Brad reviews DANCING OUTLAW (1991) – starring Jesco White and a few of the other wild and wonderful Whites of West Virginia!


Last year I reviewed the 2009 documentary, THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA, which focused on Jesco White and the out of control White family from Boone County, West Virginia. Today, I’m going back to the original 1991 documentary, DANCING OUTLAW that first introduced us to Jesco and his family. Directed by Jacob Young and premiering as part of the PBS “Different Drummer” documentary series, this program would go on to win a 1992 Emmy Award, as well as a 1993 American Film Institute Award for “Best Documentary.” It would also turn Jesco into a celebrity and pop culture figure in West Virginia. This amazing documentary is currently available on YOUTUBE, and I highly recommend it to any person who’s interested in seeing what poverty and unchecked drug and alcohol abuse will do to the human brain. 

DANCING OUTLAW is where we first meet Jesco White, an amazingly talented mountain tap dancer, who has multiple personalities and a never ending love and respect for his dad, who gave him his talent and his dancing shoes, if not necessarily an outspoken love. The documentary is smart enough to show us Jesco performing on multiple occasions, thus establishing that Jesco is a truly talented and unique dancer.  The multiple personalities seem to come from years of huffing gasoline and lighter fluid that has destroyed his brain. Despite his talent, we are able to observe that Jesco is completely lost as a human being, based on his own words that he willingly shares with us, as well as what we learn from others. 

We meet Jesco’s mom Bertie Mae White, the miracle woman, for the first time in DANCING OUTLAW. One of the more emotional parts of THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA was the fact that Bertie Mae passed away during the year the film was made. Here, however, we meet Bertie Mae almost 20 years earlier and get a better feel for what she was like as a younger, healthier woman. We find out how proud she is of her husband Donald “D.” Ray White. We also see that she’s fiercely protective of her kids, and that they love her, even if she can’t control them. I’ve said before that I can see some of my own Grandma Crain in Bertie Mae.

We also meet Jesco’s wife, Norma Jean White. This is not a match made in heaven, as they fight non-stop, with Jesco usually threatening to kill her at some point. Bertie Mae makes it clear that nobody in their family wanted them to get married, yet here they are anyway… married, divorced, married again. Norma Jean tells us some interesting stuff about Jesco, mainly filling us in on his three distinct personalities:

  1. Jessie – She says Jessie is the most beautiful, perfect man you could ever ask for. 
  2. Jesco – She says Jesco is the devil himself.
  3. Elvis – She says she has to be silent and just enjoy Elvis. Jesco comments that the Elvis side of his personality is what calms him down and keeps him from wanting to kill everyone else in the world.

I think there’s something to West Virginians and multiple personalities. My wife is from West Virginia, has the last name of White, and often references her different personalities. Luckily, the ones I’ve met so far are pretty nice! On a side note, I’m not sure what became of Norma Jean because she’s never referenced in THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. Based on all of their arguing, I’m hoping they just got divorced, and I pray that she’s not buried somewhere out there in a holler! (Author update – Jesco was married to Norma Jean up until her death in 2009).

One of the more interesting parts of the documentary is when Jesco, Norma Jean, and Jesco’s brother Dorsey tell us about the night their dad, D. Ray White, was killed. Prior to telling us the events that led to his death, we’re treated to some video footage of D. Ray singing and performing his 52 mountain tap dancing steps. He was a truly amazing performer, and you can’t help but think that Jesco will never be quite as good as his dad. However, the events that led to his death can easily be summed up as follows: all kinds of people were partying together, which means abusing alcohol and drugs, when a fight started, and a person out of their right mind blew him away. It’s a sad waste, but it’s also a natural result of a family and community that’s deep into poverty, drugs and alcohol. Not only do we see how profoundly this affects Bertie Mae, Jesco and the rest of the family in this documentary, but we can also see the aftermath of his death, and the unbroken circles of drug use and violence again in THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. It’s ultimately both sad and pathetic. 

In DANCING OUTLAW, we first meet Jesco’s sister Mamie, as well as his brothers Poney and Dorsey. The only thing I want to say about these three is that we’re updated on each of them in THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. The passage of time hasn’t been real kind to Mamie, as she’s gone from a pretty, wild, fun-loving woman to a scary, unstable woman who will do anything, including illegal things, to make money. Dorsey is dead from an accidental shooting, and Poney has proven to be the smartest of the bunch by taking his kids and moving to Minnesota for a fresh start. At least there’s one success story since he was able to get away. 

