is meant to serve as the trial’s jury.

As I watched this film, two things stood out for me.  One is the fact that Buchanan never allows us to get a good view of the defendant.  Instead, we simply see his eyes.  While this was probably due to the fact that actor Charles Mazyrack didn’t bear a strong resemblance to the real-life Oswald, it’s still an occasionally striking effect that allows the character to remain a troubling enigma.

Secondly, and this surprised me as a contemporary viewer, next to no accusations of conspiracy are made during the trial.  There’s no talk of the grassy knoll or the military-industrial complex or any of the other things that one naturally expects when it comes to a film about the Kennedy assassination.  Instead, The Trial of Lee Harvey Oswald is based solely on the information that was available to the general public in 1964.  As such, it remains an interesting historical document, a chance to get a genuine look at what people actually knew and thought in the days immediately following the Kennedy assassination.

(Interestingly enough, Buchanan’s later films would often feature shadowy government conspiracies.)

When Larry Buchanan died in 2004, The New York Times summarized his career as follows: “One quality united Mr. Buchanan’s diverse output: It was not so much that his films were bad; they were deeply, dazzlingly, unrepentantly bad.”  For the majority of Buchanan’s films, that’s true but it’s not exactly true for The Trial of Lee Harvey Oswald.  Considering that  Buchanan is best remembered for directing a film called Mars Needs Women, The Trial of Lee Harvey Oswald feels almost respectable.

In fact, the film is a bit too respectable.  The dialogue and direction are often rather dry and the mostly amateur cast alternates between overacting and not acting at all.  If there was ever a film that could have benefited from some ludicrous melodrama, it’s this one.

That said, I enjoyed The Trial of Lee Harvey Oswald because I’m a history nerd and, if nothing else, this film remains an interesting historical curio.   As well, it was filmed on location in Dallas and I can’t complain about any film that features a close-up of my favorite downtown building, the old red courthouse.

Enjoy The Trial of Lee Harvey Oswald!

AMV of the Day: Animegraphy 2013


Animegraphy

Yes, I agree with the philosophy of one Issei Hyodo of the anime series High School DxD. This is just one of over 200+ anime titles which were picked to comprise the 5-minute running time of the latest “AMV of the Day”.

“Animegraphy 2013” by qyll pretty much takes every anime title that is currently showing in the year 2013 and puts selected scenes into the video. This is quite a feat considering that some anime titles appear more than just once and for more than a second. I like how the video shows an early form of anime with 1963’s Astro Boy as a sharp contrast to how anime looks like now 50 years later.

Anime sure has grown since these last 50 years.

