Late Night Retro Television Review: Friday the 13th: The Series 2.1 “Doorway to Hell”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, the second season beings with the return of Uncle Lewis!

(For a dead guy, Lewis sure does return a lot.)

Episode 2.1 “Doorway to Hell”

(Dir by William Fruet, originally aired on September 26th, 1988)

The second season begins in much the same way that the first one ended, with Uncle Lewis (played, as always, be R.G. Armstrong) trying to re-enter the world of the living.

This time, he’s doing it through mirrors.  According to Jack, a mirror that “witnesses” an occult ceremony becomes a doorway to the dark realms that sit between Heaven and Hell.  Lewis lives in the dark realms and, since he was a big fan of mirrors, his reflection occasionally appears in the a mirror at Curious Goods.  When Micki and Ryan find evidence that Lewis owned a house, they ignore Jack’s warning and go to investigate on their own.

They discover that the decrepit house is being used as a hideout by Buddy (Charle Landry) and Eddie (Louis Ferreira), two criminals who have just held up a gas station and killed an attendant.  Buddy wants to go straight and was pretty much coerced into taking part in the robbery.  Eddie, on the other hand, is a total psychopath who ties up both Micki and Ryan and laughs when they try to warn him about Uncle Lewis.

The house, not surprisingly, is full of mirrors and soon, Buddy gets sucked into one of them.  When Buddy returns to the house, he’s possessed and shooting electricity from his fingertips.  He kills Eddie and then chases Ryan and Micki around both the house and the dark realms.

Jack and his friend Rashid (Elias Zarou) watch all of this reflected in a shard of reflective glass that they found at the antique store.  Whenever things start to get really exciting or scary at the mansion, we cut to Jack and Rashid staring at shard of glass and saying, “Get out of there, Ryan!”

Eventually, Jack goes to the house, enters the dark realms and distracts Lewis long enough for Ryan and Micki to destroy all of the mirrors in the house.  Jack manages to escape just in time, Buddy apparently become unpossessed and the ghost of Uncle Lewis declares that he will return.  Lewis’s constant shouts of “I’ll be back” are such a cliche that they can’t help but be a bit charming, especially since R.G. Armstrong always seems to be having so much fun chewing the scenery whenever he shows up as Lewis.

The second season premiere did an effective job of reminding old viewers and informing new viewers about what the show was about.  The haunted house was an effectively creepy location and the dark realms were nicely atmospheric.  I do wish that the premiere had not once again deployed the tired idea of Micki and Ryan ignoring Jack’s warning about impulsively investigating something on their own.  I mean, that has never worked out for them.  You would think that Ryan and Micki would have learned the lesson by now.  Otherwise, this episode got the second season off to a good start.

Retro Television Review: T and T 3.6 “Take My Life Please”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, the Canadian Mafia (*snicker*) is making trouble.

Episode 3.6 “Take My Life Please”

(Dir by Alan Simmonds, originally aired on February 10th, 1990)

Phillip Phillips (played by Robert Cait) is a stand-up comedian who makes jokes about the mob.  His mafia-themed humor has made him the hottest comic in Canada but it’s also led to him having a run-in with two men who say that they work for the mob.  After they beat him up, Phillip goes to Terri and T.S Turner for help.  Terri totally wants to help out Phillip, especially after he explains that he can’t just change his act because “I do mob jokes!”  Turner, oddly enough, seems rather indifferent to the whole thing.  Maybe he misses Amy.

After being absent for the past two episodes, Terri does return in this episode and she actually gets to do quite a bit.  In fact, since T.S. doesn’t really seem to care that much about Philip and his attempts at comedy, Terri actually ends up doing most of the investigating.  What Terri does not do is mention where Amy has gone or why everyone is acting as if Terri has always been around.  We are six episodes into the third season and the show still hasn’t bothered to explain why a major character has just vanished.  It’s disconcerting.  I mean, did something bad happen to Amy?  Is that why they’re pretending like she never existed?  Could Turner’s indifferent attitude actually be the result of the depression that he feels over losing the person who launched the appeal that put him back on the streets?  Poor T.S.!

As for this episode, I have to admit that I’m a bit skeptical that Phillip, or any comedian working the Toronto comedy circuit, could become a superstar by exclusively making jokes about the Mafia.  I mean, Phillips isn’t Jerry Lewis playing Las Vegas in the 50s and he’s not Don Rickles joking with Joey Gallo in New York in the 70s.  This certainly isn’t Sicily, where it requires a lot of courage to run the risk of upsetting the Mafia.  This is Canada.  And while Canada certainly does have a Mafia that played an important role in smuggling liquor into the United States during prohibition, it’s still hard to believe that Canada is so mob-infested that a hacky comedian like Phillip could become a star with jokes like, “Remember the mob spelled backwards is bom.”

Of course, in fairness to the episode, it does eventually turn out that the two men who are threatening to Phillip are not actually affiliated with the Mafia.  Instead, they’ve been hired by a comedy club owner who wants to scare Phillip into hiring him as his agent.  That’s actually a fairly clever twist on the episode’s part but it still requires us to believe that the painfully unfunny Phillip is on the verge of superstardom.  It just doesn’t work.

Personally, I think this episode should have been about T.S. Turner launching a career as a stand-up comedian.  Seriously, talk about a missed opportunity.

Live Tweet Alert: Join #FridayNightFlix For Three Amigos!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, we’ve got 1986’s Three Amigos!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Three Amigos is available on Prime and Tubi!  See you there!

Late Night Retro Television Review: Highway To Heaven 2.7 “Popcorn, Peanuts, and Crackerjacks”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week’s episode was about baseball so guess who I made watch it with me?

