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Lisa Marie’s Week In Television: 11/10/24 — 11/16/24

Posted on by Lisa Marie Bowman

I got caught up with a few shows this week.  Here’s my thoughts on what I watched.

Accused (Tuesday Night, Fox)

I watched the three most recent episodes of Accused this week.  The road rage episode had its good moments and it kept my guessing, though I would have appreciated a bit more of a twist at the end.  The episode with Nick Cannon was so bad that it felt like a parody of woke programming.  (It’s kind of funny how everyone apparently just agreed to forget about Cannon’s history of making anti-Semitic statements.)  The episode with Michael Chiklis as the wrestling coach was much better, though I kept expecting the coach to reveal that he was actually the wrestler’s father.  That would have been a neat twist.

Accused is an uneven show but it’s pretty interesting when it works.  And when it doesn’t work, it’s interesting in an entirely different way.

American Sports Story: Aaron Hernandez (Tuesday Night, FX)

As I’ve said before, this miniseries started out strong but, as so often happens with these Ryan Murphy-produced true crime things, it went downhill quickly.  The final episode was perhaps the worst of the series, if just because it tried to turn Hernandez into some sort of victim.  I have no doubt CTE played some role in his actions but so what?  In the end, at least one man is dead because of Aaron Hernandez.  Ask Odin Lloyd’s family if they care about Aaron Hernandez’s struggle to adjust to living in prison.  I don’t care if he felt uncomfortable with his sexuality.  I don’t care if he was put under tremendous pressure by his coaches.  I don’t care if he was molested when he was a child.  Aaron Hernandez made his decisions and he suffered the consequences and the last thing he deserves is sympathy.

Baywatch Nights (YouTube)

I reviewed Baywatch Nights here!

Check It Out! (Tubi)

My review of Check It Out! will be posting shortly.

CHiPs (Freevee)

I reviewed CHiPs here.  I had a bit of panic when I read the Freevee was shutting down, as I’ve still got many episodes of CHiPs to review and watch.  I’ve been told, however, the shows on Freevee will also be “free” on Prime.  We’ll see!  I’m nor sure that I would want to pay money just for the chance to watch Erik Estrada.

Friday the 13th: The Series (YouTube)

You can read my latest review of Friday the 13th here!

Hell’s Kitchen (Thursday Night, Fox)

My heart broke for Anthony this week!  I took some comfort that Chef Ramsay seemed to be just as said as I was to watch Anthony go.  I was glad Anthony was allowed to keep his jacket.

Highway to Heaven (Hulu)

I reviewed Highway to Heaven here!

Inmate To Roommate (Hulu)

Earlier this year, I enjoyed what I saw of the second season of this A&E show.  (When my Dad had his accident, I stopped watching Inmate to Roommate because taking care of my Dad took priority over any television show.)  This week, I decided to watch the first season of the show on Hulu.  The first season felt a bit more staged than the second season.  If the second season had a raw authenticity to it, the first season was marred by too many scenes that were obviously just done for the cameras.  Still, I appreciate any show that encourages people to give ex-convicts a chance to prove themselves.

Jake Paul vs Mike Tyson (Netflix)

I watched a little of this with Jeff on Friday night.  I was pretty bored with it but at least it was filmed in Texas.  That said, due to my obligations as the hostess of #FridayNightFlix, I stopped watching before either Jake or Tyson left their dressing rooms.  Jeff wrote about the fight here and here!

The Love Boat (Paramount Plus)

I reviewed The Love Boat here1

Malibu CA (YouTube)

For my sins, I reviewed Malibu, CA here!

Miami Vice (Prime)

I reviewed Miami Vice here!

Monsters (YouTube)

I reviewed Monsters here!

Rockin’ Ronny (Night Flight Plus)

This special originally aired in 1986.  It featured a collection of clips from Ronald Reagan’s movies, mixed in with footage of him as president.  Obviously, the show was meant to poke fun at and be critical of Reagan but it didn’t really work.  Rather than coming across as being any of the bad things that this special seemed to be trying to suggest that he was, Ronald Reagan just came across as being a likable old man.  Certainly, he seemed more presidential than any of the folks we’ve recently elected here.

Say Nothing (Hulu)

I am about halfway through this new miniseries about The Troubles in Northern Ireland.  So far, it’s been a powerful few hours.  I’ll share more of my thoughts after I’ve watched the remaining episodes.

