Documentary Review: Shatner In Space


Remember when William Shatner became the oldest man to go into space?

It’s okay if you’ve forgotten.  It happened way back in 2021 and that was like — well, it feels like it was about 30 years ago.  Add to that, Shatner went up in space as a part of Jeff Bezos’s space program and Bezos’s attempts to conquer space have pretty much been replaced by Elon Musk’s attempts to conquer space in the national consciousness.

That said, it was a really big deal when it happened.  I think there were a lot of people who were concerned that, at the age of 90, Shatner wasn’t really physically fit to go into space and that it would be really depressing if Shatner didn’t make it back to Earth.  There were others who pointed out that Jeff Bezos’s Blue Orbit may have gone high up in the sky but that it didn’t quite break through the atmosphere.  The people on the ship, including Shatner, experienced weightlessness and got to see what the Earth looked like from space without actually literally going into space.  George Takei had to be a whiny little child about it because that’s pretty much the way Takei reacts to anything positive happening to William Shatner.  And, of course, many people said that Jeff Bezos should have been spending his money on fixing the Earth instead of trying to escape it.  Those were the same people who, later that year, wrote positive reviews of Don’t Look Up.

That said, it was all just really cool.  Star Trek may bore me to tears but even I was still moved by the thought of William Shatner going into space, even if it was just for a few minutes.  It was a moment to spark the imagination and to inspire optimism.  I think those are two things that the professional naysayers are incapable of possessing or understanding.  But it’s imagination and optimism that will make the world a better place.

Anyway, there’s a 50-minute documentary about Shatner’s voyage into space, one that I just watched.  It’s on Prime and, quite appropriately, it’s called Shatner In Space.  In all honesty, Shatner In Space is largely a commercial for Jeff Bezos.  There’s not point in denying that.  The first half of the documentary features perhaps a bit too much footage of Jeff Bezos, one of the world’s richest men, trying to present himself as just being a humble sci-fi nerd who grew up on a ranch.  Brilliant businessman that he is, Bezos is not the most charismatic person in the world and that’s especially obvious when he’s sharing scenes with William Shatner.  There’s undoubtedly a lot that you can say about William Shatner but no one can deny that, even at 90, the man knows how to work a scene.

But, fortunately, Shatner himself seems to be so sincerely excited about the prospect of going into space that it even makes Bezos tolerable.  The documentary doesn’t include as many scenes as one might hope of William Shatner training for his mission.  Personally, I would be curious to know what type of precautions were taken before sending a 90 year-old person into space because, who knows …. I might be 90 before I get the chance to try it for myself!  I did notice that, of the crew, Shatner was the only one not to really indulge in the weightless aspect of the trip.  While everyone else floated around the capsule, Shatner seemed content to stay in his seat and look at the Earth below.  The fact that Shatner, who has pretty much made a late-in-life career out of parodying his reputation for being a bit pompous, seems to be, at that moment, at a loss for words is actually rather touching.

Anyway, as I said, this is basically a commercial for Jeff Bezos but it’s hard not to enjoy watching Shatner go into space.

Short Film Review: A Little Dead (dir by Ben Richardson)


On a farm in Oklahoma, an old man who we get know as being Grandpa (Jack C. Hays) sits at a dinner table.  Though he seems to be alone, he’s got three glasses of wine sitting in front of the other chairs, along with with a glass for himself.  

Things haven’t been easy for Grandpa since Grandma passed away.  His two grandchildren, Hailey (Eden McGuire) and Kevin (Ben Richardson, who also directed the film) arranged for a caretaker to live with him but, when they stop by for a visit, they discover that the caretaker has vanished and Grandpa seems to be convinced that there are people sitting at the table with him.  When his grandchildren try to clean up the table, he snaps at them not to touch anyone’s drinks.  There’s a ritual going on and his well-meaning grandchildren better not interrupt it.  At times, Grandpa seems to be perfectly lucid.  At other times, he expresses surprise when Kevin tells him that it’s not a good idea to keep a big box of rat poison with all of the cereal.  Is Grandpa losing it or is there something else happening that only he can understand? 

Clocking in at a little over 10 minutes (not including the end credits) and deliberately paced without ever being slow, A Little Dead is a nicely atmospheric piece of country gothic.  On the one hand, it is a story of a man who may or may not be living with spirits.  On the other hand, I think it can be argued that the film is also a metaphor for the mixed emotions that many people have about the feelings of responsibility that they feel towards older relatives and the guilt that comes from feeling that maybe they were not there as much as they should have been.  There’s a lot of people like this film’s Grandpa, who are living alone and who are only occasionally visited by younger family members who are, for the most part, checking in to see if they still have their mind and if they’re still capable of taking care of themselves.  Is Grandpa talking to actual “people” at the table or is he just talking to the lingering memories of the people who used to be there?  And are his grandchildren correct to be concerned about him or are they just dealing with their own feelings of guilt?

