Horror on the Lens: Bride of the Monster (dir by Edward D. Wood, Jr.)


Bride of The Monster (1955, dir by Ed Wood)

Since yesterday was the great man’s birthday, it seems appropriate that today’s horror film on the lens is Edward D. Wood’s 1955 epic, Bride of the Monster.

(Much like Plan 9 From Outer Space, around here, it is a tradition to watch Bride of the Monster in October.)

The film itself doesn’t feature a bride but it does feature a monster, a giant octopus who guards the mansion of the mysterious Dr. Vornoff (Bela Lugosi).  Vornoff and his hulking henchman Lobo (Tor Johnson) have been kidnapping men and using nuclear power to try to create a race of super soldiers.  Or something like that.  The plot has a make-it-up-as-you-go-along feel to it.  That’s actually a huge part of the film’s appeal.

Bride of the Monster is regularly described as being one of the worst films ever made but I think that’s rather unfair.   Appearing in his last speaking role, Lugosi actually gives a pretty good performance, bringing a wounded dignity to the role of Vornoff.  If judged solely against other movies directed by Ed Wood, this is actually one of the best films ever made.

(For a longer review, click here!)

Horror on the Lens: Plan 9 From Outer Space (dir by Edward D. Wood, Jr.)


Viewing Plan 9 From Outer Space during October is a bit of a tradition around these parts and here at the Shattered Lens, we’re all about tradition.  And since today is the 97th anniversary of the birth of Ed Wood, Jr., it just seems appropriate to watch his best-known film.

Speaking of tradition, this 1959 sci-fi/horror flick is traditionally cited as the worst film ever made but I don’t quite agree.  For one thing, the film is way too low-budget to be fairly judged against other big budget fiascoes.  If I have to watch a bad movie, I’ll always go for the low budget, independent feature as opposed to the big studio production.  To attack Ed Wood for making a bad film is to let every other bad filmmaker off the hook.  Ed Wood had his problems but he also had a lot of ambition and a lot of determination and, eventually, a lot of addictions.  One thing that is often forgotten by those who mock Ed Wood is that he drank himself to death and died living in squalor.  The least we can do is cut the tragic figure some slack.

Plan 9 From Outer Space is a ludicrous film but it’s also a surprisingly ambitious one and it’s got an anti-war, anti-military message so all of you folks who have hopped down the progressive rabbit hole over the past few years should have a new appreciation for this film.  I mean, do you want the government to blow up a Solarnite bomb?  DO YOU!?

Also, Gregory Walcott actually did a pretty good job in the lead role.  He was one of the few members of the cast to have a mainstream film career after Plan 9.

Finally, Plan 9 is a tribute to one man’s determination to bring his vision to life.  Ed Wood tried and refused to surrender and made a film with a message that he believed in and, for that, he deserves to be remembered.

Now, sit back, and enjoy a little Halloween tradition.  Take it away, Criswell!

Can you prove it didn’t happen?

WELL, CAN YOU!?

The TSL’s Horror Grindhouse: Night of the Ghouls (dir by Edward D. Wood, Jr.)


Night of the Ghouls (1958, dir by Edward D. Wood, Jr)

From the one and only Edward D. Wood, Jr. …. it’s Night of the Ghouls!

Night of the Ghouls begins with Criswell, the “psychic” who also provided the introduction for Wood’s best known film, Plan 9 From Outer Space, sitting up in a coffin and telling us that we’re about to see a film about the dead and the problems of everyday Americans. This is followed by one of Wood’s trademark stock footage montages. Cars crash. Teenagers fight. Drunken bums stare at the camera. It’s a scary world out there!

And it’s about to get scarier. The police have received reports that a deserted old mansion that was previously destroyed by lightning has been rebuilt! Lt. Dan Bradford (Duke Moore) is assigned to investigate the case with the help of cowardly Patrolman Kelton (Paul Marco). Bradford was called away from the opera so he wanders through the entire film in a tuxedo. Apparently, this case is so important that he couldn’t even change clothes before investigating.

Anyway, it turns out that the house has been rebuilt by Dr. Acula (Kenne Duncan), who wears a turban and claims that he can speak to the dead. Acula lives in the house with his silent and scarred assistant, Lobo (Tor Johnson). A typical Dr. Acula seance involves a floating trumpet playing off-key, several skeletons sitting at a table, and a mysterious woman in white. Acula says that the house is full of spirits but it turn out that Acula is juts a guy named Karl and that even the woman in white is just an actress that he hired. ACULA’S A FRUAD!