St. Elsewhere (Hulu)

I reviewed St. Elsewhere here!

Welcome Back, Kotter (Prime)

I can’t believe I’m paying money for this show.  You can read my latest review here!

Retro Television Review: Welcome Back, Kotter 4.8 “X-Rated Education”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show can be purchased on Prime.

This week, Gabe Kaplan is missing.

Episode 4.8 “X-Rated Education”

(Dir by Norman Abbott, originally aired on October 28th, 1978)

Epstein, because he’s apparently the only student who works in the audio-visual department, is setting up the projector in the classroom so that it can be used to show a sex education film.  Carvelli and Wilbur enter the room and announce that they have a pornographic film that they want to watch.  Horshack and Washington then show up and decide that they want to watch the movie as well, even though Horshack doesn’t seem to be quite sure what an adult film actually is.

(Horshack also now appears to now be about 50 years old.  The Sweathogs are aging …. fast!)

Epstein says that they can use a different projector to watch the pornographic film.  The Sweathogs and Carvelli head off to the storage closet while Julie takes the first projector to the office so that she can show the sex ed film to a bunch of parents who are not sure they want their children taking sex ed.

You can guess what happens, can’t you?  The two films get mixed up.  The Sweathogs end up watching the tame sex ed film.  Horshack becomes obsessed with the butterfly that is featured in the film.  The protesting parents watch the adult film and demand that both Julie and Woodman be fired.  Can Julie talk Epstein into explaining what happened even though it’ll mean that Epstein will be running the risk of being expelled?  Much like Horshack, Epstein appears to be 50 years old in this episode so maybe getting expelled would be good for him at this point.

This episode raises a simple question.  Is it really an episode of Welcome Back, Kotter if Kotter isn’t around to be welcomed back?  Gabe Kotter is not in this episode and his absence is neither mentioned nor explained.  (Off-screen, Gabe Kaplan was not happy with the show’s direction and refused to appear in all but a handful of season four’s episodes.)  It’s a shame because the plot of this episode does actually feel like a throw back to the type of first and second season episodes that Kaplan usually did quite well with.  Instead of Kaplan’s understanding but firm Gabe Kotter, we get Julie telling Epstein to tell the truth and negotiating with the parents.  Julie now works at the school but I’m not totally sure what her job is actually supposed to be.  Sometimes, she appears to just be Woodman’s administrative assistant.  Other times, she appears to be a guidance counselor.  Sometimes, she’s a teacher.  Julie usually gives good advice but she’s an outsider and it’s obvious that, unlike her husband, she would never consider herself to be a Sweathog.  Whereas Gabe talks to the Sweathogs, Julie often seems to be talking down to them.

This episode also suffers due to the fact that Barbarino is not present, even though the idea of the Sweathogs watching a sex education film seems like a classic Barbarino plot.  Robert Hegyes is the main Sweathog now.  He was a good actor but he was also way too old, at this point, to be playing a high school student.  Lawrence Hilton-Jacobs continues to be underused and Ron Pallilo performance as Horshack has grown more and more grating as the fourth season has progressed.

In the end, only John Sylvester White’s unhinged performance as Woodman remains a consistent source of laughs on this show.  Woodman is not quite as antagonistic towards Julie as he is towards Gabe but his constant bitterness is still a lot of fun to watch.  Maybe they should have renamed this show Welcome  Back, Woodman.

Anyway, this was another fourth season episode that fell flat because the Sweathogs and Julie all seemed like they would rather be anywhere than appearing on Welcome Back, Kotter.  Seriously …. let the Sweathogs graduate!

THE KILLER – The film that introduced Hong Kong Heroic Bloodshed and Chow Yun-fat to the rest of the world!

