Retro Television Review: Miami Vice 2.12 “Phil the Shill”

Posted on April 29, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

The Vice Squad goes after Phil Collins!

Episode 2.11 “Phil the Shill”

(Dir by John Nicolella, originally aired on December 13th, 1985)

Switek and Zito call in sick so that they can go to the taping of a silly game show called Rat Race. While Zito sits in the audience, Switek answers trivia questions about Elvis and competes in an obstacle course race with his spacey opponent (Emo Phillips). Hosting the show is the very effusive and very British Phil Mayhew (Phil Collins).

As we already know, Switek knows everything about Elvis. And he’s in better shape than Emo Phillips so, when it comes time for the obstacle course, he reaches and hits his buzzer first. But Switek’s buzzer doesn’t go off. Emo’s buzzer works and Emo proceeds to robotically recite a complex string of Elvis trivia.

To his horror, Switek realizes that the quiz show was fixed!

Switek and Zito decide that they want to take down Phil and reveal his con artist ways. Unfortunately, for them, the rest of the Squad doesn’t care. Crockett, in particular, is annoyed that Switek pretended to be sick to get a night off of work. However, it then turns out that Phil has hooked up with Sarah MacPhail (Kyra Sedgwick), the girlfriend and business partner of Tony Rivers (Michael Margotta), a drug dealer that Crockett has spent months trying to set up.

It’s time to call in Izzy and have him pretend to be an interior decorator so that Phil can be tricked into throwing a party that can be attended by …. SONNY BURNETT AND RICO COOPER! Listen, I know I mention that a lot but I just can’t let it go …. how are Sonny and Rico able to maintain their undercover identities when they’re constantly arresting major drug dealers and taking part in DEA busts? How come it never occurs to the criminals that dealer Sonny Burnett might have something in common with cop Sonny Crockett? Does no one ever notice that Sonny Burnett drives the same car and wears the same white suit as Sonny Crockett?

This was a bit of an odd episode. It was obviously written so that Phil Collins (whose In The Air Tonight set the mood for the entire series) could play Phil Mayhew. And while Phil Collins does not appear to have been an actor of amazing range, he still does a good job as the weaselly Phil Mayhew. The Phil scenes are played for humor while the scenes with Tony Rivers definitely are not. Tony is a violent sociopath who casually kills several people over the course of the episode. Scenes of Switek pouting about the game show feel awkward when combined with scenes of Tony machine gunning two drug dealers. Collins does a good job within his range and Michael Margotta is an energetic villain. However, the best performance in this episode actually comes from Kyra Sedgwick, who does a great job as someone who eventually turns out to be just as ruthless and dangerous her boyfriend.

This is a fast-paced and energetic episode, one that moves quickly enough that the viewer doesn’t really have time to consider the oddness of Phil Mayhew getting involved with the same drug dealer that Crockett happens to be investigating. Personally, I’m always happy when the members of the supporting cast get to do something more than just stand in the background. Switek and Zito are a good team.

Late Night Retro Television Review: Monsters 2.5 “Love Hurts”

Posted on April 24, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, horror comes to the DMV! Seriously, there’s nothing scarier than renewing your license….

Episode 2.5 “Love Hurts”

(Dir by Manny Coto, originally aired on October 29th, 1989)

Smooth-talking Vance (Henry Brown) is a ne’er-do-well who has a job working at the DMV in New Orleans. He works with his disapproving father-in-law, Mr. Brownell (Fred Pinkard), who was responsible for getting Vance the job and who is always quick to make sure that Vance knows that he can cause Vance to lose his job as well. Oddly enough, it appears that Vance and Mr. Brownell are the only employees at the DMV and the DMV itself is housed in a rather small building. On the plus side, there’s never a line. Do people just not drive in New Orleans? I’ve been to the city and I saw a lot of cars while I was there.

Anyway, Mr. Brownell knows that Vance regularly cheats on his wife, Cora (Renn Woods). In fact, Vance is currently cheating with Jewel (Olivia Brown, who also played Trudy on Miami Vice). Mr. Brownell watches in silent disapproval whenever Jewel comes down to the DMV and hangs out at the front desk. Jewel wants Vance to herself so she turns to her friend, Angie (Valentina Quinn). Angie just happens to be a voodoo priestess.

