Monday Live Tweet Alert: Join Us For Killer Elite and The Untouchables!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 2011’s Killer Elite!  Selected and hosted by Sweet Emmy Cat, this movie features an all-star cast and failed to make back its budget so you know it has to be good!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1987’s The Untouchables!  The film, which features a look at why Chicago is the worst city ever, is on Prime!

For those of you keeping track, that’s two De Niro films in one night!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Killer Elite on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start The Untouchables, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy. 

Retro Television Reviews: Can Ellen Be Saved (dir by Harvey Hart)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s Can Ellen Be Saved!  It  can be viewed on YouTube!

Ellen Lindsey (Katharine Cannon) is an intelligent but depressed teenager who feels that she just doesn’t belong anywhere in the world.  She’s not interested in the money and class-obsessed lifestyle of her parents, Arnold (Leslie Nielsen, back in his serious actor days) and Bea (Louise Fletcher).  At the same time, she’s also not interested in the silly lives of her friends, who spend all of their time chasing boys and talking about celebrities.  Ellen is looking for something deeper and she thinks that she may have found it when she attends a religious retreat led by a charismatic man named Joseph (Michaele Parks).

Everyone at the retreat is very friendly and very dedicated and very concerned with finding more to life than just surface pleasures.  They spend hours listening to sermons.  They spend even longer singing hymns.  The leaders of the retreat emphasize that anyone can leave whenever they want but, if they do, they’ll still be making the biggest mistake of their life.  Ellen is happy because she’s finally found a group of friends who seem to feel the same way that she does about society and materialism.  Joseph is happy because he’s brainwashed another member of his cult who he can now send out to panhandle for him and the compound.

Arnold and Bea are not happy when Ellen runs away to join Joseph’s commune.  When Arnold visits the commune, he discovers a secretive world where outsiders are not welcome.  He also discover that Ellen no longer seems to be capable of thinking for herself.  With the police unwilling to help, Arnold and Bea turn to an enigmatic deprogrammer named James Hallbeck (John Saxon).  Hallbeck specializes in grabbing kids that have joined cults and bringing them back to their parents.  Of course, it’s hard not to notice that neither Joseph nor Arnold seems to be giving much thought to what Ellen actually wants from her life.

Can Ellen Be Saved? is a well-made TV movie that has a lot in common with later films like Split Image and Ticket To Heaven.  As in both those movies, the first half of the film details how cults initially brainwash their members while the second half deals with the sometimes harsh process of reversing that brainwashing.  And, just as in those two later films, Can Ellen Be Saved? features parents who mistakenly assume that their child can be returned to them exactly as she was before.  Though all three of the films feature cults that are definitely sinister, they also feature main characters who were lost before they joined the cult and all three of them end on an ambiguous note, leaving us to wonder if the characters have regained their free will or if they’ve just traded one brainwashing for another.

Along with being a well-written and well-acted film, Can Ellen Be Saved features one of those once-in-a-lifetime casts.  Popping up in small roles are familiar faces like William Katt, Rutanya Alda, and Kathleen Quinlan.  Michael Parks and John Saxon are both convincing as two morally ambiguous characters whose own motives are left enigmatic.  Katherine Cannon is sympathetic as Ellen, whose need to be a part of something leaves her vulnerable to manipulation.  Finally, it must be said that Leslie Nielsen — despite his reputation for having been a dull dramatic actor — is actually very effective as Ellen’s confused but well-meaning father.  Usually, when I watch Neilsen in a dramatic film, I find myself expecting him to wink at the camera or deliver a silly line in a deliberately flat and unemotional tone.  But, in this film, I actually forgot I was watching Leslie Nielsen.  Instead, he just become a suburban dad, trying to understand why his daughter was so dissatisfied with the life that he had worked so hard to give her.

I wasn’t expecting much from Can Ellen Be Saved? but it turned out to be surprisingly effective.

Live Tweet Alert: Watch Blood Vessel with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2020’s Blood Vessel!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Live Tweet Alert: Join #FridayNightFlix for The Wraith!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter and I hope to continue to be until the site finally becomes unusable.  (It’s going to happen eventually so enjoy it while you can!)  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1986’s The Wraith!  This film stars Charlie Sheen, Sherilyn Fenn, Nick Cassavetes, Randy Quaid, and Clint Howard!  Remember …. “if you lose the race, you lose your car!”

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The Wraith is available on Prime and Tubi!  See you there!

Scenes That I Love: Harrison Ford Briefs Martin Sheen In Apocalypse Now


Happy birthday, Harrison Ford!

Today’s scene that I love features Harrison Ford in one of his more unexpected roles.  In Francis Ford Coppola’s Apocalypse Now, he played one of the three men who ordered Martin Sheen to go upriver and assassinate Marlon Brando.  It’s a small role, especially when one considers that Ford had appeared as Han Solo just two years before.  Given the lengthy shooting of Apocalypse Now, there’s some debate as to whether Ford was actually cast in the role before he was selected for Star Wars.  Giving credence to that theory is that Ford played a similar role for director Francis Ford Coppola in The Conversation.  However, it’s hard not to notice that Ford plays Col. G. Lucas, which would suggest that his casting was a bit of an inside joke.  Speaking of inside jokes, G.D. Spradlin plays General R. Corman, no doubt named for the man who gave Coppola his start in the business.

(Interesting enough, both Spradlin and Corman played U.S. Senators in The Godfather Part II.)

In this scene, Ford shows off the nerdy intensity that was actually kind of his acting trademark before Star Wars changed his screen persona.  This scene, along with his work in The Conversation, serves as a reminder that Harrison Ford is a pretty good character actor along with being one of the last great movie stars.