At the end of the day, the documentary just kind of ends where it began, with Jesco and Norma Jean sitting at their trailer and arguing. There really is no “happy” way to end a movie about people like Jesco White and his family. I follow a lot of Jesco’s family members on social media, and I think the notoriety they have received from these documentaries has done nothing but make things worse for them. They are almost all struggling with the effects of poverty and drug abuse to this day. In some ways, these people don’t seem real, but the truth is that they are real, and that we know people like them in our own lives. Heck, we may be people like them. Our issues may not be the same, but our lives often contain unbroken cycles of making the same mistakes over and over again and then wondering why we can’t be happy. If nothing else, watching the slow-motion train wreck of another person’s life can hopefully inspire us to get our own shit together!

I’ve included the YouTube link to the DANCING OUTLAW below if you want to see for yourself!

Lisa Marie’s Way Too Early Oscar Predictions For June


Click here for my April and May predictions!

Best Picture

Avatar: Fire and Ash

Deliver Me From Nowhere

F1

Hamnet

It Was Just An Accident

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Wicked For Good

Best Director

Jon M. Chu for Wicked For Good

Ryan Coogler for Sinners

Joseph Kosinski for F1

Jafar Panahi for It Was Just An Accident

Joachim Trier for Sentimental Value

Best Actor

Timothee Chalamet in Marty Supreme

Dwayne Johnson in The Smashing Machine

Michael B. Jordan in Sinners

Wagner Moura in The Secret Agent

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Cynthia Erivo in Wicked For Good

Lucy Liu in Rosemead

Renate Reinsve in Sentimental Valure

Amanda Seyfried in Ann Lee

June Squibb in Eleanor The Great

Best Supporting Actor

Miles Caton in Sinners

Colman Domingo in Michael

Paul Mescal in Hamnet

Stellan Skarsgard in Sentimental Value

Christoph Waltz in Frankenstein

Best Supporting Actress

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Gabby Hofman in Deliver Me From Nowhere

Kate Hudson in Song Song Blue

Nia Long in Michael

Brad reviews the Netflix shark movie UNDER PARIS (2024)!


Last week Sierra and I had dinner with our kids, and as usual, at some point the conversation turned towards movies. Sierra has been watching a lot of terrible shark movies, so I asked the kids if they had seen any decent shark movies lately. Our son mentioned this movie UNDER PARIS, and both he and his wife agreed that they thought it was a good movie. We had not heard of it before, but being tired of the SHARKNADO’s of the world, we decided to check it out.

UNDER PARIS opens with marine biologist Sophia Assalas (Berenice Bejo) and her dive team, which includes her husband Chris, tracking a shark named Lilith. The divers go into the water to obtain a blood sample, expecting to find a normal sized Lilith, but instead discover that Lilith has grown to three times her normal size and is aggressively hunting with a pack of other sharks. Before they can get back to the boat, the divers are all attacked and killed. Three years later and still traumatized by the events of that fateful day, Sophia is now an employee of a Paris aquarium when a young environmentalist named Mika (Lea Leviant) approaches her and says that Lilith’s tracking beacon seems to be active in Paris’ Seine River. Skeptical at first since Lilith shouldn’t be able to survive in fresh water, Sophia changes her tune when a homeless man is found half eaten with wounds clearly caused by a shark. Sophia then works closely with the river police and Sergeant Adil (Nassim Lyes) to try to find the shark before it can kill other Parisians. Wouldn’t you know it, it seems that Paris is about to host a large triathlon that’s tied to the upcoming Paris Olympics. Concerned that the participants could turn into shark food, Sophia and the police meet with the Mayor of Paris (Anne Marivin) to ask her to put off the triathlon. The mayor, however, doesn’t want the bad publicity that would come from cancelling the triathlon due to a “shark problem” so she refuses to cancel and tells them to just deal with it. I think we can all imagine where the story goes from there!

UNDER PARIS is better than most of the shark movies that Sierra and I have been watching, but it’s also a bit of a mess. There are a few things I really did like about the movie. First, I liked the Paris setting, which is not your typical setting for a shark movie. It was fun seeing the Eiffel Tower in the background as our various characters went through all the familiar shark movie tropes, speaking in French no less. Second, I enjoyed the somewhat serious and suspenseful tone of the early portions of the film. Our main character Sophia, as played by Berenice Bejo, is dealing with real tragedy and the movie treats her grief seriously. I think Bejo is good in the film, and I felt for her through these early sequences. I also liked her relationship with Sergeant Adil. Of course he would be skeptical at first, but I thought actor Nassim Lyes did a fine job of balancing rationality with a desire to get to the truth no matter how outlandish it may seem. The suspense around the tragedy at the opening of the film, as well as the portions dealing with convincing the police that the shark is in Paris, are quite effective. Even though it’s a cliché at this point, it was a fun throwback to JAWS (1975) when the mayor of Paris didn’t want to cancel the triathlon due to the bad publicity it would cause. In other words, I really did enjoy a lot of the world that UNDER PARIS created as it was building to the catastrophic shark attacks