The first spell that Jewel and Angie cast simply causes Cora and her father to fall ill with a terrible skin condition. While Cora and her father are at the doctor’s office, Jewel and Vance get to spend some alone time behind the desk at the DMV. When Mr. Brownell unexpectedly shows up at the office, he snaps at Vance not to have sex behind the desk at the DMV. Apparently, the DMV is a sacred space.

The next spell that Jewel and Angie cast causes Mr. Brownell to die. Without Mr. Bronwell constantly threatening to fire Vance for cheating on Cora, Jewel assumes that Vance will now leave his wife. Except …. Cora’s pregnant!

The next spell that Jewel casts is designed to join her soul to Vance’s. Unfortunately, this spell has some unintended consequences as the episode ends as a horribly mutilated and zombified Vance approaches Jewel. Agck!

The gore at the end was very much appreciated, at least by this viewer. Vance and Jewel were such unlikable characters that it was definitely a pleasure to see them get what was coming to them, the gorier the better. The ending was effectively macabre but the rest of the episode was far too mild for its own good. The script was weak, the actors were all a bit too theatrical in their performances, and the story itself played out at a surprisingly slow pace. Ending aside, this was one of the more forgettable episodes of Monsters.

Retro Television Review: Miami Vice 2.11 “Back In The World”

Posted on April 22, 2024 by Lisa Marie Bowman

This week, an old friend of Sonny’s comes to Miami.

Episode 2.11 “Back In The World”

(Dir by Don Johnson, originally aired on December 6th, 1985)

Directed by Don Johnson himself, Back In The World opens in the closing days of the Vietnam War. A war correspondent named Ira Stone (played by Bob Balaban) has discovered that the bodies of American soldiers are being packed with heroin before being shipped back to the United States. He shares the discovery with his best friend, a young Marine named Sonny Crockett.

Ten years later, Sonny is a member of Miami Vice and laughing as he watches the DEA go all out to arrest two rich kids who have a few pounds on weed on them. Meanwhile, Ira Stone is still a journalist but it’s been a while since he’s had a major byline. Stone has become known for being erratic and paranoid. His own wife (played by Patti D’Arbanville, who was Johnson’s girlfriend at the time this episode was filmed) describes Stone as being a crazed junkie who spends his time chasing imaginary enemies. Sonny discovers just how paranoid Stone has become when Stone approaches him and asks for help in exposing the truth about the heroin trade.

Stone has a lot of theories, the majority of which involve rogue elements of the CIA. Sonny agrees to help Stone investigate a lead but he’s skeptical of Stone’s theories. But then someone launches a mortar attack on Sonny and Stone while they’re talking on a motorboat. “INCOMING!” Stone yells as Sonny steers the boat through a shower of explosions. As out there as Ira Stone may be, he’s obviously made someone uncomfortable.

Could that someone be William Maynard (G. Gordon Liddy, who was one of the Watergate burglars)? Maynard is a former (and maybe current) CIA agent who, in Vietnam, was renowned for his ability to track down and destroy the enemy. Now, Maynard lives in a Miami mansion with his wife (Susan Hatfield) and a mute servant who has a tendency to show up whenever someone needs to be killed. While Crockett and Stone investigate Maynard, Tubbs and Switek (who is dressed as a leather-clad biker for some reason) investigate an exotic drug currier named Dakotah (Iman).

It’s an intriguing story but it ends on a rather conventional note, with Crockett and Tubbs launching an assault on one of Maynard’s mansions in the Everglades. It’s probably not a coincidence that the Everglades are filmed to resemble a Vietnamese jungle. At one point, Crockett nearly shoots in Tubbs by mistake, a stark reminder of the confusion that comes with combat. In the end, Maynard escapes, Stone is seriously wounded, and the heroin trade continues. There aren’t many happy endings to be found in Miami.

This was an uneven but entertaining episode. The use of The Doors on the soundtrack was occasionally effective and occasionally heavy-handed. The opening Vietnam montage was done well but it fell apart as soon as middle-aged and gravelly-voiced Don Johnson showed up as a fresh-faced Marine in his 20s. That said, once the action moved to Miami and the present day, Don Johnson was never less than convincing as a battle-scarred veteran still trying to come to terms with what happened in Vietnam. G. Gordon Liddy was entertaining as Maynard, even if it was obvious that acting was not his main thing. Bob Balaban’s manic intensity (“INCOMING!” “MEDIC!”) made Ira Stone into a fascinating character. A visit by Crockett and Stone to a VA hospital not only leads to an important lead but it also allows the show to discuss the shameful way that America treated (and treats) veterans of unpopular wars. Johnson did a good job directing the episode but it still never quite escaped the shadow of the thematically-similar Bushido.

