Tag Archives: review

Lisa Marie’s Week In Television: 1/14/24 — 1/20/24

Posted on by Lisa Marie Bowman

I am typing this post on a new laptop.  Woo hoo!

Here’s a few thoughts on what I watched this week:

American Nightmare (Netflix)

This was a disturbing, 3-part docuseries about a woman who was kidnapped and raped and then put on trial by the police and the media, all of whom seemed to be determined to prove that she was a real life “gone girl.”  This series was just infuriating to watch and everyone who nearly allowed Matthew Muller to get away with his crimes should be ashamed of themselves.

Baywatch Nights (YouTube)

I wrote about Baywatch Nights here!

Check It Out (Tubi)

I need to write a review about this week’s episode so I guess I better get on that.

CHiPs (Freevee)

I wrote about CHiPs here!

Couples Court With The Cutlers (YouTube)

On Friday, I watched an episode in which a man was concerned that his much younger girlfriend was cheating on him with another woman.  She confessed, while being interrogated by a former military interrogator, that he was correct.  The Cutlers were there to help this couple through the drama.

On Saturday, I discovered an entire YouTube channel dedicated to Couples Court so I probably won’t get anything accomplished for the first half of 2024.

Fantasy Island (YouTube)

I wrote about Fantasy Island here!

Friday the 13th: The Series (YouTube)

I wrote about Friday the 13th here!

Hell’s Kitchen (Thursday Night, FOX)

On Monday morning, as I shivered in the living room, I got caught up on Hell’s Kitchen and watched the first Black Jacket Service.  What a disaster that turned out to be!  I felt bad for Jonathan, who did not react well to Chef Ramsay taunting him about how much he drank before dinner service.  Jonathan had a point, in that Ramsay really was kind of making it personal.  At this point, I think the final two will be Ryan and Sammi.  I’m Team Ryan all the way!

On Thursday, I cheered as Ryan and Sammi made it to the final three.  I probably would have kept Carmen and sent Jonathan home but I can understand Ramsay’s logic.  Jonathan had more experience than Carmen and Carmen did struggle early on in the season.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Miami Vice (Tubi)

I wrote about Miami Vice here!

Maury (YouTube)

On Sunday, I watched an episode with DNA results.  All of the episodes of Maury to blend together, which I guess is the appeal of them.  They demand very little on the part of the viewers.

Monsters (Tubi)

I wrote about Monsters here!

Night Court (Tuesday Night, NBC)

I was actually bored enough on Wednesday to watch the first four episodes of this show’s second season.  While the ensemble seems to be gelling a bit better than they did during the first season, Night Court just isn’t that funny.  Every joke sounds like it’s been sitting in some writer’s idea drawer since 2005.

Poochinski (YouTube)

I wrote about Poochinski here!

Steve Wilkos Show (YouTube)

On Sunday, I watched an episode in which Steve talked to a pregnant 17 year-old.  She thought her boyfriend was 25.  It turned out he was 38!  Needless to say, Steve kicked him off the stage while the audience chanted Steve’s name.

On Thursday, I watched an episode about threesomes that led to pregnancies.  The audience loved it but Steve seemed to be disappointed by everyone on his stage.

T and T (Tubi)

I wrote about T and T here!

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back Kotter here!

Retro Television Reviews: Welcome Back, Kotter 3.6 “Just Testing”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

It’s time for Barbarino to finally take his makeup exam!

Episode 3.6 “Just Testing”

(Dir by Bob Claver, originally aired on October 6th, 1977)

With Julie busy with the babies, Gabe resorts to telling Mr. Woodman about his Uncle Rodney who was mugged by an elephant.  Mr. Woodman laughs so much that Gabe gets nervous.

Actually, Gabe has a lot to be nervous about.  Julie is so busy with the babies that their tiny apartment is now a mess.  Gabe finds the coffee percolator in the bathroom and his favorite tie in a diaper pail.  (“It was my favorite tie,” Gabe says.)  On top of all that, it’s nearly time for Barbarino to take his make-up exam but, in typical Barbarino fashion, he hasn’t been studying.  Instead, as he explains to Gabe, he’s been waiting for Gabe to tutor him.  Frustrated by Barbarino’s refusal to take responsibility for his own future, Gabe refuses to help Barbarino study.  Not even Barbarino and the other Sweathogs coming to the apartment can change Gabe’s mind.

