Horror Scenes That I Love: Doug Bradley Makes His Debut As Pinhead in Hellraiser


Born in Liverpool, actor Doug Bradley is a longtime personal friend to author Clive Barker and appeared in Barker’s short film Salome, playing the role of King Herod.  When Barker was making his feature directorial debut with 1987’s Hellraiser and he needed someone to play the head Cenobite, he turned once again to Bradley and the result was one of the most iconic horror characters of all time.

While the Cenobites may have all had disturbing physical features, what truly made them frightening was their arrogant disdain for anyone who was foolish enough to summon them.  Bradley perfectly portrayed Pinhead’s haughty arrogance, starting with his very first appearance in Hellraiser.

When Bradley as Pinhead says, “We’ll tear your soul apart,” the viewer has no doubt that he means every word of it.

Horror Scene That I Love: Tom Atkins in Halloween III


Today’s horror scene that I love features an actor appreciated by horror fans everywhere, the great Tom Atkins.

The son of a Pennsylvania steel mill worker who originally planned to follow in his father’s footsteps, Tom Atkins served in the U.S. Navy and noticed that officers seemed to have all the fun.  He also noticed that the officers all had college degrees so, upon getting out of the service, he enrolled in Pittsburgh’s Duquesne College.  It was while at Duquesne that Atkins met a girl who was involved with a local theater group and he discovered that he actually enjoyed acting.  Atkins made his film debut in 1968’s The Detective and he’s been working steadily ever since.  A favorite of both John Carpenter and George Romero, Atkins has been a reliable horror fixture since the early 80s.

In this scene, from 1982’s Halloween III, Tom Atkins plays a doctor who desperately tries to stop the cruelest Halloween prank of all.  One reason why this scene is so effective is because, if Tom Atkins can’t stop the broadcast, then that means nobody can.

Thrill us, Tom.

Scenes That I Love: “Greed is Good” from Wall Street


Today, the Shattered Lens wishes a happy 79th birthday to actor and producer Michael Douglas!

For today’s scene that I love, we have a scene from Oliver Stone’s 1987 film, Wall Street.  In this scene, Michael Douglas plays Gordon Gekko.  Gekko is supposed to be the film’s villain but he’s actually a lot more compelling and, at times, sympathetic than the film’s heroes.  He’s not a judgmental jerk like the union leader played by Martin Sheen.  Nor is he a snitch like his protegee, played by Charlie Sheen.  Instead, Gordon Gekko is honest about who he is.

This is the scene that won Michael Douglas an Oscar.  Watching him in this scene, it’s easy to see why Douglas’s performance supposedly inspired a lot of people to get a job working on Wall Street.  Douglas is so charismatic in this scene that he makes this movie, directed by a future supporter of Bernie Sanders, into one of the best advertisements for capitalism ever filmed.

Scene That I Love: Garrison Meets X in JFK


Today is Oliver Stone’s birthday so, for all conspiracy-loving readers, here is a key scene from Stone’s 1991 film, JFK!  In this scene, Kevin Costner’s Jim Garrison meets the mysterious man known as X (played by Donald Sutherland).  X explains the conspiracy to Garrison.

This scene certainly convinced a lot of people.  Personally, I think Oswald acted alone but one cannot deny Stone’s talent as a filmmaker.

Scenes That I Love: The Alien Arrives in Robert Wise’s The Day The Earth Stood Still


On this date, 109 years ago, filmmaker Robert Wise was born in Winchester, Indiana.  He started his career as an editor (and was Oscar-nominated for his work on Citizen Kane) and then eventually branched out into directing.  From the mid-forties to the year 2000, Wise directed every genre of film.  He won two Oscars for Best Director, one for West Side Story and one for The Sound of Music.  He was also the first director to helm a Stark Trek film with 1979’s Stark Trek — The Motion Picture.

Today’s scene that I love comes from Wise’s 1951 masterpiece, The Day The Earth Stood Still.  In this scene, America watched as a UFO darts across the sky and eventually lands in Washington D.C.  Though it’s a simple scene, it deftly captures the wonder of the moment.

Scenes That I Love: The Puppet Scene From Deep Red


Today is a special day here at the Shattered Lens as we celebrate the birthday of Dario Argento!

Now, we’ve got a lot of Argento-related stuff scheduled for October so, for today, I’m just going to share one of the best scenes from one of my favorite Argento films, 1975’s Deep Red.  This scene features what is seriously the creepiest puppet that I’ve ever seen.

Scenes That I Love: Aguirre Declares Himself To Be The Wrath of God


In honor of Werner Herzog’s birthday, today’s scene that I love comes from one of his best films.  1972’s Aguirre, The Wrath of God not only established Herzog as a major filmmaker but it also showed that he was the director who could get the best out of the notoriously difficult Klaus Kinski.

In this scene, Kinski plays the mad conquistador, Aguirre.  Lost with his men in the Amazon, Aguirre establishes control over the dwindling expedition.

Scene That I Love: Greenwald Confronts Keefer in The Caine Mutiny


Today’s scene that I love comes from 1954’s The Caine Mutiny.

In this scene, directed by Edward Dmytryk, the Caine mutineers celebrate their acquittal when they’re confronted by their own defense attorney.  Having previously exposed Captain Queeg’s paranoia on the stand, Barney Greenwald (Jose Ferrer) has dealt with his guilty conscience by having a bit too much to drink.  He interrupts the celebration and calls out the man who he claims is the real “author of the Caine Mutiny,” the arrogant Keefer (Fred MacMurray).

This scene features Ferrer at his most vitriolic and MacMurray at his sleaziest.  Fred MacMurray was typically cast as a nice, All-American guy so it’s always interesting to see him cast as a bad guy in films like this one, The Apartment, and Double Indemnity.  MacMurray always tended to underplay his villains, playing them as self-centered cads who hid their true motives behind a façade of bland affability.  The Caine Mutiny features one of MacMurray’s best performances.

From The Caine Mutiny: