Late Night Retro Television Review: Pacific Blue 3.4 “Blood For Blood”

Posted on October 28, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bike patrol is busy!

Episode 3.4 “Blood For Blood”

(Dir by Gary Winter, originally aired on August 24th, 1997)

Last week, Pacific Blue attempted to deal with Rave Culture.

This week, it’s Hip Hop Culture!

Rapper Gangster 47 (Ross Leon) is gunned down while leaving a concert. Gangster 47’s daughter (Meagan Good) is convinced that the hit was ordered by Gangster 47’s rival, Trigger Dog (Ten’l Brunson). Now, I will just admit right now that I’m having a hard time writing this review because I can’t type out the name Trigger Dog without laughing. Even though everyone says that Trigger Dog’s feud with Gangster 47 was all for show, Gangster 47’s daughter is determined to shoot Trigger Dog.

Fortunately, noted gangsta rap fan Chris Kelly is on the case. Seriously, Chris is portrayed as being a fan of Gangster 47. Over the course of the previous 38 episodes, we have seen absolutely nothing about the very white and the very uptight Chris that would lead us to believe that Chris would be a fan of anything other than military marches but this episode opens with her rolling her eyes when TC says that rap isn’t real music. Chris tells TC that he needs to realize there’s more to music than the Bee Gees. Ouch! You tell him, Chris. And seriously, take that, Bee Gees! How Deep Is You Love now, huh!?

Chris and TC have been assigned to protect Gangster 47. Why exactly the bike patrol is protecting a celebrity who has been getting death threats — as opposed to real cops and real bodyguards — is never really addressed. Gangster 47’s daughter hates cops. When Gangster 47 is gunned down in a drive-by, it seems like his daughter has a point. Gangster 47 isn’t killed but he is in the hospital.

The show’s producers obviously figured out that it would be a little bit awkward for the show’s almost entirely white cast to be dealing with a case involving two gangsta rappers so we meet a supercool black detective named — I’m not making this up — Wishbone (Derek Morgan). Wishbone mainly exists to clasp hands with TC and to back-up Chris, as if the show is saying, “See? These two aren’t as dorky as they seem. Wishbone likes them!” With Wishbone’s help, they come to realize that Gangster 47 was shot by a white man and Trigger Dog is innocent.

The white man is a serial killer named Strob (Todd Cattrell) who is apparently trying to bring about the Biblical apocalypse by murdering celebrities or something. TC spots him on the beach but, in order to chase after him, he has to get on his bike and this leads to urgent close-up of TC dialing the combination of his bike lock. Hey, TC, if you had a car, you would have already arrested Streob by now!

While this is going on, Victor’s girlfriend, Linda (Vaitiare Hirshon) has witnessed a murder and, if she testifies, she may have to go into the witness protecting program! That’s a big deal but, of course, Palermo acts as if it’s nothing because Palermo never seems to get that people actually have lives outside of whatever he needs at any given moment. Victor doesn’t want to lose Linda. Conveniently, the murderer pulls a gun on Victor, which gives Victor the perfect excuse to gun him down. Palermo’s like, “Did he shoot first?” and Victor says, “Sure.” Victor then asks Linda to marry him.

Personally, I just find it interesting that, with all the crime happening in Santa Wherever This Show Takes Place, it just takes five people on bicycles to catch all the bad guys. I mean, if that works in Santa Monica, maybe it’ll also work in New York after Mamdani is elected. Let’s hope so!

Horror on TV: Gargoyles (dir by Bill Norton)

Posted on October 28, 2025 by Lisa Marie Bowman

For today’s horror on television, we have a made-for-TV monster movie from 1972, Gargoyles!

What happens when a somewhat condescending anthropologist (Cornel Wilde) and his daughter (Jennifer Salt) head out to the desert? Well, they stop by a crazy old man’s shack so that they can look at his genuine monster skeleton. Before Wilde can thoroughly debunk the old man’s claims, the shack is attacked by real monsters!

That’s right! Gargoyles exist and they apparently live in Arizona! There’s nothing particularly surprising about the plot but the gargoyles are memorable creations and Bernie Casey gives a good performance as their leader. The gargoyle makeup was designed by none other than Stan Winston, who won an Emmy for his work here and who went on to win Oscars for his work on Aliens, Terminator 2, and Jurassic Park.