Fortunately, Julie can.  Julie has gone from hating the Sweathogs to appreciating their loyalty to each other.  She tells Gabe that she thinks that he’s making a mistake by refusing to help Barbarino.  Gabe realizes that she’s right but, at the same time, Julie needs help around the apartment.

Don’t worry, Gabe!  Freddie, Epstein, and Horshack are more than willing to clean up the apartment!  While Gabe meets with Barbarino and Julie sleeps on the couch, the Sweathogs stuff all of the trash into a closet.  It’s a funny gag and it’s certainly true to the character of the Sweathogs.  But, as a self-confessed neat freak, I have to say that I cringed as soon as Gabe opened that closet door and all of that trash came tumbling out.  It was like someone filmed my greatest nightmare.

As far as the tutoring goes, it’s not easy to teach Barbarino.  Barbarino is an idiot and he’s lucky that he looks like a young John Travolta.  Still, Gabe is able to get Barbarino to understand how cell division works.  Barbarino may not know how to read or count but he does understand mitosis.

And that’s good because there’s a question about mitosis on the makeup exam!  To Woodman’s apparent chagrin, Barbarino passes the exam by one point.  (“Who knew he would know what mitosis is!” Woodman says.)  While Barbarino and the Sweathogs go off to celebrate, Gabe takes a look at the exam and sees that Woodman put together a very easy exam.  Apparently, Woodman’s not so mean!  Awwwwww!  That said, even with Gabe’s tutoring, Barbarino still barely passed an easy exam.  Maybe he should stay in the 10th Grade….

Back at the apartment, Gabe tells Julie about his two uncles who lived in Alabama.  For once, Julie seems to be in a good mood.  Alabama does that to people.

This episode worked, largely due to the charm of John Travolta.  Barbarino may not be smart but he sure has a cute smile.

Music Video of the Day: I Am The Shaman by Donovan (2021, dir by David Lynch)

Posted on by Lisa Marie Bowman

Today, the Shattered Lens wish a very happy birthday to American filmmaker David Lynch!  Today’s music video of the day was directed by David Lynch and originally released on the 75th birthday of singer Donovan.

Lynch and Donovan are both practitioners of transcendental meditation and, along with celebrating Donovan’s birthday, this video does end with an appeal for donations.  Personally, I’m not really into meditation.  I find my peace through making to do lists and then striking through each item listed throughout the day.  My combination of attention deficit and hyperactivity pretty much makes it impossible for me to clear my mind.  (That’s also why I can’t be hypnotized.)  But to each their own, I suppose.  David Lynch is certainly a strong advocate for TM.

Enjoy!

Late Night Retro Television Reviews: Friday the 13th 1.15 “Vanity’s Mirror”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week’s episode is a classic of teen angst, vanity, and murder!

Episode 1.15 “Vanity’s Mirror”

(Dir by William Fruet, originally aired on February 29th, 1988)

Poor Helen Mackie (played by Ingrid Veninger)!

A student at Hamilton High, the shy and physically awkward Helen is as unpopular as her older and far more attractive sister, Joanne (Gwendoline Pacey), is popular.  Helen has a crush on Scott Thomas (David Orth), who is Joanne’s boyfriend but little does she suspect that Scott is only nice to her because he’s trying to impress her sister.  Scott’s friends, including Russell (who is played by Simon Reynolds, who also played Murray the bagboy on Check It Out!), all make fun of Helen and the fact that no one has asked her to prom.

However, things are about to change for Helen because she has gotten her hands on a gold compact.  All she has to do is open the compact and shine the mirror in a boy’s direction  and the boy will automatically fall in love with her.  It happens with Russell.  It happens with Greg (Zack Ward).  And Helen hopes that it will happen with Scott as well.  Of course, as with all the cursed antiques, there is a catch.  Helen is driven to murder anyone who is in love with her.

Needless to say, Jack, Micki, and Ryan all show up and try to get the compact from Helen before she can use it to score a prom date.  But this episode truly is Helen’s story and it is dominated by Ingrid Veninger’s performance as Helen.  At first, it’s impossible not to feel sorry for Helen.  Everyone at school is so cruel to her that you’re on her side.  But once Helen actually starts using the mirror and killing her boyfriends, she becomes far less sympathetic.  She gets way too much enjoyment out of killing people and the viewer is left to wonder if it was the cursed antique that corrupted Helen or if perhaps Helen is only now showing her true self.  Has Helen always been evil or is she simply lashing out at a world that has always treated her like an outsider?  It’s a fair question and not one that is easily answered.