Anime: A Certain Scientific Railgun S, Accel World EX, Ace Of Diamond, Ai Mai Mi Aiura, AKB0048: Next Stage, Aku No Hana Amnesia, Ano Hi Mita Hana No Namae Wo Bokutachi Wa Mada Shiranai. Movie, Arata Kangatari, Arpeggio Of Blue Steel, Arve Rezzle: Kikaijikake No Yosetachi, Astro Boy, Shingeki no Kyojin, Aura: Maryuuinkouga Saigo No Tatakai (Movie), Bakumatsu Gijinden Roman, Berserk The Golden Age Ac Lll – Descent BlazBlue: Alter Memory, Blood Lad Blue Exorcist (Movie), Boku Wa Tomodachi Ga Sukunai Next, Brother’s Conflict Buki Yo Saraba (Movie), Cardfight!! Vanguard: Link Joker-Hen, Chihayafuru 2, Chitose Get You!!, Chokotan! Code:Breaker, Coppelion, Corpse Party: Tortured Souls – Bougyakusareta Tamashii No Jukyou, Cuticle Tantei Inaba, D.C.III ~ Da Capo III ~, Dakara Boku Wa H Ga Dekinai, Danganronpa The Animation, Dansai Burni No Crime Edge, Dareka No Manazashi Date A Live, DD Hokuto No Ken (2013), Death Billiards, Devil Survivor 2 The Animation, Diabolik Lovers, Dokidoki! Precure, Dragonball Z Battle Of The Gods Ebiten: Kouritsu Ebisugawa Koukou Tenmonbu, Encouragement Of Climb, Fairy Tail, Fantasista Doll, Fate/Kaleid Liner Prisma☆Illya Free! Freezing Vibration, Futari Wa Milky Holmes, Galilei Donna, Gambo (Movie), Kotonoha no Niwa, Gargantia On The Verdurous Planet, Gatchaman Crowds Genei Wo Kakeru Taiyou Genshiken Nidaime, Ghost In The Shell: Arise (Movie), Gifuu Doudou!!: Kanetsugu To Keiji, Gingitsune, Gintama Girls Und Panzer Specials Gj-Bu Golden Time, Gundam Build Fighters, Haitai Nanafa 2nd Season, Haiyore! Nyaruko-San W, Hajime No Ippo: The Fighting! – Rising, Hakkenden: Touhou Hakken Ibun, Hal (Movie) Hanasaku Iroha: Home Sweet Home (Movie), Hanayaka Nari, Waga Ichizoku: Kinetograph, Hayate No Gotoku! Cuties, Henneko: Hentai Prince And The Stony Cat, Hidamari Sketch: Sae Hiro Sotsugyou-Hen, High School DxD New, Higurashi No Naku Koro Ni Kaku: Outbreak, Houseki No Kuni, Hunter X Hunter (2011), Hyakka Ryouran: Samurai Bride, Hyperdimension Neptunia Inazuma Eleven Go Vs Danball Senki W (Movie), Inazuma Eleven Go: Chrono Stone, Infinite Stratos 2, Inu To Hasami Wa Tsukaiyou Ishida To Asakura, Jewelpet Happiness, Kakumeiki Valvrave Kamisama Kiss, Kamisama No Inai NIchiyoubi Kara No Kyoukai – The Garden Of Sinners (Movie), Karneval Kick Heart, Kill La Kill Kimi No Iru Machi, Kindaichi Shounen No Jikenbo: Kuromajutsu Satsujin Jiken-Hen, Kingdom 2nd Season, Kiniro Mosaic Kira Kira 5th Anniversary Live Anime: Kick Start Generation, Kiss×Sis, Kitakubu Katsudou Kiroku, Koitabi: True Tours Nanto, Kono Naka Ni Hitori Imouto Ga Iru!: Ani Imouto Koibito, Kotoura-San, Kuroko’s Basketball 2, Kyoukai No Kanata Kyousougiga (2013), Little Busters! Refrain, Little Witch Academia, Log Horizon Love Lab Love Live! School Idol Project Love, Chunibyo & Other Delusions (Movie), Love, Chunibyo & Other Delusions: Depth Of Field – Ai To Nikushimi Gekijou Love, Chunibyo & Other Delusions: Kirameki No… Slapstick Noel Magi: The Kingdom Of Magic, Majestic Prince Maji De Otaku Na English! Ribbon-Chan: Eigo De Tatakau Mahou Shoujo, Makai Ouji: Devils And Realist, Mangirl!, Maoyuu Maou Yuusha, Meganebu!, Minami-Ke Tadaima, Mirai Nikki Redial, Miss Monochrome The Animation, Miyakawa-Ke No Kuufuku, Mobile Suit Gundam AGE: Memory Of Eden (Movie) Mobile Suit Gundam Unicorn, Mondaiji-Tachi Ga Isekai Kara Kuru Sou Desu Yo?, Monogatari Series: Second Season Mushibugyo My Little Monster, My Little Sister Can’t Be This Cute, My Mental Choices Are Completely Interfering With My School Romantic Comedy, My Teen Romantic Comedy SNAFU, Nagi No Asu Kara, Namiuchigiwa No Muromi-San Naruto Shippūden, Nekomonogatari (Black), Non Non Biyori, One Piece OreShura, Otona Joshi No Anime Time, Outbreak Company, Patema Inverted (Movie), Persona 3 The Movie, Phi-Brain: Puzzle Of God (2013), Photo Kano Pokemon: Origins Pretty Rhythm: Rainbow Live, Puchimas!: Petit IDOLM@STER, Puella Magi Madoka Magica The Movie Part III: Rebellion, Recorder To Randoseru Mi☆, Red Data Girl Ro-Kyu-Bu! SS, Rozen Maiden (2013), Ryo, Saint Young Men, Saki: Achiga-Hen – Episode Of Side-A Specials, Samurai Flamenco, Sasami-San@Ganbaranai, Say “I Love You”, Seitokai Yakuindomo, Senhime Zesshou Symphogear G, Senran Kagura, Senyuu, Servant X Service Silver Spoon Sket Dance (OVA) Space Brothers, Sparrow’s Hotel, Star Driver The Movie, Steins;Gate: Fuka Ryouiki No Déjà Vu , Stella Jogakuin Koutou-Ka C³-Bu Strike The Blood, Super Seishun Brothers, Tamako Market Tamayura: More Aggressive, Tanken Driland: 1000-Nen No Mahou, Tantei Opera Milky Holmes: Alternative (OVA), Teekyuu 2, Tesagure! Bukatsu-Mono, The Devil Is A Part-Timer Toaru Majutsu No Index: Endymion No Kiseki Tokyo Ravens, Uchouten Kazoku Unbreakable Machine-Doll, Uta No☆Prince-Sama Maji Love 2000%, Vanquished Queens (OVA), Vassalord (OVA), Vividred Operation, Walkure Romanze, Wanna Be The Strongest In The World, WATAMOTE ~ No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, White Album 2, Wind Rises, World God Only Knows III, Yami Shibai, Yondemasu Yo Azazel-San. Z, Yonhyakunijuu Renpai Girl (OVA), Yowamushi Pedal, Yozakura Quartet: Hana No Uta, Yuusha Ni Narenakatta Ore Wa Shibushibu Shuushoku Wo Ketsui Shimashita Yuyushiki, Zettai Bouei Leviathan, Zettai Karen Children