As well, a very young Scott Glenn shows up in the cast. I like to think that he’s playing the same character in both Gargoyles and Sucker Punch.

Enjoy!

The Hong Kong Film Corner – THE UNTOLD STORY (1993), starring Anthony Wong and Danny Lee!

Posted on October 28, 2025 by Bradley Crain

Loosely based on the real-life exploits of a serial killer in Hong Kong in the mid-80’s, THE UNTOLD STORY (1993) unfolds over a couple of different timelines. The film opens with a flashback to Hong Kong circa 1978, where we witness a horrific murder committed by Chan Chi-Leung (Anthony Wong) over a game of mahjong. In order to try to conceal the murder, we see the killer as he destroys his old identification documents and creates a completely new identity. As the opening credits end, we’re “in the present” and join a group of kids playing on the beach when they discover a plastic bag containing severed human body parts. Soon the police are on the scene, led by Inspector Lee (Danny Lee) and a ragtag team of wisecracking detectives. Their investigation leads them to the Eight Immortals Restaurant, a place that is known for its barbecued pork buns, and its seemingly polite but evasive owner, Wong Chi Hang, who just happens to be the same guy we saw committing vicious murder at the opening of the film. Wong claims he bought the place from Cheng Lam (Siu-Ming Lau), who along with his entire family, has mysteriously vanished. As the cops dig deeper, too many things just aren’t adding up, like the restaurant’s high employee turnover rate and Wong’s inability to produce ownership papers. The cops eventually arrest him and attempt to torture a confession out of him. The flashback timeline kicks back in after Wong is arrested and put through hell by his fellow jailbirds and by the police themselves. When he finally cracks, we learn the secrets of “the untold story!”

Right off the bat, I want to make the statement that THE UNTOLD STORY is not a film that’s meant for everyone. Unless you have a strong stomach and can handle extreme gore and vicious cruelty (of both a violent and sexual nature) depicted in graphic detail, you may want to stay away. As I’m definitely a squeamish viewer, I stayed away from this film for many years due to its reputation. My curiosity eventually overcame my good sense, and I gave it a watch a number of years ago. I mean, the film is a Hong Kong “Category III” rated landmark, and Anthony Wong did win the Best Actor Award at the Hong Kong Film Awards for his performance in the movie. It stands to reason that a guy who calls himself a true fan of Hong Kong cinema should give THE UNTOLD STORY a go! Let me just say this, as someone who grew up on Hollywood films, even the goriest films had certain lines that they would not cross. There are no such lines in this film. Director Herman Yau’s 1993 Hong Kong exploitation film is an unflinching punch to the gut in its willingness to go to unacceptable extremes without any apology to the viewer. Just know that going in.

Now that I’ve properly prepared you for the excessively cruel and gruesome nature of the violence in the film, I now have to try to put into words my actual thoughts on the film itself. One of the things that stood out to me as I watched the movie is the stark contrast between the horrific nature of the violence on screen and the “zany antics” of the police who are working the case. Led by THE KILLER’s Danny Lee as the distracted Inspector Lee, who always has a beautiful prostitute on his arm as he visits crimes scenes and the police station, this group of investigators spends a lot of their time acting like immature teenagers rather than serious cops. Imagine if you and your friends in high school were trying to solve a serial killer case, and we got to watch how you acted on stakeouts and in the police locker room, and you might get an idea of what I mean. My guess is that this is meant to make the violent content a little easier to swallow, as well as poke some fun at the “macho men” who are in charge of solving these kinds of crimes. In some ways it works, but there’s still no protection once Wong goes bonkers.

And speaking of Anthony Wong, he is absolutely incredible in this film as the unimaginably disturbed killer. We watch him explode with rage, commit the most heinous acts imaginable, and then just clean up his mess like he’s doing his daily household chores. I guess it helps that he’s a good cook! Hell, there’s a point near the end of the film where his performance almost leads you to having sympathy for him as the police and his fellow inmates are torturing him! Almost, because the worst flashbacks are still yet to come. Wong is one of the best actors to have ever worked in Hong Kong cinema, and his masterful acting elevates the film to a level of cinematic respectability not yet afforded to such a grisly exploitation film. This is the first of five Hong Kong Film awards won by Anthony Wong.

