Hi! Lisa here, with today’s music video of the day!
Life as a ghost isn’t all that it’s cracked up to be and if you needed proof, just check out this otherworldly music video. The video mixes spirits with a good beat, so you know there’s no way that I’d be able to resist it.
This one was filmed in Toronto and it was directed by Colin O’Toole.
I did Halloween last year. I figured I should do a Helloween video each October. Why not? It’s especially fitting this year since they released a new lyric video on the 12th in preparation for a Pumpkins United World Tour.
I love the cover of the single:
I don’t have a lot to say about this video because what I like about it is the editing, which is not exactly something that I can get across in words. It also doesn’t make any sense to try since the video is only 4 minutes and 44 seconds long. That said, it reminds me of those music videos from the 1960s that had the band acting like silent comedians in time with the song. In fact, it reminds me of the video for Sound Of The Screaming Day by Golden Earring, complete with the going into the mouth shot.
Sound Of The Screaming Day by Golden Earring (1967)
As for this:
you got me. Perhaps it has to do with then vocalist Kai Hansen wanting out of the band. That’s what Wikipedia says that he said in an interview that they were kind enough not to cite. Or it’s just a thrown pumpkin asking, “And so?” It’s probably the first one.
Jason Lives: Friday the 13th Part VI (1986, dir. Tom McLoughlin)
I see director Jeffrey Abelson, writer Keith Williams, and Alice Cooper got that Jason Lives: Friday the 13th Part VI (1986) was meant to be funny.
I have a couple of questions right up front.
“And he’s after your soul”??? Umm…since when did Jason want your soul? It may have been 5 years since I watched parts 2-10, Freddy vs. Jason, and the remake, but I’m quite sure Jason was never concerned with souls. The closest he got was hopping into bodies in Jason Goes To Hell. That didn’t have to with souls. That was because he needed a Voorhees womb to get into and then pop-out fully grown seconds later to make his second cameo in his own film.
Also, he “knows your house”??? Jason is Santa Claus now? Cooper took some liberties with this song.
I’m not 100% sure why the kid in this video is named Jason. However, the film does make several jokes about the abandoned idea of having Tommy Jarvis become the new Jason, so I’m going to assume that’s the reason.
Jason is basically a stand-in for people who thumb their noses at these kinds of movies. And just in case you didn’t get that, they include the scene where the caretaker says:
Some folks have a strange idea of entertainment.
at the end of the video.
Seeing as Jason didn’t get good grades, much like his movie counterpart doesn’t have any of the following qualities,…
he has to walk to the theater with his date.
Why does this theater have an entrance that makes me think Pinhead is going to walk through it?
A codpiece? He doesn’t even break anything over it in the video. He does smash a bottle on his forehead though.
I’m glad they included the best scene in the movie. Tommy Jarvis deciding he needs to double-kill Jason, and in the process accidentally resurrecting him as a zombie .
It’s all your fault, Tommy. You could have just set fire to his coffin. You didn’t have to open it and poke at his corpse with a metal rod before trying to burn him.
Thanks to this video, we get to see Tarzan-Jason. I don’t remember that happening in any of the movies.
Yes, it turns out to be Alice Cooper pretending to be Jason. Still, Tarzan-Jason is something I could’ve have gotten behind. I’m guessing Cooper was pretending to be Jason because he just can’t let go of the ending of A New Beginning.
Continuity wasn’t a high priority for these movies. Not for the mask though. That must always have the gash in it no matter how much retconning goes on.
While the Cooper fanboy is scared by the film, Jason and his girlfriend eventually get fed up and wander onto the set of the rest of the music video. A lot of weird stuff is going on here.
Cooper is hanging out with a snake.
Cooper apparently had a cage setup to catch his son. What if they had been standing a little off-center?
Someone with wings rising off a horse. Sure.
They escape…somehow. Also, Jason gets Cooper…somehow.
In the end, the twist is that Jason’s father is Alice Cooper because we weren’t supposed to recognize his speaking voice? I guess that works seeing as I’m sure plenty of people didn’t notice Kane Hodder standing outside the corner’s office in Jason Goes To Hell. I didn’t.
But does that mean that Jason never saw his father before now? I’m going with it being that the films are make-believe like Alice Cooper in makeup. Alice Cooper is a man behind a mask too. Within the video, it’s a side his son never saw before.
