Horror On TV: One Step Beyond Episode 1.4 “The Dark Room” (dir by John Newland)


On tonight’s episode of One Step Beyond, Cloris Leachman plays Rita Wallace, an American photographer in France.  She’s looking for a model whose face will serve as the ultimate symbol of the country.  One day, a haunted-looking man (Marel Dalio) shows up at her apartment.  She thinks he’s a model.  The truth, needless to say, is something quite different….

This episode features good performances from both Leachman and Dalio.  In real life, Dalio was an icon of French cinema and a favorite of Jean Renoir’s.  When the Nazis invaded France, the Jewish Dalio fled Paris and, after a harrowing journey, eventually made it to America.  In America, he played the croupier in Casablanca and appeared in several other films.  Tragically, the rest of his family did not escape and were murdered by the Nazis.  Dalio returned to France after the end of the war and remained an in-demand character actor for several more decades, making his final film appearance in 1980.

The Darkroom originally aired on February 10th, 1959.

Retro Television Review: T and T 3.17 “Nightmare”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Terri is approached by a man who claims to be a political refugee.  But is he really?  It’s a good thing T.S. Turner doesn’t have anything better to do than help her out.

Episode 3.17 “Nightmare”

(Dir by Don McCutcheon, originally aired on April 28th, 1990)

While walking down the street in Canada, Terri is approached by a desperate man (William Colgate), who introduces himself as Sebastian Fuentes.  He explains that he was a newspaper editor in his native country of San Miguel.  After a left-wing death squad killed his family, Sebastian fled to North America.  Now, he needs Terri’s help to be designated a refugee.  He claims that there are people from San Miguel who want him dead and, for that reason, he cannot risk going to the authorities or even being seen in Terri’s office.  He says he has to hide, no matter what.

Terri doesn’t know anything about immigration law.  Both T.S Turner and a sleazy lawyer named Kerr (Don Allison) warn her that she shouldn’t be so quick to believe Sebastian’s story.  But something about Sebastian’s fear touches Terri’s heart and she agrees to help him.

Unfortunately, it turns out that both Turner and Kerr were correct.  Sebastian is actually a colonel who murdered the real Sebastian.  The nightmares that haunt him are not about watching his family being killed but instead about being the killer himself.  The people who are searching for him are not government agents but instead the relatives of the people who he victimized in his home country.  Eventually, Sebastian’s real identity is discovered by some fellow refugees (one of whom is played by a young Jill Hennessy) and he ends up in prison, haunted by his crimes.

This was an unusually serious episode of T and T.  Indeed, it was shot more like an episode of Monsters than a typical episode of this show.  Unfortunately, with the exception of Don Allison’s performance as the sleazy Mr. Kerr, the acting in this episode was pretty dodgy and it was easy to guess that Sebastian was going to turn out to not be who he said he was.

Probably the most interesting thing about this episode is that it aired 34 years ago but the issues that it deals with are the same issues that are going on today.  Dictators are still coming to power and abusing their citizens and, as a result, refugees are still flooding over the border.  The immigration system is still broken and it doesn’t appear that anyone is truly interested in finding a way to fix it.  This episode aired in 1990, long before men like Venezuela’s Maduro came to power.  The issues that are dealt with in this episode existed before the current crop of dictators and they will undoubtedly continue even after people like Maduro fade into history.

Late Night Retro Television Review: Highway to Heaven 2.19 “Heaven on Earth”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, things get a little bit sad on the highway to Heaven.

Episode 2.19 “Heaven on Earth”

(Dir by Michael Landon, originally aired on February 26th, 1986)

Now, this episode made me cry!

While visiting an amusement park on their day off, Jonathan and Mark come across a lost six year-old girl named Sarah (Morgan Nagler).  Jonathan offers to take Sarah to the park’s security office but Sarah says that she’s not allowed to go anywhere with a stranger.  After explaining that he’s a former cop and knows how to deal with lost children, Mark asks Sarah for the name of her mother.  After learning that Sarah’s mother is named Nancy, Mark goes to the security office and has them page her.  Soon, Sarah and Nancy are reunited.  Yay!

