Icarus File No. 23: The Last Tycoon (dir by Elia Kazan)


Based on the final (and unfinished) novel by F. Scott Fitzgerald, 1976’s The Last Tycoon tells the story of Monroe Stahr (Robert De Niro).

Monroe Stahr is the head of production at a film studio during the early days of Hollywood.  Stahr is an unemotional and seemingly repressed man who only shows enthusiasm when he’s talking about movies.  He may not be able to deal with real people but he instinctively knows what they want to see on the big screen.  Stahr is a genius but he’s working himself to death, ignoring his health concerns while trying to create the perfect world through film.  He’s haunted by a lost love and when he meets Kathleen Moore (Ingrid Boulting, giving a remarkably dull performance), he tries to find love with her but, naturally, he doesn’t succeed.  Meanwhile, he has to deal with his boss (Robert Mitchum), his boss’s daughter (Theresa Russell), a neurotic screenwriter (Donald Pleasence), an impotent actor (Tony Curtis), and a lowdown dirty communist labor organizer (Jack Nicholson)!  Sadly, for Stahr, McCarthyism is still a few decades away.

There’s a lot of talented people in The Last Tycoon and it’s undeniably interesting to see old school stars — like Mitchum, Curtis, Dana Andrews, Ray Milland — acting opposite a Method-driven, 30-something Robert De Niro.  This is one of those films where even the minor roles are filled with name actors.  John Carradine plays a tour guide.  Jeff Corey plays a doctor.  This is a film about Golden Age Hollywood that is full of Golden Age survivors.  It’s a shame that most of them don’t get much to do.  The Last Tycoon is a very episodic film as Stahr goes from one crisis to another.  Characters show up and then just kind of disappear and we’re never quite sure how Stahr feels about any of them or how their existence really shapes Stahr’s worldview.  Robert De Niro may be a great actor but, as portrayed in this film, Monroe Stahr is a boring character and De Niro’s trademark tight-lipped intensity just makes Stahr seem like someone who doesn’t have much to offer beyond employment.  This is one of De Niro’s least interesting performances, mostly because he’s playing a not-particularly interesting person.  Mitchum, Pleasence, and the old guard all make an impression because they’re willing to coast by on their bigger-than-life personalities.  De Niro is trapped by the Method and a total lack of chemistry with co-star Ingrid Boulting.

Still, this is the only film to feature both De Niro and Jack Nicholson.  (The Departed was originally conceived as a chance to bring De Niro and Nicholson together, with De Niro being the original choice for the role eventually played by Martin Sheen.)  Nicholson’s role is small and he doesn’t show up until the film is nearly over.  He and De Niro have an intense table tennis match.  Nicholson doesn’t really dig deep into Brimmer’s character.  Instead, he flashes his grin and let’s the natural sarcasm of his voice carry the scene.  It’s nowhere close to being as emotionally satisfying as the De Niro/Pacino meeting in Heat.  That said, Jack Nicholson at least appears to be enjoying himself.  His natural charisma makes his role seem bigger than it actually is.

Why was The Last Tycoon such a disappointment?  Though unfinished, the book still featured some of Fitzgerald’s best work and there’s a huge amount of talent involved in this film.  The blame mostly falls on Elia Kazan, who came out of retirement to direct the film after original director Mike Nichols left the project.  (Nichols reportedly objected to casting De Niro as Stahr.  While it’s tempting to think that Nichols realized that De Niro’s intense style wouldn’t be right for the role, it actually appears that Nichols and De Niro sincerely disliked each other as Nichols also abandoned the next film he was hired to direct when he was told that De Niro wanted the lead role.  Nichols choice for Monroe Stahr was Dustin Hoffman, which actually would have worked.  If nothing else, it would have provided a Graduate reunion.)  Kazan later said that he did the film solely for the money and it’s obvious that he didn’t really care much about the film’s story.  The film has some good scenes but, overall, it feels disjointed and uneven.  Kazan doesn’t really seem to care about Monroe Stahr and, as a result, the entire film falls flat.

Previous Icarus Files:

  1. Cloud Atlas
  2. Maximum Overdrive
  3. Glass
  4. Captive State
  5. Mother!
  6. The Man Who Killed Don Quixote
  7. Last Days
  8. Plan 9 From Outer Space
  9. The Last Movie
  10. 88
  11. The Bonfire of the Vanities
  12. Birdemic
  13. Birdemic 2: The Resurrection 
  14. Last Exit To Brooklyn
  15. Glen or Glenda
  16. The Assassination of Trotsky
  17. Che!
  18. Brewster McCloud
  19. American Traitor: The Trial of Axis Sally
  20. Tough Guys Don’t Dance
  21. Reach Me
  22. Revolution

The Eric Roberts Collection: Megaboa (dir by Mario N. Bonassin)


Bless the Asylum and their love of giant monster movies!