Dokken had a total of three songs, including Dream Warriors, released for A Nightmare On Elm Street 3: Dream Warriors (1987). They had their 1984 song, Into The Fire, played at the beginning of the film. I recently watched the movie on DVD, and that was the song played over the opening credits. According to Wikipedia, in theaters, it was also played over the opening credits, but for some reason, the original VHS release used the song Quiet Cool. Maybe there was a rights issue that was resolved by the time they got to the DVD release.
That brings me to the next thing. Not only is this video officially posted, but it’s in 720p. You don’t see that everyday on older videos–no matter how well-known they are. They appear to have done that for all the Dokken music videos that were put up in 2015. I’m really glad they did because it helps this video significantly. I know there’s movie footage in here, but because of the quality of the video, it blends in more with the stuff they shot for the video.
For those of you who haven’t seen Dream Warriors, the film takes place in a mental institution with the last of the offspring of the parents who burned Freddy to death. What happened to Jesse from part 2? Who knows. The best guess people seem to have is that Jesse is the kid they refer to as having cut off their eyelids to escape the nightmares.
A girl named Kirsten, played by Patricia Arquette, has the ability to pull people into her dreams. She’s havnig nightmares about the Elm Street house where Freddy is hanging out with numerous things to remind you of the first film such as a sticky floor.
She ends up getting committed to a mental institution where she meets a variety of different people. The gist is that they all have dreams that transcend their physical conditions, such as the kid in the wheelchair being able to walk, the nerdy kid who plays the movie’s version of D&D actually being a wizard, and Kirsten doing martial arts/gymnastics.
If you go through the different alter-egos of the kids and remember the 1980s, then you quickly realize that they are all things that adults in the 1980s would call hopeless, Satanic, you’re imagining your life away, get real, etc. Despite the emergence of Jokester-Freddy, he does act as a stand-in for parents, faux-Christians, news media, and others who would come up with some excuse to crush the dreams of these kids.
In the end, only a few survive in order to be killed by four screenwriters and director Renny Harlin in the 4th film. At least that’s the way I read it.
Oh, and Nancy is there so that they can leap over part 2 and tell us for sure that her mother did die at the end of the first film. John Saxon also shows up so that we can find out that Freddy’s remains were kept in the trunk of what I swear was the same model car as Christine–no joke.
I understand those parts. Why we needed to find out that Freddy is the child of a nun who was raped hundreds of times–again, who knows.
Anyways, only Kirsten, Freddy, and Dokken are in this music video, so forget about any of that showing up.
The video starts the same way as the movie, with Kirsten making a model house of the Elm Street one. Except this time she remembers to put on protective Dokken wards.
The video gets weird almost immediately because we quickly cut to Dokken being in the house. Did she pull them in?
They seem to be there to bother both Freddy and her. At one point, Freddy even seems to be pissed off that the band is scaring Kirsten more effectively, so he turns one of his stock jump-rope kids that she is holding into a skeleton.
At another point, one of the band members intersects with a scene from the movie to do a guitar solo, which I guess bothers Freddy because he drags him away.
Without the movie in front of me, I’m about 80% sure that Arquette didn’t shoot footage specifically for this music video. Englund on the other hand, definitely did, not only because of his interactions with the band, but because we see Freddy wake up at the end after being defeated by hair metal.
“What a nightmare! Who were those guys?” –Freddy Krueger
I hear you, Freddy. It isn’t fair. Jason gets Alice Cooper and you get Dokken. Don’t worry, he’ll show up as your father a couple of films down the road.
I guess that means we were in Freddy’s nightmare. I haven’t watched parts 5, 6, and 7 yet, so maybe it will make sense then–but probably not. I’m just going to assume that throughout the 1980s, Freddy had nightmares about heavy metal bands.
In 1994, Tim Burton released Ed Wood, a film that I consider to be his best. (In fact, it’s one of the few Tim Burton films that I feel actually improves with repeat viewings. Don’t start yelling at me about Beetlejuice.) The score, which so evocative of Wood’s style of filmmaking, was composed by Howard Shore. This video features the actress Lisa Marie (who played Vampira in Ed Wood) dancing to Shore’s theme music.
Before anyone says it, I did not pick this video just because it features a dancer named Lisa Marie. I’m not the egocentric … well, actually, I am. In fact, I’m so egocentric that I’m shocked that I have yet to dedicate an entire post to just listing words that rhyme with Lisa. (Sadly, there’s not many. Visa is a good one.) But still, I did have other reasons for picking this video than just the fact that I am also named Lisa Marie and I also enjoy dancing in cemeteries. Those reasons will hopefully become obvious as the day develops here on the Shattered Lens.