Overall, THE UNTOLD STORY is cinema as an endurance test, delivering an all too real depiction of a vicious killer committing unspeakable violence on screen. The goofy police squad provides some tonal relief, but this movie is not for the faint of stomach. However, for those brave viewers who can handle the graphic violence and who enjoy dramatizations of true crime from incredible actors, you will be rewarded because the filmmakers were able to come up with something special. As I type this, it’s streaming on Tubi for free!

Bonus Horror On The Lens: I Was A Teenage Werewolf (dir by Gene Fowler, Jr.)

Posted on October 28, 2025 by Lisa Marie Bowman

1957’s I Was A Teenage Werewolf combines two genres that were very popular in the late 50s.

On the one hand, it’s a film about a teenage rebel. Tony Rivers (Michael Landon) is a teenager that means well but he keeps losing his temper. If he can’t learn to control his anger, he could very well be looking at a life behind bars.

On the other hand, it’s also a horror film. When Tony visits a hypnotist (Whit Bissell), the end result is Tony turning into a werewolf and going on a rampage, all while still wearing his letterman jacket.

All in all, this is a pretty fun little movie. You can check out my review of it by clicking here.

And you can watch the movie below!

Retro Television Review: Fantasy Island 7.16 “Baby On Demand/The Last Dogfight”

Posted on October 28, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. The show is once again on Tubi!

This week, on Fantasy Island, it’s more of the same old same old.

Episode 7.16 “Baby on Demand/The Last Dogfight”

(Dir by Jerome Courtland, originally aired on March 10th, 1984)

Former “pop singer” Joanna Jones (Tanya Tucker) comes to Fantasy Island. She is no longer concerned with her musical artistry. (“If you can call that art,” Lawrence says — Lawrence, you bitch, you!) Now, she wants to have a baby but she doesn’t want to get married. Her fantasy is to get pregnant over the weekend and never have to see the guy again.

Okay, then. I mean, does she really have to go to Fantasy Island to have a one night stand? She’s a famous and wealthy woman so it just seems odd that apparently, this is something that only Mr. Roarke can make happen.

Mr. Roarke sets her up with Harley Batten (Dean Butler) but Joanna finds herself falling for Harley so she abandons him and instead hooks up with George, who is played by Mark Venturini. Venturini later played Vic in Friday the 13th Part V. Remember the guy with the axe who gets tired of Joey bothering him while he’s chopping wood? That was Mark Venturini!

By the end of the episode, Joanna has decided to take a chance on love and she leaves the Island with Harley. This fantasy just felt odd, largely because Tanya Tucker was a terrible actress and everyone on the show seemed to be embarrassed for her whenever she had to deliver her lines. I’m pretty sure that I saw both Dean Butler and Mark Venturini looking for an exit whenever Tucker started speaking.

As for the other story, it’s yet another aviation story. World War II flying aces Paul Spencer (Leigh McCloskey) and Hunter Richter (Grant Goodeve) are turned back into young men so that they can fly their airplanes over Fantasy Island and simulate a dogfight. However, Richter is haunted by the death of his wife at Dresden and, after discovering that Spencer’s wife (Leah Ayres) bears a strong resemblance to his late wife, Richter becomes determined to engage in actual combat. In the end, Spencer refuses to fight and Richter’s code of honor prevents him from shooting down a man who will not fire back. Because, of course, World War II-era Germans were famous for their sense of fair play….

The aviation story was, at least, well-acted. But it still felt very familiar. It was obvious that the show’s writers had run out of ideas. All in all, this was another disappointing Season 7 trip to the Island.

Horror Song of The Day: Main Theme From Suspiria by Goblin

Posted on October 28, 2025 by Lisa Marie Bowman

Suspiria (1977, dir by Dario Argento, DP: Luciano Tovoli)

You knew this was coming!

Today’s horror song of the day is the classic main theme to Dario Argento’s Suspiria! (The Argento version is the only version that matters.) The iconic soundtrack was composed by Goblin. I saw an interview with Claudio Simonetti in which he said he wanted the song to be “almost annoying” in its intensity. While I could never be annoyed this song, I do understand Simonetti’s point. The score is designed to be as overwhelming as the evil at the center of the film.