Incidentally, my father used to have a “G. Gordon Liddy For President” bumper sticker. And I’ve got a beat-up copy of Liddy’s autobiography, one that I purchased from Recycled Books in Denton a few years ago. After watching this week’s episode, I think I’ll give it a read.

Retro Television Review: Miami Vice 2.10 “Bought and Paid For”

Posted on April 15, 2024 by Lisa Marie Bowman

This week, things get bleak.

Episode 2.9 “Bought For Paid For”

(Dir by John Nicolella, originally aired on November 29th, 1985)

This is a dark episode.

It opens with Gina’s friend, a Haitian immigrant named Odette (Lynn Whitfield), being attacked and raped in Gina’s apartment. The rapist is easily identified as Nico Arroyo (Joaquim de Almeida), the sociopathic son of a Bolivian general (Tomas Milian) who has been exiled to Miami after a failed coup attempt. Odette used to work as a maid in the general’s Art Deco mansion and Nico is obsessed with her.

Gina is able to convince Odette to testify against Nico but then the general brings Odette’s mother to America and offers her a good deal of money in return for Odette agreeing to testify that the encounter with Nico was consensual. Because her family is poor and desperately needs the money, Odette agrees. With the charges dropped, Nico goes to Odette’s home and kills her.

Gina goes to the general’s mansion and confronts Nico, knowing that it will lead to him trying to attack her in her apartment. When Nico shows up, he’s carrying a switchblade but he drops it as soon as he sees that Gina has a gun. Gina shoots him dead.

Watching this show, one gets the feeling that being a supporting player on Miami Vice could be a thankless task. Switek, Zito, Trudy, and Gina are in every episode but they rarely get to do much. This week Gina gets to have a moment and Saundra Santiago makes the most of it. This episode exists in the shadow of the first season’s Give A Little, Take A Little, in which Gina was raped by Burt Young and, at the end of the episode, shot him dead as well. At one point, when Sonny is arguing that Gina needs to accept that Odette is not going to press charges against Nico, Gina says that he knows why she can’t do that. Later, after Odette dies, Gina fears that, because of her own experience, she may have pushed Odette too hard. In the end, Gina shoots and kills an unarmed man, just as she did in Give A Little, Take A Little. It’s a ruthless move but both of the men were scum who totally deserved it. It’s hard not to appreciate the idea of Gina serving as Miami’s version of Ms. 45.

As I said at the start of this review, this is a dark episode. Nico’s father committed war crimes in Bolivia but now he’s remade himself as a respectable member of Miami society. Nico and his father live in a fabulous mansion and Nico spends his day lounging by the pool. Meanwhile, Odette struggles day-to-day and is essentially sold out by her own mother. (One of the things that gives Nico away as the rapist is the fact that Sonny recognizes the smell of his extremely expensive — and apparently rather pungent — cologne on Odette’s clothes.) Nico feels that he can do whatever he wants to Odette because he’s rich and she’s “bought and paid for.” The system fails and Gina is forced to put her life at risk to get some sort of justice for Odette. This is Miami Vice at its bleakest. The world under all of the glitz and glamour is a dark one.

There is one funny moment though. Gina and Sonny go out to a club with Tubbs and Odette. Sonny watches Tubbs dance with Odette and he starts laughing. And he simply can’t stop. It feels like such a spontaneous moment that I have to wonder if it was scripted or if Don Johnson really did think Philip Michael Thomas was just a terrible dancer.

Next week, a figure from Crockett’s past resurfaces in Miami. Maybe Castillo can give him so advice on how to deal with that.

Retro Television Review: Miami Vice 2.9 “Bushido”

Posted on April 8, 2024 by Lisa Marie Bowman

This week, a man from the past returns to haunt Castillo.

