Horror on TV: One Step Beyond 2.7 “The Open Window” (dir by John Newland)

Posted on October 13, 2024 by Lisa Marie Bowman

If tonight’s episode of One Step Beyond seems familiar, that’s because it’s a remake of a story that was originally filmed as an episode of The Veil.

This time, instead of witnessing a murder occurring in another apartment, it’s a suicide that is witnessed by artist Anthony March (Michael Higgins). Of course, when he investigates, he discovers that the apartment in empty. Is Anthony hallucinating or has he gone one step beyond and is he seeing the future? Watch to find out!

By the way, that’s future Oscar winner Louise Fletcher playing Anthony’s model.

This originally aired on November 3rd, 1959.

Enjoy!

Retro Television Review: Homicide: Life on the Street 1.2 “Ghost of a Chance”

Posted on October 13, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, the search for Adeena Watson’s murderer begins.

Episode 1.2 “Ghost of a Chance”

(Dir by Martin Campbell, originally aired on February 3rd, 1993)

There’s been a murder in Baltimore. That, in itself, is not news. The pilot firmly established that murder is a fact of life in Baltimore. But, the victim of this crime is an 11 year-old girl named Adeena Watson, who left her home to go to the library and who never returned. The press is covering every detail. The police brass want an arrest and they want an arrest quickly. And the primary detective on the case is rookie Tim Bayliss, who has never even worked a murder case on his own before. Giardello refuses to replace Bayliss but he also makes it clear that he needs Bayliss to bring him something.

As for Bayliss, he spends most of this episode struggling. Not only does he not have the respect of his fellow detective but he also, as a rookie, doesn’t even have a desk until Giardello, in a fit of anger, knocks everything off an unoccupied desk and awards it to Bayliss. (So, was that desk just sitting there the whole time? I thought they didn’t have any available desks.) Because this crime is what is known as a “red ball,” (i.e., a murder that has attracted the attention of the media and the public), every detective is looking for Adeena’s murderer. While Bayliss obsesses on who Adeena was before she was killed, the rest of the squad does the practical things, like talking to neighbors and bringing in all of the city’s sex offenders for interrogation.

My heart broke for Bayliss while watching this episode. Kyle Secor did a good job of capturing both Bayliss’s outrage over the crime and his fear of failing to solve his first case as a primary. While Bayliss stared at Adeena’s body in the alley, Munch, Lewis, and Crosetti debated sports. And while their attitude may have seemed callous, this episode established that disconnecting is the only way to handle working Homicide. Bayliss, having not learned how to disconnect, grows more and more obsessed with Adeena. I cheered a little when Bayliss finally stood up for himself and even won the grudging respect of Frank Pembleton. That said, the change in Bayliss happened almost too quickly to be credible. Apparently, all it took was for Giardello to give him a desk for Bayliss to go from being meek and overwhelmed to being a confident and take-charge detective.

While Bayliss searched for Adeena’s killer, Much and Bolander dealt with a murder that happened in a wealthy neighborhood. The killer (Gwen Verdon) was a wife who snapped after 60 years of marriage. As she explained to Bolander and Munch, she and her husband had earlier promised each other that they wouldn’t get a divorce until the children died. Bolander has a crush on the coroner, Dr. Blythe (Wendy Hughes), but he’s worried about getting back in the dating game after his own divorce. When Munch asks Bolander how old he is, Bolander replies, “48.” Ned Beatty was a great actor and I’ve never seen a bad Ned Beatty performance. That said, it’s also hard for me to think of any film where he looked a day under 50.

Meanwhile, Kay tries to get a confession from a guy who is about to go on trial for murder. Felton laughs when Kay says that she was visited by the ghost of the guy’s victim. However, Felton makes up for being a jerk by helping Kay find the murder weapon. This whole subplot was odd to me, largely because Kay really doesn’t come across as the type to believe in ghosts. But whatever works, I guess! Melissa Leo and Daniel Baldwin did a good job in this episode, selling a storyline that had the potential to be a little bit too cute for its own good.

As the episode ended, the killer of Adeena Watson had yet to be captured. While the other detective drank at a wharf bar, Bayliss went to Adeena’s memorial service and stared at her coffin, haunted. It was a powerful moment but one that left the viewer worried about Bayliss’s sanity. Earlier in this episode, Pembleton said that a murder that goes 72 hours without being solved will never be solved. Bayliss is running out of time.

Late Night Retro Television Review: Check It Out! 2.15 “Tots ‘R’ Us”

Posted on October 12, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!

This week, Edna has a good idea.

