Brad reviews THE GHOST AND MR. CHICKEN (1966), starring Don Knotts.


I love Don Knotts. I’m one of those people who have watched every episode of THE ANDY GRIFFITH SHOW (1960-1968) multiple times. And while it’s true that there are good episodes in the last three seasons, the series was at its best when Sheriff Andy Taylor and his sidekick Barney Fife were serving the townsfolk of Mayberry, North Carolina during the first five seasons. In Barney Fife, Don Knotts created one of the best characters in television history, earning five Emmy Awards in the process. When Don Knotts left the series at the height of its popularity, the first movie he made was THE GHOST AND MR. CHICKEN!  

In THE GHOST AND MR. CHICKEN, Knotts plays Luther Heggs, a meek typesetter at a small-town newspaper in Rachel, Kansas, who dreams of being a serious reporter but is treated like a joke by nearly everyone around him. When the town prepares for the 20-year anniversary of an unsolved murder at the supposedly haunted Simmons Mansion, Luther unexpectedly gets a chance to prove himself. He volunteers to spend the night alone in the mansion to see if it really is haunted. As you might expect, Luther is scared out of his mind as he hears banging on the walls, discovers secret passageways, and observes blood-stained organs playing themselves. The night culminates with Luther seeing a portrait of poor Mrs. Simmons with gardening shears piercing her throat! By surviving the night, and then telling the truth about what he experienced, Luther just may uncover a real crime being committed behind all of this “supernatural” activity!

Since Don Knotts left THE ANDY GRIFFITH SHOW to pursue a movie career, I’m glad to report that his decision to star in THE GHOST AND MR. CHICKEN was a really good choice. His performance is a masterpiece of physical comedy. Sure, Knotts trembles, shakes and delivers his lines in his awkward, nervous way for a lot of laughs, but he also provides a vulnerability that really makes you root for him. Knotts knew how to play lovable losers in a way that shows a quiet decency. He may actually be scared, and he may seem like a real pushover, but he also finds the courage to do the right thing even when it’s not easy. This was true for Barney Fife, and it’s also true for Luther Heggs in THE GHOST AND MR. CHICKEN.

Aside from Don Knotts, THE GHOST AND MR. CHICKEN has a solid supporting cast! Joan Staley is very beautiful as Luther’s love interest, Alma. Staley was a Playboy Playmate in 1958, so I can definitely see why Luther is in love. I like the fact that her Alma is more than just a pretty face. Rather, she’s one of the few people who sees Luther as more than a joke, which makes her even more appealing. Meanwhile, Luther’s newsroom boss (Dick Sargent) and office rival (Skip Homeier) never miss an opportunity to be condescending. The director Alan Rafkin directed 27 episodes of THE ANDY GRIFFITH SHOW, so he definitely knows how to get the best comedy out of Knotts and the rest of his cast. He also keeps the tone light, with the haunted house set pieces playing out like gentle, kid-friendly chills rather than anything truly scary. The blood-stained organ / garden shears sequence in the mansion is especially effective, with Don Knotts perfectly walking the line between raging fear and slapstick comedy. Signaling that there was a big audience for Don Knotts in the movies, THE GHOST AND MR. CHICKEN proved to be a box office hit, taking the number one spot during its first week of release, and grossing about eight times its budget!  

Ultimately, THE GHOST AND MR. CHICKEN endures because it understands the special qualities of its star. Don Knotts is funny, and he’s also human. He may be scared out of his mind, but he also has decency and an ability to find courage when he must. In that way, it’s a comfort movie, a should-be Halloween staple, and finally, a reminder that sometimes the bravest person in the room is the one who can’t quit shaking.  