Well, fraud or not, it turns out that Acula is right about one thing. There are actual ghosts in the house and it turns out that they’re not happy about the house’s new inhabitant!

Night of the Ghouls (1960, dir by Ed Wood)

Night of the Ghouls was filmed in 1959 but it went largely unreleased, largely because Wood didn’t have the money to pay off the lab fees. The film was erroneously thought to be lost until 1984, seven years after Wood’s passing. That was when a fan named Wade Williams discovered that a copy of the film was still being held by the post-production house. Williams paid the overdue lab fees and the film was finally released.

Night of the Ghouls is a typical Ed Wood film, which is to say that it’s in black-and-white, it’s extremely low budget, and it’s a lot of fun even though it’s not very good. The film’s plot has a make-it-up-as-you-go feel to it and, with a running time of only 70 minutes, it’s over before you can get too bored. While the cast may be largely inept, they’re also rather enthusiastic and it’s hard not to enjoy watching them try their best to sell Wood’s uniquely overbaked dialogue. The film also features not one but two appearances from Ed Wood himself! Not only is his picture hanging on the wall of the police station but Wood himself appears as a female ghoul.

Finally, fans of Ed Wood will also be happy to know that Night of the Ghouls contains references to both Bride of the Monster and Plan 9 From Outer Space, establishing that the Ed Wood cinematic universe existed long before Marvel made their first movie.

Scenes that I Love: Tor Johnson In The Unearthly


We continue to honor the memory of Tor Johnson with today’s scene of the day.

Even though Tor Johnson is playing a character named Lobo, today’s scene that I love isn’t from Ed Wood’s 1955 film, Bride of the Monster. Instead, it’s from 1957’s The Unearthly. In this film, Lobo is now John Carradine’s servant. (Lobo made quite a career out of working for mad scientists.) The Unearthly was directed by Boris Peftroff, a friend of Wood’s, so it’s not improbable that this film’s Lobo was meant to be the same Lobo as the one who appeared in Bride of the Monster and Night of the Ghouls.

Anyway, in this scene, Tor does his usual Lobo stuff while John Carradine plays the piano. “Time for go to bed,” Lobo says at one point, a much-mocked line but one that is delivered with a bit of gentleness by Tor Johnson. My point is that Tor did the best that he could and bless him for it.

4 Shots From 4 Tor Johnson Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is Tor Johnson’s birthday so it just seems appropriate to present….

4 Shots From 4 Tor Johnson Films

Bride of the Monster (1955, dir by Ed Wood, DP: Ted Allan and William C. Thompson)

Plan 9 From Outer Space (1957, dir by Ed Wood, DP: William C. Thompson)

The Unearthly (1957, dir by Boris Petroff, DP: W. Merle Connell)

The Best of Yucca Flats (1961, dir by Coleman Francis, DP: John Cagle and Lee Strosnider)

Horror On The Lens: The Beast of Yucca Flats (dir by Coleman Francis)


Beastyuccaflats

Since today is Tor Johnson’s birthday, it only seems appropriate that today’s Horror on the Lens should be one that he starred in, 1961’s The Best Of Yucca Flats.

My friend, the writer and chef Tammy Dowden, claims that this is the worst movie ever made.

Well, technically, she may be right.  The Beast of Yucca Flats is a thoroughly inept film that makes next to no sense and has massive continuity errors.  It’s a film that also features the legendary Tor Johnson as a Russian scientist who gets mutated by radiation and becomes a monster, but not before taking off almost all of his clothes while walking through the desert.  For that matter, it’s also a film about a family that comes together though adversity — namely, being shot at by the police after the family patriarch is somehow mistaken for Tor Johnson.  And finally, it’s the story of how a dying monster can find comfort from a rabbit and that’s actually kind of a sweet message.

Here’s the thing — yes, The Beast of Yucca Flats is bad but you still owe it to yourself to watch it because you will literally never see anything else like it.  Plus, maybe you’ll be able to figure out what the whole point of the opening scene is.

Because I’ve watched this film a few times and I still have no idea!

Enjoy!

Horror on the Lens: Plan 9 From Outer Space (dir by Edward D. Wood, Jr.)


