Retro Television Review: Miami Vice 3.13 “Down For The Count: Part Two”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week is all about justice for Zito!

Episode 3.13 “Down For The Count: Part Two”

(Dir by Richard Compton, originally aired on January 16th, 1987)

Picking up where last week’s episode ended, Down For The Count: Part Two finds almost the entire Vice Squad mourning the death of Larry Zito.  I say “almost” because, as usual, Castillo refuses to show any emotion or even look anyone in the eye.  When he first appeared, Castillo’s stoicism made him an interesting character but I have to admit that I’m starting to get a bored with the character and his refusal to speak in anything more than terse growls.  ZITO’S DEAD!  WAKE UP, CASTILLO!

Switek, needless to say, is heart-broken.  Trudy tells Gina that she had a totally meaningless one night stand with some guy she met at a club because she was depressed.  (“Did it make you feel better?” Gina asks.  “No!” Trudy wails.)  Crockett is determined to take down crooked boxing promoter Oswaldo Guzman (Pepe Serna) and prove that Zito was not a junkie but that he was instead murdered by Guzman’s goons.  As for Tubbs, he makes a few jokes.  WHAT’S WRONG WITH YOU, TUBBS!?  ZITO’S DEAD!

Crockett and Tubbs go undercover as Burnett and Cooper and, once again, I find myself wondering how they can keep successfully doing that when their cover has gotten blown over a dozen times over the course of the series.  Do criminals in Miami not talk to each other?  This time, Crockett pretends to be involved with a cable sports network that wants to make a deal to air the fights that Guzman sponsors.  When a Las Vegas gangster named Guilinni (former Warhol superstar Joe Dallesandro) shows up looking to kill Guzman, Crockett and Tubbs effortlessly manipulate both sides.  It turns out that criminals aren’t that smart.

Meanwhile, Trudy and Gina meet one of Crockett’s associates from the Vietnam War.  His name is Danny Allred (Chris Elliott) and he’s a former CIA agent who now lives in an abandoned airplane.  Danny is a codebreaker and he helps them to figure out the code that Guzman was using to keep track of all of his crooked fights.  Danny is a fun character and I hope he shows up in more episodes.  He added some moments of levity to what was otherwise a pretty grim episode.

This episode had plenty of good moments.  The scene where Crockett and Tubbs visited Zito’s apartment was both poignant and nicely-acted by both Don Johnson and Philip Michael Thomas.  The final shoot-out was violent even by the standards of Miami Vice.  That said, I’m a bit surprised that the episode didn’t revolve around Switek.  Switek gets to express his anger and argue with Internal Affairs at the start of the episode and gets to repeatedly shoot Guzman at the end of the episode but he’s largely absent for the middle part of the story.  As Switek was both Zito’s partner and his best friend, it really does seem like he should have been at the center of the entire episode.

Still, I was glad that Zito’s name was cleared and that Guzman ended up getting shot multiple times until he fell out a window.  The show’s final credits featured still shots of John Diehl as Zito.  I’m going to miss Larry.

Retro Television Review: Miami Vice 3.12 “Down For The Count: Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Miami Vice says goodbye to a friend.

Episode 3.12 “Down For The Count: Part One”

(Dir by Richard Compton, originally aired on January 9th, 1987)

Larry Zito finally gets his own episode!

Played by John Diehl, Larry Zito was a part of the show from the very beginning.  Occasionally, it’s easy to forget that Diehl was a part of the ensemble because his character was rarely given anything to do and we rarely learned that much about Zito.  He was Switek’s partner and he seemed to have a quirky sense of humor.  Occasionally, he had long hair and a beard and he seemed to enjoy wearing elaborate disguises while working undercover.  That said, Zito was always a bit of an enigma.  Even the rare episodes that centered on the Switek/Zito partnership seemed to feature Zito mostly in the background.

