The frontier community of Bonanza Town has been taken over by the corrupt businessman, Krag Boseman (Myron Healey). No one can stand up to Krag because the local judge (Luther Crockett) is under Boseman’s control. The judge’s son (Ted Jordan) writes to the Durango Kid and asks him to come to Bonanza Town and lead a group of vigilantes to overthrow Boseman.
The Durango Kid, whose real name is Steve Ramsay (Charles Starrett) somehow receives the letter and heads into town. As Steve, he gets a job working for Boseman and looks for evidence that Boseman is actually being bankrolled by a notorious outlaw named Henry Hardison (played by the film’s director, Fred Sears). As the masked Durango Kid, he defuses the vigilante’s violent plan and, with the help of Smiley Burnette, he investigates what Boseman has on the judge.
Charles Starrett played the Durango Kid in 131 films. In fact, he appeared in so many movies that the majority of Bonanza Town is made up of flashbacks from 1947’s West of Dodge City. Despite all of the flashbacks, Bonanza Town is one of Starrett’s better films, featuring an interesting story and good performances from both Fred Sears and Luther Crockett. Sears shows some imagination with his staging of the many gunfights and, as always, Starrett is convincing riding a horse and carrying a gun.
Bonanza Town is a fairly serious film and Smiley Burnette’s trademark comedic relief feels out of place but the kids in 1951 probably enjoyed it. While everyone else is shooting guns and committing murder, Smiley is running his barber shop and turning a potato into a musical instrument. While the Durango Kid dispenses frontier justice, Smiley sings a song and leaves his customers bald. They were a good team.
About 50 minutes into the 1973 film Walking Tall (not to be confused with the 2005 version that starred Dwayne Johnson), there’s a scene in which newly elected sheriff Buford Pusser (Joe Don Baker) gives a speech to his deputies. As the deputies stand at attention and as Pusser announces that he’s not going to tolerate any of his men taking bribes from the Dixie Mafia, the observant viewer will notice something out-of-place about the scene.
Hovering directly above Baker’s head is a big, black, almost phallic boom mic. It stays up there throughout the entire scene, a sudden and unexpected reminder that — though the film opens with a message that we’re about to see the true story of “an American hero” and though it was filmed on location in rural Tennessee — Walking Tall is ultimately a movie.
And yet, somehow, that phallic boom mic feels oddly appropriate. First off, Walking Tall is an almost deliberately messy film. That boom mic tells us that Walking Tall was not a slick studio production. Instead, much like Phil Karlson’s previous The Phenix City Story, it was a low-budget and violent film that was filmed on location in the south, miles away from the corrupting influence of mainstream, yankee-dominated Hollywood. Secondly, the phallic implications of the boom mic erases any doubt that Walking Tall is a film about men doing manly things, like shooting each other and beating people up. Buford does have a wife (Elizabeth Hartman) who begs him to avoid violence and set a good example of his children. However, she eventually gets shot in the back of the head, which frees Buford up to kill.
As I said earlier, Walking Tall opens with a message telling us that we’re about to watch a true story. Buford Pusser is a former football player and professional wrestler who, after retiring, returns to his hometown in Tennessee. He quickly discovers that his town is controlled by criminals and moonshiners. When he goes to a local bar called The Lucky Spot, he is unlucky enough to discover that the bar’s patrons cheat at cards. Buford is nearly beaten to death and dumped on the side of the road. As Buford begs for help, several motorists slow down to stare at him before then driving on.
Obviously, if anyone’s going to change this town, it’s going to have to be Buford Pusser.
Once he recovers from his beating, Buford makes himself a wooden club and then goes back to the Lucky Spot. After beating everyone up with his club, Buford takes back the money that he lost while playing cards and $50.00 to cover his medical bills. When Buford is put on trial for armed robbery, he takes the stand, rips off his shirt, and shows the jury his scars. Buford is acquitted.
Over his wife’s objections, Buford decides to run for sheriff. The old sheriff, not appreciating the competition, attempts to assassinate Buford but, instead, ends up dying himself. Buford is charged with murder. Buford is acquitted. Buford is elected sheriff. Buford sets out to clean up his little section of Tennessee. Violence follows…
On the one hand, it’s easy to be snarky about a film like Walking Tall. This is one of those films that operates on a strictly black-and-white world view. Anyone who supports Buford is good. Anyone who opposes Buford is totally evil. Buford is a redneck saint. It’s a film fueled by testosterone and it’s not at all subtle…
But dangit, I liked Walking Tall. It’s a bit like a right-wing version of Billy Jack, in that it’s so sincere that you can forgive the film’s technical faults and frequent lapses in logic. Walking Tall was filmed on location in Tennessee and director Phil Karlson makes good use of the rural locations. And, most importantly, Joe Don Baker was the perfect actor to play Buford Pusser. As played by Baker, Pusser is something of renaissance redneck. He’s a smart family man who knows how to kick ass and how to make his own weapons. What more could you ask for out of a small town sheriff?
In real life, Buford Pusser died in a mysterious car accident shortly after the release of Walking Tall. Cinematically, the character of Buford Pusser went on to star in two more films.
The frontier community of Bonanza Town has been taken over by the corrupt businessman, Krag Boseman (Myron Healey). No one can stand up to Krag because the local judge (Luther Crockett) is under Boseman’s control. The judge’s son (Ted Jordan) writes to the Durango Kid and asks him to come to Bonanza Town and lead a group of vigilantes to overthrow Boseman.
Through the Shattered Lens 