In the end, having finally stolen her sister’s boyfriend and gotten the prom date that she always wanted, Helen climbs to the roof of her high school and then plunges to her death, taking Scott with her.  Micki, Jack, and Ryan can only watch helplessly and then, to top it all off, the compact disappears once again.  Someone (we don’t see their face) spots it on the ground and grabs it.  Considering that the episode opened with Ryan and Jack finally rather cocky about their recent successes, this episode ends with a reminder that good does not always triumph.

In other words, this is a very dark episode but also a very effective one.  If nothing else, it’s an episode that shows us why it’s so important to track down and take possession of the cursed antiques.  There are a lot of Helen Mackies in the world.

Ghosts of Sundance Past: Living in Oblivion (dir by Tom DiCillo)

Posted on by Lisa Marie Bowman

As we all know, this year’s Sundance Film Festival started yesterday.

To me, Sundance has always signified the official start of a new cinematic year.  Not only is it the first of the major festivals but it’s also when we first learn about some of the films that we’ll be looking forward to seeing all year.  It seems like every year, there’s at least one successful (or nearly successful) Oscar campaign that gets it start at Sundance.  For instance, it is probable that Past Lives will receive an Oscar nomination for Best Picture on Tuesday and its campaign started with how it was received at the 2023 Sundance Film Festival.

My plan for this year is to spend the last few days of January looking at some of the films that have won awards or otherwise created a splash at previous Sundance Film Festivals.

Like 1995’s Living in Oblivion for example….

Living in Oblivion centers around the filming of an independent movie called, appropriately enough, Living in Oblivion.  The film is being directed by Nick Reve (a youngish and, I’ll just say it, hot Steve Buscemi), a filmmaker whose indie cred does not protect him from the difficulties of shooting a movie with next to no budget.  His cinematographer is Wolf (Dermot Mulroney), who is talented but pretentious and who is dating the first assistant director, Wanda (Danielle von Zerneck).  The film stars Nicole (Catherine Keener), a struggling actress who is best known for appearing in a shower scene in a Richard Gere movie.  Also appearing in the movie is Chad Palomino (James LeGros), an up-and-coming star who is appearing in Nick’s film to build up his critical reputation.  (He also assumes that Nick is friends with Quentin Tarantino.)

We don’t really learn much about the plot of the film-within-a-film.  It appears that Nicole is playing Ellen, a woman who is trying to come to terms with her abusive childhood and her romantic feelings towards her friend, Damien (played by Chad Polomino).  The scenes of the film that we see alternate between being insightful, melodramatic, and pretentious.  We see Ellen confronting her mother about her abusive childhood but we also see a dream sequence in which Ellen, who is dressed as a bride, attempts to grab an apple from Tito, a person with dwarfism (played, in his film debut, by Peter Dinklage).

To talk too much about the film’s narrative structure would be to spoil one of Living In Oblivion‘s most clever twists.  What I can safely say is that, much as with Truffaut’s Day For Night, Living In Oblivion is more concerned with the production than the film that’s being shot.  Nick struggles to keep his cool.  Nicole struggles with her fear that she’ll always just be known as the “shower girl” and with the difficulty of keeping her performance fresh through multiple retakes.  Wolf makes a point of wearing an eyepatch after claiming Wanda injured his eye and turns sullen when Nick says he doesn’t want to shoot a scene with a hand-held.  A smoke machine first produces too little smoke and then too much.  When Chad does show up on set, he is passive-aggressively tries to change the blocking of one of the film’s most important scenes.  As for the dream sequence, it’s threatened when Tito denounces the scene and his role in it as being an indie film cliche.  Throughout, director Tom DiCillo contrasts the studied structure of a finished film with the chaotic reality that goes into shooting.

Living In Oblivion is an affectionate satire, one that pokes fun at the indie film scene while also celebrating all of the hard work and different personalities that are involved in making a movie.  Steve Buscemi and Catherine Keener give heartfelt performances as two people who understand that every movie could be their last while Dermot Mulroney scores some of the biggest laughs as the self-important Wolf.  James LeGros is hilariously shallow and vain as a character who is rumored to be based on one of the biggest movie stars of the past 30 years.  (“I want an eyepatch!” Chad declares while looking at Wolf.)  Living In Oblivion is a movie that celebrates the beautiful madness of trying to shoot an important film for next to no money in a grubby warehouse.  Throughout the film, the film’s crew is forced to compromise but, at the same time, there are also the small and unexpected moments that make it all worth it.