SHANE (The TV Series) – Episode 11: The Day the Wolf Laughed (originally aired November 19th, 1966)


Episode 11 of Shane opens with a group of outlaws making their way across the valley after pulling off a lucrative robbery. Needing a couple of days to lay low and rest their horses, they decide to take over Sam Grafton’s bar to drink and blow off some steam. They reason it’s a safe place to stay since there doesn’t appear to be any law in the area. Their leader is Reno (J.D. Cannon), with Augie (Skip Homeier) as his right-hand man, Grant (Daniel J. Travanti) as his enforcer, and a couple of others for good measure. Shane (David Carradine) and Marian (Jill Ireland) happen to be shopping in Sam’s general store when Reno and his men come into the bar. They can hear them breaking bottles and bullying Sam around in the next room. Sam comes into the general store and asks his employee Ben (Owen Bush) to ride out to Rufe Ryker’s ranch and ask him if he will come help with these guys. Soon the outlaws walk into the general store, where Shane and Reno immediately recognize each other. It seems the two gunslingers grew up together under the tutelage of an old man they called “The Wolf,” who taught them everything they know. Because Shane knows how skilled and dangerous Reno is, he asks Sam to let them stay for the next couple of days, and Reno agrees to pay Sam well for his trouble. Sam reluctantly agrees and Shane and Marian head back to the ranch. 

A little later Rufe Ryker (Bert Freed) and his men ride into town and enter Sam’s bar. Reno gets the drop on them and sends them back out with their tails between their legs. They regroup back at Ryker’s ranch and decide to go back to town and try force the outlaws out of the bar. On the way, Ryker stops off at the Starett’s ranch to try to convince Shane to help. Shane tells Ryker that the best thing he can do is leave Reno and his men alone and wait for them to leave in a couple of days. With his pride hurt, Ryker is in no mood for listening and heads to town anyway. When the shooting starts, Ryker and his men are caught in a deadly crossfire. Trying to retreat, Ryker is shot and severely injured by Reno. While Ryker tries to recover, his men decide they are going to stake out the bar so they can be in position to kill Reno and his men when they try to leave. Feeling trapped, Reno instructs a couple of his guys to go to the nearest ranch and get a hostage to help them with their escape. When the guys grab a local girl named Shirley and Marian, who was in the area looking for their cow Katrina at the same time, Shane finally decides to enter the fight against Reno. Their old mentor “The Wolf” always predicted that their relationship would end with one of them killing the other. It looks like he just may be right. 

“The Day the Wolf Laughed” is my favorite episode of the TV series SHANE so far, as it really leans into Shane’s skills as a gunfighter and pits him against a man in Reno who’s every bit as skilled. When the two men first see each other in Sam’s general store you can tell that they really do respect each other. Reno goes so far as to tell Marian that “you have a good man. He’ll fight for you.” As soon as you hear those lines, you know Shane will end up having to prove those words to be true. Even though Shane spends most of the episode trying to convince other people that they just need to leave Reno alone, he doesn’t hesitate to take matters into his own hands the moment Marian is put in danger. This is the first episode of the series where Shane really lives up to the reputation that is always being hinted at in the series, and I loved it! 

Episode 11 is also elevated by its game cast of guest stars. J.D. Cannon (DEATH WISH II) is an especially strong adversary for Shane. He can be extremely cold blooded, but he’s also respectful, somewhat likable, and you believe that his word means something. You almost hate it when the two end up squaring off at the end. Daniel J. Travanti (HILL STREET BLUES), with a thick mustache, is quite intimidating as the enforcer of the gang. He seems quiet and laid back until he’s called upon by Reno. His countenance then completely changes, and you don’t really want to be on the other side of his gun at that point in time. It was also nice seeing Skip Homeier show up as Reno’s right-hand man, Augie. Homeier appeared in the excellent 1957 Budd Boetticher/Randolph Scott western THE TALL T, and he provides good support here as well. As far as the main cast, David Carradine and Bert Freed take center stage in this episode, with both men doing a great job. Freed, in particular, has created a strong, complex character in Ryker over the course of the first 11 episodes, and I’ve actually grown to like him.