In this episode, though, we finally learn a bit about Zito.  We learn that he has a background as a boxer and he’s good at training other fighters.  We learn that he takes it seriously whenever he hears about a crooked promoter manipulating a boxer.  We learn that Zito is a recovering alcoholic.  In this episode, we learn that Zito is more than just goofy comic relief.  He’s got a heart as gold.  When the Vice Squad investigates a crooked promoter named Guzman (Pepe Serna), Zito takes it upon himself to train an up-and-coming boxer named Bobby Sykes (Mark Breland).  Bobby’s previous trainer (played by Randall “Tex” Cobb) was a friend of Zito’s and was murdered by Guzman.  For Zito, this case is personal.  He even helps Bobby win a championship.  Yay, Zito!  That’s not bad for a supporting character!

Unfortunately, this also leads to Zito dying.  After the fight, Zito is confronted by Guzman and his men.  Switek later finds Zito’s body in the gym with a hypodermic needle sticking out of his arm.  Guzman gave Zito a fatal overdose of heroin.

This really depressed me!  I mean, Zito finally gets a chance to handle a serious case and, even more importantly, John Diehl finally gets a chance to show off the fact that he’s a very good actor and then, at the end of the episode, Zito’s dead!  Poor Zito!

(From what I’ve read, John Diehl wanted off the show because he felt his role was underwritten and he also preferred doing theater to weekly television.  That’s understandable.  At least he got one turn in the spotlight before he was written off the show.)

Needless to say, this episode is dominated by the death of Zito.  The scene with a tearful Switek cradling Zito’s dead body makes such an impression that it’s easy to forget that this episode also featured the odd spectacle of Don King playing Mr. Cash, an ex-con turned honest fight promoter who disapproves of Guzman’s tactics.  Somehow, Don King being the voice of integrity makes sense in the topsy-turvy world of Miami Vice.  King says that Guzman is in Miami because it’s a brand new territory and a place where anyone can make it rich.  That’s been one of the recurring themes of this show since it began.  Anything can happen in Miami.  Including Larry Zito dying….

Give me a moment to wipe away the tears.  Seriously, the end of this episode really depressed me!

Next week, Switek is out for revenge.  I hope he gets it!

Lisa Marie’s Week In Television: 12/29/24 — 1/4/25


It’s a new year but there’s still much to watch.  Here’s some thoughts on what I viewed during the first week of 2025!

CHiPs (Prime)

Freevee may be dead but CHiPs continues on Prime.  My reviews of the show will return on Monday.

Cobra Kai (Netflix)

I watched the 2nd part of the final season of Cobra Kai on Friday.  I know the regular complaint about Cobra Kai is that every season is pretty much the same and there’s actually some validity to that comment.  But I don’t care.  It’s a fun show and William Zabka is a joy to watch.  From the start, I know this latest set of episodes would end with yet another huge brawl but, at this point, I’d be disappointed if they didn’t.  The showrunners know exactly why people watch this show.

Dark (Netflix)

Case and I have been watching this atmospheric German show on Netflix.  This week, we finished up the first three episodes.  Case has watched the show before.  He said it would appeal to my “analytical mind” and so far, he’s very much correct about that!  I’m enjoying uncovering the mysteries of this macabre mystery.

Days of Our Lives (Peacock)

On Saturday, I got caught up with Days of Our Lives on Peacock.  One thing that I like about this show is that you can go for six months without watching and still feel like you can jump right back into the storylines when you come back!  I enjoyed watching all of the citizens of Salem celebrate Christmas and New Year’s.  And I’m glad to see that Patch is still with us.

Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest (Tuesday Night/Wednesday Morning, ABC)

Jeff and I spent New Year’s Eve at my BFF Evelyn’s annual “Screw The Year That Was” party.  The big annual countdown was playing on the television in one of the rooms at Evelyn’s place and I glanced in on the show occasionally.  I’ve never really gotten into any of the televised New Year’s Eve celebrations.  I don’t really have the attention span for them.  I just find it interesting that it’s still Dick Clark’s New Year’s Rockin’ Eve, even though Mr. Clark passed away quite some time ago.  It’s like Ryan Seacrest is a medium or something, letting us hear from Dick Clark from beyond the grave.