Posted on by Bradley Crain

It was 1997 and I was in an outlet mall in Branson, MO. Being a film buff, I found myself looking for entertainment related books and noticed a book with Jackie Chan on the cover called “Hong Kong Babylon.” Jackie was enjoying some popularity in the United States at the time due to the financial success of RUMBLE IN THE BRONX. I opened up the book and started browsing through the various chapters. I saw blurbs about a bunch of movies I had never heard of and blurbs about a bunch of people I had never heard of. Jackie Chan was the only person I knew anything about. I put the book down because I saw another book about Hong Kong movies. This one was called “Sex & Zen and A Bullet in the Head.” I opened it up and saw some of the same people and movies mentioned in the other book. I liked this book better because it had more pictures. I remember this second book opening with a chapter called “10 that Rip.” It was their listing of 10 movies that would determine if you were a potential Hong Kong movie fan or not. Watching these movies would either open up that part of your mind that got excited about Hong Kong movies, or you would be hopelessly lost and not a candidate for Hong Kong movie fandom. As I looked closer, I noticed this same man in both books. He was usually holding a gun and looking extremely cool. That man’s name was Chow Yun-fat, and somewhere in the back of my mind, I thought I remembered seeing him years earlier on a VHS box at our local Hastings Entertainment Superstore. Not really being a fan of foreign movies at the time of the Hastings notice, I didn’t pay much attention, but now I really took notice. Chow caught my attention, but I also found it interesting that there were so many other movies that I’d never heard of, and I thought I knew a lot about movies. I bought both books and took them home with me. It’s no exaggeration to say that these books changed my life, and I was soon lost in a world of Hong Kong films.

No film exemplified my newfound love for Hong Kong movies more than THE KILLER, which was directed by John Woo and starred my new obsession, Chow Yun-fat. I was happy to find that it was readily available on VHS. I watched it on repeat. I had not seen anything that I thought was so awesome. The story is simple. It’s about a hitman, the killer of the title (Chow Yun-fat), accidentally blinding a nightclub singer (Sally Yeh) when he’s performing a job. Feeling devastated that he hurt this beautiful woman, he spends the next few months hanging around the nightclub hoping to have a chance to help her. He finally gets a chance one night when a group of young hooligans attack her on her way home. Chow steps in and beats the crap out of the guys and sends them on their way. This starts a beautiful relationship and the two fall in love. The killer has to perform one more job to get the money needed for a surgery that will hopefully restore her eyesight.  When performing that last job, a tough cop (Danny Lee) finds himself on the trail of the killer and will do anything to get his man. John Woo has somehow crafted a story where Chow Yun-fat is an honorable “killer” on a noble mission to protect this young woman, and who is now the target of the Chinese triads trying to eliminate him. While trying to bring down the killer, the tough cop finds himself caught in the crossfire between the killer and the triads. When Chow goes out of his way to take a hurt young girl to the hospital, our tough cop realizes the hitman isn’t that bad after all, and the two men begin to have a respect for each other. There’s no time to rest though, as they find themselves having to team up to take on an army of triad soldiers armed to the teeth and out for blood.

I had never seen anything like THE KILLER up to that point in my life. The action had a style and flare that aroused everything I love about movies. I soon learned it fit into a subgenre of Hong Kong films labelled “heroic bloodshed,” a genre that I would go deep, deep, deep, into! The opening action sequence features the impossibly charismatic Chow Yun-fat dressed impeccably, taking on an underworld boss and his henchman, with two guns blazing in stylish slow motion. John Woo’s work has been endlessly copied by this point, but that does not take away how I felt watching this movie for the first time. I also loved the shameless sentimentality in the film, first between the killer and the singer, and then later between the killer and the cop. For a movie that’s balls to walls action, it has a huge heart. I was hooked.

I immediately began searching out all of John Woo’s films including A BETTER TOMORROW, BULLET IN THE HEAD and HARD-BOILED. After I watched those movies, I started trying to find every Chow Yun-fat film I could. I’ll never forget how I felt when I saw GOD OF GAMBLERS for the first time. I realized that Chow could do anything, not just cool heroic bloodshed films. I will tell anyone who’ll listen that Chow Yun-fat is my favorite living actor. After being a fan for 27 years, I still search the internet for any news I can find about a movie he may be working on.

And it all started at an outlet mall in Branson, MO, and when I first got my hands on THE KILLER.

Late Night Retro Television Review: Friday the 13th: The Series 2.18 “A Friend To The End”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, it’s two stories for the price of one!

Episode 2.18 “A Friend To The End”

(Dir by David Morse, originally aired on April 17th, 1989)

Before I say anything else about this episode, I should make clear that I’ve been watching Friday the 13th on YouTube.  Every episode has been uploaded and 99% of the uploads are clean and clear and easy to follow.  Unfortunately, this episode was the exception.  The sound quality was terrible.  The image was often blurry.  I’m not sure why this episode — and none of the other uploaded episodes — was so bad but it was bad enough that I occasionally struggled to follow the plot.  That’s not the fault of the show.  It’s just that the video that was uploaded to YouTube was really bad.  While I think I got the gist of the episode, I should still make clear that I watched it under less than ideal conditions.