Overall, for a fan of badass western action, this episode was right down my alley. Shane and Marian may not have shared any long, lustful looks, but Shane proves his love by putting his life on the line for her against Reno’s gang. We only have 6 more episodes to go, and it will be fun to see where we go from here.  

THE TALL T (1957) – Budd Boetticher and Randolph Scott, a match made in heaven!


There was a time in my life, before streaming existed, where it seemed like I wanted to buy every movie that interested me in the slightest. The main ways I looked for new movie releases was to go to a store like the Hastings Entertainment Superstore and look at their inventory, or look at the new and recent releases on Amazon’s online store. I could spend hours looking for movies in either location, and I did. Sometime in 2008, I ran across a DVD box set described as “The Films of Budd Boetticher” that contained introductions by the likes of Martin Scorsese, Taylor Hackford, and Clint Eastwood. The films included on the box set were THE TALL T, DECISION AT SUNDOWN, BUCHANAN RIDES ALONE, RIDE LONESOME, and COMANCHE STATION. I remember seeing the names of these movies at various times in my life in my movie books. They had never really caught my attention, although I do remember that they would receive good reviews. This set did catch my attention, however, based on the interesting packaging and the fact that Scorsese and Eastwood were both singing the praises of the films. I did a little bit of quick research and decided to just buy the boxset. I’m glad to report that these films have turned into some of my very favorite movies, and I sing their praises to anyone who will listen.

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The earliest movie in this set is THE TALL T from 1957, which is based on Elmore Leonard’s short story, “The Captives.” The story opens with our hero Pat Brennan (Randolph Scott) stopping by the Sassabee Stagecoach Station and visiting with the owner Hank (Fred Sherman) and his son, Jeff (Christopher Olsen). Brennan seems like a good-natured guy who has a nice visit with the two and even agrees to purchase young Jeff some striped candy when he stops in the town of Contention later that day. Brennan heads on to Contention where we meet Ed Rintoon (Arthur Hunnicutt), a stagecoach driver who has been hired to take Willard and Doretta Mims (John Hubbard and Maureen O’Sullivan) to Bisbee for their honeymoon. Rintoon and Brennan are clearly old friends. As part of their various conversations, we learn that Doretta Mims is the daughter of Old Man Gateway, the man with the richest copper claim in the territory. After saying goodbye to Rintoon and buying young Jeff his striped candy, Brennan continues on to Tenvoorde’s (Robert Burton) ranch, in hopes of buying a seed bull for his own start-up ranch. For many years, Brennan had been the ramrod on Tenvoorde’s ranch, and the old man clearly wants him to come back. Tenvoorde offers Brennan a chance to get his bull for nothing, but he has to ride the bull to a stand still. If he can’t do it, then Tenvoorde keeps the bull and Brennan’s horse. Brennan takes him up on the offer, falls off the bull, dives into water trough to avoid getting stomped by the bull, and then heads back towards his ranch with nothing but his wet clothes and saddle. As he’s walking down the road, Rintoon comes by on his stagecoach with Mr. and Mrs. Mims. They pick Brennan up and give him a ride. When they stop back at the Sassabee Stagecoach Station, Hank and Jeff are nowhere to be seen. Rather, a voice from inside the station says “Drop your guns and come on down.” Frank Usher (Richard Boone) and young Billy Jack (Skip Homeier) emerge from the station with their guns drawn. When he’s getting down off the stagecoach, Rintoon goes for his shotgun and is shot down by another man, Chink (Henry Silva), whose been waiting in the shadows. These three men are waiting to rob the next stagecoach that comes along. They’ve already killed Hank and Jeff, and are planning to kill every person on this coach, when Willard tells them that his wife Doretta is from the richest family in the territory. Willard tells the three outlaws that Old Man Gateway will pay good money to get his daughter back, if they will just let them live. Usher, the leader of the bunch, likes this idea and sends Billy Jack and Willard back to Contention to request $50,000 from Gateway for the safe return of his daughter. With the endgame changed, Usher takes Brennan and Mrs. Mims to their hideout to wait to get their money from Gateway. Brennan knows that it’s just a matter of time before they are all killed, and he tells Mrs. Mims that they will need to be looking for any possible opportunity to escape.