Going Dutch (Thursday Night, Fox)

After getting barraged by commercials for this show on an almost nonstop basis, I felt as if I had to watch the premiere.  Denis Leary plays an army officer sent to enforce discipline on a base in the Netherlands.  The base’s former commander?  His daughter!  I was glad that this show didn’t use the tired mockumentary format that is so popular nowadays but, overall, it still didn’t do too much for me.  The mix of family drama and goofy humor just didn’t work,

Hell’s Kitchen (Thursday Night, Fox)

Hell’s Kitchen returned this week, with both Joe and Anne-Marie being eliminated from the competition.  Like Chef Ramsay, I was surprised that Joe didn’t last long enough to receive a black jacket.  As for Anne-Marie, she probably should have been eliminated weeks ago.  She’s just too scatterbrained to be the head chef.  (For the record, she would still do a better job in the position than I ever would!)

King of the Hill (Hulu)

On Sunday, after the news broke about the death of Jimmy Carter, my sister Megan and I watched the episode of King of the Hill in which Carter attempted to broker peace between Hank and his father.  It turned out to be too big a job for even Jimmy.  This was a classic episode and it featured one of my favorite King of the Hill lines.  Upon meeting Carter, Hank says, “You ran our country …. (voice filled with reverence) America.”

Miami Vice (Prime)

I got back to watching Miami Vice this week.  Watch for my review on Monday!

Saved By The Bell (Prime)

I wasn’t feeling well on Sunday night so Megan and I watched a few episodes from the Ms. Bliss era.  We both agreed that Ms. Bliss was kind of a bitch.

The Twilight Zone (SyFy, Tuesday and Wednesday)

I caught a few episodes of the annual New Year’s marathon.  This is a classic show and I always try to find times to catch my favorites, like The Monsters Are Due On Maple Street, Eye Of The Beholder, Shadowplay, and that one with the nurse saying, “Room for one more, honey!”

Retro Television Review: Miami Vice 3.11 “Forgive Us Our Debts”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week’s episode took me by surprise!

Episode 3.11 “Forgive Us Our Debts”

(Dir by Jan Eliasberg, originally aired on December 12th, 1986)

Frank Hackman (Guy Boyd) has a date with Florida’s electric chair.  Even though he claims that he’s innocent of killing one of Sonny Crockett’s former partners, Hackman says that he’s guilty of killing others and, having become a Christian while on Death Row, he is prepared to pay the ultimate price.  He even suggests that his execution should be televised.

At first, Sonny is all for Hackman being executed.  But then, a priest calls the Vice Squad and tells them that one of his parishioners confessed to having evidence that could prove that Hackman was actually in Vegas when the murder occurred.  Sonny and the Squad track down Gus Albierro (Val Bisoglio), an auto mechanic who is dying of cancer and who says that he’s telling the truth to clear his conscience.   Not long after Gus talks to Crockett, Gus is executed in his garage.

Convinced that Hackman is innocent, Sonny and Tubbs have one day to find the other person who was with Gus and Hackman in Vegas.  That man turns out to be in the witness protection agency and, at first, he refuses to talk.  Then Crockett takes him outside and beats him up.

Long story short: After having had his head shaved for his date with the electric chair, Hackman’s life is saved and he leaves prison a free man….

Now, up until this point, I felt that this episode was just another rather heavy-handed diatribe against the death penalty.  Miami Vice, as a show, always leaned towards the Left and this episode features two smarmy Florida politicians who are eager to prove how tough they are on crime.  I thought the whole episode was a bit too obvious in its storytelling and I thought my review would focus on the hypocrisy of Miami Vice criticizing the death penalty when almost every episode has ended with the bad guys being taken down in a hail of bullets.