Living In Oblivion‘s witty script deservedly won the Waldo Salt Screenwriting Award at the 1995 Sundance Film Festival.  Living in Oblivion is a celebration of both cinema and independence.

Retro Television Reviews: T and T 2.13 “Hunted”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, someone takes a contract out on T.S. Turner’s life!

Episode 2.13 “Hunted”

(Dir by Richard Oleksiak, originally aired on February 6th, 1989)

Someone has hired a hitman to take out T.S. Turner!

Fortunately, Hickson (Timothy Webber) is not a very good hitman and he somehow fails to shoot Turner despite having a high-powered rifle and, during the initial attempt on Turner’s life, the advantage of surprise.  (Technically, he misses because T.S. moved to get a parking ticket off of his car’s windshield at the exact moment that Hickson fires his rile but still, it’s not like T.S. is a small target.  The hitman just isn’t that good at his job.)

Despite the fact that someone has just tried to kill him, Turner doesn’t want to go to the police.  This actually makes sense when you consider that Turner spent years in prison for a crime that he didn’t commit.  He has every reason to distrust the police.  He has personally experienced how they can screw up a case.  That said, Amy decides to go to the police on her own.  This leads to Detective Deakin (Matt Birmin) being assigned to keep Turner from leaving Decker’s Gym.

Turner is not happy about this and actually, it turns out that Turner’s instincts are correct.  Deakin is the man who hired the hitman!  It turns out that Deakin’s younger sister was an innocent bystander who was injured during a high-speed chase involving Turner and a bunch of criminals.  Turner may have caught the criminals but Deakin’s sister slipped into a coma and died.  Deakin has spent years obsessing on Turner and he is determined to get his revenge.

What’s interesting that, when Turner finds all of this out, he actually feel very guilty about what happened to Deakin’s sister, to the extent that he doesn’t blame Deakin for wanting him dead.  One thing about action shows like this is that there are always innocent bystanders who witness every car chase or shoot-out but it’s rare that we ever hear about how they were effected by suddenly being exposed to so much violence.  How does the person who witnesses a bad guy being shot just a few feet away from them react?  How does it effect their lives?  Myself, I would totally be freaked out and I would probably have trouble sleeping afterwards.  Often times, shows like this concentrate so much on the action that they ignore the human aspect of it all.  T and T deserves some credit for at least acknowledging that Turner’s actions, even when he’s fighting on the side of the law, have consequences.

That said, Deakin is still technically the bad guy and, when he and Hickson corner Turner in a water treatment plant, Turner points out that, as soon as Hickson shoots Turner, Deakin is going to shoot Hickson to cover up his involvement.  This leads to Hickson turning on Deakin and the two of them end up shooting each other.  Turner survives and hopefully, he’ll be a better drive from now on.

This was a surprisingly good episode.  Matt Birmin gave a good performance as Deakin and the water treatment plant was a properly atmospheric location for a final stand-off.  The second season of T and T has been hit-and-miss but this episode definitely worked.

Music Video of the Day: Come Back To Earth by Mac Miller (2018, dir by Anthony Gaddis and Eric Tilford)

Posted on by Lisa Marie Bowman

Today would have been Mac Miller’s 32nd birthday so today’s music video of the day is the final one that he released in his lifetime.

Enjoy!

Retro Television Reviews: Poochinski 1.1 “Pilot”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Poochinski, which aired on NBC in 1990.  The entire show is currently streaming on YouTube!

This week, we take a look at another one-episode wonder, Poochinski!

Episode 1.1 “Pilot”

(Dir by Will Mackenzie, originally aired on July 9th, 1990)

Detective Stanley Poochinski (Peter Boyle) is a veteran of the mean streets of Chicago.  He’s rude and crude but he’s also a good cop, one who is mentioned as having once caught a mad bomber.  I mean, I guess you have to be good at your job to capture someone who not only knows how to make bombs but who is also mad about it.

Poochinski shows his softer side when he comes across a bunch of teenagers taunting a stray English bulldog.  Poochinski pulls his gun and threatens to kill a 12 year-old.  That may sound extreme but it works!  (The 12 year-old, I should mention, was also holding a switchblade.)  Poochinski adopts the dog and starts to bring it to work with him, much to the consternation of Poochinski’s uptight and ambitious partner, Detective Robert McKay (George Newbern, a talented actor who somehow always seemed to turn up in stuff like this).  McKay dislikes the fact that the dog is flatulent and so is Poochinski.