All together now: “WITCH!”

October True Crime: Stolen Innocence (dir by Bill L. Norton)

Posted on October 28, 2025 by Lisa Marie Bowman

1995’s Stolen Innocence opens with 18 year-old Stacy Sapp (Tracey Gold) trying to sneak back into her house after a long night of drinking and partying. Unfortunately for her, Stacey isn’t very good at sneaking around and she’s caught by her mother (Bess Armstrong) and her father (Nick Searcy).

“I’m 18!” Stacy argues.

“You’re going to end up pregnant!” her mother yells.

Stacy says that that her mother is just scared that she’s going to end up a loser “like you!” Well …. yeah, Stacy, that’s kind of the point. If your mother has experience with the life decisions necessary to become a loser, maybe you should listen to her warnings.

Anyway, Stacy runs away with a friend of her’s. After her friend decides to go back home, Stacy hitches a ride with a trucker. When the trucker stops off at a truck stop so he can get his brakes looked at, Stacy meets Richard Brown (Thomas Calabro, wearing a really bad wig). Richard is long-haired and has got a tough guy beard and a cheesy tattoo of a heart on his scrawny forearm. Stacy, of course, is totally smitten and she goes off with Richard and his “friend,” Eddie (Matt Letscher).

It doesn’t take long for us to figure out what Richard is bad news. He carries a gun. He’s financing his trip through stolen checks. He might not even own the truck that he’s driving. He and Eddie have a bizarre relationship in which Richard continually abuses Eddie but Eddie refuses to leave. Richard is obviously a bad guy and we can all see it. When Stacy finally calls her parents from the road, they immediately figure out that Stacy is in trouble. However, it takes Stacy forever to figure it out because Stacy’s kind of an idiot.

I cringed a lot while watching Stolen Innocence, not so much because of the film’s depiction of Richard’s criminal lifestyle but because I used to have a definite weakness for bad boys and I could kind of understand what was going through Stacy’s mind when she first met Richard. That said, I’m pretty sure that I would have figured things out a lot quicker than Stacy did. Stacy quickly goes from being a somewhat sympathetic rebellious teenager to being someone who you really start to get annoyed with. Oh, he’s threatening you with a gun? Okay, that’s when you leave! That’s when you start plotting your escape. You don’t make excuses for him. He’s financing his trip with stolen checks? I’m sorry, is that not a red flag? Add to that, as played by a miscast Thomas Calabro, it’s not like Richard is some boiling cauldron of charisma. From the first minute we see him, with his long hair and his cowboy hat and his tattoo, the guy seems like a joke.

Eventually, Stacy does figure out the truth but, by that point, Richard and her are holed up in a motel room and Richard is exchanging gunfire with the FBI. The film ends with a title card, reminding us that this was a true story. “He’s not a bad person!” Stacy wails to the police. I guess some people really are that stupid.

Horror On The Lens: The Last Man On Earth (Dir by Ubaldo Ragona and Sidney Salkow)

Posted on October 28, 2025 by Lisa Marie Bowman

Today, I present to you one of the most important films in horror history. Though it wasn’t appreciated when it was first released back in 1964, The Last Man On Earth was not only the 1st Italian horror film but George Romero has also acknowledged it as an influence on his own Night of the Living Dead.

It’s easy to be a little bit dismissive of The Last Man On Earth. After all, the low-budget is obvious in every scene, the dubbing is off even by the standards of Italian horror, and just the name “Vincent Price” in the credits leads one to suspect that this will be another campy, B-movie. Perhaps that’s why I’m always surprised to rediscover that, taking all things into consideration, this is actually a pretty effective film. Price does have a few over-the-top moments but, for the most part, he gives one of his better performances here and the black-and-white images have an isolated, desolate starkness to them that go a long way towards making this film’s apocalypse a convincing one. The mass cremation scene always leaves me feeling rather uneasy.

The film is based on Richard Matheson’s I Am Legend and no, it’s nowhere as good as the book. However, it’s still a worthy adaptation and one that stays true to the tone of the text, including the fact that Price’s main tormenter was also once his neighbor and best friend. This is one of those films that just hits differently in the wake of 2020’s COVID hysteria.