(On a personal note, I’m against the death penalty because I think there is too much of a risk of an innocent person being executed.  But, still, I’m not a fan of heavy-handed storytelling, regardless of whether I agree with the larger point or not.)

But this episode had one final twist waiting up its sleeve.  Hackman steps out of prison and sees Sonny waiting for him.  Sonny is feeling pretty proud of himself.  He saved an innocent man, right?  Wrong!  Hackman proceeds to tell Sonny that he actually did kill Sonny’s former partner and that Gus lied in return for Hackman’s friends sending money to his family.  That guy in witness protection who, at first, refused to testify?  He was working with Hackman, too.

“I won’t need this anymore,” Hackman says, yanking off the cross that was hanging out around his neck.

And that’s how the episode ends!  The bad guys triumph and it’s pretty much all Sonny’s fault!  This was the most cynical episode of Miami Vice yet.  The ending totally took me by surprise and it made me realize that, rather than being a heavy-handed and polemical, this episode was actually extremely clever and perfectly put together.  Just as Hackman fooled Sonny, Miami Vice fooled the viewer (in this case, me).  This turned out to be an excellent episode and certainly the best of season 3 so far.

Because of the holidays, this is my last Miami Vice review of 2024.  My reviews of Miami Vice will resume on January 6th, 2025!

Retro Television Review: Miami Vice 3.10 “Streetwise”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Bill Paxton and Wesley Snipes walk the streets of Miami!

Episode 3.10 “Streetwise”

(Dir by Fred Walton, originally aired on December 5th, 1986)

I was excited to see that this week’s episode of Miami Vice featured guest turns from not only Wesley Snipes but Bill Paxton as well!  Then I remembered that guest stars never survive their episode and I felt a little bit sad.  I know what was coming.  Miami Vice is not a show that features happy endings.  Anyone who gets involved in Miami’s vice trade is destined to end up dead, regardless of how innocent or guilty they may be.  It’s a dark world in Miami.

Paxton plays Vic Romano, a vice cop from a neighboring precinct who is arrested during a prostitution bust.  Romano has been having an affair with Carla Cappoletti (Alice Adair), an emotionally fragile prostitute who is abused by both her pimp, Silk (Wesley Snipes), and almost all of her clients.  She knows that Vic is a cop and Vic knows that she’s a prostitute but neither one of them cares.  As Vic puts it, they’re in love.

The Vice Squad is shocked to find that Carla is carrying cocaine that is almost totally pure.  Trying to track down who is supplying Silk with the cocaine, the squad discovers that neither Carla nor Vic want to cooperate.  While Vic tries to explain things to his wife, Tubbs goes undercover as a pimp.  He bails Carla out of jail and tells her that she works for him now.  When Silk shows up to object, Tubbs easily beats him up.  Silk may talk tough but, without a gun to back him up, he’s not much of a fighter.

When Tubbs demands that Carla go to Silk and find out where he’s been getting his cocaine from, Carla refuses.  Tubbs, still pretending to be a pimp, proceeds to yell at her and tear up a hotel room.  A sobbing Carla begs Tubbs not to hurt her “too much,” and Tubbs realizes that he’s gone too far in trying to maintain his cover.  He shows Carla his badge.  It’s always kind of easy to laugh at the way that Tubbs trots out his fake Caribbean accent whenever he’s pretends to be Rico Cooper but Thomas does a really good job in this episode and he is genuinely frightening when he starts yelling at Carla.  I found myself wondering just how far Tubbs actually would go to maintain his cover and I was actually relieved when he pulled out that badge.

It ends, as things often do with this show, in a shootout.  Silk is gunned down by Crockett and Tubbs but not before Romano is shot by Silk.  Romano dies in Carla’s arms and I felt a little teary-eyed.  Bill Paxton was a wonderful actor and he gave a likable and sincere performance as Vic Romano.  Watching the episode, I never once doubted Romano’s love for Carla.  Both Snipes and Paxton were well-cast as their doomed characters.  Neither one survived the hour but I doubt anyone who watched the show ever forgot them.