However, Detective Poochinski is run down by two thieves during a pursuit.  As Poochinski dies, the dog runs over to him.  They stare into each other’s eyes.

Cut to Poochinski’s funeral.  Detective McKay attends with the dog.  After everyone else leaves, the dog starts to talk to McKay in Poochinski’s voice!

That’s right …. Poochinski has been reincarnated as a dog!  Except, of course, the dog was already alive when Poochinski died so I guess it’s not reincarnation.  I guess Poochinski’s soul just entered the dog’s body.  But what about the dog’s soul?  These are the unanswered questions that haunt me.

Probably because this was only a 21-minute episode and didn’t really have much time to spare, McKay quickly accepts that his partner is inhabiting the body of a dog.  McKay adopts the dog and names it Poochinski.  While McKay helps Poochinski come to terms with the fact that he’s now a dog, Poochinski gives McKay advice on how to flirt with the neighbor (Amy Yasbeck).  Working together, they also set out to catch the criminals responsible for Poochinski’s “death.”

Probably the creepiest thing about Poochisnki is that, half the time, the dog is played by a real dog.  But whenever Poochisnki starts talking, the real dog is replace by a terrifying rubber puppet that doesn’t even look like the original dog.  Watching the rubber dog talk, I couldn’t help but be reminded of that scene in Spike Lee’s Summer of Sam when the neighbor’s dog enters David Berkowitz’s house and orders him to “KILL!” while happily wagging its tail.

There was only one episode of Poochinski.  The pilot was not picked up for a series but it was still aired on NBC during the dog days of summer.  It’s easy to see why the pilot did not lead to more shows.  Poochinski says that he only wants to do two things: catch a criminal and lick himself.  He does both in the pilot so there really wasn’t much left for this devil dog to do, other than turn evil and taunt McKay into transforming into the Son of Poochinski.

(That said, I did smile at the fact that the police sergeant’s name was Sgt. Shriver.  But that’s just because I’m a history nerd who has spent way too much time reading about the Kennedy family.)

Some TV shows only need one episode and Poochinski was definitely one of them.

Music Video of the Day: Voices Carry by ‘Til Tuesday (1985, dir by D.J. Webster)

Posted on by Lisa Marie Bowman

This song is a favorite of mine and I’m a little bit surprised that it’s music video hasn’t already been featured on the Shattered Lens.

This video received a lot of acclaim when it was first released because of the way it incorporated scenes of dialogue with the music and the way it built a compelling story about a woman and her abusive lover around the song.  It’s not just an promo video for a song.  It’s also a story about a toxic relationship and finding the strength to stand up for yourself.

The abusive boyfriend was played by an actor named Cully Holland, who died 6 years after this video was released.  Though the video tells a classic New York story, it was actually filmed at at Dorchester’s Strand Theater, Davio’s Restaurant, and W. Brookline St in Boston.  (Thank you, Wikipedia!)

Enjoy!

Late Night Retro Television Reviews: Monsters 1.6 “Their Divided Self”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

This week, it’s the worst episode of Monsters yet!

Episode 1.16 “Their Divided Self”

(Dir by Frank De Palma, originally aired on February 25th, 1989)

Bleh.

James (David L. Lander) and Robert Self (Keith MacKechnie) are conjoined twins who found fame as a stand-up comedy team but who now spend all of their time isolated in their mansion and arguing with each other.  They hate one another but they’re literally stuck with each other.  And, since they share the same lungs and heart, they can’t really fight with each other.

James’s girlfriend (Karen Harber) hires Dr. Blackman (Rich Hall) to help the twins but even Dr. Blackman’s years of psychiatric experience can’t seem to convince the twins to stop bickering.  However, when Dr. Blackman says that he wants to write a book about the twins, the twins announce that they resent being exploited and they kill the doctor.  It’s a murder that brings them together as siblings.

The end.

This was a dumb and pointless episode and I’m not going to waste too much time on it.  Making conjoined twins into the episode’s “monster,” just feels wrong on so many levels.  What feels even more wrong is not really doing anything interesting with them.  If you’re villain is going to be borderline offensive, at least find a way to make the character interesting.  There’s probably an interesting story to be found in the idea of two conjoined twins hating but needing each other but this episode is not served well by either its script or its performances.  (Some really shoddy FX doesn’t help either.  From the minute they appear, their big, boxy suit makes it obvious that the two actors are just standing next to each other.)

Hopefully, next week’s episode will be better.