This episode actually tells two stories.  With Jack out of town, Micki and Ryan are trying to retrieve the Shard of Medusa, a crystal that turns people into statues.  DeJager (Donna Goodhand) is the artist who currently owns the shard and who is using it to turn her models into stone.  What’s interesting about this story is that, when the episode begins, we join in medias res.  Micki and Ryan already know that DeJager has the shard and they’re already making a plan for Micki to go undercover as a model.

Unfortunately, they’re so busy trying to get back the shard that they don’t really have time to look after J.B. (Zachary Bennett), Micki’s young nephew who keeps getting left at the antique store while his newly-divorced mother runs off with her latest boyfriend.  (Interestingly, Ryan scornfully asks Micki about “your sister,” but since Micki is Ryan’s cousin, wouldn’t Micki’s sister also be his cousin?)  While Micki and Ryan are busy trying to get back the shard, J.B. is breaking into a nearby haunted house and befriending a troubled boy named Ricky (Keram Malicki-Sanchez).  What J.B. does not know is that Ricky is actually a living dead boy who is kept alive by a cursed coffin.  In order to continue to live, Ricky has to sacrifice people to the coffin.  Ricky isn’t happy about this.  He just wants a friend.  J.B. is willing to be that friend but what will happen when Ricky, desperately in need of a new sacrifice, turns his gaze towards Micki?

One of the strange things about this episode is that, when J.B. tells Micki and Ryan about Ricky, they both assume that he’s just making something up.  After everything Micki and Ryan have seen, would they really be so skeptical about J.B. claiming to have met a ghost in a long-abandoned house?  The other interesting thing about this episode is that the two storylines didn’t really intersect, beyond the fact that J.B. felt neglected because Micki and Ryan were spending so much time trying to get the shard.  At one point, DeJager breaks into the store and briefly grabs J.B. but that’s something that probably would have happened regardless of whether or not J.B. had ever met Ricky.

Did this episode work?  I’m hesitant to give a final verdict because of the poor quality of the upload.  That said, Keram Malicki-Sanchez gave a good performance as the tragic Ricky and I appreciated how all of the stuff with DeJager almost played out like a good-natured parody of a typical Friday the 13th episode.  Bad upload and all, this episode worked for me.

Finally, seeing as how I reviewed St. Elsewhere earlier today, I simply have to note that this episode was directed by Dr. Jack Morrison himself, David Morse.

 

Retro Television Review: St. Elsewhere 1.2 “Bypass”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu!

This week, William Daniels claims the show as his own.

Episode 1.2 “Bypass”

(Dir by Thomas Carter, originally aired on November 9th, 1982)

“Hey, it’s Tim Robbins!”

Yes, the future Oscar winner shows up in the second episode of St. Elsewhere, playing a rich kid-turned-terrorist named Andrew Reinhardt.  Reinhardt, who no doubt learned all about Marxism during his first semester away at college, set off a bomb in a bank, killing two people and putting a woman named Kathleen McCallister into a coma.  Both Reihnhardt and McCallister have been brought to St. Eligius.  While Kathleen’s husband, Stephen (Jack Bannon), sobs in the hallway, Reinhardt acts like a petulant brat in his hospital room.

With the nurses refusing to change his sheets or even give him his morphine shots, it falls to Dr. Morrison to take care of him.  Reinhardt is not at all appreciative and Morrison finds himself conflicted.  How is he supposed to give proper medical treatment to someone who he despises?  Morrison is so conflicted that he even goes to Dr. Westphall.  Westphall responds by telling a long story about a time that he fell in love with a patient.  I’m getting the feeling that Morrison feeling conflicted and Westphall telling long stories are both going to be regular features on this show.

(The correct answer to Morrison’s question about how he can take care of a bad person is as follows: It’s your job and you’re getting paid to do it.)

This episode also gave the viewer a chance to get to know Dr. Craig, the very talented but very egotistical head of surgery who is played by the great William Daniels.  Dr. Craig holds a press conference to inform reporters about the conditions of both Reinhardt and Kathleen McCallister and declares that, despite its bad reputation, “St. Eligius is the place to be!”  He then proceeds to get angry when the press is more interested in talking to the surgeon who actually saved Kathleen’s life than to him.

