Retro Television Review: Miami Vice 4.1 “Contempt of Court”

Posted on April 21, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, the fourth season begins with a whimper.

Episode 4.1 “Contempt of Court”

(Dir by Jan Eliasberg, originally aired on September 25th, 1987)

It’s time for season 4! Crockett has longer hair! Tubbs has a beard! Otherwise, they’re still somehow doing the undercover thing, despite making no effort to maintain their undercover identities. This episode finds them both in court and, later on, pulling their guns on a mob boss in broad daylight. How exactly there is anybody in Miami who does not know that Burnett and Cooper are actually Crockett and Tubbs, I do not know.

This was kind of a boring episode, which does not bode well for the rest of the fourth season. Mob boss Frank Mosca (Stanley Tucci) is on trial but, because the case hinges on information supplied by an informant, Crockett is faced with making the decision about whether or not to name Jack Rivers (Steven Keats) as the informer. For Jack’s own safety, Crockett refuses but Mosca figures it out anyway. Jack is stabbed to death while a helpless Crockett watches. (Crockett’s in jail on a contempt of court charge.) Later, Jack’s teenage son, Terry (Richard Panebianco), tells Crockett, “I had no idea you were a cop.” Really? What a stupid kid.

Anyway, after Mosca frames a juror for taking bribes and a mistrial is declared, Terry pulls a gun on Mosca as he and his men are walking out of the courthouse. For once, Crockett and Tubbs are able to convince someone not to open fire. I think this is the first time, in Miami Vice history, that Crockett and Tubbs have managed to prevent an assassination. Still, Terry does fire his gun in the air. Mosca smirks and leaves. What’s weird is that no one else reacts to Terry shooting he gun. I mean, he’s on the steps of the courthouse. Why are there no guards rushing out? Why are Crockett and Tubbs the only cops around? Seriously, it makes absolutely no sense.

This episode had some worthy guest stars. Stanley Tucci appeared to be having fun as the cartoonishly evil Mosca. Meg Foster played the district attorney. Philip Baker Hall was the judged who ordered Crockett to name the informant. That said, the episode itself got bogged down in all of the legal wrangling going on inside the courtroom. For the past three seasons, Miami Vice is a downbeat cop show, not a show about lawyers objecting and debating the point of law. The fourth season premiere felt off.

I’ve read bad things about this upcoming season and this episode did little to generate any feeling of optimism or hope. Both Don Johnson and Philip Michael Thomas looked bored and even Edward James Olmos’s Castillo is starting to get a little …. I guess annoying would be the world. Seriously, make eye contact with someone!

Well, we’ve got a long season ahead of us. Let’s hope for the best.

Retro Television Review: Miami Vice 3.24 “Heroes of the Revolution”

Posted on April 14, 2025 by Lisa Marie Bowman

This week, season 3 comes to a close with a threat from the past!

Episode 3.24 “Heroes of the Revolution”

(Dir by Gabrielle Beaumont, originally aired on May 8th, 1987)

The Vice Squad is investigating Orrestes Pedrosa (Shawn Elliott), a former Fidel Castro henchman who has since come to Miami and is now trying to set himself up a major drug supplier. There’s also a mysterious German named Klaus Herzog (Jeroen Krabbe) who appears to be following Pedrosa around Miami.

After getting wounded in a nearly-successful drive-by shooting, Herzog breaks into Gina’s apartment and introduces himself as the ex-boyfriend of Gina’s mother. He goes to explain that Pedrosa was also in love with Gina’s mother and that he killed her when Gina was just a baby. Pedrosa is still obsessed with Gina’s mother so Herzog suggests that Gina should get a job singing at a club. Pedrosa will come out of hiding to see her and Herzog will get his chance for revenge.

Gina agrees, even though it means violating every rule in the Vice book. The end result is that we get a lot of scenes of Saundra Santiago singing and eventually, she shoots Pedrosa dead when he attempts to shoot Herzog.

It’s an interesting choice for a season finale. Crockett and Tubbs are barely present in this episode, allowing Gina to finally have center stage. (Interestingly enough, the third season opened with a Gina episode as well.) Saundra Santiago was often underused by the show so it’s always good to see her getting a chance to do something other than telling Sonny that he got a call. She and the wonderful Jeroen Krabbe have an interesting chemistry in this episode. Pedrosa isn’t the only one who is still in love with Gina’s mother.

On the one hand, I was happy that Miami Vice finally featured a villainous communist. Politically, Miami Vice tends to be so left-wing that it sometimes verges on parody so a villainous Castroite was a change of pace. But then Krabbe’s character introduced himself by saying, “I am a communist.” It was as if the show had to make sure we understood that it was still on the side of Marx. It felt kind of silly, to be honest.

