In this early episode of The Twilight Zone, poor and meek Henry Bemis (Burgess Meredith) is literally the last man on Earth and that suits him just fine. He finally has time to read everything that he’s always wanted to read. This episode is best remembered for Burgess Meredith’s eccentric lead performance and the somewhat mean-spirited twist ending.
Don’t think bad thoughts or Anthony Freemont will turn you into a giant jack in the box!
That’s lesson to be learned from tonight’s example of televised horror. In this classic episode of The Twilight Zone, the citizens of Peaksville always have to be happy or else they’ll be punished by the cruel monster that lives among them. The big twist, of course, is that the monster is just a little boy and sometimes, it’s difficult to predict what exactly is going to upset him.
It’s A Good Life was originally broadcast on November 3rd, 1961.
In this episode of Thriller, two brothers from up north (played by Brandon De Wilde and David Whorf) have car trouble while driving through Louisiana and, naturally, they decided to spend the night in a deserted mansion that happens to be sitting in the middle of a swamp. Needless to say, as is usually the case whenever Yankees get stranded in the bayou, bad things happen….
Pigeons From Hell is actually a surprisingly effective horror story. Director John Newland creates a pervasive atmosphere of dread and De Wilde makes for a sympathetic protagonist. This episode was originally broadcast on June 6th, 1961 and watching it today, it’s hard not to suspect that a lot of the kids who watched Pigeons From Hell later grew up to the be the directors who made the slasher films of the late 70s and 80s.
Incidentally, Pigeons From Hell is based on a short story by native Texan Robert E. Howard. Apparently, Stephen King once said that this was one of his favorite TV shows ever but we won’t hold that against it.
Down here in Dallas, channel 133 is the local Me-TV affiliate. Me-TV specializes in showing old TV shows from the 50s, 60s, and 70s. The network sells itself as a nostalgic refuge for people who are several decades older than me, a place where they can go to escape from Seth McFarlane cartoons and Maury Povich conducted DNA tests.
But you know what?
I like Me-TV and I’m glad that it exists. It probably has something to do with me being a history nerd at heart. I love the chance to see what the world was once like. Add to that, some very good shows were produced in the 50s and 60s. Just because a lot of us weren’t there to experience them firsthand doesn’t mean that we can’t appreciate them in rerun syndication.
Case in point: Thriller.
Thriller aired for two seasons in the early 60s. It was an anthology series, in the tradition ofThe Twilight Zone. Whereas The Twilight Zone was hosted by Rod Serling, Thriller was hosted by horror icon Boris Karloff, who always introduced the macabre material with a bemused gleam in his eyes.
The Devil’s Ticket was the 29th episode of Thriller and it originally aired on April 18th, 1961. It’s an effectively creepy little story about an artist (MacDonald Carey) who sells his soul to the Devil. It was directed by Jules Bricken and written by Robert Bloch.
Beyond Belief: Fact or Fiction aired off-and-on for about five years on the Fox network. A sign of just how randomly this show was scheduled can be found in the fact that season 3 started in 2000 while season 4 didn’t start until 2002. Reruns of the show currently air on the Chiller Network which is where I recently discovered it.
Hosted by Jonathan Frakes, each episode would present the viewers with five different stories. Each story would appear to defy logic and then, at the end of the episode, Frakes would reveal which of the stories were fact and which were fiction. The show was often incredibly silly and yet, it occasionally had an odd charm to it. A lot of this was due to Jonathan Frakes, who always seemed to be rather amused with it all.
Even more importantly, as bad as this show often was, it’s the perfect type of show to watch in October. It’s the television equivalent of a scary story being told around a campfire.
Below, you’ll find the final episode of the third season. Can you guess what’s fact and what’s fiction?
Today’s televised horror is an episode of The Twilight Zone called The Last Rites of Jeff Myrtlebank. It examines what happens when, in the middle of his funeral, Jeff Myrtlebank (played by James Best) suddenly sits up in his coffin and asks what’s going on. Jeff’s friends and family are now torn between being happy to have Jeff back and being worried as they try to figure out what exactly Jeff has come back as. I like this episode, largely because it’s a good example of country gothic and, in many ways, I’m a gothic country girl. Plus, it has a really great ending!
This episode was directed and written by Montgomery Pittman and originally aired on February 23rd, 1962.
Along with starting each day of October with a horror film here at the Shattered Lens, we’re going to end each day with a horror-themed television show.
While I had previously caught a few episodes of the Twilight Zone during one of the annual holiday marathons on SyFy, I didn’t truly appreciate the show until I first exchanged e-mails with my friend in Australia, Mark. Among other things, Mark expressed a very eloquent appreciation for The Twilight Zone and that inspired me to watch quite a few episodes that have been uploaded to YouTube and Hulu. Along with being an essential piece of television history, the best episodes of the Twilight Zone remain watchable and entertaining 50 years after they were first broadcast.
Considering the esteemed place that the Twilight Zone continues to occupy in American culture, it seems appropriate to feature it during Horror Month here at the Shattered Lens.
We start things off with an episode that was originally broadcast on November 18th, 1960. The Nick of Time tells the story of what happens when two newlyweds stop off at a small town cafe and the superstitious husband (William Shatner) starts to play with a memorably creepy fortune telling machine. Now, I should warn you that, since this episode is not available on YouTube, I’m having to embed it from Hulu. That means that you’ll have to sit through a few commercials but it’s still a good episode.
Enjoy!
Here’s the action and zombie-packed trailer for Season 5 of The Walking Dead!