Later, as they drive through the desert, Mark and Jonathan are nearly run off the road by a drunk driver.  A few moments later, they come across an auto accident.  The owner of a jeep swerved to avoid the drunk and instead crashed into a station wagon.  Jonathan suddenly tells Mark that they should leave but Mark walks up to the overturned car and discovers that it was being driven by Nancy.  Nancy survived the accident but Sarah did not.

Broken-hearted, Mark blames himself.  He tells Jonathan that, if he hadn’t been so eager to show off, Sarah and Nancy wouldn’t have left the park when they did and they wouldn’t have been in the car accident.  Mark pulls the car over to the side of the road and tells Jonathan to get out.  Jonathan reluctantly does so and Mark drives off.

Mark drives until the car runs out of a gas on the outskirts of a small town.  The proprietor of a local store tells Mark that the town’s pretty much been dead since the new turnpike was built.  There are two gas stations but they’re both closed on Wednesday because the owners like to go fishing together.  Reluctantly, Mark goes to the local boarding house and asks for a room for the night.

Mark is shown his room by a helpful girl named Wendy (Alyson Croft).  Inside his room, Mark spots a picture of Wendy with Sarah and realizes that Jonathan led him to the boarding house.  Later, at dinner, Mark meets Wendy’s father, a divinity student named Tom Ward (Michael Anderson, Jr.)  When Wendy goes to call her friend Sarah to find out how the amusement park was, Mark can only sit in silence as Wendy tells her father that Sarah’s family wants to speak to him.  Without telling Wendy why, Tom says that he has to go to Sarah’s house.  He tells Wendy to get to bed early and then he leaves with his wife and their infant son.

Mark goes back to his room.  Wendy pops in and to give him a heater because the furnace is broken.  Unfortunately, the heater is also broken and makes an annoying clicking sound.  Mark angrily kicks it over before going for a walk.

While standing outside of a church, Mark hears the sirens of fire engines.  The Ward house is on fire!  The firemen manage to get out Wendy’s grandmother but they say there’s no way to rescue anyone else.  Mark rushes into the house, determined to save Wendy.  And …. he promptly faints.

When he awakens, he’s with Jonathan.  Jonathan says that “the boss” has decided to give Mark the chance to play God.  Mark says that he wants everything he wishes to be true and that he wants all of his mistakes to be corrected as if they never happened.

As a result, the town is suddenly thriving but the proprietor of the now 24-hour gas station is dead as a result of having worked himself to death.  Wendy is alive but, because Mark wished for her to have everything she ever wanted, she’s now a spoiled brat.  And Sarah….

When Mark demands to see Sarah, Jonathan takes him to the cemetery and shows him that Sarah is still dead.  Jonathan explains that Sarah’s death was not his fault.  It was the fault of the drunk driver and there was nothing Mark could have done to save her.

Mark awakens in the burning house.  Not only does he manage to save Wendy’s life but, once he’s released from the hospital’s burn unit, he and Jonathan once again hit the highway….

This was a good episode, though I have to say that the Wards were a lot more forgiving about Mark burning down their house than I would have been.  This episode worked largely due to Victor French’s heartfelt performance as Mark.  Watching him, it was impossible not to feel his pain.  In the end, the message was a good one, though I do think it would have been nice to see the drunk driver punished for his actions.

Horror On TV: One Step Beyond 1.3 “Emergency Only” (dir by John Newland)


Tonight’s episode of One Step Beyond features Jocelyn Brando (sister of Marlon) as a purported psychic who warns a skeptical man that he will soon be traveling by train, that he will meet a woman with an usual, snake-design ring, and that she will end up chasing him with a knife.

The man laughs her off.  Why, he never travels by train!  Sure, he has a trip coming up but he’s already paid for his plane tickets.  This just proves what the man has always suspected, that psychic’s are all phony!  But then he gets a message that his flight has been cancelled and he’s going to have to travel to his destination by …. TRAIN!

