4 Shots From 4 Films: Special Michael Mann Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the 83rd birthday of the great Michael Mann!  It’s time for….

4 Shots From 4 Michael Mann Films

Thief (1981, dir by Michael Mann, DP: Donald Thorin)

Manhunter (1986, dir by Michael Mann, DP: Dante Spinotii)

Heat (1995, dir by Michael Mann, DP: Dante Spinotti)

Public Enemies (2009, dir by Michael Mann, DP: Dante Spinotti)

4 Shots From 4 Films: Special George Romero Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been George Romero’s 86th birthday.

Now, those of you who have been reading us since the beginning know how important the work of George Romero has been to this site.  A mutual appreciation of Night of the Living Dead is one of the things that first brought many of us together.  It’s a film that we watch ever Halloween and Arleigh’s review of the original remains one of our most popular posts.  If this site had a patron saint, it would probably be George Romero.

And yet, Romero wasn’t just a director of zombie films.  He made many films, dealing with everything from hippie lovers (There’s Always Vanilla) to wannabe vampires (Martin) to government conspiracies (The Crazies) and eccentric bikers (Knightriders).  George Romero was one of the pioneers of independent films and today, on his birthday, we should all take a minute to consider and appreciate the man’s cinematic legacy.  It’s not just horror fans who owe George Romero a debt of gratitude.  It’s lovers of cinema everywhere.

With that in mind, here are….

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero, DP: George Romero)

The Crazies (1973, dir by George Romero, DP: S. William Hinzman)

Martin (1978, dir by George Romero, DP: Michael Gornick)

Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

4 Shots From 4 Films: Special Michael Cimino Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, it is time to celebrate the birth of one of the most intriguing (if uneven) filmmakers of the 20th Century, Michael Cimino!  It’s time for….

 4 Shots From 4 Michael Cimino Films

Thunderbolt and Lightfoot (1974, directed by Michael Cimino, DP: Frank Stanley)

The Deer Hunter (1978, dir by Michael Cimino. DP: Vilmos Zsigmond)

Heaven’s Gate (1980, dir by Michael Cimino, DP: Vilmos Zsigmond)

The Year of the Dragon (1985, dir by Michael Cimino, DP: Alex Thomson)

Brad reviews YOU’VE GOT MAIL (1998), starring Tom Hanks and Meg Ryan!


Kathleen Kelly (Meg Ryan) owns a children’s bookstore in New York City named “The Shop Around the Corner.” It’s a small, cozy store that she inherited from her dear mother, and it’s part of the lifeblood of who she is as a person, as well as the community itself. Joe Fox (Tom Hanks), on the other hand, is the heir to a major bookstore chain, Fox Books (think Barnes & Noble), that threatens to wipe places like Kathleen’s off the map. As fate would have it, the two meet anonymously online where they trade their hopes, dreams and insecurities through daily e-mails, with both excitedly opening their computers each night hoping to hear those three little words, “You’ve Got Mail.” Things begin to get interesting when Joe plans to open up a Fox Books Superstore just around the corner from Kathleen’s place with neither knowing that they’re real-life business adversaries. When will they find out that they’re enemies in the business world? Can true love find a way in the most difficult of circumstances? And isn’t that why we watch these kinds of movies in the first place?!

I’ll start off by saying that Meg Ryan is operating at the top of her “America’s sweetheart” phase here… she’s cute, sincere, nostalgic, slightly neurotic, and ultimately quite believable as a person who romanticizes her world and truly believes there will always be a place for her small store and the gigantic superstores! I grew up and still live in the state where Wal-Mart started so I definitely know how hard it is for the “mom and pop” stores to compete. Tom Hanks walks a bit more of a tightrope as Joe Fox. He’s likable enough that you want him to be able to win her heart, but he’s also just arrogant enough that you understand why Kathleen resents everything he stands for. Ultimately, Hanks is able to pull it off with enough charm that you still root for him even when he can be a little bit of a jerk at times.

What’s really strange about revisiting YOU’VE GOT MAIL at this point in my life is the fact that it takes me back to the late 90’s when the internet was something new to me and it seemed like something magical. In this movie, the internet connects two souls, and when we hear “you’ve got mail” as they fire up their computers, the movie expects you to feel genuine excitement, without a hint of irony. Compare that with where the world is today with almost any kind of online activity, especially social media. While there are still a lot of positives to be found, it’s sad that going online now is often exhausting, hateful, and stressful! In 1998, though, it was still possible to believe that logging on could lead to something incredible!