In 2021’s Megaboa, a group of college students accompany Dr. Malone (Eric Roberts) a field trip to a remote island.  They’re on the island specifically to explore some caves and study some drawings.  It’s time to have some fun with anthropology!  But when Dr. Malone gets bitten by a venomous spider, a group of students go off in search of an orchid that can neutralize the venom.  This eventually leads to them discovering that they’re not alone on the island.  There’s also a giant snake, a megaboa if you will.

This is pretty much a typical Asylum film.  Giant snakes, tank top-wearing heroines, and Eric Roberts hamming it up in his usual delightful fashion.  “Far out!” Dr. Malone says when he first sees the giant snake and how can you not agree with him?  Those who complain that the Asylum makes cheap movies are missing the point.  The film may be cheap but they’re almost always fun as well.  This one features a giant snake that is actually kind of cute and it also features a scene of someone shouting, “Get me out of here!” after being swallowed by the snake and how can you not enjoy that?  It’s like a much more honest and self-aware version of Anaconda and, best of all, it’s got Eric Roberts delivering his lines with a twinkle in his eye.  He knows better than to take any of this too seriously and hopefully, you do as well.

Megaboa is fun.  It’s like the type of films that I used to look forward to watching on the SyFy channel.  Get together with a group of your wittiest friends and watch it.  Don’t be afraid to talk back to the movie.  Don’t be afraid to laugh when the snake first shows up.  Tell the characters when they’re doing something dumb, that’s the point of the film.  Megaboa is pure entertainment.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Best of the Best (1989)
  4. Blood Red (1989)
  5. The Ambulance (1990)
  6. The Lost Capone (1990)
  7. Best of the Best II (1993)
  8. Love, Cheat, & Steal (1993)
  9. Voyage (1993)
  10. Love Is A Gun (1994)
  11. Sensation (1994)
  12. Dark Angel (1996)
  13. Doctor Who (1996)
  14. Most Wanted (1997)
  15. Mercy Streets (2000)
  16. Raptor (2001)
  17. Rough Air: Danger on Flight 534 (2001)
  18. Strange Frequency (2001)
  19. Wolves of Wall Street (2002)
  20. Border Blues (2004)
  21. Mr. Brightside (2004)
  22. Six: The Mark Unleased (2004)
  23. We Belong Together (2005)
  24. Hey You (2006)
  25. Depth Charge (2008)
  26. Amazing Racer (2009)
  27. In The Blink of an Eye (2009)
  28. Bed & Breakfast (2010)
  29. Enemies Among Us (2010)
  30. The Expendables (2010) 
  31. Sharktopus (2010)
  32. Beyond The Trophy (2012)
  33. The Dead Want Women (2012)
  34. Deadline (2012)
  35. The Mark (2012)
  36. Miss Atomic Bomb (2012)
  37. Assault on Wall Street (2013)
  38. Bonnie And Clyde: Justified (2013)
  39. Lovelace (2013)
  40. The Mark: Redemption (2013)
  41. The Perfect Summer (2013)
  42. Self-Storage (2013)
  43. A Talking Cat!?! (2013)
  44. This Is Our Time (2013)
  45. Inherent Vice (2014)
  46. Road to the Open (2014)
  47. Rumors of War (2014)
  48. Amityville Death House (2015)
  49. Deadly Sanctuary (2015)
  50. A Fatal Obsession (2015)
  51. Las Vegas Story (2015)
  52. Stalked By My Doctor (2015)
  53. Enemy Within (2016)
  54. Joker’s Poltergeist (2016)
  55. Prayer Never Fails (2016)
  56. Stalked By My Doctor: The Return (2016)
  57. The Wrong Roommate (2016)
  58. Dark Image (2017)
  59. Black Wake (2018)
  60. Frank and Ava (2018)
  61. Stalked By My Doctor: Patient’s Revenge (2018)
  62. Clinton Island (2019)
  63. Monster Island (2019)
  64. The Reliant (2019)
  65. The Savant (2019)
  66. Seven Deadly Sins (2019)
  67. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  68. The Wrong Mommy (2019)
  69. Exodus of a Prodigal Son (2020)
  70. Free Lunch Express (2020)
  71. Her Deadly Groom (2020)
  72. Top Gunner (2020)
  73. Deadly Nightshade (2021)
  74. The Elevator (2021)
  75. Just What The Doctor Ordered (2021)
  76. Killer Advice (2021)
  77. Night Night (2021)
  78. The Poltergeist Diaries (2021)
  79. The Rebels of PT-218 (2021)
  80. A Town Called Parable (2021)
  81. Bleach (2022)
  82. My Dinner With Eric (2022)
  83. 69 Parts (2022)
  84. D.C. Down (2023)
  85. Aftermath (2024)
  86. Bad Substitute (2024)
  87. Devil’s Knight (2024)
  88. The Wrong Life Coach (2024)
  89. When It Rains In L.A. (2025