Song: “Love Lost” by the Temper Trap and “If You Wanna” by The Vaccines”

Creator: qyll

Past AMVs of the Day

44 Days of Paranoia #4: Interview With The Assassin (dir by Neil Burger)


InterviewDAS062810

Continuing with the 44 Days of Paranoia, we today take a look at one of the best films to have been inspired by the assassination of John F. Kennedy, 2002’s Interview With The Assassin.

Interview With The Assassin tells the story of Ron (Dylan Haggerty), a cameraman who, at the beginning of the film, has recently lost his job.  His gruff neighbor, an ex-Marine named Walter (a brilliantly menacing Raymond K. Barry), approaches Ron and tells him that he’s dying of cancer and he wants Ron to film him confessing to a crime.  After Ron sets his camera up, Walter proceeds to state that he was the second gunman and that he — and not Lee Harvey Oswald — was the sniper who killed President Kennedy.  When Ron asks Walter who hired him to kill Kennedy, Walter says that he was approached by a man named John Seymour but that he’s not sure who Seymour was working for.

Ron, not surprisingly, is initially skeptical of Walter’s claims.  However, Walter gives Ron a spent shell casing that he claims he grabbed off the ground after he shot Kennedy.  Walter explains that the only reason he’s been allowed to live is because he has that shell casing and, therefore, can prove that there was a second gunman.  Ron gets the shell casing analyzed and is informed that it was probably fired in 1963.

Still skeptical but now intrigued, Ron agrees to make a documentary about Walter and his claims.  Walter and Ron drive across the country to find John Seymour and confront him.  Along the way, they stop in Dallas and Walter shares more of his memories of killing Kennedy.

As Ron becomes more and more convinced that Walter is telling the truth, he also finds himself becoming more and more immersed in Walter’s secretive and fatalistic worldview.  However, as their paranoid road trip continues, Ron also starts to find reasons to doubt whether or not Walter is telling the truth about anything.  It all leads to a genuinely surprising finale that forces us to reconsider everything that we had previously assumed about both Ron and Walter.

I usually hate found footage films but Interview With The Assassin is a wonderful exception.  In his directorial debut, Neil Burger (who would later direct the brilliant Limitless) makes good use of the faux documentary format.  As opposed to many other found footage films, Interview With The Assassin actually provides a believable reason for why the characters are filming everything and, even more importantly, it’s willing to both explore and question the motives of the man holding the camera.  As a result, even though he spends much of the film off-screen, Ron becomes as interesting a character as Walter.

The genius of Interview With The Assassin is to be found in the film’s ambiguity.  While the film creates a believable atmosphere of conspiracy and paranoia, it also forces the viewer to interpret what she’s seen and heard for herself.  Is Walter crazy or is he telling the truth?  Is Ron a hero trying to uncover the truth or is he a frustrated journalist who is exploiting a dying and mentally disturbed man?  Convincing arguments can be made for any of those interpretations as well as a dozen more.  I’ve seen the film a handful of times and I’m still conflicted on just how I feel about both Walter’s claims and the initial assumption that Ron is meant to be the film’s hero.

Interview With The Assassin is a film that invites its audience to think.  As a result, it’s a film that deserves to be seen.

Raymond Barry in Interview With The Assassin

Raymond Barry in Interview With The Assassin

44 Days of Paranoia #3: Winter Kills (dir by William Richert)


MPW-39279Yesterday, I took a look at Executive Action, a 1973 docudrama about the assassination of John F. Kennedy.  Today, I want to take a look at another film inspired by the Kennedys, the 1979 satire Winter Kills.

As the film opens, it’s been 16 years since a popular and dynamic President named Tim Kegan was assassinated in Philadelphia.  Despite constant rumors of conspiracy, the official story is that Kegan was killed by a lone gunman and that gunman was subsequently killed by another lone assassin.  The President’s half-brother, Nick (played by Jeff Bridges, who looks so impossibly young and handsome in this film), has disappointed his father (John Huston) by declining to follow his brother into politics.  Instead, he spends most of his time sailing on corporate oil tankers and dating fashion editor Yvette (Belinda Bauer).  This all changes when a dying man named Fletcher (and played, underneath a lot of bandages, by Joe Spinell) asks for a chance to speak to Nick.  Fletcher reveals that he was the 2nd gunman and that he was hired by to kill President Kegan.  Before dying, Fletcher tells Nick where he can find the rifle that was used to kill the President.