CAN YOU PROVE IT DIDN’T HAPPEN!?

This episode originally aired on February 3rd, 1959.

Retro Television Review: Malibu, CA 1.12 “The Big Storm”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  The entire show is currently streaming on YouTube!

This week, a mudslide changes everything …. kind of.

Episode 1.12 “The Big Storm”

(Dir by Gary Shimokawa, originally aired on January 10th, 1999)

Stads and Jason are coming up on their big, six-month anniversary!  Stads wants to celebrate at a volleyball tournament.  Jason wants to celebrate at the “Puff Daddy” concert.  You can really tell how old this show is by the fact that 1) they’re still calling him “Puff Daddy” and 2) they’re taking seriously the idea of wanting to see him in concert.

With Stads annoyed that Jason never seems to want to do anything that she wants to do, Jason turns to Sam for advice.  Sam says that Jason should drive into Beverly Hills and buy a necklace that Stads wants.  Sam even accompanies Jason on the drive.  Awww!  What a good freind.

But then — oh no! — a storm hits.  Jason and Sam end up getting trapped in their car by a mudslide.  Trapped together, Jason and Sam share a kiss.  Its a big moment that would have been bigger if it made any sense.  Seriously, until that moment, Sam had never shown any interest in Jason whatsoever.  But now, suddenly, they’re kissing and preparing to die together.  I understand that it’s probably mudslide panic but still, it just feels as if it comes out of nowhere.

Fortunately, Jason and Sam are rescued by the lifeguards (including Stads).  Jason and Sam agree not to tell Stads about the kiss.  Jason also gives Stads the necklace (Awwww!  It’s a nice necklace!) and then suggests that, instead of seeing Puff Daddy, they just have a romantic dinner.  Stads agrees.

Unfortunately, at dinner, Stads says that she knows what happened in the car.  Jason says the kiss didn’t mean anything, just to discover that Stads was just referring to Jason and Sam talking in general.  Stads gives Jason back his necklace and then dumps him.  Good for Stads, she deserves better!

This is one of those storylines that would have worked better if I actually cared about any of the characters on the show but, for the most part, everyone is so shallow that it’s hard to really get worked up when they get trapped in a mudslide.  As well, it would have helped if Sam had ever previously shown any interest in Jason.  As well, while Jason did have a crush on Sam when the show began, that didn’t seem to last long.  Two people who produce absolutely no romantic sparks shared a kiss.  It didn’t really do much for me.

As often happens with this show, the B-plots were better than the main plot, largely because Brandon Brooks and Priscilla Inga Taylor were both willing to full embrace the absurdity of their characters.  After Peter told Murray to stop talking so much, Murray resorted to typing his words out on his laptop and having a computerized voice repeat them.  That made me laugh.  Meanwhile, Tracy — who is now dating Kip, the dumb lifeguard from the previous episode — explored her artistic side by getting a camera and taking pictures of a shirtless Scott wearing an Abraham Lincoln beard.  It was weird enough to be funny.

Anyway, Stads has escaped Jason …. for now.  Run, Stads, run!

Late Night Retro Television Review: Monsters 2.16 “Perchance to Dream”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, it’s all about dreams!

Episode 2.16 “Perchance to Dream”

(Dir by Paul Boyington, originally aired on February 4th, 1990)

Alex (Raphael Sbarge) is a college student whose dorm room has become one wild place.  Blood continually drips from a chair.  A subway train occasionally roars past the window.  A giant nun peeks in on him and tries to swat him with a ruler.  These are all images that Alex used to see in his dreams but now, they’re entering his waking world and what’s really strange is that everyone else can see them too.  His subconscious has become reality.