I have to start out this review of the 7th season premiere of True Blood with an explanation and an apology.
I always like to think that I can write a good review regardless of what else might be going on in my life. If I took a break from writing every time that I felt less than great, I certainly would not have ever reviewed Black Swan or The Perfect Teacher. Sometimes, you just have to take your medicine and get things done. That said, I should let you know that summer has just begun down here in Texas. Pollen is everywhere and I have spent today battling my allergies. I am definitely under the weather as I write this review and I apologize if that has effected my ability to properly consider tonight’s episode.
However, for the season premiere of a show that’s known for its complex storylines and huge cast, it doesn’t really seem like there’s much to analyze about what happened tonight.
Don’t get me wrong. True Blood has always been an uneven show. For every great episode of True Blood, there’s also a mediocre one. For every brilliantly drawn and acted character (like Kristin Bauer van Straten’s Pam), there’s been characters who have never quite reached their potential but yet remain in the cast. For every storyline that worked, there will be memories of Bill getting possessed by Lillith.
In the past, mediocre episodes or creative misfires did not worry me. I accepted them as being just a part of what happens with all long-running television shows. I accepted the occasional bad because I knew that the good would be great and I always knew that there was a chance that any creative miscalculations would be corrected in a future season.
However, we’ve now reached a point where there are no more future seasons. This is it! Season seven has ten episodes and then True Blood — as a television series — is over. Rumor has it that there will be a Broadway musical and I’m certainly looking forward to it eventually showing up on the community theater circuit because I really do think that I’d be a natural for it. But, until then, these final 10 episodes are all that we have left and True Blood — being True Blood — has a lot of storylines that it needs to somehow resolve so that viewers like me don’t feel like we’ve spent the last 7 seasons being set up for an anticlimax.
After all, we don’t want True Blood to end up like Dexter.
That’s why I can’t simply laugh off a mediocre or uneventful episode now. As I sat through tonight’s premiere, a part of me was thinking that things were moving slowly because the show is setting up the foundation for a proper and satisfying finale. However, another part of me wanted to scream, “HELLO — WE’VE ONLY GOT 10 EPISODES LEFT! THESE HAVE TO COUNT!”
And I will admit — though this may have been the headache talking — I did end up hissing at the screen, “Where. The. Hell. Is. Erik!?” As we all remember from last season’s finale, Erik was last seen naked on a mountain, bursting into flame as the sun shined down on him. The important thing, however, is that we never saw Erik explode into red goo. I chose to believe that Erik is still alive and, apparently, Pam agrees with me because tonight’s episode found Pam in Morocco searching for Erik. There really weren’t enough scenes featuring Pam but I was happy for what we got of her. Pam’s snarkiness always brings True Blood to life. Hopefully, Erik will show up next week.
As for everyone else:
Tonight’s premiere began where season 6 ended. A group of infected vampires attacked a human-vampire mixer at Bellfluer’s. During the attack (which was well-filmed but still a bit too chaotic for its own good), vampire Tara is apparently killed and Holly and Arlene are kidnapped by the infected vampires. Sam, who is now the mayor, orders that all the humans go home with an uninfected vampire, the idea being that the human will feed his vampire in return for protection. Nobody is really happy with the arrangement and, as quickly becomes apparent, everyone blames Sookie. What people don’t consider is that Sookie can hear their accusatory thoughts. At the end of the episode, she goes to church and tells everyone off. So, it looks like Sookie is once again frustrated with living in Bon Temps and thinking about saying goodbye to all of the drama and going off on her own. Then again, that’s pretty much what always happens to Sookie.
(Sookie, incidentally, is now in a relationship with Alcide and good for her! I still have a feeling that she’ll end the show with Sam but when you’ve been through everything that Sookie has, you’ve earned the right to spend a few nights with Alcide.)
Meanwhile, Sheriff Andy and Bill spent the episode looking for the kidnapped humans and I have to say that Andy has actually turned into a badass, even getting to save Bill from a group of human vigilantes. However, Andy assures Bill that, even if there are temporarily allies, Andy still hates Bill and every other vampire.
Jessica, meanwhile, is stuck outside of Andy’s house, protecting Adelyn. Despite the fact that Andy ordered his daughter not to invite Jessica inside, Adelyn does allow Jessica to enter to escape both the rising sun and to thank her for protecting her from a random vampire who wanted to drink Adelyn’s blood. Once inside the house, Jessica nearly attacks Adelyn but manages to stop herself.
And finally, Jason has sex with his vampire girlfriend. It’s not an episode of True Blood unless Jason is having sex with his vampire girlfriend.
I always enjoy watching True Blood and I’m looking forward to the rest of the season but I have to admit that I was a bit disappointed with tonight’s premiere, which seemed to move slowly and, oddly for True Blood, didn’t really seem to be too concerned with moving any of the show’s dozen or so storylines forward. Hopefully, future episodes will pick up the pace because, after all, we’ve only got nine more left and they have to count!
And, hopefully, Erik will return.
Soon.
I can still remember the day that my high school history teacher decided to teach us about World War I by showing my class the final episode of the classic BBC sitcom Blackadder Goes Forth. At first, I was just happy to get a chance to watch television in class but, by the end of the episode, I was simply devastated.
There’s something very appropriate about the fact that one of the best depictions of the futility and destructiveness of war came at the end of a comedy.
And during this Memorial Day weekend, as we pay respect to the men and women who have died in the course of fighting the countless number of wars that have been waged over the course of this country’s history, it seems to me that this final scene is far more eloquent about the costs of war than I could ever hope to be.
Through the Shattered Lens 