Dr. Craig browbeats a Mr. Broadwater (Robert Costanzo) into getting bypass surgery done.  The surgery appears to have been a success but it’s hard to ignore that Craig essentially bullied the guy into getting a major operation, one that could have killed him if the least little thing had gone wrong.  Resident Victor Ehrlich (Ed Begley, Jr.) assists in the operation and, at one point, Dr. Craig intentionally head butts him when Ehrlich cannot name all of the arteries leading into the heart.  It’s a bit aggressive but, on the plus side, Ehrlich does learn all of the names.  Afterwards, Dr. Craig brags about how his own son is following in his footsteps and tells Mr. Broadwater’s son that some day, a new Dr. Craig will operate on him.  In other words, Dr. Craig is kind of a jerk but he’s good at what he does and he’s played by William Daniels so it’s hard to hold anything against him.

There were other subplots playing out in the background, the majority of which just seemed to be there to remind us that St. Elsewhere is an ensemble show and that, just because someone isn’t a major character in this episode, that doesn’t mean they won’t be important later on.  Psychiatrist Hugh Beale (G.W. Bailey) attempted to learn how to swim and ended up taking a class with a bunch of children.  Dr. Fiscus (Howie Mandel, the least convincing doctor ever) held court in the cafeteria and claimed that the hormones used in processing food were causing children to develop earlier than ever before.  Dr. Peter White (Terrence Knox) wandered around with a bunch of X-rays and begged everyone he met to help him understand what he was (or wasn’t) seeing.  If nothing else, this episode did a good job of capturing the idea of the hospital as being a place that’s always busy.

For the most part, though, it was Dr. Craig who carried this episode.  While Morrison and Westphall ponderously considered the implications of doing their jobs, Craig was an arrogant, angry, and brilliant dynamo and William Daniels’s high-energy performance was a pleasure to watch.  Whenever the episode started to slow down, Dr. Craig would liven things up by yelling at someone.  The hospital was lucky to have Dr. Craig and St. Elsewhere was lucky to have William Daniels.

HARD TIMES – Charles Bronson & James Coburn take on New Orleans!

Posted on by Bradley Crain

HARD TIMES is probably the best movie that features Charles Bronson in the lead, and it’s my personal favorite movie of all time as of the date of this review. I reserve the right to change this opinion at any time!

Charles Bronson is Chaney, a drifter who’s riding the rails in the south during the great depression. Soon after getting off the train in some unnamed southern town, Chaney comes across an underground “fight” where we first meet Speed, played by the great James Coburn. It seems Speed is the money man for this big lug of a fighter who gets his butt kicked in front of God, the local underground fighting world, a man with horrible teeth, and Chaney. After witnessing this fiasco, Chaney follows Speed to a local restaurant where he apparently waits in the shadows until Speed goes up to the counter to get a refill of oysters and a couple of lemons. I say this because when Speed turns from the counter with his newly filled tray, Chaney is sitting at Speed’s table. I’m surprised that Speed even talks to him because the first thing Chaney does is help himself to an oyster, WITHOUT EVEN ASKING! Even with this breach of etiquette, Speed discusses the fight from earlier in the evening with Chaney, who offers his fighting services to Speed since the “big lug” is clearly not a good investment into the future and who is probably in a hospital overnight dealing with a concussion. Speed is hesitant to accept this offer since Chaney appears to be fairly old (Bronson was 53 when he made the film), but he changes his mind when Chaney offers his last $6 bucks to Speed to bet on him. Cut to Chaney getting his chance to fight. This is a fun scene because his opponent is the same fighter from earlier who kicked the big lug’s butt. The guy even taunts Chaney for being too old. The fight starts and it consists of two hits, Chaney hits the smartass, the smartass hits the ground. Somewhat amazed, Speed takes Chaney to New Orleans, and the two embark on an odyssey together to win fights and make thick wads of cash. The remainder of the film documents that odyssey, although it does take time out for a few “in-betweens.”