And now, it’s time for The Last Man On The Earth….

October Positivity: Revelation Road 2: The Sea of Glass and Fire (dir by Gabriel Sabloff)

Posted on October 27, 2025 by Lisa Marie Bowman

Eric Roberts is in this!

That, in itself, isn’t a surprise. Eric Roberts was also in the first Revelation Road. He plays the same role in the 2013 sequel. Roberts is Sheriff Jenson, the not particularly religious sheriff who has to deal with a town that’s gone mad in the wake of the Rapture. Over the course of one night, dozens of people (including Jenson’s mother) vanished as their souls flew into the air. Jenson isn’t sure what happened but he knows that there is panic in the streets and that there is also a crazed motorcycle gang to deal with. In the first film, Roberts was onscreen for maybe two minutes. He gets closer to five minutes in Revelation Road 2 and you know what? it’s always nice to see Eric Roberts!

As for the rest of the film, it picks up where the previous one ended. Josh McManus (David A.R. White) is trying to get home to his family while also resisting the urge to become a killer. It’s not easy. Flashbacks reveal that Josh was actually brainwashed by the CIA to be a remorseless killer. He’s haunted by a mission in the Middle East and the amount of people he killed over there. He’s joined in his drive home by Beth (Noelle Coet), a teenage girl who has been sent by Jesus himself (Bruce Marchiano) to help guide Josh in the right direction. Pursuing Josh is the fearsome Hawg (Brian Bosworth), a motorcycle gang leader who is haunted by his own personal tragedy. Hawg’s daughter, Cat (Andrea Logan White), struggles to understand her father’s anger and hatred.

Revelation Road 2 is a definite improvement over the first film. If the first film seemed to take forever to go nowhere, Revelation Road 2 is all about Josh’s determination to get back home. Once he starts that car up, nothing is going to stop him. If the first film seemed to be a bit too eager to show off Josh’s talent for killing people, Revelation Road 2 features Josh trying to hold back on his murderous instincts. Flashbacks to Hawg’s past life bring some much-needed nuance and context to his actions and they keep him from being just a one-dimensional villain. I would dare say that Bosworth actually gives a legitimately good performance in this film.

Though the film wears its influences on its sleeve (Hi, Mad Max!), Revelation Road 2 is still a surprisingly well-done action film.

Previous Eric Roberts Films That We Have Reviewed:

Late Night Retro Television Review: CHiPs 4.19 “Vigilante”

Posted on October 27, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

It is time to leave the Bronx….

Episode 4.19 “Vigilante”

(Dir by Arnold Laven, originally aired on May 3rd, 1981)

A citizen’s patrol has taken to the streets of Los Angeles and, despite their good intentions, they’re getting in the way of the Highway Patrol. They’re supposed to call the cops if they actually see anything but one member of the group is trying to take the law into his own hands. If that wasn’t bad enough, Getraer has someone sending threatening messages to his house. Getraer thinks that he can handle things on his own but apparently, he’s forgotten the name of the show that he’s on.

This episode wasn’t bad. I actually appreciate any episode that gives Robert Pine a chance to do more than just bark out orders as Pine was one of the better actors on the show. Because Getraer was under so much pressure, he ended up snapping at a lot of the officer during the morning briefing and one got the feeling that Pine enjoyed getting to yell. Still, at one point, Getraer punishes Grossman by giving him desk duty and you have to wonder if maybe that’s why Los Angeles now needed vigilantes to keep the streets safe.

The vigilantes themselves reminded me a bit of New York’s Guardian Angels. I checked and the Guardian Angels were themselves formed in 1979 so I guess it’s possible that this episode was inspired by them. I can’t say for sure because I don’t know how prominent the organization actually was in 1981. Today, of course, the Guardian Angels are once again very prominent because their founder, Curtis Sliwa, is running for mayor of New York. Apparently, he’s stuck in third place, which is a shame when you consider who is in first and second place. Personally, I would vote for Sliwa because he owns six cats and I happen to be collector of berets but I’m also not a New Yorker.

As for vigilante justice, I don’t condone it but I certainly see the appeal.