Lisa Marie’s Week In Television: 11/24/24 — 11/30/24


Spending this Thanksgiving week with my sisters, I didn’t watch a lot of television.  I did watch and review episodes of Homicide, Degrassi High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, and Monsters.

And, earlier today, I watched episodes of CHiPs, Degrassi High, Baywatch Nights, Monsters, Malibu CA, Check It Out, and Friday the 13th: The Series and I wrote up reviews that will post over the course of the upcoming week.  It’s always nice to have a head start on all of that.

On Tuesday, Erin and I watched A Charlie Brown Thanksgiving.  Charlie Brown really was way too nice about Peppermint Patty inviting herself over to his house and then getting upset over being served popcorn.  Myself, I love the fact that Snoopy had a fully cooked turkey that he basically hid from everyone else until it was just him and Woodstock at the house.

On Wednesday, I watched the latest episode of Hell’s Kitchen.  I was not surprised to see Lulu eliminated.  I hope Brandon wins this season.

I watched bits of the Macy’s Thanksgiving Day Parade and also the four football games that were played on Thursday.  My cousins were really into the football games.  I said I thought it would be nice if everyone could win and I got booed and accused of being a commie.  As for the parade, it just made me wish that I was in New York to see it in person.  Maybe next year!

On Friday, I watched episodes of two old 90s shows — Rollergames and Happy Hour.  They were both enjoyably dumb.

And that’s it for this week!

Retro Television Review: Miami Vice 3.9 “Baby Blues”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the Vice Squad investigates a baby broker!

Episode 3.9 “Baby Blues”

(Dir by Danial Attias, originally aired on November 21st, 1986)

In honor Miami Vice‘s violent nature (and in recognition of the fact that it’s the holidays and I’ve got a lot of things that I need to do), I’m going to review this week’s episode bullet-point style!

  • The episode starts in Colombia.  Babies are being kidnapped from local villages.  In  some cases, they’re literally snatched from the arms of their mothers.  The babies are taken to Miami where a sleazy lawyer named Howard Famiglia (Tommy Koenig) essentially sells them to wealthy families.
  • Maria Escobar (Patrice Martinez) illegally crosses the border to search for her son in Miami.  She nearly dies in the attempt.  When she and a planeload of babies are discovered on a Miami runway, law enforcement gets involved.
  • Castillo doesn’t think that the case is one that Vice should be investigating.  Gina and Trudy set him straight.
  • It doesn’t take long for the Vice Squad to discover that Famiglia is a baby broker.  One of his customers is played by a young Stanley Tucci.  The customer is willing to testify against Famiglia.
  • Famiglia sends his henchmen out to intimidate and kill all of the witnesses.
  • Famiglia also kills his main hitman and then booby traps his apartment.  When Crockett and Tubbs jump out of the exploding apartment, it looked like Tubbs leg caught on fire.  “Wow,” I said, “that really looked real!”
  • It turns that it was real.  Philip Michael Thomas’s stunt double was severely burned as a result.
  • Eventually, the Vice Squad is able to trick Famiglia into believing that Maria is being kept at a local hospital.  Famiglia sets up a meeting for women looking to adopt.  While the women watch an educational film, Famiglia crawls through a ventilation shaft and tries to enter Maria’s room.
  • SURPRISE!  That’s not Maria in that hospital bed …. it’s Gina!  The Vice Squad shoots Famglia dead, leaving his corpse awkwardly hanging out of the hospital room wall.  For some reason, that sight really disturbed me.
  • Maria is reunited with her son but, upon realizing that he now has a life and a family in America, she decides to let him stay with his new parents.  She is then deported back to Colombia, where she will probably be killed by the same people who stole her baby in the first place.
  • Overall, this episode suffered because the villain was miscast.  Looking at the imdb, the majority of Tommy Koenig’s credits appear to have been comedic.  He’s an actor who looks like he should be on a sketch comedy show and not a gritty crime drama.  Even when Famiglia is crawling through an air duct with a gun, he just looks goofy.  Plus, considering that he had a people working for him who were willing to murder, would Famiglia really have gone to the hospital himself?
  • Stanley Tucci and Tommy Koenig should have switched roles.
  • This episode gave Trudy, Gina, Switek, and Zito more to do than usual.  That was good.  This show often underused its supporting cast.
  • Miami Vice was often a cop show with a political subtext.  In this case (and I’m just pointing it out, I’m not necessarily agreeing or disagreeing), the subtext was that America’s immigration system sucked, as Maria only had a limited amount of time to  find her son before being deported.  But then she decided to leave him in America rather than take him back to Colombia.  Miami Vice was not just political.  It was also usually kind of depressing.