Anyway, the third season ended on a fairly good note. Neither Don Johnson nor Philip Michael Thomas really seemed that invested in their characters for much of the third season so it’s been nice to see Michael Talbott, Saundra Santiago, and Olivia Brown each get an opportunity to show off what they could do when given the opportunity. This was an uneven season but it had its share of good episodes. I’m still struggling to deal with the death of Larry Zito.

Next week, we begin season 4!

Retro Television Review: Miami Vice 3.23 “Everybody’s In Show Business”

Posted on April 7, 2025 by Lisa Marie Bowman

This week, Crockett and Tubbs get involved in a theft and a theatrical troupe.

Episode 3.23 “Everybody’s In Show Business”

(Dir by Richard Compton, originally aired on May 1st, 1987)

The theft of a valuable briefcase that belonged to drug lord Don Gallego (Paul Calderon) leads the Vice Squad to Mikey (Michael Carmine), an ex-con who is now a published poet and runs his own theater group specifically for people who have just gotten out of prison. Unfortunately, Mikey has once again started using drugs (“Once a junkie, always a junkie,” Tubbs scornfully says) and he desperately needs the money that he can make by selling the briefcase back to Gallego. Gallego, for his part, will do anything to get that briefcase back.

This episode had a few good things going for it. Paul Calderon gave a strong performance as Don Gallego, a ruthless drug lord who dispenses threats and violence with style. (Calderon was also in King of New York as the untrustworthy Joey D. and he played the bartender, English Bob, in Pulp Fiction. Reportedly, Calderon was the second choice for the role of Jules Winnfield.) Mikey’s young brother is played by Benicio Del Toro and, while Del Toro doesn’t really get to do much in this episode, his appearance continues Miami Vice‘s tradition of featuring future stars amongst its supporting cast.

That said, Michael Carmine’s performance as Mikey didn’t really work for me. Mikey was meant to be wild, charismatic, and touched with a hint of genius but Carmine overacts to such an extent that it becomes impossible to take Mikey seriously as any of those three things. A scene where he portrays his version of Elvis is meant to be a showstopper but it just left me cringing. Sonny, somewhat uncharacteristically, is portrayed as being an admirer of Mikey’s poetry. (I thought Tubbs was supposed to be the sensitive one.) Unfortunately, the poetry that we hear doesn’t sound that impressive. Sonny has been portrayed as being such a cynic in the past that it’s hard to buy the idea that he would be so moved by Mikey. If anything, it almost feels as if Sonny and Tubbs have switched roles in this episode. Usually, Tubbs is the one who isn’t cynical enough.

The episode ends on something of an off-note, with Mikey apparently being near death but somehow managing to escape the hospital after he’s visited by Crockett and Tubbs. This is the sort of thing that would perhaps have worked if Mikey was a recurring character. If they had brought back Noogie and had him as the poetry-writing junkie in over his head, this episode probably would have worked. But we don’t really know Mikey and, from what we see of him, he comes across as being a bit of a jerk. So, what do we care if he gets in trouble?

Next week, season 3 comes to an end!

Retro Television Review: Miami Vice 3.22 “Viking Bikers From Hell”

Posted on March 31, 2025 by Lisa Marie Bowman

This week, it’s Reb Brown vs Don Johnson!

Episode 3.22 “Viking Bikers From Hell”

(Dir by James Quinn, originally aired on April 3rd, 1987)

Biker Reb Gustafson (Reb Brown) has been released in prison, just in time to seek vengeance for the death of his mentor, The Wire. The Wire was killed in a drug deal gone bad so Reb decides to just track down every dealer that The Wire did business with during the final two weeks of his life and kill every one of them. Working with Lascoe (John Matuszak) and Toad (Sonny Landham), Reb cuts a trail of terror through Miami’s underground. Soon, there’s only one name left on the list …. SONNY BURNETT!

At this point, of course, everyone in Miami should know that Sonny Burnett is actually Sonny Crockett. I’ve lost track of how many time Crockett and Tubbs have gotten their undercover identities blown. Usually, the people who figure out that Sonny and Rico are undercover end up dying almost immediately afterwards. But a few of their enemies have survived and it’s odd that they never seem to bother to tell anyone, “Hey, those guys are actually cops.”