A Scene That I Love: Jack Nicholson Sings In Tommy


Today’s scene that I love comes from 1975’s Tommy.  Based on The Who’s rock opera and directed by Ken Russell, Tommy featured several actors who weren’t necessarily known as singers.  Oliver Reed is the most obvious example.

And then there’s Jack Nicholson!  Jack’s role is pretty small.  He’s the therapist who examines Tommy and who eye flirts with Ann-Margaret.  And, of course, he gets his check.

4 Shots From 4 Films: Special Jack Nicholson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Jack Nicholson’s 88th birthday!

Though he has pretty much retired from acting, Jack Nicholson remains a screen icon with a filmography that is a cinema lover’s dream.  He’s worked with everyone from Roger Corman to Stanley Kubrick to Milos Forman to Martin Scorsese and, along the way, he’s become a symbol of a very American-type of rebel.  Though often associated with the counter-culture, his style has always been too aggressive and idiosyncratic for him to be a believable hippie.  Instead, he’s one of the last of the beats, an outsider searching for meaning in Americana.

Over the course of his career, Nicholson has won three Oscars and been nominated for a total of 12.  He’s the only actor to have been nominated in every decade from the 1960s to the 2000s.  He is an actor who epitomizes an era in filmmaking, actually several eras.  It’s been 15 years since he last appeared in a movie but Jack Nicholson will never be forgotten.

4 Shots From 4 Jack Nicholson Films

Psych-Out (1968, dir by Richard Rush, DP: Laszlo Kovacs)

Carnal Knowledge (1971, dir by Mike Nichols, DP: Giuseppe Rotunno)

The Shining (1980, dir by Stanley Kubrick, DP: John Alcott)

The Departed (2006, dir by Martin Scorsese, DP: Michael Ballhaus)

Brad’s emotional response to SINNERS (2025)!


I love Ryan Coogler and Michael B. Jordan, and it really goes back to their collaboration on CREED. No movie has stirred my emotions in the past decade as much as CREED. I laughed, I cried, and I got pumped up even though I watched the film in the theater by myself. I would go on to tell every person I knew that they had to see the film. I couldn’t imagine that any other combination of writer, director or actor could have created a better continuation of the world that began with Stallone’s original story. CREED is a classic of its own as far as I’m concerned. 

I had not heard about SINNERS until Arleigh shared the trailer here on The Shattered Lens a couple of weeks ago. That’s when I saw that it was a Ryan Coogler film starring Michael B. Jordan. That caught my interest even though I didn’t stop and actually watch the trailer as I was in the crunch of tax season. And then Leonard dropped a review of the film on April 17th.

I don’t go to the theater often these days but I decided that I just had to see the film over the Easter weekend. I talked Sierra into going with me on Saturday morning, and all I told her was that it is a vampire movie from the guy who did CREED. I purposely read nothing else about the film because I know that Coogler and Jordan make magic on the screen when they work together. I didn’t want anything else influencing my initial experience with the film in any way. 

Rather than spend any time on the plot of the film, I just wanted to spend a little time talking about how the movie made me feel. First, watching Michael B. Jordan interpret the Smoke-Stack characters in such different ways was pure joy for me. Any person who has read my articles knows that I have a tendency to obsess over the actors I really like. I don’t believe there is an actor under 40 years of age that enjoy watching perform more than Jordan. I’ll watch anything he does throughout his career. Second, there is something so interesting about Miles Caton in the part of the singer and guitarist Sammie Moore, aka Preacher Boy. That deep voice of his almost didn’t seem to go with those fresh face features. I can see why the other characters reacted to his singing and playing the way they did because the man has real talent. I was surprised that this was his first film based on the confidence he carried throughout. Third, it’s always fun to see Delroy Lindo in any role. Fourth, I liked the relationship between Smoke and Annie (Wunmi Mosaku). When I first saw Annie standing in the doorway and looking at him by the small grave, my first inclination would not have been that those two had been in a relationship together and that he was at the grave of their child. To me it was a nice surprise that the painful history being shown was shared between those two and that they still loved each other. I also really wished I could try her fried catfish. I also liked certain aspects of some of the other characters including Mary (Hailee Steinfeld), the Chow family and Cornbread. 