Nora Ephron, who directed the film and co-wrote the screenplay, does a good job of presenting a sad reality of the real world underneath this romantic comedy’s love story. “Progress” can be cruel, and it seems like it just can’t be stopped no matter what! I spend a lot of time talking about the wonderful hours I spent in the video stores of my youth. Those stores are all gone now and have been for decades. The stores that replaced them are mostly gone now, and almost all of my movie viewing is now done through online streaming. In YOU’VE GOT MAIL, Fox Books certainly isn’t better than Kathleen’s Shop Around the Corner. As a matter of fact, it’s not nearly as educational or personal. What it is, however, is bigger, cheaper, and more efficient, and that’s what seems to win in the end, just like it did with the local video stores and Wal-Mart. This is where Ephron does her strongest balancing act. Joe Fox and Kathleen Kelly still fall in love despite the fact that the realities of the world around them take their realistic and natural course. A true human connection is made in the most difficult and painful of circumstances, and that ultimately means more than anything else in the film.

Revisiting YOU’VE GOT MAIL now doesn’t feel that much different than revisiting the film that inspired it, 1940’s THE SHOP AROUND THE CORNER, starring Jimmy Stewart and Margaret Sullavan. Both films are time capsules of a world that no longer really exists. However, both films ultimately realize the time-tested truth that it’s our relationships with other people that provides the most meaning to our lives. That’s a truth that won’t change whether we’re writing letters, sending e-mails, exchanging texts or whatever “progress” the human race achieves in communication in the future! I find some comfort in that.

4 Shots From 4 Films: Special Early Bill Murray Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Admittedly, it is not Bill Murray’s birthday today but it’s not really anyone else’s birthday either (and don’t you dare say Paul Mescal because you need to be around for a long while to get one of these appreciation posts).  Today is Groundhog Day and, even though the production of the movie of the same name was not exactly harmonious by most accounts, it is one of the movies that has come to define everything that people love about Bill Murray.

So today, it just seem appropriate to share….

4 Shots From 4 Bill Murray Films

Ghostbusters (1984, dir by Ivan Reitman, DP: Laszlo Kovacs)

Groundhog Day (1993, Dir. by Harold Ramis, DP: John Bailey)

Rushmore (1998, dir by Wes Anderson, DP: Robert Yeoman)

Lost In Translation (2003, dir by Sofia Coppola, DP: Lance Acord)

6 Shots From 6 Films: Special John Ford Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

John Ford was born 132 years ago today, in Maine.  Seeing as how John Ford is one of the most influential and important directors of all time, it was pretty much guaranteed that we were going to share a few shots from his filmography on the Shattered Lens.

In honor of John Ford, here are….

6 Shots From 6 Films: Special John Ford Edition

The Informer (1935, dir by John Ford, DP: Joseph August)

Stagecoach (1939, dir by John Ford, DP: Bert Glennon)

The Grapes of Wrath (1940, dir by John Ford. DP: Gregg Toland)

My Darling Clementine (1946, dir by John Ford, DP: Joseph MacDonald)

The Searchers (1956, dir by John Ford, DP: Winston C. Hoch)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

Happy Birthday in Cinema Heaven to Character Actor, Stuart Margolin!


I love the character actor Stuart Margolin. He’s well known for his work as Angel Martin on the James Garner TV series THE ROCKFORD FILES, but I’ll always appreciate him the most for his important performances with director Michael Winner and actor Charles Bronson in the movies THE STONE KILLER and DEATH WISH. Margolin passed away in 2022 but his legacy on film and TV live on forever!

For a bit of 70’s cinema trivia, if anyone ever asks you who gave Paul Kersey his Colt revolver in the original DEATH WISH, the answer is Aimes Jainchill, played by Mr. Margolin. Join me in celebrating his legacy by watching this scene from the vigilante classic!

Brad reviews THE GHOST AND MR. CHICKEN (1966), starring Don Knotts.


I love Don Knotts. I’m one of those people who have watched every episode of THE ANDY GRIFFITH SHOW (1960-1968) multiple times. And while it’s true that there are good episodes in the last three seasons, the series was at its best when Sheriff Andy Taylor and his sidekick Barney Fife were serving the townsfolk of Mayberry, North Carolina during the first five seasons. In Barney Fife, Don Knotts created one of the best characters in television history, earning five Emmy Awards in the process. When Don Knotts left the series at the height of its popularity, the first movie he made was THE GHOST AND MR. CHICKEN!  

In THE GHOST AND MR. CHICKEN, Knotts plays Luther Heggs, a meek typesetter at a small-town newspaper in Rachel, Kansas, who dreams of being a serious reporter but is treated like a joke by nearly everyone around him. When the town prepares for the 20-year anniversary of an unsolved murder at the supposedly haunted Simmons Mansion, Luther unexpectedly gets a chance to prove himself. He volunteers to spend the night alone in the mansion to see if it really is haunted. As you might expect, Luther is scared out of his mind as he hears banging on the walls, discovers secret passageways, and observes blood-stained organs playing themselves. The night culminates with Luther seeing a portrait of poor Mrs. Simmons with gardening shears piercing her throat! By surviving the night, and then telling the truth about what he experienced, Luther just may uncover a real crime being committed behind all of this “supernatural” activity!