THE TALL T is just so good. It’s amazing how much drama that director Budd Boetticher could fit into these films that all had running times of less than 80 minutes. The story is simple, but it deals with big themes like honor, cowardice, true love, sociopathic evil, and big dreams. Credit here has to be given to Elmore Leonard, the writer of the short story the film is based on. It must also be given to Burt Kennedy. Kennedy wrote the scripts for THE TALL T, RIDE LONESOME, and COMANCHE STATION. He’s not the credited writer for BUCHANAN RIDES ALONE but he did uncredited work on the script. Kennedy would go on to have a good career writing and directing his own westerns, like SUPPORT YOUR LOCAL SHERIFF, THE TRAIN ROBBERS, and HANNIE CAULDER, but his work with Boetticher is definitely some of his very best.

It’s also amazing how spare and simple everything looks in the THE TALL T. The land is just so dry, with nothing but big rocks and not a tree in sight. Growing up in Arkansas, I’m used to green fields and trees and flowers. It can almost feel like you’re choking on dust just watching this film.

The casting always seems to be perfect in Boetticher’s films. Randolph Scott is simpatico with Boetticher. His character here is a good man who will do what it takes to survive while also keeping his honor intact. Boetticher and Scott are truly a match made in heaven. Richard Boone is great as Frank Usher, the leader of the outlaws. He could have killed Scott’s character Brennan, but he is glad to have an honorable man to talk to after spending all of his time with Billy Jack and Chink. Boone somehow makes his outlaw leader into an honorable man even though he’s done many dishonorable things. It’s an impressive feat. Maureen O’Sullivan has an important role as Doretta Mims, the rich but plain woman, who married Willard because she was afraid she’d end up all alone. Her career goes all the way back to the 1930’s where she played Jane in the original Tarzan movies. She’s a good actress whose character undergoes the widest arc in the entire movie. Henry Silva’s Chink is a sociopath who is keeping score of the number of people he kills. Boone’s Usher would have been much better off if he would have gone with Chink’s advice and put Brennan and the Mims’ in the well back at the Sassabee station! Based on his nonchalant penchant for violence, you can see how Henry Silva would go on to having an amazing career playing bad guys. The last person I want to mention in the cast is Arthur Hunnicutt, who played Ed Rintoon. Hunnicutt is special to me because he comes from the hills of Arkansas, from a little town called Gravelly. He attended the same college I attended, although it was called the Arkansas State Teachers College when he was there. It was the University of Central Arkansas when I came through. Hunnicutt specialized in wise, rural characters. He was even nominated for an Acadamy Award a few years earlier for a movie called THE BIG SKY. He’d go on to be in so many good movies, including playing “Bull” in EL DORADO with John Wayne. I’m just proud of the guy for growing up in extreme rural Arkansas and then becoming a great character actor in Hollywood. I’ll watch anything he’s in.

I recommend all of these Budd Boetticher / Randolph Scott westerns, and THE TALL T is one of the very best!

Horror on Television: One Step Beyond 1.1 “The Bride Possessed” (dir by John Newland)


During the month of October, we like to share classic episodes of horror-themed television.  That was easier to do when we first started doing our annual October Horrorthon here at the Shattered Lens because every single episode of the original, black-and-white Twilight Zone was available on YouTube.  Sadly, that’s no longer the case.

However, there is some good news!  Twilight Zone may be gone but there are other horror shows on YouTube!  For instance, there’s One Step Beyond, a supernatural-themed anthology show that claimed every story that it told was based on an actual incident.  This show ran on ABC from 1959 to 1961 and was scheduled to air opposite of Twilight Zone.