Anyway, both Tim Burton and Toni Basil are credited with directing this video. I’m going to assume that Burton’s directorial credit is largely due to all of the scene of Ed Wood that are spliced into the footage of Lisa Marie dancing. Toni Basil, who also did the choreographed this video, is one of our favorite people here at the Shattered Lens. Just check out my review of Head and Val’s review of Slaughterhouse Rock.
A year after THE HORRORTOUR Project did their cover of Pet Sematary, they did a cover of Sweet Dreams by Eurythmics in memory of Freddy Krueger.
Born 1984. Died 2010. He was killed by a bad screenwriter. I know Eric Heisserer had help from Wesley Strick and director Samuel Bayer, but I prefer to put the blame on him. He’s the one responsible for Final Destination 5 (2011), screwing up a John Carpenter movie and Alien at the same time (The Thing, 2011), miscasting and poor writing 101 (Hours, 2013), a glitchy reworking of A Nightmare On Elm Street (Lights Out, 2016), and the series finale of Star Trek: TNG (Arrival, 2016). He also has another movie called Van Helsing, The Road 2 (Bird Box), and Arrival II: Field Of Fire (Extinction, 2018) coming up. I’m not exactly a fan of his work.
Just like their version of Pet Sematary, the song didn’t do it for me, but I like the video. It has some neat parts.
Freddy appearing bedside
The Italian versions of A Nightmare On Elm Street since this is part of that Dario Argento tour. There’s even a copy of Tobe Hooper’s Night Terrors.
Freddy left her a present?
That isn’t Freddy. I’m not sure who that’s supposed to be. I should know.
I love that they used the Vincent Price laugh from the end of Thriller. Not even The Number Of The Beast by Iron Maiden got Vincent Price to read the opening for their song. They didn’t want to pay his fee. I wonder how this video got the rights to use the Thriller laugh.
They quickly flash to this just before the ending credits.
Somebody watched Mahakaal (Indian A Nightmare On Elm Street).
Again, I can’t recommend their cover, but the video is worth checking out.
Times sure have changed. The appearance of Eddie at the end as Frankenstein was edited out of this video originally because it was scaring viewers. This was 1982. I can understand something like One by Metallica. Being trapped in your own body, screaming in your mind with the only possibilities for escape being the mortality of your own body or someone who assists your suicide. That’s scary. Frankenstein? Just because Frankenstein’s head is that of Eddie? Really?
Nothing else in the video bothered people?
The Werewolf?
Goathead?
Max Schreck?
I Was A Teenage Frankenstein?
Godzilla?
The movie Haxan?
The Crimson Ghost?
A reference to Dr. Mabuse?
War Of The Colossal Beast?
Giant bat?
The Devil?
etc.
Nope! Remove Frankenstein. Everything else is fine. At least that’s what this site that is cited by Wikipedia says.
I’m not really a horror person. It wasn’t until a few years ago that I started digging into the genre. I only got to Christine (1983) a couple of days ago. I sought it out simple to write about this music video. Up till then, all I knew about it was that it had a killer car and that there is an episode of Quantum Leap where Sam Beckett gives Stephen King the idea for it.
Quantum Leap S3:E5 – The Boogieman
Quantum Leap S3:E5 – The Boogieman
Quantum Leap S3:E5 – The Boogieman
Quantum Leap S3:E5 – The Boogieman
Quantum Leap S3:E5 – The Boogieman
Quantum Leap S3:E5 – The Boogieman
Quantum Leap S3:E5 – The Boogieman
The episode title is The Boogieman and there is a little tie-in with Halloween I want to mention that is within Christine. If you remember, Christine takes place in 1978 between September and December.
Christine (1983, dir. John Carpenter)
It means that within the Carpenter universe, the events of Halloween I & II happened while Christine was going on.
Getting to the video, I knew that Carpenter did movie scores. But I didn’t know that he’s gone into music, complete with a music video for his theme to Christine. It’s pretty cool.
It of course starts off with the “Show me” scene.
Christine (1983, dir. John Carpenter)
I’d like to think that this is Carpenter acknowledging that his movie really didn’t start until the hour mark. The film clocks in at about 110 minutes.
Carpenter himself drives the car, and soon comes across a broken down yellow car called The Thing with a woman waiting next to it.
That is brilliant. Absolutely brilliant. Let me explain.
Obviously it is referencing Carpenter’s film The Thing (1982). That’s a given. Now let me remind you of the ending of Christine.
The ending of Christine happens in a building within a junkyard. The guy who has become obsessed with Christine is behind the wheel. His two friends have a bulldozer that they intend to stop Christine with.