Thinking that it might have something to do with a recent mugging in which Alex struck his head and apparently lost the ability to sleep, Alex’s girlfriend, Megan (Sarah Buxton), asks Kyle (Kenneth Danziger), an expert on dreams, for help.  Arriving at Alex’s dorm room just in time to save Alex from the nun and her ruler, Kyle theorizes that, because Alex isn’t sleeping, he’s projecting his dreams into the real world.  The only solution is for Alex and Megan to enter a portal that leads them straight into Alex’s subconscious.  If Alex can find his dream self, he can finally get some rest.  Of course, Alex and Megan will have to avoid and defeat a series of trains, muggers, and nuns to accomplish their task.

This episode is entertainingly goofy.  It was obviously inspired by the popularity of the Nightmare on Elm Street films but the monster here is not a wisecracking killer like Freddy Krueger but instead, it’s just Alex’s bad childhood memories and the trauma of having been mugged.  As I watched this episode, I was impressed that Monsters tried to do something different than usual but I was also very aware that 20 minutes was not enough time to tell the story that this episode wanted to tell.  For this episode to really work, the viewer would have to feel a deep connection to Alex.  Raphael Sbarge gives a likable performance as Alex and he has a really cute chemistry with Sarah Buxton but 20 minutes still isn’t enough time to really get to know the guy.

When seen today, the special effects are undeniably primitive but there’s something kind of charming about that.  The scene where the giant nun tries to swat Alex with a ruler looks silly today and I imagine it probably looked silly in 1990 as well but it’s a fun kind of silly.  The same can be said of the scene where Alex and Megan plunge into his subconscious.  CGI has come a long way but today’s realistic CGI just doesn’t have the do-it-yourself charm of early chroma keying and matte shots.  I liked that Alex’s subconscious was not only goofy but cheap as well.

Horror on TV: One Step Beyond 1.2 “Night of April 14th” (dir by John Newland)


For today’s televised horror, we have the second episode of the 1960s anthology series, One Step Beyond.

In this episode, a young Englishwoman is haunted by dreams of drowning.  Try as she might, she can’t get the feeling of doom out of her mind.  Perhaps her upcoming trip to New York will help to relax her.  Her fiancee even tells her that they’ll be traveling to New York on the most luxurious ship ever built.  The name of that ship?  Why, the Titanic, of course.

For the record, there actually were quite a few people who apparently did have psychic premonitions of doom when it came to the Titanic.  Perhaps the most infamous example was the author Morgan Robertson, who wrote a novel in 1898 that was called The Wreck of the Titan: Or, Futility.  That book managed to perfectly predict that sinking of the Titanic, right down to the iceberg and the number of lives lost.

This episode originally aired on January 27th, 1959.

Enjoy!

Retro Television Review: The Love Boat 4.25 & 26: “This Year’s Model/The Model Marriage/Vogue Rogue/Too Clothes for Comfort/Original Sin”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s time for the fashion festival!

Episode 4.25 and 4.26 “This Year’s Model/The Model Marriage/Vogue Rogue/Too Clothes for Comfort/Original Sin”

(Dir by Roger Duchowny, originally aired on May 2nd, 1981)

This week, the Love Boat sails to Acapulco for the International Fashion Festival!  Vicki, who hopes to grow up to be a fashion designer, is excited about meeting her idols.  Doc, Gopher, and Isaac are excited about the models.  Captain Stubing starts the cruise by reminding everyone to do their job for once.  It’s about time Stubing told them that.  Does Doc even keep office hours anymore?

This one of those two-hour episodes of The Love Boat that gets chopped into two episodes for syndication.  As such, it’s double-sized, with twice as many guest stars and the boat actually sailing to Acapulco during filming.  That doesn’t mean that the storyline are any more complicated than usual on this episode.  Despite being longer then usual, the episode follows the usual Love Boat pattern.  The extra time is largely taken up with a travelogue of Mexico (watch as a limo very slowly drives to a luxury hotel!) and the fashion show.

