SLING BLADE (1996) – #ArkansasMovies, my celebration of movies filmed in the Natural State!


I love watching movies that are filmed in my home state of Arkansas. We’ve had our share of big stars show up in the Natural State. Burt Reynolds, Billy Bob Thornton, Bill Paxton, Robert De Niro, Dennis Quaid, Matthew McConaughey, Tom Cruise and Andy Griffith have all filmed really good movies here. Martin Scorsese directed one of his very first movies in southern Arkansas. It’s going to be fun revisiting some of my favorite Arkansas movies and sharing them with you!

I live out in the country in Saline County, Arkansas. Back in 1996, Billy Bob Thornton wrote, directed and starred in a little film made right here called SLING BLADE (1996). It’s one of my favorite movies. Here’s a picture of our son and daughter sitting at the same table at Garry’s Drive-In Diner where Billy Bob Thornton and John Ritter sat in the movie. 

Thornton stars as Karl Childers, a developmentally disabled man who was abused as a child by his parents and the other children in the community. At the age of 12, he murdered his mom and her teenage lover Jessie Dixon with a sling blade. After 30 years in the mental hospital, the state decides he’s no longer dangerous, so they give him his stack of books and send him on his way. Karl has no clue of how to get on with his life, but the administrator of the hospital (James Hampton) helps him get a job as a small engine mechanic in his hometown. Hanging out at the laundromat one day, Karl meets a boy named Frank (Lucas Black) and helps him carry his bags of clothes back to his house. The two become friends and start hanging out a lot together. Frank introduces Karl to his mom, Linda (Natalie Canerday), and her gay best friend and boss, Vaughan (John Ritter). Karl also meets Linda’s abusive and alcoholic boyfriend, Doyle (Dwight Yoakam). Karl grows to love Frank and Linda. When he witnesses a drunk Doyle’s abusive and threatening behavior towards Frank and Linda one night, Karl starts thinking that Doyle may really hurt his friends someday. He decides he’s going to make sure that can never happen. 

First and foremost, I love SLING BLADE because of Billy Bob Thornton’s performance as Karl Childers. He had been developing the character of Karl for many years before the movie was made. He loved pulling “Karl” out when he was just hanging out and goofing around with his friends. He based his character on bits and pieces of so many different people in his life. As a native Arkansan, many of the words he says and the way he says them reminds me of different people I’ve known over the years. His opening monologue where he describes the murders of his mother and the young Jessie Dixon is a masterpiece in and of itself. Thornton created a truly unique character, and that’s extremely rare these days. It’s a performance for the ages and continues to inspire terrible imitations to this day!

The remainder of the cast in SLING BLADE is so good and natural. Lucas Black is phenomenal as Frank. Billy Bob Thornton has been asked how he got such a great performance from the then 12-year-old boy from Alabama. He says he didn’t get that performance; that’s just the kind of actor Lucas Black is. The relationship between Karl and Frank is the key to the film working, and Black is perfect. Natalie Canerday is excellent as Frank’s mom, Linda. She’s from Russellville, Arkansas, so her accent is authentic, and she just blends perfectly into the film. John Ritter provides a very solid supporting performance as Linda’s gay friend who cares deeply for her and Frank. Thornton was part of the cast of Ritter’s early 90’s sitcom with Markie Post called HEARTS AFIRE. He actually wrote this screenplay while working on the show. The two were great friends off camera and Ritter actually worried that he wouldn’t be able to give a serious performance opposite Thornton’s portrayal of Karl. And then there’s country music superstar Dwight Yoakam as the abusive bully Doyle Hargraves. He’s simply great in the film. He doesn’t just portray Doyle as a monster either. There are many people in this world like Doyle Hargraves, and Yoakam is able to capture that. Director Jim Jarmusch has a memorable cameo in the film. He sells Karl his “french fried potaters.” And the great Robert Duvall even makes a short appearance in the film as Karl’s dad. Duvall was over in the Memphis area filming his own movie A FAMILY THING, which was written by Thornton. He just made the 2 hour drive over for the day and filmed his scene.

Every scene filmed in SLING BLADE is filmed here in Benton and Saline County. The opening and closing scenes between Thornton and actor J.T. Walsh at the “nervous hospital” were filmed at the old Benton Services Center, which is now a psychiatric nursing home just outside of Benton. I’ve driven by the location of the home where Linda and Frank lived. I drive by the laundromat where Karl meets Frank every time I go eat at Garry’s Sling Blade Drive-in. I’ve driven out to the bridge over the Saline River that is prominently featured in the film (see picture below). Heck, I even went to college at the University of Central Arkansas with one of the young ladies who interview Karl at the beginning of the film. I love this movie, and I’m so proud that it was filmed in my backyard. 