Episode 2.15 “Tots ‘R’ Us”

(DIr by J. Sumner, originally aired on February 1st, 1987)

I have no idea who J. Sumner was.

J. Sumner is credited as being the director of this episode. (Up until this episode, Alan Erlich was the show’s regular director.) I’ve never seen the name before and it struck me as being such an odd name to use that I actually looked the director up on the IMDb. According to the IMDb, this episode of Check It Out! is the only thing that J. Sumner has ever been credited as having been involved with. That’s quite an accomplishment, making your entertainment career debut as a director Most people have to work up to it.

I kind of suspect that J. Sumner is a pseudonym of some sort. Maybe the real director didn’t want to be credited for this episode, though there’s nothing about it that’s really all that different from any other episode of Check It Out. It’s not a terrible episode but it’s also not a particularly interesting one, which is why I’m wasting so much time speculating about the identity of J. Sumner.

The episode takes place on Canadian Mother’s Day. Edna decides to turn the back offices into a daycare so mothers can leave their children while they shop. That actually does sound like a good idea to me. Whenever I go grocery shopping, I always seem to get stuck in line behind people who have multiple hyperactive children. Just last week, this little brat stepped on my foot while running around the store and his mother didn’t even apologize to me. Seriously, I was limping for hours afterwards! I should have called the cops and pressed charges….

Anyway, all of the moms and their kids eventually leave. Except there’s one child (played by Benjamin Barrett) left behind. He wears a nametag that reads “Orphan” but a call to the local orphanage reveals that no one is missing. Edna calls the police but tells them that the store will take care of the kid and hold onto him until his parents arrive. The police apparently say, “Okay, thanks for letting us know,” and then never bother to come out to the store. That doesn’t sound like typical police procedure when it comes to an abandoned child but who knows? This is a Canadian show so maybe that’s the way they do it in Manitoba.

Edna pressures Howard into using a sock puppet to talk to the kid. The previously silent kid is happy to talk to Goober The Sock. The kid’s name is Freddy. He stays overnight at the store with Edna and, in a really sad scene, Edna asks Freddy if he knows anything about adoption. Edna’s dreams of taking Feddy into her home are ruined when Freddy’s father (Walker Boone) shows up. Howard gives Freddy and his father tickets to a baseball game. Awww, that was nice!

This was a pretty simple episode and, to be honest, it was kind of boring. Howard and Edna are more fun when they’re weird than when they’re nice. As always, Gordon Clapp (as Viker, the electrician) got a few funny lines and made the most of his limited screentime. Otherwise, this was a sweet-natured but not particularly enthralling episode.

And if J. Sumner is reading this, say hi in the comments! We’d love to hear from you!

Lisa Marie’s Week In Television: 10/6/24 — 10/12/24

Posted on October 12, 2024 by Lisa Marie Bowman

Here’s my thoughts on what I watched this week.

Abbott Elementary (Wednesday Night, ABC)

Abbott‘s back. Jeanine and Gregory are dating and they’re a cute couple. That said, I can’t help but remember how The Office kind of started to become less interesting once Pam and Jim officially became a couple. Single, neurotic people are always funnier than stable people in love.

It’ll be interesting to see how this season goes. Last season, I got annoyed with Jeanine working for the district and the show itself occasionally got a bit heavy-handed in a way that it hadn’t during the previous seasons. At the time, I choose to believe that season’s weaker moments were due to the season being shortened by all the strikes that were going on. I’m hoping this new season will prove me correct.

Ava continues to be the best character on the show.

Accused (Tuesday Night, FOX)

After an incredibly uneven first season, Fox’s crime anthology show is back for a second season. The first episode featured a psychic accused and on trial. Felicity Huffman (who hasn’t really been seen much ever since she was implicated in the so-called Varsity Blues scandal) and William H. Macy provided some star power but the overall results were still pretty dull. I’m not a huge fan of anthology shows in general. They always seem to be trying a bit too hard.

American Sports Story: Aaron Herndanez (Tuesday, FX)

This week, Aaron started to find fame as a pro football player with the New England Patriots, while continuing to deal with stress by hanging out with lowlifes and criminals. While struggling to maintain the squeaky clean image that the NFL demanded from its players, Hernandez also beat up his abusive stepfather. Much as with last week, this episode was well-done but it still feels as if the show is dragging out the story a bit too much. This episode was about 20 minutes worth of story stretched out over 50 minutes. Needless to say, it did start to feel a bit repetitive after a bit. The attempt to use Aaron Hernandez’s stupidity as a way to comment on American society continues to feel a bit half-baked.