Christine (1983, dir. John Carpenter)
They end up doing just that.
Christine (1983, dir. John Carpenter)
It was no coincidence that a bulldozer destroyed Christine. Remember Killdozer from 1974?
Killdozer (1974, dir. Jerry London)
In that film, a bulldozer is given life by a rock that falls from space, and it proceeds to go on a rampage. Christine is effectively stopped by Killdozer.
It goes further than that though. In Killdozer, they realize near the end of the film that they can’t destroy the machine. They say that they have to destroy “the thing”. They do it via electrocution. They lure it on to some material that they electrify to destroy “the thing” inside the bulldozer, thus stopping Killdozer.
Killdozer (1974, dir. Jerry London)
That is the same ending as The Thing From Another World (1951). They electrocute The Thing in that as well.
The Thing From Another World (1951, dir. Christian Nyby & Howard Hawks)
That movie is what Carpenter remade as The Thing.
By having that car be there in a music video for Christine with “The Thing” written on the side and having it be painted yellow, ties Christine, The Thing, Killdozer, and The Thing From Another World together. Perfect!
You might recall that this electrocution thing came up in It Follows (2014) as the pool scene.
The rest of the video has Christine chasing after a woman played by Rita Volk from the TV show Faking It. In the grand tradition of films like Christine and Killdozer, she continues to run right in the path of the car even though nothing is preventing her from getting out of the way.
Carpenter stops the car, and opens the door for her. I’m not sure why he is dressed like that. I’m sure it’s also a reference to something. I just don’t know what.
Then they drive off.
There is a big list of credits on the YouTube page. Some of the people involved with this video worked on Carpenter’s feature films. I’ll list them at the end.
If you want to see some behind-the-scenes stuff, then hopefully that video is still below.
Enjoy!
Director: John Carpenter
Producer: Sandy King
Production Manager: Justin Moritt
1st Asst. Director: Tony Adler
Director of Photography: Eduardo Fierro
Production Designer: David Redier-Linsk
Editor: Patrick McMahon
Optical effects: Scott Gregory
Location Manager: Jennifer Dunne
Stunt Co-ordinator/Driver of Christine: Jeff Imada
Stylist: Sophie Gransard-Davies
Hair Stylist: Christian Marc
Make-up Artist: Samuel Paul
Storm King Special Projects Coordinator: Ross Sauriol
Office co-ordinator: Sean Sobczak
Post-Productions Services: Warner Bros.
Christine courtesy of Bill Gibson
VW Thing car courtesy of DC Motors of Anaheim Hills, CA
Christine Girl wardrobe courtesy of Joe’s Jeans.
Starring: Rita Volk and John Carpenter
Oh, Kirsty. Yes, Hellraiser III was awful. Yes, it is sad that it’s the movie that got Motörhead’s version of Hellraiser. But it could have been worse. It could have been Hellraiser: Hellworld (2005) that got this song. That would have been truly painful.
Hellraiser: Hellworld (2005, dir. Rick Bota)
In 1992 they finally got around to making a third film in the Hellraiser franchise. It really has nothing to do with the first two films. Once you’ve seen Pinhead create a cenobite with a face made of CDs, there’s no going back. If you’ve only seen the first two films, then stop there. You can watch this music video to get one, if not the only good thing about the third film–this song.
We open on Motorhead’s performance, set a large, cavernous space. Dante-esque, dimly lit with pools of light on the band members and their instruments. As the camera moves around the space, various creatures are revealed, oily bodies shining through their ragged bits of clothing, prosthetic pieces (a claw, a beak etc.,) and bandages, stylized make-up all showing that they are THE DAMNED. All of this is shot in shadowy black and white. We also see Props from “Hellraiser 3” (the baby, signage, etc.), which become match dissolves to footage from the film itself.
Back in our black and white cavern a roadie sits in a large Overstuffed chair toward the back of the space, smoking, watching the band’s performance. Suddenly light streams in when a door crashes open. We switch to color as Pinhead makes his grand entrance, rim-lit, a delicate presence. The demons begin to writhe madly to the music. The band’s performance builds as Pinhead moves across the floor, throwing the roadie out of his chair and out of frame. Pinhead takes the seat and gulps virgin’s blood from smoking cup. From Pinhead’s point of view we watch the band.
We cut to a scene of Lemmy and Pinhead in two chairs at a gaming table. Intercutting with performance footage and Hellraiser III footage, we see Lemmy and Pinhead playing cards, drinking, Serious competitors having fun. The demons writhe behind Pinhead, the band stands behind Lemmy as the tension builds between the two.