Episode 2.7 “Popcorn, Peanuts, and Crackerjacks”

(Dir by Michael Landon, originally aired on November 13th, 1985)

The Tucson Toros need some help!

The Toros are a minor league baseball team.  For years, they have been coached by the kindly Doc Brigsby (Keenan Wynn).  When D.W. Rogers (John Milford) purchased the team, one of the first things that he wanted to do was get rid of old Brigsby.  But one of the conditions of the sale was that Rogers would retain Brigsby as long as the Toros won more games than they lost.  Rogers has been trying to sabotage the team ever since.  He’s traded and released all of the team’s best players.  The remaining players are dispirited and no longer having fun on the field.  It looks like the Toros are about to have their first losing season.

Meanwhile, Ted Tilley (Moses Gunn) is out of a job.  Ted was once a pitcher in the Negro Leagues, nicknamed the Louisiana Flash.  After he stopped playing, he ran the souvenir stand at the stadium and always made sure to hand out free game tickets to all of the neighborhood kids who did well in school.  However, when Rogers signs a contract with a professional vending company, Ted finds himself out-of-work.

Or, at least, he does until two sportswriters named Jonathan Smith and Mark Gordon write an article about the Toros’s bad season.  Hoping to generate some positive publicity, Rogers follows a suggestion from Jonathan and signs Ted to the team.  Ted makes history as the oldest professional baseball player and teaches the team how to have fun on the field.  The Toros suddenly start winning games.  But will they win enough to save Brigsby’s job?

Since this episode was about baseball, I got my sister to watch with me.  I asked Erin if the episode was, in any way, a realistic portrayal of the game.  Erin’s response was to laugh so I’m going to guess that means that most baseball teams would not put an elderly man on the mound as pitcher with the game on the line.  Of course, the only reason that Rogers demands that Tilley be put in the game is because he wants the Toros to lose so that he can fire poor old Brigsby.  That doesn’t seem like a smart business decision to me but then again, Rogers is typical of the businessmen who appear on this show.  He smokes a cigar, he smirks when firing people, and he’s not allowed any sort of redemption.

Myself, I have to wonder just how exactly Jonathan and Mark got jobs as sportswriters.  Mark doesn’t even know what their heavenly assignment is until they arrive at the stadium but somehow, within days, Mark and Jonathan’s byline is appearing in the local newspaper.  We don’t ever see them get hired by the newspaper or having to deal with any editors.  Usually, Mark and Jonathan take blue collar jobs that don’t require them to explain their past employment history or even offer up a list of references.  But newspapers generally like to hire actual journalists to report their stories and not drifters who just need a job and a place to crash for a few days.  Did the paper ask Jonathan and Mark for references or to see copies of their past work?  Did Jonathan break the angel code by lying to the editors?  It just seems weird.

Overall, this episode was predictable but heartfelt, in the usual Highway to Heaven fashion.  Moses Gunn brough Ted Tilley to wonderful life and it was hard not to be touched by his joy when he struck out a member of the opposing team.  Realistic or not, it was a sweet episode.

Retro Television Show: Baby on Board 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Baby On Board, which aired on CBS in 1988.  The entire show is currently streaming on YouTube!

This week, we have a sitcom about two terrible parents.

Episode 1.1 “Pilot”

(Dir by David Steinberg, originally aired on July 12th, 1988)

George (Lawrence Pressman) and Sally (Jane Galloway) are a married couple in their 40s.  They are also parents to 9 month-old Abigail and they’re still struggling to adapt to life with a baby.  Sally is annoyed because George pretends to be asleep whenever Abigail cries and that George gives the baby food-related nicknames.

“How is she going to feel when she sees you eating a cupcake!?” Sally wails.

George starts to call Abigail “anchovy” because that’s something that he will never eat.

Sally’s mother (Joan Copeland) sometimes comes by so that she can complain about George and talk about how Sally waited too long to have a baby.  (“If you had the baby when you were supposed to, she’d be in college now!”)  George’s father (Larry Haines) also comes by, mostly so he can argue with Sally’s mother.

George and Sally have tickets for a wonderful beach vacation.  But who is going to look after Abigail while they’re gone?  Obviously, the in-laws are not an option.  They decide to hire a babysitter.  At first, George is nervous about leaving Abigail with a stranger but then Lauri the Babysitter shows up and she’s played by a very young Teri Hatcher.  George suddenly decides that he’s now okay with leaving Abigail but suddenly, Sally doesn’t want to go on vacation.  I guess they would rather stay home with the younger woman that her husband is obviously attracted to.  Sally especially gets upset when the cheery Lauri suggests that Sally try out some yoga positions to release stress.  “Is your mother younger than me!?”  Sally demands.

None of this is particularly funny but don’t tell that to the laugh track.  This episode had one of the loudest and most intrusive laugh tracks that I’ve ever heard but pretending that everyone laughed at an unfunny line doesn’t make the line any funnier.  It just emphasizes that everything about the show is fake.

George and Sally do eventually decide to take their vacation.  George’s father shows up to watch the house so that Lauri can spend her time watching the baby.  “Watch how you dress,” George tells Luari, “because my father has a heart condition.”  (Lauri’s outfit is pretty modest so I’m not sure what type of Victorian society George’s father grew up in.)  Then Sally’s mother shows up and throws a fit over George’s father being asked but not her.  Finally, George grabs Abigail and takes her on vacation with them.  But I noticed that George and Sally didn’t bother to pack any baby stuff so good luck with that.

Baby on Board was obviously inspired by the idea that everyone loves a cute baby.  This episode, though, made me feel bad for the baby.  I mean, what a terrible family!  Needless to say, this was the show’s only episode.

Next week — I will start reviewing Malibu CA, a show that actually lasted more than one episode!