Dr. Phil (Pluto TV)

“Shut up!” Kaye yelled, when confronted about her Nigerian boyfriend, who she has never actually met despite selling her house and sending him the money. I know Kaye was embarrassed but yelling shut up isn’t going to get her money back.

Hell’s Kitchen (Thursday Night, FOX)

One chef left the show to go to the hospital. Another hurt his back and voluntarily withdrew from the competition. The Blue Team had a terrible dinner service and a Chef Ramsay sent another chef home. The Red Team is getting pretty cocky, which I’m going to assume means that they’re going to fall apart next episode. Getting cocky is always the worst thing that any chef can do on Hell’s Kitchen. Hell’s Kitchen remains one of the few reality shows to remain as entertaining today as when it first aired. The show has been smart enough to stick to its formula and not change things up just to satisfy whatever the current cultural trend may be.

Homicide: Life On The Streets (Peacock)

I wrote about Homicide here!

Law & Order (Thursday Night, NBC)

This week’s episode saw SVU‘s Mariska Hargitay making a guest appearance on Law & Order and it really does show just how much things have changed as far as this franchise is concerned. At one time, SVU was kind of like Law & Order‘s sordid and little-acknowledged bastard cousin and it was a big deal if anyone from L&O lowered themselves to make an appearance on SVU. Now, things are reversed. Law & Order is still struggling to find its voice in the 2020s and it’s SVU that’s providing some star power to its struggling cousin.

On another note, I’m surprised that there’s any tech gurus left in New York as they seem to be the number one victim of choice on Law & Order. If they’re not getting murdered, they’re going to jail.

I continue to miss Jack McCoy.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Miami Vice (Amazon Prime)

I wrote about Miami Vice here!

Night Flight (Night Flight Plus)

On Friday, I watched an episode from 1988. The first half of the episode featured music videos, including X’s Devil Doll. The second half took a look at “upcoming” films, including one in which Arnold Schwarzenegger and Jim Belushi teamed up to fight crime. No, it wasn’t The Principal.

One Step Beyond (YouTube)

This week, I have continued to watch and share episodes of this old anthology show. I’ve been having a lot of fun watching this show.

Horror On TV: One Step Beyond 2.6 “The Inheritance” (dir by John Newland)

Posted on October 12, 2024 by Lisa Marie Bowman

Tonight’s episode of One Step Beyond features host John Newland listening as a drunk (Sean McClory) at a bar tells the story of his former life as a gigolo and how a cursed necklace drove him mad. This episode is interesting if just because it takes the show’s “Did this story really happen?” premise to its logical conclusion. Apparently, John Newland couldn’t leave his house without someone telling him a story about the paranormal!

This episode originally aired on October 27th, 1959.

Retro Television Review: Welcome Back, Kotter 4.3 “Don’t Come Up And See Me Sometime”

Posted on October 12, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!

This week, Vinnie tries to move on with his life. The Sweathogs say, “No!”

Episode 4.3 “Don’t Come Up And See Me Sometime”

(Dir by Norman Abbott, originally aired on September 25th, 1978)

Vinnie Barbarino has his own apartment!

And it’s a dump!

Seriously, if you watch enough 70s sitcoms, you know that no one is going to live in a nice apartment. For whatever reason, characters on 70s tv shows always lived in the ugliest apartments imaginable. But, even with that in mind, Barbarino’s apartment is terrible. The walls are stained. The couch is worn and has visible stuffing. Every time the train goes by, the entire apartment shakes and Vinnie’s bed falls out of its closet. It’s an awful apartment in an awful part of Brooklyn but then again, Barbarino is a janitor who hasn’t even graduated from high school so really, the crappy apartment is probably the most realistic part of this episode.

Vinnie is happy to have his own place because he has a serious girlfriend, Sally (Linda McCullough). Sally works as a nurse at the hospital. Vinnie can’t wait to spend time with her, though she has to break their first date when she’s assigned to work overnight.

Julie Kotter makes her first appearance of the season when she drops by to give VInnie a house-warming present and to show off her terrible new haircut. The present turns out to be towels. Vinnie is happy with the gift because he was feeling bad about stealing towels from the hospital.

Then the Sweathogs show up, including a new blonde guy with a Southern accent. Washington says that the guy’s name is Beau (Stephen Shortridge) and he’s a new student at Buchanan High and in Mr. Kotter’s class. What’s odd is that the previous episode ended with Vinnie once again enrolled in high school and a student in Kotter’s class. So, why hasn’t he met Beau yet? Did Vinnie drop out after dropping back in?

After Vinnie and Beau debate which one of them is uglier, Vinnie gives everyone a tour of the apartment. He’s especially proud of his dining table.