Episode 2.9 “Bushido”

(Dir by Edward James Olmos, originally aired on November 22nd, 1985)

This week’s episode opens with yet another intricately plotted drug bust going awry. This time, a dealer ends up dead, a DEA Agent ends up knocked out and tied up in a bathroom, and $50,000 goes missing. Watching the tapes of the bust, Castillo is shocked to spot a familiar face on the scene. Castillo says that Jack Gretsky (Dean Stockwell) was his partner when he was working for the CIA in Vietnam. Gretsky has long been thought dead but there he is, on tape and ruining Castillo’s bust.

Realizing that Gretsky was sending him a message, Castillo decides to deal with the situation personally. After visiting two CIA agents (Jerry Hardin and Tom Bower) who work out of an adult novelty shop, Castillo tracks Gretsky down to a Buddhist temple. The two of them talk. Gretsky reveals that he’s married to a Russian woman and that he has a son. He asks Castillo to watch over them if anything happens to him. The stoic Castillo agrees and then gives Gretsky a hug. Castillo says that he has to arrest Gretsky. Gretsky says he knows and then pulls a machine gun, forcing Castillo to kill him. The CIA agents are happy to no longer have to deal with Gretsky.

A day later, the coroner’s office calls Vice and says that Gretsky was terminally ill with cancer and probably only had a few days left to live. When Crockett and Tubbs go to tell Castillo, they find his badge and a note sitting in the office. Castillo is fulfilling Gretsky’s final wish and protecting his wife (Natasha Schneider) and his son, Marty (Robin Kaputsin). Castillo sees it as being a part of the samurai code by which he lives his life. Meanwhile, a rogue CIA agent named Surf (David Rasche, giving a wonderfully unhinged performance) is working with the KGB to track down Gretsky’s family.

Directed by Edward James Olmos, Bushido is a wonderfully odd episode. With a combination of skewed camera angles and deliberately eccentric performances from Dean Stockwell and David Rasche, this episode plays out with the relentless intensity of a fever dream. (The opening drug bust even features Zito burying himself in the sand and using a straw to breathe until its time to emerge and knock out one of the bad guys. It’s weird but it’s great.) Olmos contrasts Castillo’s trademark stoicism with the more verbose characters played by Stockwell and Rasche and, as a result, Castillo emerges as an honorable man who hides his emotions because he knows that’s the only way to survive in his world. To fall in love like Jack or to get cocky like Surf can only lead to one’s downfall.

After a few uneven episodes, Bushido is a nice reminder of what Miami Vice was capable of at its best.

Retro Television Review: Miami Vice 2.8 “Tale of the Goat”

Posted on April 1, 2024 by Lisa Marie Bowman

This week, things get weird.

Episode 2.8 “Tale of the Goat”

(Dir by Michael O’Herlihy, originally aired on November 15th, 1985)

It’s hard to know where to begin with this one.

Legba (Clarence Williams III) is a drug lord that Sonny has been trying to take down for three years. While hiding out in Haiti, Legba reportedly dies. When his body is flown back to Miami, Crockett and Tubbs are waiting in the airport so that Crockett can snap a picture of Legba in his casket. Legba does indeed appear to be dead. But, at his voodoo-themed funeral, a man on a motorcycle riddles the casket with bullets. When Crockett and Tubbs (who were staking out the ceremony) open up the casket, they discover only a dead goat.

“Zombie!” a priest exclaims.

Legba has come back, though not as a member of the undead. Instead, while in Haiti, he ingested a toxin that put him in a 48-hour coma. Unlike a lot of people who take the toxin, Legba survives. However, when he is revived, he has suffered brain damage and is now walking and talking slowly. That doesn’t stop Legba from getting his old gang back together (including a dwarf who carries a pickaxe) and going after everyone who he feels has betrayed him. This includes his former lieutenant (Mykelti Williamson) and an obnoxious money launderer (Ray Sharkey) who owns a used car lot.

Tubbs doesn’t believe in voodoo, despite Crockett warning him of the dangers. Tubbs is more interested in Marie (Denise Thompson), Legba’s ex-girlfriend. Looking to keep Marie safe from Legba, Tubbs attempts to infiltrate a voodoo ceremony. You might think this would give Tubbs the perfect excuse to trot out the fake Caribbean accent that he occasionally used during the first season but instead, Tubbs is captured before he can even utter a word. He’s injected with the toxin and spends 48 hours in a coma, haunted by visions of Legba staring at him!