HARD TIMES is one of Bronson’s best films, and one of the main reasons why is that it provides a boatload of audience satisfaction. There are many examples of this. First is the scene mentioned above where Chaney takes out the smirking, dismissive fighter who sees our hero as too old. Too old my ass! In another scene, a bunch of unrefined Cajuns out in the boondocks refuse to pay up after Chaney kicks their fighter’s butt. Rather than pay up, the slimy Cajuns pull out a gun and dare Speed and Chaney to come take the money. Our heroes leave at that time, but Chaney convinces them to hang around out in the country for awhile so they can surprise the Cajuns under the cover of darkness at the local honkytonk, which happens to be owned by the head slimy Cajun. Chaney takes the gun, takes the money, and then shoots up the place with the gun, grinning as he saves the last bullet to shoot a mirror he’s looking directly into. It’s a fun scene that ends with Chaney, Speed and the gang speeding off into the night laughing like hyenas! In another scene, Chaney takes on the big, bald-headed, unbeatable fighter Jim Henry (Robert Tessier) in an awesome cage match. Let’s just say Jim Henry thought he was unbeatable and leave it at that. And finally, a competing New Orleans money man (Jim Henry’s guy) just can’t stand that he no longer has the top fighter in town, so he brings in a fighter from Chicago to take on Chaney. I won’t tell you what happens, but it’s some really fun stuff! 

The cast of HARD TIMES also elevates the film to top tier status. I’ve already discussed Bronson and Coburn, but Strother Martin and Jill Ireland also add to the joy. Martin plays Poe, Chaney’s drug addict cut man, who dresses up like he could grow up to be Colonel Sanders in his older age. It’s a fun performance that adds a lot to the film. Jill Ireland plays Chaney’s love interest. She’s quite beautiful, but she seems to always be giving Chaney a hard time about what he does for a living. His response is usually to simply leave when she starts that BS. I thinks that’s kind of fun too. 

And finally, this was the directorial debut of Walter Hill, the man behind THE WARRIORS, THE DRIVER, THE LONG RIDERS, SOUTHERN COMFORT, 48 HOURS, and RED HEAT. His movie is lean and mean, without a wasted moment that isn’t moving the film along. Hill has crafted a fun movie, filled with great performances. I think it’s one of the most underrated films of the 1970’s!

Late Night Retro Television Review: Highway to Heaven 3.1 and 3.2 “A Special Love”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, we start season 3 of Highway to Heaven!

Episodes 3.1 and 3.2 “A Special Love”

(Dir by Michael Landon, originally aired on September 24th and October 1st, 1986)

The third season of Highway to Heaven opens with a two-parter.

A Special Love is centered around Jonathan and Mark working at the Special Olympics and meeting a developmentally disabled child named Todd Bryant (played by a 15 year-old Paul Walker …. yes, that Paul Walker).  Given up by his parents (who only did so when told by their doctors that they would never be able to give Todd the care that he needed), Todd lives in a group home and desperately wants to be a part of a family.  Can Mark and Jonathan help Todd find the confidence to compete in the Special Olympics?  Can they reunite Todd with his older brother (played by none other than Josh Brolin), who just happens to be a coach with the Special Olympics?  And can they make his dream of being adopted come true?  You already know the answers.  This is Highway to Heaven, after all.

This is also a Scotty episode.  Scotty (played by James Troesh) is a paraplegic attorney who is married to Mark’s cousin, Diane (Margie Impert).  Scotty and Diane appeared in several episodes during the first three seasons of Highway to Heaven.  Every Scotty episode follows the same basic pattern.  Mark and Jonathan drop in on Scotty and Diane.  Scotty is feeling happy and optimistic about his future.  Then, something happens that derails whatever Scotty’s latest plan is.  Scotty gets upset and tells everyone to leave him alone.  Diane says that she can’t deal with him anymore.  While Mark comforts Diane, Jonathan tells Scotty to stop feeling for himself.  Scotty eventually apologizes.  Everything works out in the end.

Though the Scotty episodes were always predictable, I do think that Highway to Heaven deserved some credit for never turning Scotty into a saint.  Too many films and television shows tend to use disabled characters as idealized props who exists only to impress everyone with their upbeat attitude and homespun wisdom.  They show up.  They say a few words of wisdom that serve to inspire the lead character.  And then they’re never seen again.  They often exist only to help the star and their lives are never explored beyond how the lead character relates to them.  Scotty, on the other hand, was frequently angry about being a paraplegic.  Even when his life was going well, Scotty would get understandably frustrated.  Scotty was not always perfect.  He made mistakes, just like anyone else would have.  What’s important is that, in the end, he always tried to do the right thing.  James Troesch, a real-life paraplegic, was not the best actor in the world but, as was so often the case with Highway to Heaven, he played the role with such sincerity that it didn’t matter that he often sounded stiff while delivering his lines.  He brought a lot of humanity to the role.