A Little Dead is also an enjoyable little horror story.  It’s the type of story that you would might expect to find in an old horror comic book, complete with a nice little twist at the end.  The film makes good use of that old farmhouse and the desolate country landscape.  If you have spent anytime in the rural midwest, you will immediately recognize the film’s milieu.  If there were ghosts to be found, that’s definitely where they would probably be living.

This is one to keep an eye out for.  Pour yourself a glass and relax with A Little Death.

 

Lisa Marie’s Week in Television: 6/5/22 — 6/11/22


Yes, you are seeing this correctly.  I watched next to zero television last week and the only new show that I watched was the latest episode of Barry.  I’ve been busy cleaning around the house, listening to music, and writing this week.  Usually, I use the television for background noise but this week, I listened to music.  It was the right decision, I think.

Here’s a few thoughts on what little I watched this week:

Allo Allo (Sunday Night, PBS)

With the French Resistance broke and in desperate need of money, Michelle demanded that Rene hand over the painting of the Fallen Madonna With Big Boobies so that the Resistance could sell it.  Unfortunately, Rene had already given the painting to Herr Flick so Michelle suggested that Rene break into Herr Flick’s dungeon and steal it back.  Rene agreed, though his plan was to steal it and then sell it for himself as opposed to the Resistance.  Meanwhile, Herr Flick deal with an official order to stop having sex while on duty and, as newspaper editor, Rene was tasked with helping to select the perfect model for The Spirit of Nouvion.

The important thing, of course, is that nothing worked out and, at the end of the show, the British airmen were still trapped in France,

Barry (Sunday Night, HBO)

This week’s episode of Barry was …. disquieting.  While Gene filmed his hilariously over-the-top online acting class, Barry struggled to recover from being poisoned and Sally was fired from writing for the sitcom about the Medusas after she was filmed screaming the C-word at her former assistant.  While Barry struggles with his own mortality, Sally seems to be heading for a very, very dark place.

That said, the episode was dominated by Stephen Root and his performance as Fuchces.  Fuches has finally been arrested but, even while sitting in an interrogation room, he still managed to expertly manipulate everyone around him.  He’s like a Southern-version of Hannibal Lecter.  This episode made as a strong a case as any in the show’s history that Stephen Root deserves all the Emmys.

Full House (Sunday Evening, MeTV)

Starting as of late week, MeTV now only shows two episodes of Full House on Sundays and I do have to say that the show is more bearable when you only watch two at a time instead of four.  Last Sunday, Joey took his crappy comedy act to Vegas and he reconciled with his father, who apparently was some sort of general or admiral.  (Shades of Jim Morrison, I suppose.)  In the second episode, DJ developed an eating disorder but, fortunately, all it took was for Danny to say a few understanding words and DJ snapped out of it.  The episode had a good message but it would have been more effective if Aunt Becky had been the one to have the eating disorder talk with DJ.

King of the Hill (Hulu)

I watched three episodes, two on Tuesday and one on Friday.  The two episodes on Tuesday both featured Bobby taking on eccentric hobbies that were nearly ruined by Hank, rose growing and dog dancing.  Friday’s episode was one of my favorites: Minh, Nancy, and Peggy all run for school board and end up losing to the local kooky fundamentalist.

Seinfeld (Netflix)

On Friday, I rather randomly watched an episode where Kramer and George went to the airport to pick up Jerry and Elaine.  Kramer saw his former roommate.  George ended up trapped on a plane with a serial killer.  Jerry got upgraded to first class while Elaine suffered the indignities of flying in coach.  The episode made me laugh but it also made me want to fly somewhere.  But only in first class!

Music Video of the Day: Rockin’ Back Inside My Heart by Julee Cruise (1989, dir by ????)


Julee Cruise, R.I.P.

(The person who uploaded this video to YouTube says it was directed by David Lynch. While Lynch has directed several music videos and he did write the lyrics for this song, I have not seen this video listed in any of his official credits. This very well could have been directed by Lynch, don’t get me wrong. It wouldn’t surprise me if it was. But until I get a little bit more confirmation, I am going to hold off on officially listing him as the director.)