Eventually, Tubbs does come out of his coma and, amazingly, it takes him about five minutes to fully recover. The episode ends with another raid on a yacht. This time, Tubbs manages to kill the villain, shooting him in the back! In Tubbs’s defense, he was still having visions and he thought Legba was facing him. Legba dies and Marie is found in a coma but alive.

This was a weird episode, one that had enough plot for a two-parter. As it is, the story felt rather rushed. No sooner had Mykleti Williamson and Ray Sharkey made their appearances as criminals then Legba was doing away with them. No sooner had Marie stepped onto Crockett’s boat then she was being kidnapped by Legba’s men. No sooner had Tubbs decided to infiltrate Legba’s cult then he was getting injected with the voodoo toxin. And no sooner had Tubbs woken up from his coma then he was preparing to raid the yacht. Add to that, Clarence Williams III gave a performance that was without a hint of subtlety, speaking in accent that was impossible to describe. This wasn’t really a good episode but it was so weird that it was undeniably entertaining.

Next week, Dean Stockwell appears as an old friend of Castillo’s! Hopefully, he won’t be a voodoo priest.

Retro Television Review: Miami Vice 2.7 “Junk Love”

Posted on March 25, 2024 by Lisa Marie Bowman

This week, Sonny and Rico somehow still manage to work undercover.

Episode 2.7 “Junk Love”

(Dir by Michael O’Herlihy, originally aired on November 8th, 1985)

“What’s a four letter word for dirt?” Switek asks, while on a stakeout.

“Mud,” Zito offers before correcting himself, “I mean …. sand!”

However, according to Switek, the correct answer is Vice!

And indeed, there’s a lot of dirt to be found in this week’s rather sordid episode of Miami Vice. A raid on a brothel leads the Vice Squad to arrest a notorious smuggler and pimp named Ivory Jones (legendary Jazz musician, Miles Davis) and one of Ivory’s girls, a strung-out junkie named Rosella (Ely Pouget). When they find out that Rosella is apparently the girlfriend of a notorious dealer named Juan Carlos Silva (Jose Perez), they decide to use her and Ivory to take Silva down. While Tubbs is convinced that Rosella will say anything get her next fix, Crockett is convinced that Rosella is someone who truly wants to change her life. Hmmm …. isn’t Crockett usually the cynical one?

Silva is sexually obsessed with Rosella, to the extent that he’ll even kill the members of his own organization if he thinks they’re interested in her. The episode’s twist comes towards the end, when Gina does some research and discovers that Silva is not only Rosella’s lover but also her …. ick! …. father! Ewwwww! As with so many episodes of Miami Vice, Junk Love ends with Sonny watching helplessly as a victimized woman throws away her freedom so that she can shoot her tormenter. Miami Vice was a show that always managed to be downbeat, even when the bad guys met a deserved end.

This episode felt like an attempt to recreate the emotional drama of the season one episode that featured Bruce Willis as an arms dealer with an abused wife. Both episodes even feature the same basic ending, just with the setting moved from the courthouse steps to a yacht. Unfortunately, this episode doesn’t work anywhere half as well as any of the episodes that aired during the first season. Jose Perez may be playing an evil character but he simply does not have an intimidating enough screen presence to be convincing in the role. Miles Davis, meanwhile, delivers his lines convincingly enough but his character disappears in such a way that it almost feels as if he left the set before all of his scenes were filmed.

The main thing that I found myself thinking about, as I watched this episode, was how could Sonny Crockett and Rico Tubbs still convincingly go undercover after two years of busting drug kingpin after drug kingpin. You would think the entire Miami underworld would be on the lookout for them. Instead, Sonny is still somehow convincing everyone that he’s actually “Sonny Burnett,” aspiring drug dealer. I’m starting to think the criminals in Miami might not be that smart.

Retro Television Review: Miami Vice 2.6 “Buddies”

Posted on March 18, 2024 by Lisa Marie Bowman

This week, Crockett discovers that one of his oldest friends has a secret.

Episode 2.6 “Buddies”

(Dir by Henry Mastrogeorge, originally aired on November 1st, 1985)

When sleazy stand-up comedian Morty Price (a youngish Nathan Lane) attempts to sexually assault a cocktail waitress named Dorothy (Eszter Balint), he ends up getting fatally stabbed with a steak knife. Dorothy flees from the crime scene, taking her baby and grabbing a bunch of random papers that, unknown to her, prove that Morty Price was placing illegal bets with mobster Frank Doss (Frankie Valli). This information could keep Doss from being able to get a casino license in Florida.