In this episode, Scotty is upset because he has just learned that he and Diane will never be able to have children.  When both Jonathan and Diane suggest adopting Todd, Scotty bitterly refuses.  Scotty claims that, due to his disability, he wouldn’t be able to properly take care of Todd.  However, when Todd announces that he’s going to win a race at the Special Olympics to prove that he’s worthy of being adopted, Scotty realizes that he’s just using his disability as an excuse to not face up to his own fears.  Scotty and Diane decide to adopt Todd.  Unfortunately, Todd’s parents suddenly decide that they don’t want another family to adopt Todd.  They want Todd to say in the group home where he is currently living.  It leads to a teary-eyed courtroom showdown.  It also leads to a happy ending.  Again, was there ever any doubt?

The story may have been melodramatic but this was still a touching episode and a good example of how Highway to Heaven‘s earnest sincerity helped the show overcome plot twists that could have been mawkish in the wrong hangs.  The first hour is especially touching, as it’s largely a tribute to the Special Olympics and the athletes involved.  There’s a lot of negative things that can be said about the Kennedy family and their impact on American political culture but Eunice Kennedy Shriver deserves all of the credit and praise in the world for founding the Special Olympics.  This episode did make me cry and it earned every tear.

Retro Television Review: Malibu CA 1.18 “The Dude of Love”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  The entire show is currently streaming on YouTube!

Someday, I’ll finish this show and move on to something good….

Episode 1.18 “The Dude of Love”

(Dir by Gary Shimokawa, originally aired on February 21st, 1999)

This week, on Malibu, CA, Jason has a crush on a girl named Holly (Kristen Miller).  Holly, however, is already dating someone else.  She says that her boyfriend is an accountant and is too obsessed with work.

Does Jason:

  1. accept that Holly is not single and move on
  2. accept thar Holly is not single and wait to see what happens with her current relationship, or
  3. act like a sociopathic little bitch?

If you guessed the third answer, you obviously know your Malibu, CA!

Needless to say, Jason acting like a sociopathic little bitch is hardly a new occurrence.  When this show originally started, I thought that Scott was the more unlikable of the two main characters.  He was just so smarmy and self-satisfied.  But, as this season has progressed, I’ve come to realize that Scott is just a dumb frat boy who is trying to enjoy himself before his mid-life crisis hits.  Jason is so just as smarmy and self-satisfied as Scott but he’s also whiny and that makes him a hundred times more annoying.

(Another annoying thing is that, whenever Jason breaks the fourth wall and talks directly to the audience, he always awkwardly pauses before delivering his lines because the actor is obviously waiting for someone off-camera to cue him.  This was especially noticeable in this episode.)

Jason’s plan, as usual, involves manipulating Murray.  Murray has been hired to provide surfing updates on the local radio station (which broadcasts straight from the beach because there’s no way Peter Engel was going to pay for an extra set).  Jason announces that he’s going to be Murray’s producer.  Under Jason’s direction, Murray becomes “The Dude of Love,” offering up advise to lovelorn surfers.

First, Jason convinces Holly that she should call the Dude of Love for advice.

Then he convinces Murray that he’s sick so that Murray will stay home and Jason will able to take Holly’s call.  Jason does an imitation of Murray and tells Holly to dump her boyfriend.  Since the radio show is being broadcast literally from the beach, everyone can see Jason pretending to be Murray so I’m not really sure how this plan is supposed to work.

Anyway, Holly does not dump her boyfriend and it turns out that he’s not only an accountant but also a weight-lifter.  The accountant wants to beat up Murray so Jason confesses the truth.  The accountant tells Jason to stay away from Holly and to always save his receipts.  Okay, the receipt thing was kind of funny.

Meanwhile, Stads, Scott, and Mr. Collins deal with Honest Ernie (Ricky Paull Goldin), a conman who sold the beach to Tracy.  Of course, no one can sell the beach because it’s public property.  Honest Ernie also sells fake baseball cards.  Anyway, I’m not going to to waste my time detailing this dumb B-plot but the gang tricks Honest Ernie into buying a plot of land in Texas that doesn’t exist.  Tracy gets her money back.  Yay!

(That’s still technically fraud but whatever.)

Even by the standards of this show, this was a dumb episode.  Murray deserves better friends.