Song of the Day: Why? by Herve Villechaize


Since I just reviewed the final Tattoo episode of Fantasy Island, let’s say goodbye with today’s song of the day.

In 1981, at the height of Fantasy Island’s popularity, Villechaize released a song called “Why?”  It’s all about trying to understand why people have to fight and why people cannot just accept the wisdom of peace-loving children.  The video at the top of this post was recorded for a TV show on which Villechaize appeared.  Unfortunately, I don’t know which show it was for and the video upload itself is not the best quality.  Apparently, the split-screen visual effect that gives us two Herves singing at once was a part of the show.

That said, why do we always have to fight?

Song Of The Day: Coming Into Los Angeles by Arlo Guthrie


We’ll be coming into Los Angeles in another 12 hours or so.  And then, it’ll be onto Dallas.  It was a good vacation but I’m definitely ready to jump back into things.  I have to say thank you to my fellow writers here at the Shattered Lens and especially my wonderful sister, the one and only Dazzling Erin Nicole, for keeping the site thriving while I was gone.

Here’s today’s song of the day.  For the record, I will not be bringing in a couple of keys.  I still love Arlo, though!

Song of the Day: In the House – In a Heartbeat (by John Murphy)


It’s been 23 years since the world was introduced to Danny Boyle’s genre-defining horror film 28 Days Later. The film helped reinvigorate the zombie horror genre by introducing the so-called “fast zombies” to the horror lexicon.

It was a divisive change of pace, so to speak, within the zombie genre fandom. Some welcomed the change since it brought a new type of energy to what had become a stale, oft-ridiculed zombie film trope of the slow, shambling undead. The purists saw it as separate from the rules introduced by the zombie subgenre’s godfather, George A. Romero, with his Living Dead films. Yet, it doesn’t matter which side of the debate someone was on (something even I have fallen into spending way too much time with) there was no denying the fact that Boyle made a great horror film…no, let me correct that. He made a great film.

This was followed 5 years later by 28 Weeks Later (minus the involvement of the first film’s director and screenwriter, Danny Boyle and Alex Garland) with Spanish filmmaker Juan Carlos Fresnadillo. While not on the same level as the first film, it did add something new to the world created with the first film. It even had a mid-credit sequence that gave a hint as to how the series could move forward.

The latest “Song of the Day” comes courtesy of the series film composer John Murphy. He did the soundtrack for the the first film and the sequel. The song I picked was used in the first film, but took center stage in the sequel. The piece of music is the track titled “In the House – In a Heartbeat” that becomes the main theme for 28 Weeks Later.