Following Fletcher’s directions, Nick finds both the rifle and proof that his brother’s death was the result of a conspiracy.  Determined to find out who was truly behind the conspiracy, Nick goes to see his father, the flamboyant tycoon Pa Kegan (John Huston) who, we discover, is only alive because he frequently gets blood transfusions from young women.  With Pa’s encouragement, Nick is sent on an increasingly bizarre odyssey into the darkest shadows of America, a world that is populated by militaristic businessmen, sinister gangsters, and an unemotional man named John Cerutti (Anthony Perkins) who very well may be the most powerful man in the world.

The martyred President might be named Tim Kegan, his accused assassin might be named Willie Abbott, and the man who shot Abbott might be named Joe Diamond (and might be played by Eli Wallach) but make no mistake about it — Winter Kills is a thinly disguised look at both the Kennedy assassination and the Kennedy family.  Based on a novel by Richard Condon (who also wrote the conspiracy classic, The Manchurian Candidate), Winter Kills takes all of the various Kennedy conspiracy theories and intentionally pushes them to their most ludicrous extremes.  The end result is a film that tries (and occasionally manages) to be both absurd and sincere, a portrait of a world where paranoia is the only logical reaction.

As I discovered from listening to director William Richert’s commentary on the Anchor Bay DVD, Winter Kills had a long and complicated production history.  The film was produced by two marijuana dealers, one of whom was murdered by the Mafia shortly after the film premiered while the other would later be sentenced to 40 years in prison on federal drug charges.  The production actually went bankrupt more than a few times, which led to Richert, Bridges, and Bauer making and releasing another film specifically so they could raise the money to finish Winter Kills.

When Winter Kills was finally released, it got a good deal of attention because of its spectacular cast.  Along with Bridges, Huston, Perkins, and Wallach, the film also features cameo appearances by Tomas Milian, Elizabeth Taylor, Ralph Meeker, Richard Boone, Sterling Hayden, Dorothy Malone, Toshiro Mifune, and a host of other actors who will be familiar to those of us who enjoy watching old movies on TCM.  And yet, according to Richert, the film itself was barely released in to theaters, the implication being that Winter Kills was a film about conspiracies that fell victim to a conspiracy itself.

Given the film’s history and the subject matter, I was really hoping that Winter Kills would turn out to be a great movie.  Unfortunately, it really doesn’t work.  The film struggles to maintain a balance between suspense and satire and, as a result, the suspense is never convincing and the satire is ultimately so obvious that it ends up being more annoying than thought-provoking.  The cast may be impressive but they’re used in such a way that film ultimately feels like it’s just a collection of showy celebrity cameos as opposed to being an actual story.

That said, Winter Kills remains an interesting misfire.  Jeff Bridges is a likable and compelling lead (and he gives the film much-needed focus) and, playing a role that has a lot in common with his better known work in Chinatown, John Huston is a always watchable if not necessaily likable.  Best of all is Anthony Perkins, who plays a role that, in light of what we now know about the NSA, seems oddly prophetic.

Finally, best of all, Winter Kills remains an interesting time capsule.  If nothing else, it reminds us that mistrust and paranoia are not unique to this century.

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Song of the Day: I’ve Gotta Be Me (by Sammy Davis, Jr.)


SammyDavisJr

Today is the date that will forever become a date of remembrance for me and my family.

My father, Fernando Sandoc, passed away after losing his battle with cancer. He’s been a huge influence in my taste in music. I remember listening to him when I was younger singing songs by Frank Sinatra, Dean Martin to The Beatles, Tom Jones, The Temptations right up to The Eagles and Elvis Presley. His was an eclectic taste in music, but one that I didn’t appreciate at a young age.

Yet, as I grew older I began to listening to the very same bands and singers and really become fans of them as well. It was one of many ways he and I bonded throughout the years. This was especially true as I grew into adulthood.

One song which always stood out for me was of the Sammy Davis, Jr. song “Ive Gotta Be Me”.

I remember him singing this song with as much enthusiasm and vigor as Sammy himself. It became a sort of anthem (in addition to Frank Sinatra’s “My Way” which was another favorite of his and mine) as if he tried to live his life just how the lyrics spelled them out. I can’t say whether he succeeded or not, but he definitely lived his life “his way” and remained to being true to himself.

He and those he called his closest friends were lived to be their very own Rat Pack.

So, I shall be forever grateful for having such a loving, understanding father and a great friend and mentor who will remain eternal as I take up the mantle he has finally set down to rest.

