Scenes That I Love: Peter Cushing Confronts Christopher Lee in The Satanic Rites of Dracula


Today is Peter Cushing’s birthday.  Tomorrow is Christopher Lee’s.

What better way to celebrate than by sharing a scene that I love that features both of them?  1973’s The Satanic Rites of Dracula was one of Hammer’s final Dracula films and, with the action somewhat awkwardly moved to the modern day, it’s also one of the weaker entries.  But it does feature Christopher Lee and Peter Cushing, playing Dracula and the latest Van Helsing, and it’s worth watching for that reason.  

Though they often played enemies onscreen, Cushing and Lee were best friends offscreen.  Lee often said that he never really recovered from Cushing’s death in 1994.  Cushing may have spent his career playing villains and obsessive monster hunters but he was said to actually be a kind and rather shy man, an old-fashioned gentlemen who unexpectedly found his fame in horror.  Whereas Lee was a serious student of the esoteric, Cushing preferred to spend his time gardening.

In the scene below, Cushing’s Van Helsing confronts Lee’s Dracula and it’s just fun to watch these two old friends go at each other.  One gets the feeling that Cushing and Lee had a few laughs after the cameras stopped rolling.

Ray Liotta, R.I.P.


I was stunned to just hear that Ray Liotta, that massively underrated actor who appeared in some truly great films and who always brought a dangerous but intriguing intensity to every role, died today.  He was 67 years old.

I’m going to share two scenes in honor of Ray, I’m sure that others will have more to say.  The first scene is from a favorite of Arleigh’s, Field of Dreams.  Ray doesn’t say much as Shoeless Joe Jackson but he’s already got that trademark intensity.  The second is the final scene from Goodfellas, which features Ray Liotta’s best work of the entire film.  The small moment when he briefly acknowledges the camera while getting his newspaper is brilliant.

RIP, Ray Liotta.

4 Shots From 4 Films: Special Pam Grier Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to screen icon Pam Grier!  It’s time for….

4 Shots From 4 Pam Grier Films

Coffy (1973, dir by Jack Hill, DP: Paul Lohmann)

Foxy Brown (1974, dir by Jack Hill, DP: Brick Marquard)

Something Wicked This Way Comes (1983, dir by Jack Clayton, DP: Stephen H. Burum)

Jackie Brown (1997, dir by Quentin Tarantino, DP: Guillermo Navarro)

Scenes that I love: The Boogie Nights Recording Session (Happy Birthday, John C. Reilly)


Via twitter, I was reminded that today is John C. Reilly’s 57th birthday.  This provides me with a great reason to share a scene that I love from 1997’s Boogie Nights.  After falling out with his director, 70s porn star Dirk Diggler (Mark Wahlberg) attempts to reinvent himself as a rock star.  Providing support, both emotionally and musically, is his best friend and frequent co-star, Reed Rothchild (John C. Reilly).

Now, obviously, Wahlberg’s brilliantly tuneless singing usually gets the most attention here but there’s something really touching about Reed’s loyalty in these scenes.  It may just be because of the cocaine but you can tell that Reed is perhaps even more convinced of Dirk’s talent than Dirk is.

Enjoy and remember …. YOU GOT THE POWER!

4 Shots From 4 Films: Special Roger Deakins Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to the legendary cinematographer, Roger Deakins!  It’s time for….

4 Shots From 4 Roger Deakins Film

Nineteen Eighty-Four (1984, dir by Michael Radford, cinematography by Roger Deakins)

Fargo (1996, dir by the Coen Brothers, cinematography by Roger Deakins)

Kundun (1997, dir by Martin Scorsese, cinematography by Roger Deakins)

1917 (2019, dir by Sam Mendes. cinematography by Roger Deakins)

Here’s The Trailer For The Gray Man!


Pity The Gray Man.

The trailer for this upcoming Netflix spy thriller had the misfortune to drop as the same time as the trailer for the new Mission: Impossible film.  Needless to say, The Gray Man has been a bit overshadowed, despite being directed by the Russo Brothers and starring Ryan Gosling, Chris Evans, and Ana de Armas.

As for the trailer itself, it looks like a standard Netflix action flick but, if you’ve seen The Iceman, you know that Chris Evans can be an entertainingly eccentric villain.  And I think the Russo Brothers do have the potential to be a force outside of the MCU, even if Cherry did fall a bit flat.  So, we’ll see!   

Here’s the trailer!

Here’s the 2nd Trailer for Thor: Love and Thunder!


The 2nd trailer for Thor: Love and Thunder has been dropped!  In this trailer, we get to see a bit more of Thor’s reunion with Jane and we also meet the film’s villain, a creepy-looking god slayer who sounds a lot like Christian Bale.

One thing I’ve noticed about the Thor films is that someone is always trying to destroy Asgard and kill all of the Gods.  Maybe the Asgardians need to work on their image or something.  Invest in foreign trade.  Export a really funny television sitcom.  Just do something that will give the rest of the universe something positive to associate with Asgard.  When America was getting a bad reputation, it produced its own version of a British show called The Office and totally won the hearts of the world.  Maybe Asgard needs its own Steve Carell.

It’s just a thought.

Here’s the trailer:

Scenes that I Love: The Roulette Scene From Run, Lola, Run (Happy Birthday, Tom Tykwer!)


Today is the birthday of German filmmaker Tom Tykwer.  Tykwer directed one of my favorite films of all time, 1998’s Run, Lola, Run!  As such, it only seems appropriate that today’s scene that I love should come from that film.

In this scene, Lola shows us all how to win at roulette.  Do not try this in Vegas.

4 Shots from 4 Films: Special Ryan Coogler Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to director Ryan Coogler!  With just three feature films and a handful of shorts, Ryan Coogler has made a star out of Michael B. Jordan, redeemed the acting career of Sylvester Stallone, introduced the rest of the world to Wakanda, and changed the way that film viewers talk about race in cinema.  With all that in mind, it’s time for….

4 Shots from 4 Ryan Coogler Films

Locks (2009, dir by Ryan Coogler, DP: Francisco Kosterlitz)

Fruitvale Station (2013, dir by Ryan Coogler, DP: Rachel Morrison)

Creed (2015, dir by Ryan Coogler, DP: Maryse Alberti)

Black Panther (2018, dir by Ryan Coogler, DP: Rachel Morrison)

Scenes That I Love: “Now is the winter of our discontent” from Laurence Olivier’s Richard III


115 years ago today, Laurence Olivier was born in Surrey.  The son of a clergyman, Olivier would go on to become one of the greatest stage actors of the 20th Century.  He would also have a distinguished film career, one that led to him frequently being described as being the world’s greatest living actor.

He is perhaps best-known for his Shakespearean performances.  He won multiple Oscars for directing and starring in 1948’s Hamlet.  Before his turn in Hamlet, he was similarly nominated for his film version of Henry V.  That said, for me, his best cinematic Shakespearean performance was as Richard III in the 1953 film of the same title.

Though acclaimed, Richard III was not quite the Oscar favorite that Olivier’s previous two adaptations of Shakespeare had been.  Henry V was released at a time when its portrayal of a determined British ruler could be viewed as a metaphor for the UK’s role in the second world war.  Hamlet was released at a time when the world was still rebuilding and trying to adjust to the new atomic age and its dark, noirish style captured those anxieties.  Richard III was released in the 50s, at a time when Americans perhaps weren’t as receptive to films that suggested that leaders should not be trusted.  As a result, Richard III received only one nomination, for Olivier’s performance in the title role.

Today, in honor of his birthday, here is a scene that I love from 1953’s Richard III: