Retro Television Review: Juvenile Court 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  This Thursday, I will be reviewing Juvenile Court, which aired its only episode in syndication in 1958.  The show can be found on YouTube!

Episode 1.1 “Pilot”

(Dir by Ralph Nelson, originally aired on September 1st, 1958)

Fifteen-year-old Raymond Pearson (Lee Kinsolving) has been charged with trying to steal a car and almost beating the car’s owner to death. Now he sits in a courtroom with his stepparents and sullenly listens as Commissioner Robert Dortman (Ken Lynch) questions his family and his squirmy accomplice, Charlie Wiggins (Tommy Cook). Dortman’s questions eventually reveal that Raymond’s crimes are linked to his conflicted feelings about his biological father, who wants nothing to do with him. Though Dortman has sympathy for Raymond, he still has to sentence him to juvenile hall. His stepfather promises to support Raymond as best he can.

The key to understanding Juvenile Court is a title card at the start that thanks the Los Angeles Juvenile Courts for their assistance. The pilot is a no-frills courtroom drama that takes place in one location and is essentially just a guy asking questions and then listening to the answers. One can understand why it didn’t become a series: while the actors are all good and believable, the episode’s style is extremely dry.

The interesting thing about this episode is the way it mixes the approaches of both the Left and the Right when it comes to examining Raymond’s crimes. The liberal will look at this show and say, “Raymond became a criminal because he never had a chance to be anything else, not with his father and his insecurities.” The conservative will look at it and say, “Raymond nearly beat a man to death. That’s all that matters.” The show says, “You’re both right!” We learn about Raymond’s sad background, but we also watch as Raymond is sentenced to confinement.

This show reminded me a bit of Decoy, the Beverly Garland cop show that I recently finished reviewing. They’re both from the late ’50s, and they both attempted to capture the feel of a documentary. Just as Decoy’s Casey Jones often had to arrest people who weren’t entirely evil, the commissioner has to send Raymond to juvie despite understanding what led Raymond to commit his criminal acts.

Seen today, Juvenile Court is the type of thing that appeals largely to history nerds like me. There’s not much drama, but it’s still interesting to see what the world was like nearly 70 years ago.

Late Night Retro Television Review: CHiPs 5.12 “Mitchell & Woods”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week …. hey, what is this!?

Episode 5.12 “Mitchell & Woods”

(Dir by Bernard L. Kowalski, originally aired on December 18th, 1981)

Paula Woods (Jayne Kennedy) and Melanie Mitchell (Cindy Morgan) may have once just been two members of the highway patrol who were trained by Ponch but they’ve now been promoted to working as plainclothes detectives in Ocean City!

“Look out Ocean City!” Jon Baker says.

When an old high school friend of Michell’s is murdered, Mitchell and Woods uncover a male prostitution ring.  Along with bringing the guilty to justice, they also help Chickee (Pamela Susan Shoop) find the courage to leave her abusive relationship….

No, there’s not much motorcycle action.  No, there’s no slow motion car crashes.  Yes, this is an episode of CHiPs.  Well, kind of.

It’s actually a backdoor pilot for a show about Mitchell and Woods.  Ponch and Baker show up at the start of the show to wish Mitchell and Woods luck.  Ponch and Baker return halfway through the show so that Ponch can tell Mitchell and Woods about an informant named Avrom (Tony Burton).  And, finally, Ponch and Baker return at the end of the episode and give our erstwhile detectives a parking ticket.

Backdoor pilots at the worst!  You’re all prepared to spend 40 minutes with people you know and suddenly, a bunch of new folks show up and start demanding your attention.  It doesn’t help that Mitchell & Woods is a terrible pilot and I’m not really surprised that it didn’t become an actual series.  Can Mitchell and Woods prove that woman can be good detectives?  Will they ever impress their new boss (Paul Gale)?  I don’t really know the characters so I don’t care.

I swear, they could have at least brought back Caitlyn Jenner for this episode.

Missile to the Moon (1958, directed by Richard E. Cunha)


At a secret laboratory located just a few miles from the local prison, scientist Dirk Green (Michael Whalen) is working with Steve Dayton (Richard Travis) to build a missile that’s capable of flying to the Moon.  Dirk’s obsession about traveling to the moon is not just scientific.  Dirk is secretly from the Moon himself and is desperate to return.

Dirk gets his opportunity when two convicts escape from the prison and hide out in his rocket.  Dirk agrees not to turn Gary (Tommy Cook) and Lon (Gary Clarke) over to the authorities but only if they agree to help him fly the rocket to the Moon.  It turns out that it doesn’t take any special training to fly a rocket.  According to this film, you don’t even have to worry about oxygen in space.  Anyone can travel to the Moon, even two escaped convicts who have only had about an hour’s worth of instruction in how to pilot a rocket!  Gary and Lon agree because dying in space is preferable to serving out a prison sentence.

Once Dirk, Gary, and Lon are in space, they discover that Steve and his fiancee, June (Cathy Downs), have stowed away on the ship.  Gary takes a liking to June but Steve tells him to back off.  After a journey through a meteor field, the missile finally lands on the Moon, which is ruled over by The Lido (K.T. Stevens), a beautiful woman who enforces order through the help of a giant spider.

This afternoon, Lisa and I watched Missile to the Moon because today is May 4th, which is also known as Star Wars Day.  (May the 4th be with you, get it?)  Since every Star Wars film has already been reviewed on this site, I had to find a different science fiction film to review for today.  And because Lisa claimed Starcrash for herself, I got stuck with Missile to the Moon.

Missile to the Moon is science fiction with an emphasis on the fiction.  In this film, space travel is easy and certain parts of the moon have a breathable atmosphere.  Not to mention, of course, that there are all sorts of creatures living on the Moon.  It’s easy to laugh at Missile to the Moon today but this movie was made before anyone had ever set foot on the Moon so, for all people knew, there could have been aliens and giant spiders living underneath the surface.  In fact, maybe there still are.  It’s been a while since anyone went up there and checked.

The main thing I liked about Missile to the Moon was the implication that anyone, no matter how dumb, can learn how to fly a spaceship in under an hour.  That’s what we all believed when we were kids.  Want to go into space?  Just put me in the pilot’s seat, show me where the booster button is, and let’s go into hyperspace!  The other thing I liked about the movie is that the Moon was populated by attractive belly dancers.  That’s exactly what you want to find on another planet.  The paper mache spiders were pretty cool too.

It’s a dumb movie but I enjoyed it.  I’d rather go to the movie’s Moon than the real Moon.