Because Doss and his partner, Johnny Cannata (Tom Signorelli), are mob-connected, Castillo and Vice take over the investigation of Price’s murder. Sonny and Tubbs learn, from an informant (Karla Tamburrelli), that Price took Dorothy up to his room before he was murdered. While Crockett and Tubbs search for Dorothy to find out what happened with Price, Doss and Cannata send their men to track down Dorothy and keep the papers from reaching the police.

During the investigation, Sonny is stunned to come across security footage of one of his oldest friends, Robbie Cann (James Remar), meeting with Doss and Cannata. Robbie not only served in Vietnam with Sonny but he has also recently asked Sonny to be his son’s godfather. Robbie has just opened up a club and, as he explains to Sonny, he finally feels like he’s something more than just a loser. When Sonny confronts Robbie about meeting with the gangsters, Robbie admits that he borrowed money from them to start the club but he insists that he doesn’t have any other type of relationship with them. However, when Sonny attends the christening of Robbie’s son, he discovers that Robbie’s name is actually Robert Cannata. He is Johnny Cannata’s son! Robbie insists that he has nothing to do with his father’s business but Sonny is forced to ask just how much he can trust one of his closest friends.

This episode is a bit of a mess. On the plus side, fans of character actors will enjoy this episode. James Remar’s nervy performance keeps you guessing and it’s undeniably interesting to see Nathan Lane playing someone that sleazy. Frankie Valli and Tom Signorelli make for convincing gangsters. It’s also the first episode of the series to really feature Sonny talking about what it was like to serve in Vietnam and it deserves some credit for attempting to explore the difficulty that many veterans face when trying to adjust back to civilian life. Robbie has not had an easy life after returning to the U.S. but now, he finally has a wife, a child, and a business. Sonny may feel betrayed by Robbie but he’s also aware that his investigation is going to potentially ruin Robbie’s life.

On the other hand, the episode attempts to take on so much that it stretches itself a bit then. It requires a real suspension of disbelief to accept that Sonny would just happen to be assigned to an investigation that would involve his best friend. I mean, what are the chances? The episode also can’t seem to decide if it wants to focus on Robbie or if it wants to focus on Dorothy and her child. As a result, neither story really feels as if it gets all of the attention that it deserves.

Next week, the Vice Squad investigates jazz legend Miles Davis!

Retro Television Review: Miami Vice 2.5 “The Dutch Oven”

Posted on March 11, 2024 by Lisa Marie Bowman

Well, this sucks! Tubi is no longer streaming Miami Vice. Hopefully, the show will soon have a new streaming home. As for the episode that I reviewed below, I had to buy it on Prime. It cost next to nothing but still, there’s a larger issue, namely my desire to watch stuff for free.

Episode 2.4 “The Dutch Oven”

(Dir by Abel Ferrara, originally aired on October 25th, 1985)

This week’s episode of Miami Vice opens with a typical Vice situation. Trudy is undercover as a prostitute. Tubbs is undercover as a drug buyer. When the dealers try to rip Tubbs off, it leads to an exciting and well-shot car chase that ends in an alley. One of the dealers points his gun at Sonny and Trudy and, four shots later, he’s lying dead on the ground.

For once, though, it’s not Sonny who did the shooting. Instead, all four shots were fired by Trudy. This time, it’s Trudy who is shaken by taking someone’s life and it’s Trudy who finds herself being harassed by Internal Affairs. Feeling lost, Trudy goes to a party hosted by her ex-boyfriend, David (Cleavant Derricks). Soon, Trudy and David are back together but, when Trudy discovers that someone is dealing drugs at David’s parties, she is forced to confront the fact that her boyfriend might not be an innocent bystander.