SLING BLADE is an incredible film with a truly unique character at its center. The film is at times funny, heartbreaking, violent, slow, awkward, dramatic, and thrilling. It’s a resounding success for Billy Bob Thornton as a director, actor, and writer, even winning him an Oscar for his screenplay. I give this film my highest recommendation. 

I’ve included the trailer for SLING BLADE below:

Past reviews in the #ArkansasMovies series include:

4 Shots From 4 Films: Special 1963 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Since I reviewed a film that takes place in 1963 this morning, I’m going to use today’s edition of 4 Shots From 4 Films to pay further homage to that pivotal year.  It’s time for….

4 Shots From 4 1963 Films

From Russia With Love (1963, dir by Terence Young, DP: Ted Moore)

Black Sabbath (1963, dir by Mario Bava, DP: Ubaldo Terzano)

Hud (1963, dir by Martin Ritt, DP: James Wong Howe)

Cleopatra (1963, dir by Joseph L. Mankiewicz, DP: Leon Shamroy)

CONVICTION (2010) – Hilary Swank and Sam Rockwell star in the real-life story of a sister who saves her brother from a wrongful conviction!


My wife and I love movies based on real-life stories. We were looking for something to watch this afternoon on the MAX app and came across their “Real Life Dramas” section. One of the movies we saw listed was CONVICTION (2010) starring 2-time Oscar winner Hilary Swank. My wife loves Hilary Swank so we decided to give it a spin.

Betty Anne Waters (Hilary Swank) watches as her brother Kenny (Sam Rockwell) is convicted of the murder of Katherine Brow on May 21st, 1980 in Ayer, Massachusetts and sentenced to life in prison. Even though she knows he’s a troublemaker, Betty Anne is convinced that he’s not a murderer, so she gives up everything in her life to try to prove his innocence, especially after she learns that he tried to kill himself while in custody. Her husband (Loren Dean) divorces her and takes their kids with him. This doesn’t stop her. She goes back to school, eventually making her way to law school for the sole purpose of helping to exonerate her brother. In a positive turn of events, Betty Anne realizes that the new field of DNA testing could be the key to overturning her brother’s conviction. She contacts attorney Barry Scheck (Peter Gallagher) from the “Innocence Project” who assists those who believe DNA testing can help overturn previous convictions. Will Betty Anne finally be able to prove Kenny’s innocence, or will he have to spend the rest of his life in jail for a crime she doesn’t think he’s capable of committing?

Movies like CONVICTION are such an interesting watch for me, especially since we can know how these stories play out with a simple google search. When I see a movie is based on a real story, I purposefully avoid the facts of the actual events so I can see the events depicted on screen without my own internal bias taking front and center. I enjoyed watching how the events unfolded in CONVICTION. Hilary Swank and Sam Rockwell are such good actors, and I appreciate the work they put in here. I don’t pretend that everything depicted on screen is exactly how it was in real life, but I do believe that the actors portray the essence of truth, and I must admit to a tear in my eye when that truth is finally acknowledged for Kenny Waters at the end of the film. I also enjoyed telling my wife that the director of CONVICTION is Tony Goldwyn, the bad guy in the blockbuster film, GHOST. I just thought that was kind of cool, and so did she.

The real truth of Betty Anne Waters and Kenny Waters is ultimately bittersweet, but their story is both a testament to, and an indictment of, the American judicial system. As a person who truly loves our country, I think it’s important to realize that things aren’t always perfect, even in the United States of America!

See the trailer for CONVICTION below:

4 Shots From 4 Film: Special John McNaughton Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today is the birthday of director John McNaughton!  It’s time for….

4 Shots From 4 John McNaughton Films

Henry: Portrait of a Serial Killer (1986, dir by John McNaughton, DP: Charles Lieberman)

The Borrower (1991, dir by John McNaughton, DP: Julio Mucat and Robert C. New)

Normal Life (1996, dir by John McNaughton, DP: Jean de Segonzac)

Wild Things (1998, dir by John McNaughton, DP: Jeffrey L. Kimball)

Jennifer Lopez has had ENOUGH (2002)! 


This morning I got up to make coffee for me and my wife. When I came back to our room, she had started the movie ENOUGH (2002) with Jennifer Lopez on the new projector that she bought me for Christmas. I’m not that big of a fan of Lopez, but I decided I’d go ahead and sit down to sip on my coffee prior to starting my day. I ended up watching the whole movie! 