I’ve Gotta Be Me

Whether I’m right or whether I’m wrong
Whether I find a place in this world or never belong
I gotta be me, I’ve gotta be me
What else can I be but what I am

I want to live, not merely survive
And I won’t give up this dream

Of life that keeps me alive
I gotta be me, I gotta be me
The dream that I see makes me what I am

That far-away prize, a world of success
Is waiting for me if I heed the call
I won’t settle down, won’t settle for less
As long as there’s a chance that I can have it all

I’ll go it alone, that’s how it must be
I can’t be right for somebody else
If I’m not right for me
I gotta be free, I’ve gotta be free
Daring to try, to do it or die
I’ve gotta be me

I’ll go it alone, that’s how it must be
I can’t be right for somebody else
If I’m not right for me
I gotta be free, I just gotta be free
Daring to try, to do it or die
I gotta be me

Marvel’s Agents of S.H.I.E.L.D. – The Well Review


Iron_Man_Annual_1

It still seems tame, almost like the creative team is holding back. Skye and Coulson continue to be the saving grace of the show. The nerds are growing on me slowly.

What I liked:

  • A closer look at Agent Ward’s troubled past and why he became the man we see before us.
  • A hint of what Agent May faced and what ghosts still haunt her.
  • The possible Faith-Xander like hook-up that occurred in tonights.
  • The potential traumatic/sinister nature of Coulson’s stay at Tahiti.

 

What I was expecting:

  • The focus character of the week to be Vali Halfling instead of some generic Asgardian or at least a reformed Skurge the Executioner, an Asgardian known for his blood rages and cursed weaponry.
  • The MacGuffin  was the Blood Axe instead of a random spear.
  • Some of Steranko’s trippy spy fiction.
  • Some sense of threat or true danger… it’s missing the “ZOMG What just happened” endings that Buffy/Angel happened.
  • High tech weaponry and gadgets… either Steranko inspired or something taken from Millar’s or Ellis’ ventures in the Ultimate Universe.

 

Review (Spoiler Free):

The villains were weak this week. They came off as a background annoyance rather than a real threat. They were even brushed off as some rowdy punks. It was the common “Find the MacGuffin before the baddies get it” plot. Fortunately it did give us some detail about May’s and Ward’s past in addition to giving us another spin on Coulson’s stay in Tahiti

AMV of the Day: See Who I Am


GuiltyCrown

Just going to be brief with the description of the latest “AMV of the Day”. The latest pick was the winner of Anime Weekend Atlanta (AWA) 2012.

“See Who I Am” is the title of the video and also the title of the song used by the video’s creator (Speedy180). This particular song is a favorite of mine from symphonic metal band Within Temptation and also used in one of the very first AMV’s I watched (Alchanum) and one which got me into the scene to begin with. The video itself is an anime mix of so many anime titles that I could only recognize some of the one’s that I’ve actually seen. I’m sure there are many more I missed.

It’s a well-done video that uses Sheryl Nome of Macross Frontier singing to sub in for Within Temptation’s Sharon den Adel. It’s a very dramatic song and the anime visuals picked and they’re put together more than matches the emotional content of the song.

Anime: Guilty Crown, Macross Frontier, Fairy Tail, Fate/Stay Night, Fafner in the Azure, Tengen Toppa Gurren Lagann, Bleach and many others…

Song: “See Who I Am” by Within Temptation

Creator: Speedy180

Past AMVs of the Day

Review: The Walking Dead S4E06 “Live Bait”


TheWalkingDeadS4

“And I ask for no redemption in this cold and barren place.” — Ben Nichols

[some spoilers]

Season 4 of The Walking Dead, from the very beginning, has been exploring the theme of whether those who have managed to survive this far into the zombie apocalypse could ever return to who they were in the past. Could they return from the brink of having to do some unthinkable acts in order to survive? It’s this running theme which has dominated this first half of the season, so far.

We’ve seen Rick trying to leave behind the “Ricktatorship” of Season 3, but only to find out that this new world won’t allow him to go back to the way he used to be. He has changed, and so has everyone, some of the better and some for the worst. We’ve seen several main characters of the show go through this very crucible and some have turned out much colder while others have seen their moral center strengthened.

The series has been hinting that the Governor was still out there and last week’s episode ended with a sudden reveal that he’s back and has now set his sight back on the prison. While quite an ominous moment considering the Governor’s past actions towards Rick and the prison group, tonight’s episode has put some ambiguity on what the Governor’s agenda in regards to the prison really is.

“Live Bait” is the title of the latest episode of The Walking Dead and it takes a risky move by concentrating on the Governor only. We don’t see Rick or anyone from the prison community. This episode was all about the Governor and what happened to him after his failed attack on the prison in the season 3 finale. We already know that he massacres pretty much every member of his attacking force with the exception of his two most loyal lieutenants in Martinez and Shumpert. We see during the episode’s cold opening the total breakdown of not just the Governor but also the full destruction of everything he had built with Woodbury both literally and symbolically.