A young Giancarlo Esposito appears in this episode, playing an up-and-coming dealer named Adonis. Adonis is an old friend of David’s and he’s also the one who is responsible for selling the drugs at the parties. (It turns out that David actually is innocent.) Sonny, realizing that Trudy is too close to the case and still emotionally shaken by the earlier shooting, goes undercover to take Adonis down. Of course, Adonis doesn’t surrender easily and the episode ends with him literally daring Trudy to shoot him. Trudy hesitates so Sonny sends Adonis to the ground with one punch. As far as endings go, it doesn’t quite feel like a Miami Vice ending. Season one, for instance, had no hesitation about ending with gunshots. Gina shot Burt Young in cold blood. Pam Grier killed several drug dealers and apparently got away with it. Bruce Willis’s wife shot him on the courthouse steps. Dennis Farina was shot in his car at the end of Lombard. This episode, though, ends with Sonny demonstrating that he can make arrests without killing people and with Trudy still not having to deal with her fear of using her weapon. It feels a bit wishy-washy, to be honest.

On the plus side, Abel Ferrara does a good job directing this episode. The opening action scene is genuinely exciting and the entire episode is permeated with a melancholy atmosphere. This episode deserves some credit for acknowledging that the Vice detectives spend a lot of time investigating and arresting people with whom they’ve become friends. And it’s good that, after spending so much time in the background, Trudy finally got a showcase episode and Olivia Brown got a chance to prove she could carry a story. This is an effective episode, even if it never quite becomes a classic.

Retro Television Review: Miami Vice 2.4 “Out Where The Buses Don’t Run”

Posted on February 26, 2024 by Lisa Marie Bowman

This week, we learn the cost of working Vice.

Episode 2.4 “Out Where The Buses Don’t Run”

(Dir by Jim Johnston, originally aired on October 18th, 1985)

This is it. This is the episode that is regularly cited as being one of the best, if not the best, episodes that Miami Vice ever aired. Out Where The Buses Don’t Run takes a look at the psychological costs of spending one’s life obsessing on crime and justice. What starts out as a comedy turns into the bleakest episode of the show so far.

Things get off to a great start, with Crockett and Tubbs pursuing a drug dealer on the beach. While The Who’s Baba O’Riley plays on the soundtrack, the dealer roller skates down a sidewalk and a preacher (played by Little Richard) sends his young congregation out to collect money. As Crockett and Tubbs wait for their chance to arrest the dealer, someone watches them from a nearby window and takes pictures. Crockett asks Tubbs if he ever gets the feeling that he’s being watched.

The man taking the pictures turns out to be Hank Weldon (Bruce McGill), a former Vice cop who quit the force six years prior when a case that he had spent three years making fell apart and a drug lord was set free on a technicality. The drug lord vanished after the case against him was thrown out and it’s assumed that he was murdered by his associates. Hank, however, insists that the drug lord is still alive and he’s returned to Miami. He wants Crockett and Tubbs to help him finally catch the criminal that evaded him all those years before.

A quick check with Weldon’s former partner, Marty Lang (David Strathairn), reveals that Weldon left the force after he had a nervous breakdown and he’s spent the past few years in a mental facility. The loud and flamboyant Weldon is obviously still unstable but Crockett and Tubbs cannot shake the feeling that he might know what he’s talking about.

And, as is revealed at this end of this episode, they’re right …. kind of. Weldon does know where the missing drug lord is. The drug lord is walled up in an abandoned building. He’s been there since 1979. At the end of episode, with Tubbs, Crockett, Castillo, and Lang watching, Weldon tears down the wall and reveals the decayed skeleton of the drug lord. Weldon announces that he murdered him and walled him up. Lang then reveals that he helped.

“He was my partner,” Lang says, “Understand?”

Crockett understands and the audience understands as well. When Weldon’s obsession drove him crazy, Lang was the only one to whom he could turn. And Lang, being his partner, was the only one who understood how he felt. Lang may have been a cop but his number one loyalty was to his partner, just as Crockett’s number one loyalty will always be to Tubbs.

As played by Bruce McGill, Hank Weldon goes from being a cheerful eccentric to a bitter and paranoid lunatic to, finally, a man who can no longer stand to hide what he’s done. It’s an excellent performance that keeps the audience guessing. He may be a murderer and he’s obviously still unstable but your heart can’t help but break for him. The combination of Jim Johnston’s moody direction, a perfect collection of songs on the soundtrack, and the performances of Bruce McGill and David Strathairn really do come together to make this an excellent episode. In the end, it’s hard not to feel that Crockett and Tubbs are both one step away from becoming Weldon and Lang themselves.