Scenes That I Love: Dracula Meets Van Helsing


143 years ago, on this date in Kentucky, director Tod Browning was born.  Though Browning was a director who was comfortable working in any genre, he is today best remembered for the horror films that he directed for Universal studios.  Today’s scene that I love comes from Tod Browning’s 1931 adaptation of Dracula.

In this scene, Count Dracula (Bela Lugosi) is introduced to Prof. Van Helsing (Edward Van Sloan).  Van Helsing notes something interesting about Dracula’s reflection, namely that he doesn’t have one.  Needless to say, the Count is not amused.

4 Shots From 4 Films: Special Monte Hellman Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

94 years ago today, the great director Monte Hellman was born in New York City.  Though Hollywood never quite understood Hellman or his idiosyncratic vision, he and his films have inspired a countless number of independent filmmakers.  Hellman started his career with Roger Corman and was one of the first directors to recognize the talent of actors like Jack Nicholson and Warren Oates.  When Monte Hellman passed away in 2021, he was eulogized as one of the key figures of the Hollywood counterculture.  Today, we celebrate Hellman and his films with….

4 Shots From 4 Monte Hellman Films

The Shooting (1966, dir by Monte Hellman, DP: Gregory Sandor)

Two-Lane Blacktop (1971, dir by Monte Hellman, DP: Jack Deerson)

Cockfighter (1974, dir by Monte Hellman, DP: Nestor Almendros)

China 9, Liberty 38 (1978, dir by Monte Hellman, DP: Guiseppe Rotunno)

Monday Live Tweet Alert: Join Us For Parts: The Clonus Horror and Men In Black!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1979’s Parts: The Clonus Horror I picked it so you know it’ll be good.

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1997’s Men In Black!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Parts: The Clonus Horror on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Men In Black, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Retro Television Reviews: Dawn: Portrait of a Teenage Runaway (dir by Randal Kleiser)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1976’s Dawn: Portrait of a Teenage Runaway!  It  can be viewed on YouTube!

Dawn Wetherby (Eve Plumb) is fifteen years old.  She’s naive.  She’s innocent.  She’s …. well, let’s just be honest and admit that she’s not particularly bright.  Sick of being embarrassed by her alcoholic mom (Lynn Carlin), Dawn decides to hop on a bus and travel to Hollywood.  Maybe she can make a new life for herself in California.

Of course, it doesn’t take long for Dawn to discover that Los Angeles is not a city where dreams magically come true.  It’s a tough and harsh town and it’s not like Dawn has any money or any particular skills.  When she tries to get a job, she’s told that she’s too young.  When she tries to rent a room, she’s told that ten dollars is not enough to cover two weeks rent.  When she gives a dollar to a boy who says that he needs it, he responds by mugging her for the rest of her cash.  A prostitute named Frankie Lee (Marguerite DeLain) takes some sympathy on Dawn and tells her to call if she ever wants to make some money.

Eventually, a nasty cough leads to Dawn going to the free clinic.  That’s where she meets Alexander (Leigh McCloskey).  Alexander is a teen runaway, just like Dawn.  However, Alexander also can somehow afford an apartment and food to eat.  Alexander invites Dawn to live with him and Dawn, realizing she has no where else to go, agrees.  Alexander offers to look after her but, after Dawn discovers that Alexander makes his money by working as a male prostitute, Dawn decides that she needs a job of her own.

It’s time to call Frankie Lee!  And it’s time for Frankie Lee to introduce Dawn to Swan (Bo Hopkins), a pimp who lives in a nice house and who offers to put Dawn to work….

Dawn: Portrait of a Teenage Runaway is an earnest film that was obviously made with the best of intentions and which actually did have something say, in its melodramatic way, about the dangers of running away from home and trying to make it on your own when you’re not even old enough to drive.  That said, I imagine that most people who go through the effort to track down this film will do so because it stars The Brady Bunch‘s Eve Plumb as an underage runway who ends up walking the streets and taking men back to her motel room.  The movie might as well be called Jan Brady Goes Bad, because Eve Plumb does essentially give the same performance that she gave when she was playing the whiniest member of the Brady Bunch.  There’s nothing tough or streetwise about her, which works for the first half of the film but not during the second half.  Once Dawn has been on the streets for a bit, you would expect her to toughen up a bit but she still comes across like she’s mad at Greg and Bobby for tying up the phone.  Dawn goes through a lot and becomes a bit jaded as a result but, every time she speaks, you expect her to exclaim, “Why does Marcia get to runaway from home but I don’t?  It’s not fair!”  Far more impressive are the performances of Bo Hopkins and, in the role of Dawn’s probation officer, George Stanford Brown.  William Schallert also has a good bit as Dawn’s first client, who ends up feeling so sorry for Dawn that he just give her twenty dollars and then tells her to go back home.

Dawn: Portrait of a Teenage Runway is one of those film that was obviously designed to make parents worry about their kids.  It seems to be asking, “Do you know where your children are tonight?”  In 1976, I imagine they were busy watching Jan Brady try to make it on the mean streets of Hollywood.

Scenes I Love: The Opening of Shaft


Today is the birthday of Richard Roundtree so, of course, today’s scene that I love could only be the classic opening of 1971’s Shaft.

By doing something as simple as walking down a street in New York, Roundtree shows us exactly who Shaft is and why Shaft does what he does.  This is one of those scenes that’s been parodied so many times that it’s actually surprising to rewatch and see how just defiant and sexy Richard Roundtree’s confident strut actually was.

On another note, I enjoy seeing all of the names of the movies that were playing on 42nd Street when this scene was filmed.