Yet, we don’t see him continue his rampage against those who he sees as having been the architect of his downfall. We see that he has blamed no one else but himself for turning into something that Rick and his people always feared he was: a charismatic, but psychotic leader who would destroy anyone and everything if he can’t have it. Tonight’s Governor has come a long way from Season 3’s version. Tonight he’s become a wandering, disheveled loner who looks to have more in common with the very zombies he hates. He’s on automatic with the barest sense of survival in his mind. Yet, just when we think he has finally given up the image of someone in a second floor window of an apartment complex peaks his curiosity enough to want to live another day.

This begins the meat of this episode as we see the Governor encounter a family who has survived the past year of the zombie apocalypse on their own. A family of a cancer-stricken father, his two daughters and a granddaughter. A group that has managed to survive without having learned just exactly how to destroy zombies they encounter and the true nautre of the infection.

For some this latest episode was too much talking and exploring the state-of-mind of the Governor, but it was actually a very strong episode that shows not every week has to be action-packed. While the episode (written by series regular Nichole Beattie) wasn’t very subtle about having the granddaughter becoming a stand-in for the Governor’s daughter, Penny, it still doesn’t diminish the fact that we see a sort of reset on the Governor as a character. The almost cartoonishly villain that the character had become by the end of Season 3 looked to be getting a sort of rehab to something that retains some complexity. This is not crazy Governor tonight, but a damaged individual who doesn’t see redemption in the future for the sins he had done in the past.

By episode’s end we see him having built a sort of surrogate family from the two daughters and the granddaughter who took him in, but his attempt to try and escape his Woodbury past (going so far as to use a name he had seen during his aimless wanderings) goes for naught as we see his past literally come back to confront him from the bottom of a pit. Like I said, not the most subtle episode, but for the most part the ideas and themes explored stick the landing.

Now, time to see if the sudden change in the Governor in his road to redemption will continue with the next episode which, hopefully, will catch up to the reveal of him watching the prison in episode 5. Some may decry the loss of lunatic Governor, but I prefer my villains to be much more layered in their personalities and motivations. The Governor has come out of this latest episode a sympathetic villain, but who might still have that dark side just waiting in the shadows of his psyche for a chance to assert itself.

Notes

  • Tonight’s episode was written and directed by series regular Nichole Beattie and series newcomer Michael Uppendahl.
  • The barn spraypainted with the name Brian Heriot and instructions for this unseen individual on where to go was another reminder of how much the world of The Walking Dead has lost in terms of society and civilization.
  • The first episode of The Walking Dead where the original cast (those that still remain) don’t make any sort of appearance.
  • This episode also marks the very first flashback-only episode of the series.
  • The characters of Lilly and Tara look to be this show’s version of two characters from the comics and the novels. Lilly was one of the Governor’s loyal supporters in the comics while tv version of Tara was much closer to the novel version of the same name.
  • When the Governor gives the sisters his name as Brian it’s a little detail that fans who have read the novels know as the Governor’s real first name. Philip is actually the name of his brother whose identity and personality he takes.
  • The episode didn’t have much zombie and gore until the end and much props to KNB EFX for finding new ways to kill zombies. Best kill of the night being the use of a femur bone to rip off the head of zombie by pulling back it’s top jaw off violently like a pez dispenser.
  • Talking Dead Guests: Ike Barinholtz of The Mindy Project and David “The Governor” Morrissey.

Season 4

Glorious Fantasy, Part One: Final Fantasy One


In the recent past, I decided that I was going to do some ‘series’ and write about my experiences. The first of these I devised was to finally make the commitment to read the ‘Wheel of Time’ series, which is unfortunately on hiatus after I couldn’t take it anymore. Later, I decided that one thing that I would almost certainly definitely have fun part of the time with… was playing every single title under the Final Fantasy brand that I could get my hands on. Like most gamers who enjoy RPGs, I was a consumer of the NA translations of these fine games when I was growing up. Unlike many people in my generation, I still enjoy even the most recent offerings in the series. So, something to write about, and a source of enjoyment for me? Sounds very win-win.

Most people have already played many/most/all of the games that I’m going to write about in this series (weirdly, as I compiled the list of games, I personally have not played a fair number of them). I don’t care. I’m going to look at all (most? I’m bad with structure, we’ll see how long this lasts) of the following things from these games:

– Some objective data. What version of the game did I play, and why did I select that one.
– Is the game any good?
– Is the answer to the first question, “It doesn’t hold up”? Why?
– How would I place this game in a historical context? I want to watch the series evolve and devolve and side-volve as I go.
– Did I enjoy this game? What were the emotions and insane facial expressions I went through while playing it?
– How many times I frantically Googled maps for enormous maze-like dungeons because I no longer have the patience to solve them on my own?
– Was it… challenging? Were these games ever hard? Does the challenge ebb and flow?
– No MMORPGs. Sorry FF14 fans, I don’t ‘do’ MMORPGs anymore. Plus, the plan here hopefully doesn’t involve spending a bunch of money acquiring games.

