Prince of Bel-Air (1986, directed by Charles Braverman)

Posted on August 26, 2025 by Jedadiah Leland

Robin Prince (Mark Harmon) is a laid-back former volleyball player who, at the age of 32, makes his living as a pool guy. It’s an easy life and he enjoys it. He sleeps with the wife (Deborah Harmon) of one of his clients and he hangs out with his richer friends. Robin enjoys being a bachelor but that all changes when he agrees to give a job to Justin (Patrick Labyorteaux), the son of Stanley Auerbach (Robert Vaughn) and meets Justin’s cousin, an artist named Jamie Harrison (Kirstie Alley). Justin goes from being bitter about having to work to idolizing Robin and his lifestyle. Robin, meanwhile, falls for Jamie.

This film came out before Summer School, another movie that featured Mark Harmon as a laid-back guy who falls for Kirstie Alley, but it has a similar vibe. Again, Mark Harmon is playing a likable guy who has never grown up and again, Kirstie Alley is playing a sophisticated woman who, at first, seems like she’s too serious for Harmon’s character. Robin’s mentorship of Justin feels a lot like Hamon’s mentorship of his Summer School students. (Dean Cameron even plays a supporting role in both Prince of Bel-Air and Summer School, though he’s far more memorable in Summer School.) Prince of Bel-Air is more dramatic than Summer School. In Prince of Bel-Air, Mark Harmon plays a character who secretly understands that there’s not much of a future in his lifestyle, even if he’s not initially willing to admit it.

Prince of Bel-Air is a likable movie. Mark Harmon gives an amiable and relatable performance as someone who is finally trying to grow up and, as always, Robert Vaughn is a perfectly smug villain. Kirstie Alley’s sultry performance is the highlight of the film. In the 1980s, Alley has a smoky-eyed beauty that, when combined with her ribald sense of humor, made her irresistible. It only takes a few minutes to understand why Robin would be willing to give up his previous life to be with her. There’s nothing particularly deep about Prince of Bel-Air but it’s still an entertaining 100 minutes.

Summer School (1987, directed by Carl Reiner)

Posted on June 30, 2025 by Jedadiah Leland

Summer School was the movie that made flunking out look like fun.

Freddy Shoop (Mark Harmon) is a relaxed, fun-loving gym teacher who is looking forward to spend his summer in Hawaii until he’s assigned to spend the summer teaching remedial English in summer school. (His girlfriend goes to Hawaii without him.) Freddy’s not happy about giving up his summer and he’s prepared to just spend his days taking his students to the beach, the amusement park, and the zoo. But when he finds out that he’s going to lose his job unless his students pass the big test at the end of the summer, he gets serious and discovers what teaching is supposed to be all about.

When I was growing up, Summer School seemed to be on television all the time. If it wasn’t on HBO, it was on one of the local stations, usually right before summer began. The summer school kids seemed to be having too much fun for kids stuck in school. I don’t think my classmates in Baltimore would have been as happy about losing their summer as the students in this film. Everyone who has seen this film remembers Dave and Chainsaw (Gary Riley and Dean Cameron) making jokes and showing everyone The Texas Chainsaw Massacre. They also remember Anna-Maria (Fabiana Udenio), the Italian exchange student who took summer school to work on her English. They remember Freddy letting one of his students move in with him, which doesn’t seem like a good idea even if she was played by Courtney Thorne-Smith. Myself, I remember Robin Bishop, the teacher next door, who was played by an extremely sexy Kirstie Alley. (This was one of the many 80s films in which Kirstie Alley made being uptight seem sexy.) Of course, Robin was dating the snobbish principal who was trying to get Freddy Shoop fired.

I’m not going to sit here and say that Summer School is a great film. It’s a dumb comedy with an uplifting message about what a good teacher can accomplish. However, Summer School is a very likable film, an enjoyable 80s teen romp that suggests summer school was the place to be in the late 80s. Mark Harmon, Kirstie Alley, and all the students give good performances. How many future horror nerds were inspired by Dave and Chainsaw? Legendary nice guy Carl Reiner directed and the movie itself is amiable and amusing enough to be watchable.

Retro Television Review: The Love Boat 5.7 “The Lady from Laramie/Vicki Swings/Phantom Bride”

Posted on November 27, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

The Love Boat promises something for everyone!

Episode 5.7 “The Lady from Laramie/Vicki Swings/Phantom Bride”

(Dir by Jack Arnold, originally aired on November 14th, 1981)

As I did with this week’s episodes of Miami Vice, CHiPs, and Fantasy Island, I’m going to save time by doing this one bullet point style.