The very first episode of One Step Beyond aired on January 20th, 1959.  In this episode, a young bride (Virginia Leith) on her honeymoon suddenly starts to act differently.  (Not only does she become more outspoken but she also loses her Southern accent.)  Is it possible that she’s been possessed by the spirit of a murdered woman and now, she’s going to solve her own murder?

Watch to find out!

Retro Television Reviews: Fantasy Island 4.8 “Crescendo/Three Feathers”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

This week, we get one good fantasy and one bad fantasy and a reminder that anything can happen on Fantasy Island!

Episode 4.8 “Crescendo/Three Feathers”

(Dir by Michael Preece, originally aired on December 20th, 1980)

This episode confirms that Fantasy Island is the strangest place on Earth.

Our first fantasy features Toni Tennille as a world-famous singer named Susan Lohmann.  Susan has been invited meet her favorite composer and songwriter, Edmund Dumont (Monte Markham).  Dumont lives in seclusion on Fantasy Island, in an estate that is surrounded by wild animals and where he is tended by a blind butler (James Hong).

Susan is excited to meet Edmund, until she walks in on him playing his piano and discovers that he’s a …. BEAST!  Though he has the body of a human, he has the face of a wolf.  It turns out that Edmund lives in seclusion because he feels that the world would never accept his appearance.  And Susan promptly proves him correct by screaming and demanding to leave.  Susan flees the estate.

Susan’s manager is glad that Susan is free because now she can appear in concert in London.  However, Mr. Roarke informs Susan that Edmund suffers from a curse and the only thing that could have cured him would have been the love of Susan.  Edmund is now determined to die, surrounded by the animals on his estate, the only creatures who accepted him.  Susan, realizing that she was a little bit hard on a guy who couldn’t help his appearance, returns to the estate, gives Edmund a kiss, and Edmund turns into a handsome guy.  Yay!

So, there’s a huge problem here.  Susan Lohmann is incredibly unlikable.  Yes, Edmund may look different.  But all Edmund did was invited her to his estate so that he could express his appreciation for the way the she sings his songs.  Susan claims that Edmund should have told her, in advance, about the way he looked.  Yes, Susan, God forbid someone unattractive appreciate your talent or have any talent of his own.  Seriously, Susan was the worst.

Slightly more likable is Alan Colshaw (Hugh O’Brian), a pilot who has spent a year feeling like a coward.  He was piloting a plane that crashed in the jungle.  Alan went for help and, according to the three other passengers (played by Diane Baker, James Wainwright, and Peter Lawford), he never returned and, instead, he ran off with a stash of diamonds that was on the plane.  Alan says that he is sure he didn’t intentionally desert them but he can’t remember for sure because he’s been suffering from memory loss.

Mr. Roarke gives Alan a medallion, one that will allow him and the others to see what happened when the plane crashed.  As for Alan, he brings along three white feathers, which he plans to give to each of the survivors as a way to symbolize that he’s not the coward that they think he is.  (Yes, it doesn’t make much sense to me, either.)

Lena (Diane Baker) is the first to forgive Alan.  Alan realizes that he’s in love with Lena and he tells Mr. Roarke that he wants to change his fantasy.  He just wants to spend the rest of his life with Lena.  Roarke informs Alan that he can’t do that because …. ALAN IS DEAD!  He died while trying to get help after the crash.  Alan has come back to life for the weekend so that his spirit can find peace.

That’s a pretty neat twist and, to its credit, the show sticks with it.  Alan eventually proves that he wasn’t a coward and that another one of the passengers stole the diamonds and then he vanishes into the afterlife.

“Boss,” Tattoo says, “you mean he was a …. g-g-ghost!?”

“Oh, Tattoo!” Roarke snaps, “Please do not tell me that you are prejudiced!”

Fantasy Island may be a strange place but some things — like Roarke passive aggressively attacking Tattoo — never change.

Retro Television Reviews: Fantasy Island 3.2 “Goose For The Gander/Stuntman”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, Tattoo is nice and Mr. Roarke is understandably suspicious.