Fashion designers Gloria Vanderbilt, Bob Mackie, Halston, and Geoffrey Beene all appear as themselves.  They’re listed as guest stars but they don’t actually do anything other than board the ship and then show off their designs.  They don’t find love on the boat, nor do they search for it.  (Well, Halston probably did….)  Interestingly enough, none of them — not even the famous Halston — has much of a screen presence and in the scene where they introduce themselves to the crew, they’re all so stiff that it is somewhat difficult to watch.  It’s obvious that none of them were actors but it’s also interesting to consider that there was a time when someone could be internationally famous without being a natural on camera.

There are also a few fictional designers on the cruise.  They’re the one who actually have storylines.  Harvey Blanchard (Dick Shawn) is not aware that his daughter, Mandy (Debra Clinger), has married his nerdy assistant, Alvin Beale (Richard Gilliand).  Mandy wants Alvin to tell her father that they re married during the cruise but first, Alvin is going to have to figure out what to do after he accidentally dumps some designer clothes down a laundry chute and they end up shrinking in the dryer.  (“Have you ever considered designing children’s clothing?” Alvin asks his boss.)

Benita James (Elke Sommer) is an “up-and-coming” fashion designer who falls in love with Sidney Sloan (Mike Connors), despite the fact that he’s an industrial spy who has been hired to steal her designs.  Sid falls in love with Benita as well and decides that he can’t betray her.  But when Sid’s partner (Steve Franken) ransacks Benita’s cabin, will Sid be able to convince her that he wasn’t involved?

Charles Paris (Robert Vaughn, looking somewhat embarrassed) is a cosmetics tycoon who boards the boat looking for the new Ms. Paris, the model who will be the face of his company.  Will he pick Liz(Morgan Brittany) the model with whom he is falling in love, or will he pick Joanne Atkins (Carmilla Sparv), the model who has been told that, since she’s now over 35, her career is over?

Speaking of Joanne, she falls in love with Captain Stubing and Stubing falls in love with her.  Meanwhile, the married heads of her modeling agency (Anne Baxter and McClean Stevenson, who looks almost as embarrassed as Robert Vaughn) argue over whether or not Joanne is too old to continue on as a model.

Julie is excited because her former sorority sister, Melissa (Cristina Ferrare), is a model on the cruise.  Julie can’t wait to spend the whole cruise with her but Melissa meets and falls in love with Larry (Chris Marlowe).  When Melissa and Larry run off to get married, Julie takes her friend’s place in the fashion show.

And really, the fashion show is what this episode is all about.  The stories aren’t particularly important.  We’re here for the clothes!

Bob Mackie starts things off with a really cute collection of lingerie and pajamas, which happen to be my favorite things to wear.  I loved his collection.

Gloria Vanderbilt follows with sporty summer fashion, and watching her collection, I found myself wanting to go play tennis with my neighbors.

Geoffrey Beene follows with a collection of plaid suits that will be familiar to anyone who has ever binged a 70s sitcom.

“Up and comer” Benita James presents a collection of truly hideous cocktail dresses.

And Halston closes things out with evening wear.  “Red is my favorite color,” Halston says, “It’s so fun.”  This redhead appreciates the sentiment, even if it was kind of obvious that Halston didn’t bring his top designs on the cruise with him.

As the highlight of the episode, the fashion show was definitely entertaining though. it was impossible not to smile at just how ugly Benita James’s designs actually were.  Seriously, someone went to the trouble to hire two industrial spies to steal those designs?

As for everything else, it all works out.  This is The Love Boat.  Everything always works out.  Charles Paris announces that the new Ms. Paris will be Joanne but then he asks Liz to be “Mrs. Paris.”  Sid and Benita decide to get married as well.  Captain Stubing gets to have sex for once.  I think that may be the first time that’s happened since this show started.  Julie enjoys modeling.  Everyone either finds love or decides not to get divorced.  That’s a successful cruise!

This cruise was fun in its silly way.  Bob Mackie definitely won the fashion show.  Though the designers may not have been comfortable on camera and McClean Stevenson looked like he was on the verge of jumping overboard from embarrassment, this was The Love Boat at its most entertaining.