Jennifer Lopez plays Slim, a waitress in a diner in L.A., who meets a rich guy named Mitch Hiller (Billy Campbell) who impresses her when he gets rid of this rude jerk (Noah Wyle) trying to hit on her. Mitch and Slim get along famously, eventually getting married and having a cute little girl named Gracie. Everything seems perfect in their little world. Unfortunately, things aren’t what they seem, and one night Slim checks her husband’s pager. She calls the number and discovers Mitch has been cheating on her. When she confronts him about the affair, his entire countenance changes, and he begins beating the crap out of her. After the altercation, and before heading out to continue his affair, Mitch warns Slim not to leave because he refuses to live without her. With the help of her friend Ginny (Juliette Lewis) and a couple of others, Slim takes Gracie and they escape from Mitch. With all his money and connections, Mitch is able to track her down no matter where she goes. Feeling like she has no other options, Slim turns to her wealthy, estranged father, Jupiter (Fred Ward). He provides her the funds she needs to set up a new life and identity. Unfortunately, that damn Mitch tracks her down again. Narrowly escaping, Slim decides that she’s done running. She sends Gracie away with Ginny and begins training rigorously in self defense techniques. This time she’s taking the fight to Mitch with plans to end this shit once and for all. 

If you’re looking for a realistic drama about the effects of spousal abuse on the family unit and then across the larger society, ENOUGH is not the movie for you. This movie is more for the Charles Bronson crowd, where the bad guys are truly evil and the audience is in complete agreement with their need to perish. This is a formula that continues to work even if you have to completely suspend your disbelief. For example:

-Is it realistic that Mitch would be able to conceal what a complete and total asshole he is for many years from Slim, but then one night turn out to practically be the sidekick of Satan?

-Is it realistic that Mitch would be able track Slim and Gracie down time and time again, no matter where she goes across the country, even after she uses her Dad’s resources to change her identity?

-Is it realistic that Slim would be able to get enough self defense training in a short period of time to be able to confront the extremely fit Mitch at the end and kick his ass? 

While the setup is probably not the most realistic, we have to see images of Mitch beating up Slim on multiple occasions, even trying to kill her at one point. We also see him knock little Gracie to the ground and hurt her. We see him terrorizing her and anyone who tries to help her. This audience member just wanted to see Mitch pay.

I don’t really have any close connections to the main actors in ENOUGH, but they all do their jobs well enough to keep me involved. I have always been a fan of its director, Michael Apted. He’s made a few movies that I really like in CLASS ACTION (1991) with Gene Hackman, THUNDERHEART (1992) with Val Kilmer, and BLINK (1993) with Madeleine Stowe. He’s a more than competent director who knows how to get a reaction from his audience. This certainly may not reflect his best work, but he still handles the material in a professional manner. 

My final word on ENOUGH… I enjoyed the film in the same way I like the 3 piece combo at KFC, which I really do enjoy. I know it’s probably not the best stuff out there, but the classic formula still works, and I’m satisfied when it’s all gone! 

See the trailer for ENOUGH below:

4 Shots From 4 Films: Special Rob Zombie Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to Rob Zombie!  It’s time for….

4 Shots From 4 Rob Zombie Films

House of 1,000 Corpses (2003, dir by Rob Zombie, DP: Alex Poppos and Tom Richmond)

Halloween II (2009, dir by Rob Zombie, DP: Brandon Trost)

The Lords of Salem (2012, dir by Rob Zombie, DP: Brandon Trost)

31 (2016, dir by Rob Zombie, DP: David Daniel)

#SundayShorts – WANTED DEAD OR ALIVE (1986) 


Since Sunday is a day of rest for a lot of people, I present #SundayShorts, a weekly mini review of a movie I’ve recently watched. Today’s movie is WANTED DEAD OR ALIVE from 1986. 

Former CIA agent Nick Randall (Rutger Hauer) now works as a bounty hunter. After the authorities find out that Malak Al Rahim (Gene Simmons) is responsible for blowing up buildings in Los Angeles, Nick’s former employers request his assistance. With the help of his old friend Philmore (Robert Guillaume), Nick signs on to take Malak out and end his reign of terror! 