Viewing Plan 9 From Outer Space during October is a bit of a tradition around these parts and here at the Shattered Lens, we’re all about tradition.  And since today is the 97th anniversary of the birth of Ed Wood, Jr., it just seems appropriate to watch his best-known film.

Speaking of tradition, this 1959 sci-fi/horror flick is traditionally cited as the worst film ever made but I don’t quite agree.  For one thing, the film is way too low-budget to be fairly judged against other big budget fiascoes.  If I have to watch a bad movie, I’ll always go for the low budget, independent feature as opposed to the big studio production.  To attack Ed Wood for making a bad film is to let every other bad filmmaker off the hook.  Ed Wood had his problems but he also had a lot of ambition and a lot of determination and, eventually, a lot of addictions.  One thing that is often forgotten by those who mock Ed Wood is that he drank himself to death and died living in squalor.  The least we can do is cut the tragic figure some slack.

Plan 9 From Outer Space is a ludicrous film but it’s also a surprisingly ambitious one and it’s got an anti-war, anti-military message so all of you folks who have hopped down the progressive rabbit hole over the past few years should have a new appreciation for this film.  I mean, do you want the government to blow up a Solarnite bomb?  DO YOU!?

Also, Gregory Walcott actually did a pretty good job in the lead role.  He was one of the few members of the cast to have a mainstream film career after Plan 9.

Finally, Plan 9 is a tribute to one man’s determination to bring his vision to life.  Ed Wood tried and refused to surrender and made a film with a message that he believed in and, for that, he deserves to be remembered.

Now, sit back, and enjoy a little Halloween tradition.  Take it away, Criswell!

Can you prove it didn’t happen?

WELL, CAN YOU!?

Horror on the Lens: Bride of the Monster (dir by Edward D. Wood, Jr.)


Bride of The Monster (1955, dir by Ed Wood)

Since tomorrow’s the great man’s birthday, it seems appropriate that today’s horror film on the lens is Edward D. Wood’s 1955 epic, Bride of the Monster.

(Much like Plan 9 From Outer Space, around here, it is a tradition to watch Bride of the Monster in October.)

The film itself doesn’t feature a bride but it does feature a monster, a giant octopus who guards the mansion of the mysterious Dr. Vornoff (Bela Lugosi).  Vornoff and his hulking henchman Lobo (Tor Johnson) have been kidnapping men and using nuclear power to try to create a race of super soldiers.  Or something like that.  The plot has a make-it-up-as-you-go-along feel to it.  That’s actually a huge part of the film’s appeal.

Bride of the Monster is regularly described as being one of the worst films ever made but I think that’s rather unfair.   Appearing in his last speaking role, Lugosi actually gives a pretty good performance, bringing a wounded dignity to the role of Vornoff.  If judged solely against other movies directed by Ed Wood, this is actually one of the best films ever made.

(For a longer review, click here!)

Horror Scenes That I Love: Tor Johnson vs Richard Carlson in Behind Locked Doors


Since today is Tor Johnson’s birthday, I wanted to share a scene from Plan 9 From Outer Space or Bride of the Monster or even the Beast of Yucca Flats.

Unfortunately, YouTube would not cooperate.  I found a lot of tribute videos that people had done.  I found several videos of Tor playing Lobo with silly music playing in the background.  There were a lot of weird Tor/Bela tribute videos.  (Apparently, there’s a very active community of Lobo/Varnoff shippers, which was not something that I really needed to know.)  Anyway, try as I did, I couldn’t find any decent videos of just Tor walking into a wall or rising from the dead of reaching for the bunny in Beast of Yucca Flats.

However, I did find this clip from a film in which Tor Johnson appeared in 1948.  Apparently, Behind Locked Doors was noir about a detective who goes undercover at a sanitarium.  One of the other patients at the sanitarium?  TOR JOHNSON!

So, enjoy this chance to see Tor Johnson in a scene not directed by Ed Wood or Coleman Francis.  (The scene was directed by Budd Boetticher, who has a far different critical reputation that both Misters Wood and Francis.)

4 Shots From 4 Films: Special Tor Johnson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is Tor Johnson’s birthday so it just seems appropriate to present….

4 Shots From 4 Tor Johnson Films

Bride of The Monster (1955, dir by Ed Wood)

Plan 9 from Outer Space (1959, dir by Ed Wood)

Night of the Ghouls (1960, dir by Ed Wood)

The Beast from Yucca Flats (1961, dir by Coleman Francis)