Next week’s episode features Bill Paxton and Wesley Snipes!  I’m looking forward to it!

 

Retro Television Review: Miami Vice 3.8 “Better Living Through Chemistry”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Tubbs’s cover is blown …. again.

Episode 3.8 “Better Living Through Chemistry”

(Dir by Leon Ichaso, originally aired on November 14th, 1986)

While working undercover as Ricardo Cooper (and yes, I’m pretty sure I heard the fake Caribbean accent at the start of this episode), Tubbs is stunned to discover that his former partner from New York, Clarence Batisse (Victor Love), is now working as a DJ at a club owned by a local drug lord.

Tubbs is even more shocked when Clarence announces to the entire club that “Ricardo Cooper” is actually an undercover cop.

Somehow, and it’s not really made clear how, Tubbs is able to escape the club without getting shot.  Sonny also somehow manages to convince the drug dealers that he didn’t know that Tubbs was actually a cop.  So, Sonny “Burnett” continues to play his part in the undercover operation while Tubbs tries to figure out why Clarence blew his cover.

Clarence is bitter.  His career with the NYPD came crashing down when he shot a bookie during a raid.  Clarence claimed the bookie had a gun but the gun was never found.  Tubbs didn’t see the gun and refused to lie for his partner.  However, when Tubbs realizes that Clarence has been reduce to working for a drug lord, he sets about to try to clear Clarence’s name.

Meanwhile, informant Izzy (Martin Ferrero) has been hired to babysit the drug lord’s chemist, nerdy Henry Luna (Nelson Villamor).  Luna has developed cocaine that is so pure that most people can’t even survive doing one hit.  The Vice squad know that, if the cocaine hits the streets, it will lead to a gang war.  But then Luna does a hit of his own cocaine and falls over dead.

Tubbs does manage to clear Clarence’s name but it doesn’t matter.  Clarence has gone so far over to the dark side that he sets up Tubbs and Crockett to be attacked in a surprise raid.  Tubbs and Crockett kill the bad guys and, at the end of the episode, Tubbs takes Clarence into custody.  A good cop has gone very bad….

This was a weird episode.  It was technically a Tubbs episode but it seemed like the majority of the running time was taken up with Izzy babysitting the chemist.  Izzy is one of those supporting characters who works best in small amounts.  Building almost an entire episode around him just serves to highlight that there’s really not much depth to Izzy as a character.  He’s cowardly and he talks a lot.  It’s funny until it isn’t, which is another way of saying that it gets old after ten minutes.  The comedy of Izzy and the Chermist didn’t really fit in with the scenes of Tubbs trying to clear his former partner’s name.  The tone of the episode was all over the place, making this a rare Miami Vice episode that didn’t seem to know what it wanted to be.

On the plus side, the drug lord owned a club that was full of motorcycles and where Peter Gabriel’s Sledgehammer was the most popular song.  There was one very exciting shoot-out at the club.  That was a good thing.  Otherwise, this was Miami Vice at its least effective.