Since Don Knotts left THE ANDY GRIFFITH SHOW to pursue a movie career, I’m glad to report that his decision to star in THE GHOST AND MR. CHICKEN was a really good choice. His performance is a masterpiece of physical comedy. Sure, Knotts trembles, shakes and delivers his lines in his awkward, nervous way for a lot of laughs, but he also provides a vulnerability that really makes you root for him. Knotts knew how to play lovable losers in a way that shows a quiet decency. He may actually be scared, and he may seem like a real pushover, but he also finds the courage to do the right thing even when it’s not easy. This was true for Barney Fife, and it’s also true for Luther Heggs in THE GHOST AND MR. CHICKEN.

Aside from Don Knotts, THE GHOST AND MR. CHICKEN has a solid supporting cast! Joan Staley is very beautiful as Luther’s love interest, Alma. Staley was a Playboy Playmate in 1958, so I can definitely see why Luther is in love. I like the fact that her Alma is more than just a pretty face. Rather, she’s one of the few people who sees Luther as more than a joke, which makes her even more appealing. Meanwhile, Luther’s newsroom boss (Dick Sargent) and office rival (Skip Homeier) never miss an opportunity to be condescending. The director Alan Rafkin directed 27 episodes of THE ANDY GRIFFITH SHOW, so he definitely knows how to get the best comedy out of Knotts and the rest of his cast. He also keeps the tone light, with the haunted house set pieces playing out like gentle, kid-friendly chills rather than anything truly scary. The blood-stained organ / garden shears sequence in the mansion is especially effective, with Don Knotts perfectly walking the line between raging fear and slapstick comedy. Signaling that there was a big audience for Don Knotts in the movies, THE GHOST AND MR. CHICKEN proved to be a box office hit, taking the number one spot during its first week of release, and grossing about eight times its budget!  

Ultimately, THE GHOST AND MR. CHICKEN endures because it understands the special qualities of its star. Don Knotts is funny, and he’s also human. He may be scared out of his mind, but he also has decency and an ability to find courage when he must. In that way, it’s a comfort movie, a should-be Halloween staple, and finally, a reminder that sometimes the bravest person in the room is the one who can’t quit shaking.  

4 Shots From 4 Films: Special Paul Newman Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

101 years ago today, Paul Newman was born in Shaker Heights, Ohio.  He would go on, of course, to become one of America’s greatest film stars, an acclaimed actor who was active from the mid-part of the 20th century to the beginning of our current century.  He made his film debut in 1954 with The Silver Chalice (and subsequently paid for an ad in which he apologized for his performance in the film, which I think was a bit unnecessary as he wasn’t really that bad in the film) and he made his final onscreen appearance in 2005 in Empire Falls.  (He did, however, subsequently provide the voice of Doc Hudson in Cars, along with narrating a few documentaries.)  Time and again, he proved himself to be one of the best actors around.  According to most report, he was also one of the nicest.  When he died in 2008, the world mourned.

In honor of his cinematic legacy, here are….

4 Shots From 4 Paul Newman Films

The Long Hot Summer (1958, dir by Martin Ritt, DP: Joseph LaShelle)

Hud (1963, dir by Martin Ritt, DP: James Wong Howe)

The Sting (1973, dir by George Roy Hill, DP: Robert Surtees)

Slap Shot (1977, dir by George Roy Hill, DP: Victor Kemper)

4 Shots From 4 Films: Special Tobe Hooper Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 83rd birthday, the Shattered Lens pays tribute to Texas’s own, Tobe Hooper!

The Austin hippie who redefined horror and left thousands of yankees terrified of driving through South Texas, Tobe Hooper often struggled to duplicate both the critical and the box office success of The Texas Chainsaw Massacre.  It’s only been in the years since his death that many critics and viewers have come to truly appreciate his unique and subversive vision.

Down here, in Texas, we always believed in him.

It’s time for….

4 Shots From 4 Tobe Hooper Films

The Texas Chainsaw Massacre (1974, dir by Tobe Hooper, DP: Daniel Pearl)

Eaten Alive (1976, dir by Tobe Hooper. DP: Robert Caramico)

The Funhouse (1981, dir by Tobe Hooper. DP: Andrew Laszlo)

Poltergeist (1982, dir by Tobe Hooper, DP: Matthew Leonetti)