WANTED DEAD OR ALIVE is one of those movies I enjoyed watching back in the mid-80’s as a junior high teenager. Rutger Hauer makes for a badass bounty hunter and Gene Simmons makes for a mean villain. Robert Guillaume plays Hauer’s friend and primary law enforcement contact in the movie. He was just coming off his 158 episode run on the TV show BENSON (1979-1986). Although he was good in the film, I still remember being surprised when Benson kept saying the F-word. If you like 80’s action movies and Rutger Hauer, like I do, WANTED DEAD OR ALIVE is still a fun watch. 

Five Fast Facts:

  1. Rutger Hauer plays Nick Randall, a descendant of Josh Randall, who was played by Steve McQueen on the WANTED DEAD OR ALIVE TV series that ran from 1958-1961. 
  2. Actor Ted White who portrays Pete, Charlie Higgins friend in the bar & the store robbery, also portrayed killer Jason Voorhees in FRIDAY THE 13TH: THE FINAL CHAPTER (1984).
  3. According to writer and director Gary Sherman, Mel Gibson was also considered for the part of Nick Randall since he was still largely unknown outside of Australia at the time. The producers settled on Rutger Hauer for the role because it would have cost twice as much to get Gibson for the role.
  4. Gary Sherman also directed the 1982 film VICE SQUAD starring Season Hubley, Gary Swanson, and Wings Hauser. I loved Rutger Hauer and Wings Hauser in the 80’s. Wings’ son Cole plays Rip Wheeler on the YELLOWSTONE TV series. 
  5. Gene Simmons from the rock band KISS specialized in playing bad guys on screen in the 1980’s. Aside from WANTED DEAD OR ALIVE, he was also a villain in RUNAWAY (1984) and NEVER TOO YOUNG TO DIE (1986). 

I’ve included the trailer for WANTED DEAD OR ALIVE below.

STAKEOUT (1987) – Richard Dreyfuss and Emilio Estevez stakeout the beautiful Madeline Stowe!


What were those years in your life where movies really became something special to you? I’d say mine began in around 1984 and extended all the way through about 1991, when I headed off to college and the realities of the world started kicking in. Our family got our first VCR around 1984, and this is when I first truly began to fall in love with the cinema. These are the years when I would spend every moment I could in our local video stores inspecting every film in their stock. So many of my favorite movies came out during this time and hold a sense of nostalgic value in my life even now. One of those movies is STAKEOUT, an action comedy from 1987 starring Richard Dreyfuss and Emilo Estevez. 

STAKEOUT begins with Richard “Stick” Montgomery (Aidan Quinn) escaping from prison, where he has been sent for killing an FBI agent a year earlier. Enter Seattle police detectives Chris Lecce (Richard Dreyfuss) and Bill Reimers (Emilio Estevez). They are assigned to stakeout the home of Montgomery’s beautiful ex-girlfriend Maria (Madeleine Stowe). In order to listen to her phone conversations, Chris impersonates a telephone repairman and meets her when he goes into her home to install the “bugs.” As fate would have it, he runs into Maria again at the local grocery store when he’s gone out to buy some supplies and donuts. She asks him to give her a ride home when she discovers she has a flat tire on her bike. He reluctantly gives her a ride home, but once he’s there, he puts up her groceries, she makes him a spicy dinner, and then he not so reluctantly makes love to her… all while his partner Bill is across the street waiting for his donuts. As you might imagine, this complicates the entire situation. And meanwhile, “Stick” Montgomery keeps making his way Seattle and Maria’s house where he stashed his cash before going away to prison.

STAKEOUT is one of those movies that our family rented in the late ‘80’s, and I immediately fell in love with. It’s my favorite kind of movie, the buddy cop film. Richard Dreyfuss and Emilio Estevez have a really nice chemistry together, and they come across as old friends. Even though there’s quite a bit of violence, the movie has a playful streak that I enjoy. There’s a series of running gags where Chris and Bill play practical jokes back and forth with the cops who relieve them on the stakeout each day, played by Dan Lauria and Forest Whitaker. The movie even throws in a little self-referential humor. In order to relieve the boredom of the stakeout, Estevez’ character is asking Dreyfuss movie trivia questions. He asks him to identify the movie where the line “this is no boating accident!” is from! Dreyfuss’ character has no idea. These are fun moments for me.

Another thing I love about STAKEOUT is the presence of the gorgeous Madeleine Stowe, who was making her first major film appearance. Seeing the film for the first time as a teenager of 14 years old made me a fan of hers for life. I’m not saying the movie was made specifically for 14-year-old boys, but it certainly wasn’t trying to push us away with its ad campaign that prominently featured the lovely Ms. Stowe. I’ll also point out that Aidan Quinn is effective and intimidating as the escaped murderer Richard “Stick” Montgomery. The fact that his character really does seem dangerous helps to make the film even more exciting when everything finally comes to a head. Veteran Director John Badham has made some really good movies in his career, including SATURDAY NIGHT FEVER (1977), BLUE THUNDER (1983), THE HARD WAY (1991), and NICK OF TIME (1995), to name a few. He knows what he’s doing, and I really started following his work based on how much I enjoyed STAKEOUT.