Lisa Marie’s Week In Television: 11/10/24 — 11/16/24


I got caught up with a few shows this week.  Here’s my thoughts on what I watched.

Accused (Tuesday Night, Fox)

I watched the three most recent episodes of Accused this week.  The road rage episode had its good moments and it kept my guessing, though I would have appreciated a bit more of a twist at the end.  The episode with Nick Cannon was so bad that it felt like a parody of woke programming.  (It’s kind of funny how everyone apparently just agreed to forget about Cannon’s history of making anti-Semitic statements.)  The episode with Michael Chiklis as the wrestling coach was much better, though I kept expecting the coach to reveal that he was actually the wrestler’s father.  That would have been a neat twist.

Accused is an uneven show but it’s pretty interesting when it works.  And when it doesn’t work, it’s interesting in an entirely different way.

American Sports Story: Aaron Hernandez (Tuesday Night, FX)

As I’ve said before, this miniseries started out strong but, as so often happens with these Ryan Murphy-produced true crime things, it went downhill quickly.  The final episode was perhaps the worst of the series, if just because it tried to turn Hernandez into some sort of victim.  I have no doubt CTE played some role in his actions but so what?  In the end, at least one man is dead because of Aaron Hernandez.  Ask Odin Lloyd’s family if they care about Aaron Hernandez’s struggle to adjust to living in prison.  I don’t care if he felt uncomfortable with his sexuality.  I don’t care if he was put under tremendous pressure by his coaches.  I don’t care if he was molested when he was a child.  Aaron Hernandez made his decisions and he suffered the consequences and the last thing he deserves is sympathy.

Baywatch Nights (YouTube)

I reviewed Baywatch Nights here!

Check It Out! (Tubi)

My review of Check It Out! will be posting shortly.

CHiPs (Freevee)

I reviewed CHiPs here.  I had a bit of panic when I read the Freevee was shutting down, as I’ve still got many episodes of CHiPs to review and watch.  I’ve been told, however, the shows on Freevee will also be “free” on Prime.  We’ll see!  I’m nor sure that I would want to pay money just for the chance to watch Erik Estrada.

Friday the 13th: The Series (YouTube)

You can read my latest review of Friday the 13th here!

Hell’s Kitchen (Thursday Night, Fox)

My heart broke for Anthony this week!  I took some comfort that Chef Ramsay seemed to be just as said as I was to watch Anthony go.  I was glad Anthony was allowed to keep his jacket.

Highway to Heaven (Hulu)

I reviewed Highway to Heaven here!

Inmate To Roommate (Hulu)

Earlier this year, I enjoyed what I saw of the second season of this A&E show.  (When my Dad had his accident, I stopped watching Inmate to Roommate because taking care of my Dad took priority over any television show.)  This week, I decided to watch the first season of the show on Hulu.  The first season felt a bit more staged than the second season.  If the second season had a raw authenticity to it, the first season was marred by too many scenes that were obviously just done for the cameras.  Still, I appreciate any show that encourages people to give ex-convicts a chance to prove themselves.

Jake Paul vs Mike Tyson (Netflix)

I watched a little of this with Jeff on Friday night.  I was pretty bored with it but at least it was filmed in Texas.  That said, due to my obligations as the hostess of #FridayNightFlix, I stopped watching before either Jake or Tyson left their dressing rooms.  Jeff wrote about the fight here and here!

The Love Boat (Paramount Plus)

I reviewed The Love Boat here1

Malibu CA (YouTube)

For my sins, I reviewed Malibu, CA here!

Miami Vice (Prime)

I reviewed Miami Vice here!

Monsters (YouTube)

I reviewed Monsters here!