Episode 3.2 “Goose For The Gander/Stuntman”

(Dir by Cliff Bole, originally aired on September 14th, 1979)

This episode opens with Tattoo being very nice and polite to Mr. Roarke and asking if there is anything that he can do to help Roarke as they head out to meet the plane.  It says a lot about how much Roarke hates his assistant that Roarke’s immediate reaction is to suspect that Tattoo has done something wrong and is trying to escape being punished as a result.  By the end of the episode, Roarke learns that Tattoo is freaking out because Tattoo saw a classified ad announcing that Roarke was looking for a new “assistant manager,” and Tattoo feared he was going to be fired.  Mr. Roarke has a good laugh over that.  Roarke enjoys anything that makes Tattoo’s life miserable.

As for the fantasies, this is another week where we get one silly fantasy and one serious fantasy.

The silly fantasy involves Marjorie Gibbs (Doris Roberts), who owns a truck stop in Arizona.  A new highway is being put in and all of Marjorie is going to have to relocate her diner.  Unfortunately, that is going to cost money that Marjorie does not have.  All of Marjorie’s customers tipped in and raised enough money to send Marjorie to Fantasy Island so that she can compete in a cooking contest and win a huge cash prize.

Can Marjorie win the contest?  It’s not going to be easy, as one of her competitors is a sneaky French chef (Vito Scotti) and the judge (Hans Conried) is one of those food snobs.  Fortunately, Marjorie strikes up a friendship with another diner owner, Joe Lange (Abe Vigoda).  Joe supports Marjorie and helps her to win, even after the French chef steals one of Marjorie’s recipes!  They also fall in love and save a goose from becoming a meal.  Awwwwww!  This was a silly but sweet fantasy.  Doris Roberts and Abe Vigoda made for a good comedic team.

As for the serious fantasy, it’s all about stunts.  Retired stuntman Peter Rawlings (Dale Robertson) comes to the island with his wife, Norma (Dana Wynter).  Norma thinks this is just a normal vacation but Peter actually wants to come to the island because his son, Bill (Grant Goodeve), is the stunt coordination for a film that is shooting there.  Bill has lived his whole life in his father’s shadow and Peter fears that Bill’s desire to pull off the biggest stunt of all time will lead to his death.  Peter also discovers that Bill’s insecurity has led to him becoming a tyrant on the set.  In fact, as soon as Peter shows up, Bill is fired and Peter is named the new stunt coordinator.  Can father and son set aside their differences and pull off a truly spectacular stunt?

Of course they can.  This is Fantasy Island.

This was one of those episodes that pretty much succeeded on the charm of the cast alone.  Neither one of the fantasies was particularly interesting.  We were told that Marjorie and Joe’s food was the best but, since we couldn’t taste it, we had no way of knowing for sure.  And the big stunt really didn’t look all that special.  But Doris Roberts, Dale Robertson, and Abe Vigoda all gave charming performances so, in the end, I was happy everything worked out.

Next week: Tattoo gets a fantasy!  Roarke better watch out!

At Gunpoint (1955, directed by Alfred L. Werker)


When a gang of outlaws attempt to rob a bank in the small frontier town of Plainview, the local sheriff is one of the first people to get gunned down.  It falls upon two local men, George Henderson (Frank Ferguson) and storeowner Jack Wright (Fred MacMurray), to run the outlaws out of town.  While most of the gang escapes, Jack and Henderson manage to kill the gang’s leader, Alvin Dennis.

At first, Jack and Henderson are declared to be heroes and Henderson is appointed sheriff.  However, when Henderson is found murdered, the town realizes that Alvin’s brother, Bob (Skip Homeier), has returned to get revenge.  The inevitable confrontation is delayed by the arrival of a U.S. marshal who stays in town for two weeks to maintain the peace but everyone knows that, once he leaves, Bob is going to be coming after the mild-manned Jack.  The townspeople go from treating Jack like a hero to shunning him.  They even offer Jack and his wife (Dorothy Malone) money to leave town but Jack refuses to give up his store or to surrender to everyone else’s fear.