Doug Bradley added the following in 2005 concerning Lemmy:
The card game finished with me getting the Ace of Spades, so the idea is that Lemmy wins the game but at the price of losing his soul. But that was funny, when we were playing that card game there was a decanter on the table, just as a prop, and Lemmy had a word with one of his people, the decanter disappeared but it came back again full of amber liquid which Lemmy proceeded to drink his way through while we shot that scene, like you and I would drink orange juice, while the dark pope of Hell sat on the other side of the table demurely sipping Evian water…
The attraction of this music video is when Lemmy and Pinhead play cards.
However, there are a few other things I enjoy about the video.
While the footage of the band playing is boring, I do like the reverse shot where Pinhead is at a Motörhead concert.
Why is this person wearing something similar to the jaw-breaking device from the Saw movies?
A bit of a Queen music video is going on here.
I normally don’t go for unintegrated movie footage in videos of this sort, but I appreciate that Barker left in one particular sequence from the movie. There is a scene where the cheap cenobites that Pinhead made chase Terry Farrell’s character onto a street to do a scene similar to the one from Superman II (1980).
Superman II (1980, dir. Richard Lester & Richard Donner)
And yes, Henry Cavill was in Hellraiser: Hellworld where he got killed off by Lance Henriksen, not Pinhead, since, like the other movies after IV, Hellworld was a different movie that had elements of Hellraiser grafted onto it. Pinhead doesn’t actually exist in the movie until the very end of the film.
During that street destruction scene, there are at least two places that get their signs destroyed.
Larry was a character from the first Hellraiser movie played by Andrew Robinson who would go on to be on Star Trek: Deep Space Nine with Terry Farrell in 1993–one year after this movie came out.
If you have the misfortune to watch Hellraiser III, then you might notice that the statue Pinhead is in with what I remember to be trapped souls is just a tad similar to something from A Nightmare On Elm Street 3: Dream Warriors (1987). In that movie, Freddy Krueger explains that he has gotten stronger by capturing children’s souls which he then shows as part of his flesh. I’m sure the similarities weren’t lost on the people involved in both franchises. Elm Street started back up the same year as the Hellraiser franchise started. Also, makeup artist Kevin Yagher, who did makeup on Elm Street 2, 3, and 4, would go on to direct Hellraiser IV as Alan Smithee.
Barker could have just as easily used footage from the club parts of the movie instead of Farrell running on the street. Instead, he left in those shots.
Other than those things, it’s just the song and the card playing scene, which yes, is similar to The Seventh Seal (1957) with its game of chess with Death. There’s nothing else particularly interesting. You’re watching to see Lemmy turn up a joker and the ace of spades.
This is the last Pet Sematary video. I promise! It’s a good one to go out on.
Okay, the best I can tell here is that there is a special tour that is held in Torino, Italy from time to time that takes people on tours of locations that were used in Dario Argento films, or Dario Silver if you run his name through Google Translate. I guess this was commissioned for that tour by a group that might have only existed for a couple of videos. The former lead-singer of T3CHN0PH0B1A, H.J. Mazend sings lead vocals. They also appear to have covered Sweet Dreams by Eurythmics in 2014.
While I don’t particularly care for the cover version, I do like the video since it remembers that jokes and references made up Pet Sematary II: The Quickening.
I see that Bruce Campbell’s girlfriend’s hand is there along with Ghostface and Jason (bottom left).
Sid Vicious. A reference to the fact that he apparently strangled cats. There’s all kinds of stories about him. Why he is shown as being born in 1960 and dying in 1987 is beyond me. Although, the picture on the gravestone isn’t. You can watch the video to see that.
I think this might be a reference to Priscilla Presley. It would fit since Presley’s death was a breaking point between generations. According to The New York Times, in 1979, Priscilla was at a turning point when Elvis’ father Vernon passed away. The estate was in jeopardy because it cost so much to maintain everything, but their was no Elvis to go out and do a new tour or make a movie. She reflected upon that in the 1989 article I linked to above.
In 1979, the Ramones made their feature film debut in Rock ‘n’ Roll High School, and in 1989, they did the song for Pet Sematary. After that, it looks like things went downhill for the Ramones over the next seven years till they broke up in 1996.
That’s my best guess as to the meaning behind these dates–Elvis having rising from his grave as the Ramones were beginning to die off.
It would explain the final scene where we see a guy that has come back from the dead pick up the woman mourning at Priscilla’s grave and caring her away.