Rockin’ Ronny (Night Flight Plus)

This special originally aired in 1986.  It featured a collection of clips from Ronald Reagan’s movies, mixed in with footage of him as president.  Obviously, the show was meant to poke fun at and be critical of Reagan but it didn’t really work.  Rather than coming across as being any of the bad things that this special seemed to be trying to suggest that he was, Ronald Reagan just came across as being a likable old man.  Certainly, he seemed more presidential than any of the folks we’ve recently elected here.

Say Nothing (Hulu)

I am about halfway through this new miniseries about The Troubles in Northern Ireland.  So far, it’s been a powerful few hours.  I’ll share more of my thoughts after I’ve watched the remaining episodes.

St. Elsewhere (Hulu)

I reviewed St. Elsewhere here!

Welcome Back, Kotter (Prime)

I can’t believe I’m paying money for this show.  You can read my latest review here!

Retro Television Review: Miami Vice 3.7 “El Viejo”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Willie Nelson and Steve Buscemi guest star!

Episode 3.7 “El Viejo”

(Dir by Aaron Lipstadt, originally aired on November 7th, 1986)

Using their undercover identities of Burnett and Cooper, Crockett and Tubbs are attempting to take down a Bolivian drug lord named Mendez (Anwar Zayden).  Unfortunately, Crockett’s first attempt to bust Mendez does not go so well.  Their meeting, which is being held at a museum for some reason, is interrupted by a security guard.  In the resulting shootout, the security guard is killed and a green briefcase that’s full of cocaine is stolen by an old man named Jake Pierson (Willie Nelson).  Soon, Jake is attempting to contact Mendez himself, offering to bring him the briefcase.  Jake’s actions also bring him to the attention of Crockett and Tubbs, who both wonder why a 66 year-old Texan with no criminal record is suddenly trying to get involved in their drug deal.

Jake, it turns out, is a former Texas Ranger.  When he was younger, he was a legend.  He and his partner took down criminals like Bonnie and Clyde and protected Texas from Mexican revolutionaries who were preying on the border towns.  It’s been a while since Jack retired.  Now, he lives in a tiny apartment and spends most of his time thinking about the past.  He’s still a killer shot with a gun and knows how to handle himself in a fight.  But he also has a heart condition and, in fact, he would have died early on in the episode if Tubbs hadn’t given him his pills.  Crockett, for his part, idolizes the Texas Rangers, to an extent that almost seems out-of-character when you consider how cynical Crockett is usually portrayed as being.  Crockett is stunned that a former Ranger would be involved with running drugs.  Even though he’s pretending to be career criminal Sonny Burnett, Crockett still asks Jake about all of his adventures as a Ranger and does little to hide how impressed he is.

So, why has Jake gone over to the bad side?  Well, he really hasn’t.  It turns out that the son of his former partner was murdered by Mendez and Jake is looking to get revenge.  It all leads to a number of shoot-outs, including an exciting one that occurs on a Miami highway and an explosive finale at a cemetery.  Jake kills Mendez and his men but, in typical Miami Vice fashion, he takes a bullet himself and dies right after he reveals that he knew Crockett was a cop all along.

This episode features two notable guest stars.  Along with Willie Nelson, Steve Buscemi shows up in a small but memorable role as Rickles, who serves as a go-between for Crockett and Mendez.  Buscemi is as wonderfully weaselly as ever and, even though he’s a bit stiff as an actor, Nelson still brings a lot of Texas authenticity to the character of Jake Pierson.  Of course, in real life, Vice would have stopped Willie and searched his tour bus as soon as he entered the Miami city limits.  This is a pretty dark episode but it’s still amusing to watch iconic hippie stoner Willie Nelson play a cop, even if Jake is retired.

This was a good episode.  That Don Johnson and Willie Nelson were friends in real life is easy to deduce from witnessing how easily they play off of each other in this episode.  This is another episode where the bad guys are defeated but at the cost of a good guy.  Mendez will soon be replaced by another drug lord but no one will ever replace Jake Pierson.