UNDER PARIS does have its share of problems. When the big set pieces start and the shark(s) start attacking Paris, the movie pretty much abandons the human stories for CGI shark attacks. I won’t deny that there is some excitement in these scenes, but while the effects are decent, they’re not great, and the non-stop carnage took me out of the parts of the movie that I was really enjoying. Some of the characters, I’m looking at you mayor and environmentalist Mika, are especially naïve and silly, and their downright idiotic decisions lead to the majority of death and destruction presented in the film. By the time half the environmentalists and triathletes have been eaten or severely disabled, I was already wondering how much time we had left to the end of the movie.

Overall, I do think UNDER PARIS is better than most of the shark movies you can find on the streaming services. The unique setting, serious tone, and strong performances get the movie off to a solid start. Unfortunately, it’s just not able to sustain its early momentum throughout to the end.

Brad’s Scene of the Day – ARKANSAS (2020)!


Clark Duke, from Glenwood, Arkansas, made his directorial debut back in 2020 in a movie that’s appropriately titled ARKANSAS. The film has a hell of cast (Liam Hemsworth, John Malkovich, Vince Vaughn, etc.) and focuses on the southern drug industry. You wouldn’t know it from today’s video, but it’s a color film, and it’s a good film. If you haven’t seen it, I recommend it (and so does Lisa – Arkansas Review)!

4 Shots from 4 Arkansas Films!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

I love to share movies that are filmed in my beautiful home state of Arkansas. There aren’t a lot of movies filmed in Arkansas, but there are definitely some interesting movies filmed in Arkansas. Check these out!

Bloody Mama (1970)
Boxcar Bertha (1972)
One False Move (1991)
Mud (2012)

#MondayMuggers present DARK ANGEL: THE ASCENT (1994), starring Angela Featherstone!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday June 30th, we are showing DARK ANGEL: THE ASCENT (1994), starring the lovely Angela Featherstone, Daniel Markel, Nicolas Worth, Charlotte Stewart, Milton James, and Mike Genovese.

The plot: A demoness from Hell, Veronica Iscariot (Angela Featherstone), uninterested in tormenting the souls of damned sinners, ascends to the world above and finds our world full of evil and corruption. Veronica decides her mission in life is to punish the wicked and evil and goes about this with a bloody vengeance. Along the way she meets and falls in love with a doctor, Max Barris (Daniel Markel), who tends to her wounds after an accident.

So, if you think you might enjoy watching a demoness punish the wicked and evil with a bloody vengeance, while falling in love with a handsome doctor, then we just may have the movie for you! Join us tonight for #MondayMuggers and watch DARK ANGEL: THE ASCENT. It’s on Amazon Prime!

Brad’s “Scenes of the Day” – Kathleen Wilhoite insulting Charles Bronson (and everyone else) in MURPHY’S LAW (1986)!


Actress Kathleen Wilhoite is 61 years old today. Wilhoite is a talented actress and singer who has over 40 years worth of film and TV credits, including movies like ROAD HOUSE (1989), with Patrick Swayze, and BAD INFLUENCE (1991), with Rob Lowe and James Spader. The movie I’ll always appreciate her the most for is the fun Charles Bronson badass cop movie, MURPHY’S LAW, that was made for the infamous Cannon Studios back in 1986. Handcuffed to Bronson for portions of the film, Wilhoite’s character Arabella McGee has an extremely interesting vocabulary, which mostly consists of cheesy, crude and vulgar insults for almost every person she comes into contact with. I saw this movie when I was 13 years old, and I copied way too many of her zingers for my own personal use over the next few years. Heck, 38 years later, I’m still not above calling the people I love “snot licking, donkey farts!”

Happy Birthday, Kathleen! Enjoy the video below that shares all of those insults from the movie!

Brad’s “Scene of the Day” – Alessandro Nivola and Nicolas Cage in FACE/OFF (1997)!


Alessandro Nivola has some good credits in movies like MANSFIELD PARK (1999), AMERICAN HUSTLE (2013), and THE BRUTALIST (2024), but he’ll always be special to me as Pollux Troy, the younger brother of Nicolas Cage’s Castor Troy, in John Woo’s most awesome American film FACE/OFF!