I think all of this is extremely important knowledge, and that the human race will be improved by my research.

That preamble having been dealt with, let us begin our odyssey at the very beginning. And with one of the core series games that I had never played before.

FF1

Version: Gameboy Advance, “Final Fantasy I & II, Dawn of Souls”

So, I already know, guys. I got jobbed. I knew it as soon as I fired up the GBA version of FF1 and found out that I had MP instead of spells per day. I made a terrible mistake! Unfortunately, while I do know a guy with an NES console in excellent working order, he does not have a working FF1 cartridge. Oh, and he probably doesn’t want me spending a week in his basement emitting 8-bit bloops and bleeps at him. I could have resorted to emulation (indeed, I may have to, for some of the more obscure titles on my list) but being totally ignorant of the gameplay changes going in, I already made a fatal mis-step.

Here’s the deal, for those who don’t know: In the original Final Fantasy release on the NES, your party was always poor and under-equipped, if you killed a monster and someone else was also targeting that monster, their turn was wasted with an ineffective hit, and your wizards gained spells per day, the system inspired by noted fantasy author Jack Vance, and also the inspiration for the system of magic used up through the 3.5 edition of “Dungeons & Dragons”. In “Dawn of Souls”, ineffective hits are gone, your casters now have the traditional Final Fantasy MP pool (and unbelievably cheap Ethers to boot), and the monster encounters are both more frequent and more lucrative. In short, the game is much easier on the GBA than in its original form.

And it is pretty easy, on the GBA. Even the content in the bonus dungeons included with the game did not pose much of a challenge for me in the game’s later stages, and while the final boss, Chaos, had a formidable quantity of HP…it really just delayed the inevitable. My party never seemed to run out of resources, and once I had reached a certain point, I achieved critical mass. I had too much gold, too many powerful items, and my entire party could cast useful spells to set up for boss encounters. Most of the regular mook encounters were just auto-battles by the end, which, really, can be seen one of two ways. I normally prefer the regular enemies to at least present the illusion of a challenge. It’s nice to have some enemy types who demand the use of a powerful spell to avoid some dangerous attack, and so forth. However, given the extremely high encounter rate present in Dawn of Souls, I didn’t mind the auto-battling too much.

The one aspect of the original game’s gameplay that very much remains intact in the Dawn of Souls remake is the fact that nobody tells you where to go next or what you have to do, aside from the basic instruction of ‘save the four crystals’. When I first conceived of this series, I had planned to have a ‘no frantically Googling answers’ policy. It has already eroded, as I’m honestly stunned that anyone had the patience to figure out how to beat this game when it first came out. I suppose that isn’t true: I remember spending a ton of time on equally murky NES and SNES games when I was a kid. We eventually managed to puzzle out countless secrets in ‘The Legend of Zelda’. Alas, it seems that my patience (or focus…?) just isn’t what it used to be. Several times, I sought basic instructions on what to do next, and I don’t even feel all that bad about it. It’s such an incredibly stark difference when compared to games even slightly later in the series, where the connective tissue of a story draws you from point to point, perhaps with a little wandering. Even a game like the classic “Chrono Trigger”, where several times the only way to proceed is to go to a time period and see if things have changed, you have a relatively small set of places to wander through before you’ll find your answer. Not so in FF1: once you’ve acquired even the simplest vehicle, a canoe, there’s a huge amount of space to explore, and if you pick the wrong direction, you’ll be in mortal danger.

I’m honestly not sure, on the other side, whether I really enjoyed the game or not. Certainly, it was diverting; it managed to hold my attention for twenty hours or so, despite possessing no story to speak of, and only a couple of characters worth mentioning (your entire party in FF1, for those coming very late to the party, consists of silent protagonists). It seems that I can’t really judge whether the game has held up properly because of the way in which it was remade for the GBA, which is a bummer. My first article, already smashing my expectations into dust! As a result, I’ve re-added FF1 to the master list, and next time, I’ll find some manner of replicating the experience of the original game. Humankind will be improved by my research.

44 Days of Paranoia #2: Executive Action (dir by David Miller)


The Kennedy Memorial in Downtown Dallas

The Kennedy Memorial in Downtown Dallas

Even though it happened 22 years before I was born, I sometimes feel as if it was only yesterday that President John F. Kennedy was assassinated.