Things are going fine until the Sweathogs start to talk about how they’re going to be spending all of their time at Barbarino’s new apartment. Vinnie, realizing the he just wants some privacy, asks all of the Sweathogs to leave. The Sweathogs get offended and say that Vinnie has let his new apartment go to his head.

The next day, at school, Gabe is shocked to see the Sweathogs shunning Vinnie. Woodman, however, tells Vinnie that he’s lucky. “I haven’t had a friend in 20 years,” Woodman says, “and look how happy I am!” Fortunately, Gabe is not quite so cynical and he’s able to help the Sweathogs realize that they need to give Barbarino room to live his own life. This episode ends with Barbarino, having nearly been driven mad by loneliness, happily allowing the Sweathogs, the Kotters, and Mr. Woodman into his apartment. But then Sally arrives and he kicks them all out.

This episode feels like a metaphor of sorts. Just as Barbarino was escaping the Sweathogs and starting his own life, John Travolta was escaping television for the movies. One has to imagine that, just as the Sweathogs were offended to be kicked out of the apartment, there were some Kotter people who weren’t necessarily happy about not being included in Travolta’s new Hollywood career.

This episode works surprisingly well. That’s largely because it’s a showcase for John Travolta. The scenes of Barbarino talking to himself come close to going on for too long but Travolta’s charisma carries the day. At the end of the episode, even Gabe and Julie look happy for a minute or two.

Late Night Retro Television Review: Friday the 13th: The Series 2.13 “Eye of Death”

Posted on October 11, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Ryan goes into the past.

Episode 2.13 “Eye of the Death”

(Dir by Timothy Bond, originally aired on January 30th, 1989)

Atticus Rook (Tom McCamus) is an antiques dealer, one who is well-known to Jack. No one seems to really like or trust Atticus Rook. Everything about him seems to scream sleaze. But Atticus has somehow managed to get artifacts from the American Civil War that no one else has ever been able to find. His latest claim is that he will soon be selling Robert E. Lee’s sword.

How is Atticus accomplishing this? He has a cursed magic lantern that he uses to project old pictures onto his wall. He’s then able to step into the picture and enter the time period in which it was taken. (Hey, that sounds like a fun cursed object to own!) Atticus has been going into the past and telling Gen. Lee (Bernard Behrens) that he’s a spy. However, the information that he gives Lee is just stuff that he remembers from history class. Atticus thinks that he’s got a pretty good operation going but there are two catches. To go to the past, he has to kill someone in the present. To return to the present, he has to kill someone in the past.

Naturally, Ryan ends up in the past while trying to retrieve the magic lantern. Ryan meets General Lee and tries to present himself as also being a spy but it turns out that Ryan paid even less attention in history class than Atticus did. Ryan being Ryan, he also falls in love with a widow named Abigail (Brooke Johnson). As we all know, having Ryan fall in love with you is pretty much a death sentence on Friday the 13th. Abigail’s death does allow Ryan, Jack, and Micki to return to the present. Moving the lantern allows Atticus to get trapped in his own wall, where he suffocates while trying to return to the present.

This was a surprisingly good episode. I say “surprisingly” because you wouldn’t necessarily think that a low-budget Canadian show would do a great job of recreating the American Civil War but this episode pulls it off. The costumes, the sets, the words used by the people encountered by Ryan and Atticus, all of them work to make the episode’s Civil War setting feel very realistic. Tom McCamus is a great villain and Bernard Behrens is well-cast as Robert E. Lee. Even the obviously doomed romance between Ryan and Abigail works remarkably well.

I have to admit that I’ve always assumed this show took place in Canada, largely because of all of the Canadian accents and the Canadian scenery. This episode reveals that Friday the 13th is supposed to be taking place in the United States, despite the way that people pronounce the word “sorry.” When Ryan ends up in the Civil War, he says that he’s from Chicago. (It’s not necessarily a good idea to go back to the Civil War era and immediatly tell everyone that you’re a Yankee.)

Well, this show can pretend that the antique store is in Chicago if it wants to, but it’ll always be Toronto to me.

Horror on TV: One Step Beyond 2.5 “Night of the Kill” (dir by John Newland)

Posted on October 11, 2024 by Lisa Marie Bowman

When young Davey Morris tells his parents that he’s been hanging out with a friendly Bigfoot-type creature, all of the adults in town react in the worst way possible.

This episode, from the second season of One Step Beyond, was one of the first to deal with the legend of Bigfoot. Needless to say, it’s the adults who turn out to be the true monsters in this scenario.

This episode originally aired on October 20th, 1959.

Retro Television Review: T and T 3.18 “Suspect”

Posted on October 11, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!