 

 

Late Night Retro Television Review: Baywatch Nights 2.12 “Frozen Out Of Time”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on YouTube!

From Iceland to Malibu, you can’t keep a good Viking down.

Episode 2.12 “Frozen Out Of Time”

(DIr by Rick Jacobson, originally aired on February 9th, 1997)

After a volcanic eruption in Iceland, a frozen Viking boat is discovered floating in the ocean.  Inside the boat are two Vikings, who have spent the past 900 years in blocks of ice.  Under the orders of Dr. Lancaster (Edward Mulhare), the Vikings are transported to Malibu.  Lancaster’s plan is to thaw the Vikings out and see if they can be revived.  Daimont Teague, who has a habit of popping up anywhere that someone is trying to do something stupid, is not sure if Dr. Lancaster knows what he’s doing so he decides to call Mitch and Ryan to the lab.

Now, you can justifiably say, “What is Mitch going to do with a frozen Viking?”  It’s a legitimate question.  Of course, you can also wonder why Dr. Lancaster thinks that he’ll be able to revive the Vikings.  I mean, they’ve been frozen for 900 years!  That’s a long time to float around in a block of ice.

Of course, the Vikings are revived.  Unfortunately, it turns out that they were on that boat because they were trying to settle a blood feud.  The first Viking (Sven-Ole Thorsen) goes on a rampage through the lab and then runs around Malibu pier.  Mitch and Griff are able to capture him and bring him back to the lab.  Unfortunately, the other Viking (Nils Allen Stewart) has woken up and the two Vikings soon reignite their interrupted duel to the death.

I’m actually leaving out a few details but you can probably guess everything that happens in this episode from what I’ve told you.  It’s not really a shock when Mitch turns out to be an expert in Viking culture.  It’s also not a surprise when the two Vikings end up killing each other and Mitch gives them a traditional Viking funeral.  It’s not just that Mitch puts them on a wooden raft and then shoots a flaming arrow at it.  It’s that Mitch dramatically yells, “Valhalla!” while doing so.

Myself, I’m a bit curious about how the Vikings manage to go right back to fighting as soon as they thawed out.  It would seem like, after 900 years of lying prone in one position, they would be a little bit stiff.  I would imagine that there would at least be some backpain or maybe a touch of arthritis.  (I mean, I’m not even 40 and I’ve already got arthritis in my ankle.)  Also consider that the Vikings have no trouble breathing the air, despite the fact that Los Angeles’s polluted air is undoubtedly a lot different from what their lungs are used to.  And that’s not even to mention all of the germs that the Vikings have never experienced before.  It seems like the Vikings should have at least had a cold or something.

Was this episode a good one?  Hey, it featured David Hasselhoff, Angie Harmon, and two 900 year-old Vikings.  Of course, it was good!  Baywatch Nights is always at its best when it embraces the absurdity and there’s nothing more absurd than this episode.

Horror on Television: One Step Beyond 1.1 “The Bride Possessed” (dir by John Newland)


During the month of October, we like to share classic episodes of horror-themed television.  That was easier to do when we first started doing our annual October Horrorthon here at the Shattered Lens because every single episode of the original, black-and-white Twilight Zone was available on YouTube.  Sadly, that’s no longer the case.

However, there is some good news!  Twilight Zone may be gone but there are other horror shows on YouTube!  For instance, there’s One Step Beyond, a supernatural-themed anthology show that claimed every story that it told was based on an actual incident.  This show ran on ABC from 1959 to 1961 and was scheduled to air opposite of Twilight Zone.

The very first episode of One Step Beyond aired on January 20th, 1959.  In this episode, a young bride (Virginia Leith) on her honeymoon suddenly starts to act differently.  (Not only does she become more outspoken but she also loses her Southern accent.)  Is it possible that she’s been possessed by the spirit of a murdered woman and now, she’s going to solve her own murder?

Watch to find out!