The music is incredible in SINNERS. I won’t pretend to be an expert on the blues, but I know what I like, and I liked what I heard. I’ve always been a fan of the movie CROSSROADS with Ralph Macchio and Joe Seneca. Both movies are in awe of the power of the blues, and I was somewhat surprised that Ryan Coogler’s “vampire movie” was showing such an interest in the music as a character and not just a soundtrack. I liked the scene where Stack introduces Miles to Lindo’s character Delta Slim. I like the music at the juke joint, and the out of left field trip through the musical decades was a unique and powerful choice that showed a director not afraid to go wherever his intuition takes him. My “joint” would probably feature country music, but I’ve always said I can like any music as long as it’s good. The music in SINNERS is great. 

I will say that the things that interested me the most, mainly the development of the characters, took a back seat once the vampires were revealed. I wanted to get to know these characters even more. The action was well filmed and there were some surprises along the way, but once the vampires emerged, I felt like I was watching a movie I had seen before. Even though it was extremely well done, the film’s special quality seemed a little less. With that said, Smoke’s late stand against the Klan was exciting and emotionally satisfying.

Overall, I would give SINNERS a solid 4 stars out of 5 based on my initial viewing. I will revisit the movie at some point, but I’m letting the film seep into my bones at the moment. Coogler seems to be a filmmaking genius and I haven’t stopped thinking about his latest movie over the last few days. I have a feeling this movie will continue to grow on me with repeated viewings.  

Scenes that I Love: Low Rider From Dazed and Confused


In order to celebrate San Jacinto Day, here’s one of my favorite scenes from Richard Linklater’s 1993 Texas film, Dazed and Confused.  Not only does this montage introduce the viewer to the suburban Texas nightlife of 1976 but it’s also perfectly set to War’s Low Rider.

And, of course, it also features that classic line, “It’d be a lot cooler if you did.”

4 Shots From 4 Films: Another Special Texas Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is San Jacinto Day, which means that it is once again time for….

4 Shots From 4 Texas Films

Slacker (1990, dir by Richard Linklater, DP: Lee Daniel)

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Office Space (1999, dir by Mike Judge, DP: Tim Suhrstedt)

Primer (2004, dir by Shane Carruth)

#MondayMuggers presents THE ACCOUNTANT (2016) starring Ben Affleck!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday April 21st, we celebrate the end of my tax season by watching THE ACCOUNTANT (2016) starring Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, Cynthia Addai-Robinson, John Lithgow, and Jean Smart. 

Contrary to popular belief, THE ACCOUNTANT is not based on the life of Little Rock-based CPA Bradley Crain, although there are many obvious similarities. Rather, it’s the story of Christian Wolff, a math savant who often plies his trade for some of the world’s most dangerous criminal organizations. When he takes on a legitimate client and discovers discrepancies in the company’s books involving millions of dollars, a group of hitmen try to kill him and the company’s accountant Dana Cummings (Anna Kendrick). Will they live long enough to discover the person behind the embezzlement, or will they just become another set of death statistics? I don’t want to give too much away, but I will go ahead and address the elephant in the room… THE ACCOUNTANT 2 opens on Friday night, April 25th.

So, join us tonight for #MondayMuggers and watch THE ACCOUNTANT! It’s on Amazon Prime. The trailer for THE ACCOUNTANT is included below:

Monday Live Tweet Alert: Join Us for The Final Cut!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1995’s The Final Cut!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Final Cut on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer)


2001’s Strange Frequency is an anthology film.  Usually, I hate anthology films because it always seems like the viewer ends up with one good story and three mediocre ones.  As well, the anthology format is one that sometimes seems to be specifically designed to bring out the worst tendencies in otherwise talented directors.  Often times, they seem to treat the anthology format as a lark, an excuse to show off their technical mastery without really paying much attention to anything else.  The results often feel thematically shallow.

Well, guess what?  I liked Strange Frequency.  It was a lot of fun.  Each of the four stories mixed horror with music.  The first story features two heavy metal fans (Erik Palladino and Danny Masterson) who, after a car accident, find themselves in a club where disco is played nonstop.  For them, it’s Hell.  For me, it sounds like a fun afterlife.  (Yes, it’s not easy to watch Danny Masterson nowadays but he does suffer in this story.)  The second story is about a middle-aged serial killer (Eric Roberts) who targets younger hitchhikers, specifically because he dislikes their taste in music.  However, when he picks up a young grunge fan (Christopher Kennedy Masterson), he suddenly finds himself being targeted.  It turns out that this hitchhiker targets old people who won’t shut up about Woodstock.  They then meet an older man who has never forgiven the baby boomers for rejecting big band music.  In the third story, a rock star (John Taylor) who enjoys destroying hotel rooms is confronted by a maid (Holland Taylor) who can literally clean up any mess.  (“I want my headlines!” the rock star shouts as he realizes he’s never going to get credit for destroying his current room.)  Finally, the fourth story stars Judd Nelson as an A&R man who has the ability to find up-and-coming stars but whose discoveries inevitably end up dying.