Before getting to the storylines, I want to point out that this week’s episode was directed by Jack Arnold. Jack Arnold may not be a household name but he directed some of this site’s favorite science fiction and monster movies, including Tarantula, The Incredible Shrinking Man, It Came From Outer Space, and The Creature From The Black Lagoon!
As always, this cruise presents us with three stories. One of the three stories definitely does benefit from Arnold’s macabre touch. Juliet Mills and Buddy Hackett play Kate and Julian Garfield, who are married psychic researchers. The board the boat in search of a ghost. Captain Stubing doesn’t believe in ghosts and good for him! (Neither do I!) However, Gopher is totally convinced and he’s soon wandering around the boat with a bunch of garlic hanging around his neck. Gopher, they’re looking for ghosts, not vampires!
At one point, Gopher is convinced that he’s managed to take a picture of a ghost but it’s actually just Kate looking through a porthole.
I have to admit that I groaned a bit when I saw that Juliet Mills was going to, once again, be a passenger on The Love Boat. But then I remembered that Hayley is the Mills sister that gets on my nerves. Juliet and Buddy Hackett had a surprising amount of chemistry. They were likable together.
It is kind of funny that there are certain guest stars — like Juliet Mills — who show up over and over again but who always play different characters. I’m always waiting for someone on the boat to be like, “Hey, weren’t you here last week?”
The least interesting story featured Nancy Dussault as a plain-spoken (or maybe just annoying) widow from Wyomin’ who fell in love with an Italian gigolo (Cesare Danova) who was on the boat with a rich socialite (Marti Stevens). Cesare Danova played the mob boss in Mean Streets and the mayor in Animal House. He did not look happy at all to be on The Love Boat.
Poor Vicki! In this episode, 14 year-old Vicki pretended to be 18 in an attempt to flirt with Todd Andrews (Patrick Labyroteaux), a teenager who was traveling by himself. The Captain grew very worried about Vicki, especially after he heard Todd suggesting that he and Vicki had fooled around late into the night. (Todd was lying and, oddly enough, everyone seemed to be strangely forgiving of Todd’s actions.)
At one point, The Captain tells Vicki that he wanted her to spend time with people her own age. Vicki replies that she was the only fourteen year-old on the ship. And, seriously, Vicki has a point.
Vicki living on the ship has always seemed kind of strange to me and I always appreciate the episodes that try to honestly deal with the situation. How can you not have mixed feelings about spending your teen years on a boat, largely surrounded by people who are quite a bit older than you? That said, Gavin MacLeod was always at his best when he was playing Stubing as a father and Jill Whelan was refreshingly non-cutesy in the role of Vicki. As a result, you couldn’t help but feel that, ultimately, the Captain and his daughter were right where they belonged.
This was an okay cruise. The ghost storyline was fun. MacLeod and Whelan tugged at the heartstrings. When it comes to good stories on The Love Boat, two out of three is not bad at all!

Next week — The Love Boat goes on a Thanksgiving cruise! (If only I had started reviewing The Love Boat a week earlier than I did, the timing would have been perfect.) ‘Til then, set a course for adventure, your mind on a new romance….

Retro Television Reviews: The Love Boat 2.24 “Ages of Man/Bo and Sam/Families”

Posted on July 19, 2023 by Lisa Marie Bowman

This week, the Captain needs a new watch but his crew is determined to give him a bunch of toothpicks instead.

Episode 2.24 “Ages of Man/Bo and Sam/Familes”

(Dir by Richard Kinon, originally aired on March 10th, 1979)

This week’s cruise gets off to a bizarre start with Captain Stubing reminding the members of the crew that he will soon be hitting his 5-year anniversary mark as their captain. Doc, Julie, Gopher, and Isaac are planning to throw him a huge surprise party and they’ve even gotten him a gift, a replica of the Love Boat made out of toothpicks!

Now, it’s not just the gift that feels strange about this scenario. There’s also the fact that Stubing claims that he’s been captain of the Pacific Princess for five years even though the show is only in its second season. As you may remember, the very first episode of The Love Boat featured the crew still talking about how they couldn’t figure out the proper way to approach their new captain and how they didn’t know anything about his background. So, unless three years passed without anyone noticing, the Captain has only been on the ship for two years.

Add to that, Captain Stubing keeps telling anyone who will listen that he needs a new watch. So why is the crew dumb enough to give him a boat made out of toothpicks for his anniversary gift? The toothpick boat itself is constructed by two close friends, Bo (Philip Charles MacKenzie) and Sam (Michael Tucci). Of course, when Bo and Sam deliver the gift to the cruise, they end up breaking it in half. As a result, they stowaway on the ship so that they can rebuild the toothpick boat. And they do rebuild it! But then they break it again so, with hours to go until the Captain’s party, they again have to rebuild it. When they deliver the boat the captain’s party, they discover that every member of the crew has given Stubing some sort of miniature boat. Stubing is not particularly excited about the toothpick boat until he hears the sound of something ticking inside of it. Yes, that’s right, Sam’s watch fell off while they were rebuilding the boat. Stubing smashes the toothpick boat and is overjoyed to discover a watch, one that is inscribed with a touching message about friendship. Bo promises to get Sam a new watch.

This storyline was …. well, to say it was frustrating is perhaps putting it a little bit too lightly. Seriously, it never made any sense. Why, if the Captain keeps telling you that he desperately needs a new watch, would you buy him a toothpick boat instead? And why, with something that fragile, would you not wrap it up or find some other way to protect it before trying to carry it onto the cruise? Every time that fake boat got destroyed, I wanted to throw something at the TV.

As for the other storylines….