This week, we have yet another surprisingly serious episode of T and T.

Episode 3.18 “Suspect”

(Dir by Ken Girotti, originally aired on May 5th, 1990)

On trial for having physically abused his girlfriend, Giles (Tom Melissis) can only smirk when his girlfriend, Ally (Isabelle Mejias), takes the stand and says that she doesn’t remember who beat her. Far less amused is Ally’s lawyer, Terri (Kristina Nicoll).

After telling Ally that she needs to recant her testimony and testify against Giles, Terri starts to receive threatening letters. While Turner immediately suspects that Giles is the one behind the threats, it turns out that it’s actually Ally! Ally explains that she’s actually an ex-convict named Deborah, a former client of Terri’s who got sent to prison. This, of course, leads to a huge question — why didn’t Terri recognize Ally when she agreed to serve as her attorney? And how did Ally manage to fool everyone into thinking she was Ally when she’s actually Deborah? Ally doesn’t say anything about getting plastic surgery or anything like that. She also implies that her last encounter with Terri was only a year or two ago. (Seeing as how Terri wasn’t even on the show until the start of this season, it couldn’t have been that long ago.) Terri immediately recognizes the name Deborah but she didn’t recognize Deborah when she was standing right in front of her. Wow, Terry …. and I thought I was self-centered!

No worries, though! Despite all of the threats, Terri agrees to not turn Ally into the police as long as Ally testifies against Giles. I don’t know if I could so easily overlook a harassment campaign but whatever. The important thing is that Giles goes to jail and Ally is free to continue leading a double life.

This episode featured good performances from Isabelle Mejias and Tom Melissis and I appreciate any show or film that ends with an abuser getting sent to either prison or the graveyard. But the story itself felt really rushed. This is one of those episodes that would have benefitted from a longer running time because there was a lot to unpack in just 30 minutes. As well, it’s hard not to feel that Ally’s backstory would have had more impact if Amy was still on the show. Season 3 (and the show itself) are nearly over and I still don’t feel like I really know how Terri Taler is supposed to be. Amy was established, over the course of two seasons, as a whip-smart attorney who had a long history as a crusader. Terri, on the other hand, still feels like someone who just showed up nowhere.

Like last week, this was a surprisingly serious episode of T and T. The episode didn’t quite work but the show still deserves credit for trying.

Late Night Retro Television Review: Highway to Heaven 2.20 “Summit”

Posted on October 10, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark do their bet to save the world from nuclear annihilation. Good for them!

Episode 2.20 “Summit”

(Dir by Dan Gordon, originally aired on March 5th, 1986)

Maria Malinoff (Eda Reiss Merlin), a Russian immigrant, is dying. Before she dies, she wants to see her son one last time.

The good news is that her son, Andrey Malinoff (Nehemiah Persoff), is currently in the United States. Even better, Mark and Jonathan have been assigned to let Andrey know that his mother wants to see him and to convince him to set aside his bitterness and see her.

The bad news is that Andrey is now the deputy premier of Russia and the reason why he’s in the United States is to attend a summit with the President (voiced by Frank Welker). Andrey is a communist who doesn’t believe in angels or American exceptionalism!

Mark and Jonathan are able to get jobs as waiters for the summit. (It helps that there is another angel working at Camp David.) They are even able to get Andrey away from his handlers long enough to take him to see his mother. Andrey is convinced that Jonathan and Mark are with the CIA and their whole “mission” is a trick to keep him from attending the summit. Mark dislikes Andrey because he’s a Russian and he think his country is superior to America. Jonathan dislikes Andrey because he’s abrasive and refuses, at first, to accept that Maria is his mother.

Eventually, though, Maria starts to talk about what Andrey was like as a child. Realizing that she is who she says she is, Andrey sits with his mother and talks to her until she passes away. Then, he returns to the summit a (slightly) changed man. He may still be a communist but at least now he knows the meaning of the word compassion. Mark takes a few minutes to ask Andrey and the President to work out their differences, explaining that everyone in the world is scared of nuclear war. The President, who is heard but not seen, is touched by Mark’s plea and agrees to have a long conversation about peace with Andrey.

Having apparently brought about world peace, Mark and Jonathan head off to their next assignment.

This episode — which was one of the few to be directed by neither Michael Landon nor Victor French — just felt silly, especially when compared to the strong episodes that came before it. Nehemiah Persoff does a lot of blustering in the role of Andrey but he never convinces us of the character’s emotions or his transformation. As an anti-communist, I enjoyed listening to Mark insult the Russians but otherwise, this well-meaning episode was a definite misfire.