All three of the stories were well-done and genuinely clever.  My favorite was the second story, which featured Eric Roberts giving an enjoyably unhinged performance as the Woodstock refugee with a hatred for Lollapalooza.  The story was both clever and suspenseful and it actually had something to say about the cultural differences between the generations.  As you get older, you really do come to hate whatever music came after the artists you grew up listening to.  Eventually, all the Swifties will be in their 40s and 50s, wondering why the younger generation doesn’t appreciate good music about feelings.

Strange Frequency was a pilot for a series that aired on VH-1 in 2001.  How come I don’t remember this show?  The pilot was actually really good!  Thank you to Australia’s own Mark V for telling me about this pilot and letting me know that it was on YouTube!  Check it out if you get a chance.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Best of the Best (1989)
  4. Blood Red (1989)
  5. The Ambulance (1990)
  6. The Lost Capone (1990)
  7. Best of the Best II (1993)
  8. Love, Cheat, & Steal (1993)
  9. Voyage (1993)
  10. Love Is A Gun (1994)
  11. Sensation (1994)
  12. Dark Angel (1996)
  13. Doctor Who (1996)
  14. Most Wanted (1997)
  15. Mercy Streets (2000)
  16. Raptor (2001)
  17. Rough Air: Danger on Flight 534 (2001)
  18. Wolves of Wall Street (2002)
  19. Border Blues (2004)
  20. Mr. Brightside (2004)
  21. Six: The Mark Unleased (2004)
  22. We Belong Together (2005)
  23. Hey You (2006)
  24. Depth Charge (2008)
  25. Amazing Racer (2009)
  26. In The Blink of an Eye (2009)
  27. Bed & Breakfast (2010)
  28. Enemies Among Us (2010)
  29. The Expendables (2010) 
  30. Sharktopus (2010)
  31. Beyond The Trophy (2012)
  32. The Dead Want Women (2012)
  33. Deadline (2012)
  34. The Mark (2012)
  35. Miss Atomic Bomb (2012)
  36. Assault on Wall Street (2013)
  37. Bonnie And Clyde: Justified (2013)
  38. Lovelace (2013)
  39. The Mark: Redemption (2013)
  40. The Perfect Summer (2013)
  41. Self-Storage (2013)
  42. A Talking Cat!?! (2013)
  43. This Is Our Time (2013)
  44. Inherent Vice (2014)
  45. Road to the Open (2014)
  46. Rumors of War (2014)
  47. Amityville Death House (2015)
  48. Deadly Sanctuary (2015)
  49. A Fatal Obsession (2015)
  50. Las Vegas Story (2015)
  51. Stalked By My Doctor (2015)
  52. Enemy Within (2016)
  53. Joker’s Poltergeist (2016)
  54. Prayer Never Fails (2016)
  55. Stalked By My Doctor: The Return (2016)
  56. The Wrong Roommate (2016)
  57. Dark Image (2017)
  58. Black Wake (2018)
  59. Frank and Ava (2018)
  60. Stalked By My Doctor: Patient’s Revenge (2018)
  61. Clinton Island (2019)
  62. Monster Island (2019)
  63. The Reliant (2019)
  64. The Savant (2019)
  65. Seven Deadly Sins (2019)
  66. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  67. The Wrong Mommy (2019)
  68. Exodus of a Prodigal Son (2020)
  69. Free Lunch Express (2020)
  70. Her Deadly Groom (2020)
  71. Top Gunner (2020)
  72. Deadly Nightshade (2021)
  73. The Elevator (2021)
  74. Just What The Doctor Ordered (2021)
  75. Killer Advice (2021)
  76. Night Night (2021)
  77. The Poltergeist Diaries (2021)
  78. The Rebels of PT-218 (2021)
  79. A Town Called Parable (2021)
  80. Bleach (2022)
  81. My Dinner With Eric (2022)
  82. 69 Parts (2022)
  83. D.C. Down (2023)
  84. Aftermath (2024)
  85. Bad Substitute (2024)
  86. Devil’s Knight (2024)
  87. The Wrong Life Coach (2024)
  88. When It Rains In L.A. (2025