In celebration of Nivola’s 53rd birthday, enjoy this little taste of late-90’s coolness (the link can only be watched on YOUTUBE, and it’s worth it):

10 Films For The Weekend (6/28/25)


This is the last weekend of my vacation!  I’ll be back on Monday.  Here are a few film recommendations, inspired by both my vacation and the upcoming patriotic holiday!

Keeping The World Safe

Whenever anyone asks me what the best film ever made about Hawaii is (and it happens all the time, let me tell ya), I always reply with From Here To Eternity.  Then I smile and say, “Or maybe it’s Hard Ticket To Hawaii!”  Directed by Andy Sidaris, Hard Ticket to Hawaii (1987) has it all.  A mutant snake, a sex doll-carrying assassin on a skateboard, a killer frisbee, the Molokai cops, a single-engine airplane, and Ridge from the Bold and the Beautiful!  This is the film that taught me that the proper way to reply to a guy saying, “Nice ass!” was to smile and say, “You too, Pilgrim.”  Hard Ticket To Hawaii is one of the most deliriously strange and entertaining films ever made and you can view it on Tubi!

After viewing Hard Ticket to Hawaii, be sure to check out Andy Sidaris’s other great film, Guns (1990)Guns not only features a tropical paradise but it also stars Erik Estrada, giving a totally over-the-top performance as the villain.  Guns can be viewed on Tubi.

As a resident of Dallas, I will always have a soft place in my heart for Sidaris’s Day of The Warrior (1996), in which it is established that the world’s most evil secret organization is headquartered on top floor of the Bank America Plaza and that the evil mastermind lives in “North Dallas.”  You probably have to be from Dallas to get the joke but it’s a good one.  Day of the Warrior can be viewed on Tubi.

Finally, The Dallas Connection (1994) was directed by Andy’s son, Christian Drew Sidaris.  I have to recommend this one because it not only takes place in Dallas but it’s actually named after the city as well!  Filmed on location, this film features plenty of action and exploding toy boat.  The Dallas Connection can be viewed on Tubi.

If you want your action stars to have a bit more of a social consciousness, Born Losers (1967) features Billy Jack (Tom Laughlin) in his first film appearance.  In three subsequent films, Billy Jack would go on to fight for pacifism and Native American rights and would eventually becomes a U.S. Senator but, in this film, he just kills a bunch of bikers who have been harassing tourists in California.  Born Losers can be viewed on Tubi.

God Bless America

Next Friday will be the Fourth of July.  USA!  USA!  USA!

Invasion USA (1952) takes a look at what happens when a bunch of people take America for granted.  Fortunately, Dan O’Herlihy is on hand to hypnotize everyone and force them to experience what life would be like if the communists took over America.  Thank you, mysterious hypnotist!  This film can be viewed on Tubi.

Years later, those commies were still trying to invade and divide America.  Fortunately, Chuck Norris was available to stop them.  Invasion U.S.A. (1985) features one of Richard Lynch’s greatest performances and it can be viewed on Tubi.

I Was A Communist For The FBI (1958) claims to tell the true story of a man who spent years working undercover as a communist.  His family rejected him.  His neighbors scorned him.  This film is a real time capsule of the time it was made.  That said, it’s portrayal of communists as being a bunch of upper class bigots who manipulate a working class that they have no interest in being a part of still feels relevant today.  I Was A Communist For The FBI can be viewed on YouTube.

Odds and Ends

Cold In July (2014) is one of the best neo-noirs of the best ten years and it features an excellent performance from Don Johnson, whose weathered toughness gives him a gravitas that he was occasionally lacking in his younger years.  It can be viewed on Tubi.

Finally, Jeff and I watched Smokey and the Bandit (1977) earlier this week.  It’s one of Jeff’s favorites and, whenever I watch it, I’m always surprised to re-discover how much I enjoy it myself.  Fast cars, a truck that looked a lot like the one my Dad used to drive, Southern scenery, and a theme song that gets stuck in your head, what’s not to like?  I related to Sally Field’s confusion as to why anyone would want to eat at a “choke-n-puke.”  It’s available on Netflix!

(Check out last weekend here!)

 

4 Shots From 4 Films: Special Mel Brooks Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Mel Brooks is 99!  It’s time for….

4 Shots From 4 Mel Brooks Films

Blazing Saddles (1974, dir by Mel Brooks, DP: Joseph Biroc)

Young Frankenstein (1974, dir by Mel Brooks, DP: Gerald Hirschfeld)

High Anxiety (1977, dir by Mel Books. DP: Paul Lohmann)

Spaceballs (1987, dir by Mel Brooks, DP: Nick McLean)