Julie develops a crush on an older passenger named Walter (Paul Burke) while a younger passenger named Bobby Trymon (Patrick Labyorteaux) develops a crush on Julie. Julie wants to spend all of her time dancing with Walter but she also has to try to let teenage Bobby down gently. Eventually, Julie tells Bobby that he’s too young for her and then Walter explains that he’s too old for Julie. So, everyone ends up miserable.

While that’s going on, publisher Hank Hardaway (Leslie Nielsen) is shocked to discover that his arch nemesis, union leader Monica Cross (Arlene Dahl) is on the cruise! Hank’s daughter, Diana (Ellen Bry), thinks that Monica has a point about protecting the working man while Monica’s son, Jeff (Mark Shera), thinks that Hank has a point about working hard and pulling yourself up by your own bootstraps. Eventually, Diana falls for Jeff and Hank falls for Monica and the four of them prove that you can love someone even if you disagree with their politics. This storyline was simple and silly but, to be honest, kind of charming. Nielsen, who still in the “serious actor” phase of his career when he did this episode, seemed a bit more relaxed than usual and Ellen Bry and Mark Shera had a likable chemistry. Simple as this story may have been, it was kind of what the episode needed to counterbalance all the toothpick boat nonsense.

This cruise was a mixed bag. At least the Captain got a watch.

Back to School #46: Heathers (dir by Michael Lehman)

Posted on September 10, 2014 by Lisa Marie Bowman

Well, it had to happen. We have finally reached the end of the 80s with this Back to School series of reviews. The 80s are often considered to be the “Golden Age of Teen Films,” largely due to the efforts of director-writer-producer John Hughes. In films like The Breakfast Club and Ferris Bueller’s Day Off, Hughes skillfully mixed teen comedy with teen drama and the end results were some of the best-remembered and most influential films ever made. At the same time, it’s also can’t be denied that, even as he was dealing with real issues of class differences and sexuality, Hughes also tended to idealize his teenage protagonists. They were often cast as noble savages, struggling to survive in a world that was exclusively run by cynical and judgmental adults. In The Breakfast Club, Ally Sheedy says that when you grow up, your heart dies. That, more than anything, defines the way that most of the great teen films of the 80s tended to view the world.

By the end of the 80s, John Hughes had stopped making films about high school and teenagers and so, it is perhaps appropriate that the final Back to School review of the 80s should be for a 1989 film that often time seems to be taking place on a totally different plant from the films of John Hughes. If Hughes told us that your heart dies when you grow up, Heathers would seem to suggest that most people’s hearts were never alive to begin with.

Heathers takes place at Westerburg High, a school full of student so rich that their mascot is a Rottweiler. Westerburg is run by a clique of three mean girls, all of whom are named Heather. Heather Chandler (Kim Walker) is their leader. Cheerleader Heather McNamara (Lisanne Falk) is weak-willed and insecure. And finally, Heather Duke (Shannen Doherty) is the smartest of the Heathers. She’s also bulimic. Now, there is a fourth member of the ruling clique but she’s a bit of an anomaly because she’s neither mean nor named Heather. Instead, her name is Veronica (Winona Ryder) and she is valued for her ability to forge signatures.

Since joining the Heathers, Veronica has drifted away from old friends like Betty Finn (Renee Estevez). And though Veronica quickly realizes that she doesn’t really belong with the Heathers, she doesn’t know how she can break free without also destroying her reputation of Westerburg. Then, she meets J.D. (Christian Slater), a prototypical rebel with a cause. J.D. is not only an outsider at Westerburg but he’s proud of it. Soon, he and Veronica are a couple and J.D. is pulling Veronica into his plans to destroy the social hierarchy of Westerburg High.

When a practical joke arranged by J.D. and Veronica leads to the accidental death of Heather Chandler, J.D. convinces Veronica to forge a suicide note. As a result, Heather Chandler is canonized by the same students that she previously terrorized. However, J.D. is not done killing. With each new death (and with each forged suicide note), a new social hierarchy starts to form at Westerburg until, eventually, J.D. comes up with a plan that owes a bit to the end of Massacre at Central High…

Heathers is a darker than dark comedy and one that I imagine probably could not be made today. (To be honest, I’m a little bit surprised that it could be made in 1989.) Seriously, a comedy where one of the main plot points is that students become more popular after everyone has been fooled into thinking they committed suicide? (Not to mention a scene where a grieving father shouts, “I love my dead gay son!”) People would get so offended if this film was made today but you know what? They would be totally missing the point. The film isn’t making fun of suicide as much as it’s exposing the hypocrisy of a society that only seems to care about people after they die. To me, the most important scenes aren’t the ones where people react to the fake suicides. Instead, the heart of Heathers‘s dark vision is to be found in the scene where a true outcast like Martha Dunnstock (Carrie Lynn) fails in her attempt to commit suicide and is ridiculed by the same students and teachers who were previously patting themselves on the back at Heather Chandler’s funeral.

Heathers is dark but it’s also a genuinely funny film, filled with great lines and performances. (“Fuck me gently with a chainsaw,” is my personal favorite.) It’s a film that still carries quite a satiric bite and a perfect film with which to end the 80s.