As much as I enjoy STAKEOUT, it’s one of those movies I don’t hear that much about these days even though it was a substantial box office hit. There was a misguided sequel made in 1993, ANOTHER STAKEOUT, that brought back Dreyfus, Estevez, and director Badham. I remember watching the sequel in the 90’s, but I honestly don’t remember anything about it. One of the reasons I enjoy writing about movies is because it gives me an opportunity to share a part of who I am, the things I enjoy, and maybe even serve as a reminder to others of films like STAKEOUT. I don’t think of these movies often myself, but when I was looking at my DVD collection earlier today, I smiled when I saw it and happily pulled it off the shelf to watch it again for the first time in several years!

I’ve included the trailer below:

4 Shots From 4 Films: Special Alfonso Arau Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of Mexican director and actor Alfonso Arau!  It’s time for….

4 Shots From 4 Alfonso Arau Films

Calzonin Inspector (1973, dir by Alfonso Arau, DP: Jorge Stahl Jr.)

Like Water For Chocolate (1992, dir by Alfonso Arau, DP: Emmanuel Lubezki)

A Walk In The Clouds (1995, dir by Alfonso Arau. DP: Emmanuel Lubezki)

The Trick In The Sheet (2010, dir by Alfonso Arau, DP: Vittorio Storaro)

Happy Birthday to director Walter Hill, the guy who made my favorite film, HARD TIMES (1975)!


Walter Hill celebrates his 83rd birthday on January 10th, 2025. He has made so many great films in his career, but the one that stands out the most to me is his directorial debut from 1975, HARD TIMES, with Charles Bronson, James Coburn, Jill Ireland, and Strother Martin. The film was known as THE STREETFIGHTER in some parts of the world, like England, but due to Sonny Chiba’s “Street Fighter” movie from around the same time, the producers decided to go with HARD TIMES in America.

Here are a few more interesting facts about Hill’s directorial debut:

  1. Chaney (Bronson) was originally supposed to be a much younger man, with Jan-Michael Vincent being considered for the role.
  2. Charles Bronson was 52 years old when he made HARD TIMES. According to Hill, Bronson “was in remarkable physical condition for a guy his age…. He had excellent coordination, and a splendid build. His one problem was that he was a smoker, so he didn’t have a lot of stamina. I mean, he probably could have kicked anybody’s ass on that movie, but he couldn’t fight much longer than 30 or 40 seconds.”
  3. According to Hill, Charles Bronson was easier to work with than James Coburn. Hill would say “Bronson was a very angry guy who didn’t get along with a lot of people. The only reason I can tell you he and I got along well was he respected that I wrote the script. He liked the script. I didn’t try to get close to him. Kept it very business-like. I think he liked that. James Coburn, who everybody liked and got along well with, he and I did not get along well. I think he was not in a good mood about being in a movie with Charlie, it was second banana. He had been up there more, and his career was coming back a bit. I don’t think he was wild about being second banana. But Charlie was a big star… and when things had seemed to not be working well, or there was some impasse, Charlie would come down hard on my side. That was a tipping point”.
  4. Walter Hill thought the project could become more “up market” if he made it more like a Western and set it in the past. Hill incorporated elements of an earlier Western he had written, “Lloyd Williams and his Brother”. He wrote it in a style inspired by Alex Jacobs–“extremely spare, almost Haiku style. Both stage directions and dialogue.”
  5. The settings for the Capcom arcade game Street Fighter are taken right from HARD TIMES. This film is titled “The Street Fighter” in Japan, and the game designer was instructed to take inspiration from this film. He did just that and copied many of them directly.

I’m so thankful for Walter Hill and HARD TIMES. In fact, it’s my all-time favorite film, as well as the first review I ever published for The Shattered Lens.

So, if you like movies like HARD TIMES, THE DRIVER, THE WARRIORS, THE LONG RIDERS, SOUTHERN COMFORT, 48 HRS., EXTREME PREJUDICE, and RED HEAT, join us in celebrating the great director Walter Hill on his 83rd birthday. He has brought me countless hours of joy over the years!

Here’s a trailer from the Masters of Cinema for HARD TIMES…