At Gunpoint is a diverting variation on High Noon, with Fred MacMurray stepping into Gary Cooper’s role as the upstanding man who the town refuses to stand behind.  What sets At Gunpoint apart from High Noon is that, unlike Cooper’s Will Kane, MacMurray’s Jack Wright isn’t even an experienced gunslinger.  Instead, he’s a mild-mannered store owner, the old west’s equivalent of an intellectual, who just managed to get off a lucky shot.  If he can’t find a way to get the cowardly town to back him up, there’s no way that he’s going to be able to defeat Bob and his gang.

At Gunpoint features an excellent cast of Western character actors, including John Qualen, Irving Bacon and Whit Bissell.  Especially good is Walter Brennan, playing one of the only townspeople to have any integrity.  While this western may not have the strong political subtext or the historical significance of High Noon, it’s still a well-made example of the genre.  It’s a western that even people who don’t normally enjoy westerns might like.

Attaboy, Luther!: Don Knotts in THE GHOST AND MR. CHICKEN (Universal 1966)


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When the conversation turns to great screen comedians, Don Knotts doesn’t get a lot of respect among the cognescenti. Talk to his loyal fandom, including celebrities like Jim Carrey and John Waters, and you’ll hear a different tune. They all agree – Knotts was a talented and funny comic actor, the quintessential Everyman buffeted about by the cruelties of fate who eventually triumphs against the odds. Following his Emmy-winning five-year run as Deputy Barney Fife on THE ANDY GRIFFITH SHOW , Knotts signed a movie contract with Universal, and his first feature for the studio was the perfect vehicle for his peculiar talents: a scare comedy titled THE GHOST AND MR. CHICKEN.

Knotts plays Luther Heggs, a meek typesetter for his local newspaper in the small town of Rachel, Kansas. He’s also somewhat of the town laughing-stock, bullied by the paper’s ace reporter Ollie, his rival for the affections…

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Lonely As The Night: Randolph Scott in COMANCHE STATION (Columbia 1960)


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COMANCHE STATION was the final entry in the Randolph Scott/Budd Boetticher/Burt Kennedy series of Westerns, and in many ways a fitting ending. The loneliness of the Westerner is again a key theme as the film begins with the solitary figure of Scott as Jefferson Cody, riding across that rocky, barren, now mighty familiar Lone Pine terrain. He bargains with hostile Comanches for a captive white woman named Nancy Lowe, wife of a wealthy rancher. Stopping at Comanche Station, Cody and Mrs. Lowe encounter three men being chased by the tribe.

We learn one of these men is Ben Lane, a bounty hunter who shares a dark past with Cody. The two were formerly in the Army together, where then-Major Cody busted Lane out of the service for the slaughter of a village of friendly Indians. We also learn Mrs. Lowe’s husband is offering a five thousand dollar reward for her…

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Well of Loneliness: Randolph Scott in THE TALL T (Columbia 1957)


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I’ve told you Dear Readers before that Randolph Scott stands behind only John Wayne in my personal pantheon of great Western stars. Scott cut his cowboy teeth in a series of Zane Grey oaters at Paramount during the 1930’s, and rode tall in the saddle throughout the 40’s. By the mid-50’s, Scott and his  producing partner Harry Joe Brown teamed with director Budd Boetticher and writer Burt Kennedy for seven outdoor sagas that were a notch above the average Westerns, beginning with SEVEN MEN FROM NOW. The second of these, THE TALL T, remains the best, featuring an outstanding supporting cast and breathtaking location cinematography by Charles Lang, Jr.

Scott plays Pat Brennen, a friendly sort trying to make a go of his own ranch. Pat, who comically lost his horse to his old boss in a wager over riding a bucking bull, hitches a ride with his pal Rintoon’s…

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