A lot of that is because I’m from Dallas.  When I was born, my family lived in Oak Cliff, a few blocks away from where the accused assassin Lee Harvey Oswald once lived.  I drive by the Kennedy Memorial several times a week.  I’ve gone to the Sixth Floor Museum.  I’ve made out on the Grassy Knoll.  On a daily basis, I see tourists who have come down here from up north with their preconceived prejudices, their unwieldy copies of Stephen King’s 11/22/63, and their overactive sweat glands.  (“How do you handle the heat!?” they ask when the temperature is barely above 90.)  With the 50th anniversary of the assassination approaching, the Dallas Morning News has been running daily stories examining every detail of that terrible event.

The rest of the nation, of course, will never let us forget that JFK was assassinated in Dallas.  Just last week, there was an idiotic and bitter opinion piece in The New York Times, written by James McAuley, in which he claimed that Dallas was a “city of hate” that should feel more guilt over the JFK assassination.  As McAuley (who is studying history at Oxford and is not a resident of that city that he apparently feels qualified to judge) put it, “For 50 years, Dallas has done its best to avoid coming to terms with the one event that made it famous: the assassination of John F. Kennedy on Nov. 22, 1963.”

This, of course, is bullshit.

There are two competing schools of thought about the assassination of John F. Kennedy.  One says that Lee Harvey Oswald was solely responsible.  The other is that Kennedy was killed as the result of a complex conspiracy.

JFK Assassination Bullets

Let’s say, for the sake of argument, that Lee Harvey Oswald acted alone.  Well, Oswald was born in New Orleans but he was raised up north in New York City.  He was also a communist with a history of mental instability.  Hence, if you accept that Oswald was the lone assassin than you also have to be willing to accept that Oswald would have tried to kill Kennedy regardless of what city he was living in.

IMF Head-Perp Walk

Things get a bit more complicated if you believe that Kennedy was killed as the result of a conspiracy.  But let’s consider the usual suspects that come up whenever people start talking about the possibility of conspiracy.  The Mafia was based in the north.  The CIA was based in Washington, D.C.  The anti-Castroites were based in Miami.  Again, all of these conspirators would have killed Kennedy regardless of what city he went to in November.

It’s easy for the rest of the country, in a fit of jealousy, anger, and delusion, to blame Dallas and Texas for the assassination of John F. Kennedy but, regardless of whether you believe in the lone assassin or a larger conspiracy, the truth is far more complex.

Over the next few days, as part of the 44 Days of Paranoia, I’ll be taking a look at some of the many films that were inspired by this assassination.  Let’s start things off with one of the lesser known entries in the JFK genre, 1973’s Executive Action.

Executive Action opens with a series of grainy, black-and-white photographs of both America in the 1960s and the men who, over the course of the film, will be portrayed as having plotted and carried out the assassination of President Kennedy while a mournful piano plays in the background.  It’s a low-key but eerily effective opening and it also lets the viewers know exactly what type of film they are about to see.  As opposed to Oliver Stone’s far better known JFK, Executive Action is a low-key, almost deliberately undramatic film.   Despite the fact that there are some familiar faces in the cast (or, at the very least, familiar faces to those of us who watch TCM), Executive Action almost feels as if it could have been a documentary.

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As the film opens in 1963, we see a group of very rich men talking about the future of America.  Ferguson (Will Geer) and Foster (Robert Ryan) are concerned that President Kennedy’s policies are going to destroy America.  Foster is worried that Kennedy is planning on cutting back on military spending.  Ferguson is upset by Kennedy’s support of the Civil Rights movement.  (In one memorable scene, we see Martin Luther King delivering his Dream speech on TV before the camera pulls back to reveal Ferguson watching in disgust.)  Their associate, the shadowy Farrington (Burt Lancaster), argues that the only way to stop Kennedy is to assassinate him and put the blame on a lone gunman.

With the support of Ferguson and Foster, Farrington recruits a group of gunmen (led by Ed Lauter and including Roger Corman regular Dick Miller) and works to set up the perfect patsy.  A man (James MacColl) goes around Dallas, acting obnoxious and telling anyone who will listen that his name is Lee Oswald.  At Ferguson’s insistence, a picture is doctored to make it appear as if Lee Harvey Oswald is posing in his backyard with a rifle.  As all of this goes on, the date of November 22nd steadily approaches…

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As I stated before, Executive Action is an almost obsessively low-key film.  That, however, works to the film’s advantage.  Ferguson, Foster, Farrington, and the other conspirators are chillingly believable because they are presented almost as being anonymous.  Instead of being portrayed as being super villains, they are instead men who approach assassination as just another part of doing business.  The impression one gets is that Kennedy isn’t the first leader they’ve had killed and he probably wasn’t the last.  Director David Miller seamlessly mixes historical footage with film reenactments and the end result is a disturbingly plausible film.

Unfortunately, Executive Action is less well-known than some of the other films that have argued that a conspiracy was responsible for the assassination for John F. Kennedy.  However, it may very well be the best.

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