This episode of Miami Vice is violent that it verges on self-parody. (I guess that’s to be expected as the script was written by the great John Milius, Milius was credited as “Walter Kurtz.”) Reb Brown is an amusing actor. He never showed much emotion but he always looked believable whenever he was relentlessly tracking down someone that he wanted to kill. Brown is both this episode’s greatest strength and its greatest weakness. As played Brown, Reb Gustasfson barely flinches when he gets shot. He’s a relentless killing machine, the terminator on a motorcycle. That does certainly make him an intimidating figure. At the same time, this episode also features Reb Brown doing his signature yelling and, for me, it was hard to watch this episode without thinking about all the close-up, high-pitched screaming that he did in Space Mutiny.

Tubbs ends up in the hospital in this one. An attack by Reb and his biker pals leaves Tubbs with a concussion. Crockett visits the hospital and there’s a scene where he attempts to have a conversation with a heavily drugged Tubbs. Tubbs’s comments make about as much sense as the last words of Dutch Schultz but it’s still kind of nice to see that Crockett actually does care about his partner. The two of them haven’t always seemed particularly happy with having to work together over the course of the third season.

Biker fans will also be happy to note that Kim Coates has a small role in this one. Crockett and Tubbs beat him up in a biker bar while demanding information about Reb. The odd thing here is that Crockett and Tubbs go into the biker bar and make no attempt to hide the fact that they’re actually cops. And all of the bikers in the bar seem to already know that they’re cops. Seriously, were Crockett and Tubbs the two worst undercover cops in history?

This was an enjoyably over-the-top episode. It was a bit silly but, when it comes to Reb Brown, would you want it any other way?

Retro Television Review: Miami Vice 3.21 “Knock Knock …. Who’s There?”

Posted on March 17, 2025 by Lisa Marie Bowman

This week, the one hand doesn’t know what the other one is doing. That’s life in Miami.,

Episode 3.21 “Knock Knock …. Who’s There?”

(Dir by Tony Wharmby, originally aired on March 27th, 1987)

An drug buy that Crockett and Tubbs (as Burnett and Cooper) set up with Esteban Montoyo (a miscast Ian McShane), falls apart when a group of DEA agents show up. Or, at least, they say that they’re DEA agents. Oddly, they just take the money and the drugs and then leave, saying that Miami metro will take care of the rest.

It quickly becomes apparent that the DEA agents were fake but Crockett and Tubbs have no way to confirm that because the DEA refuses to share any information about their activities with the Vice Squad. Even though the DEA and detectives are all after the same people and are supposedly soldiers in the same war, they don’t trust each other and they don’t share information. Meanwhile, Internal Affairs is convinced that Crockett and Tubbs stole the money and the drugs for themselves and are determined to prove it. Apparently, it doesn’t matter that Crockett and Tubbs have killed a variety of different drug lords over the past three seasons. No one in Miami trusts anyone!

As for the fake DEA busts, they’re being set up by an agent named Linda Colby (Elizabeth Ashley). Linda’s husband (Jimmie Ray Weeks) is a former agent who is now in a wheelchair and who is a friend of Crockett’s. Their son is in the hospital, fighting for his life. Linda’s crimes are helping her to pay for his treatment. It’s not greed that motivates her, or at least greed isn’t the only thing. She’s also motivated by love.

Of course, in the end, she still gets shot during a showdown between Crockett, Tubbs, and Montoya. Unlike the majority of Miami Vice‘s guest stars, Linda survives being shot. But, as she’s lying on the stretcher, Crockett has to arrest her. Linda says that Crockett would have done the same thing for his son. With tears in his eyes, Crockett proceeds to recite Linda’s Miranda rights. Though Crockett doesn’t say it, he knows that she’s right but he’s also a cop and he has no choice but to arrest her. Now, her son will no longer receive medical treatment and his mother is going to be in jail. Wow, Miami Vice, depressing much?

Of course, happy endings were a rarity on Miami Vice. That was one of the show’s strengths. No one ever got a truly happy ending. Every drug lord that Crockett and Tubbs took down would be replaced by someone else. Anyone who ever tried to help usually fell victim to a bullet. People like Linda did things for desperate reasons and paid the price, all in the service of an unwinnable war.

This episode was uneven. Ian McShane was not a particularly interesting villain and Crockett getting his cover blown happens so frequently that it’s no longer a shock. But that final scene definitely packed a punch. Never have the Miranda rights sounded so hollow.

Next week …. it’s Crockett and Tubbs vs. a motorcycle gang! We’ll see what happens. It can’t be any more depressing than this episode.

Retro Television Review: Miami Vice 3.20 “By Hooker by Crook”

Posted on March 10, 2025 by Lisa Marie Bowman

This week, Sonny falls for a madame.

Episode 3.20 “By Hooker by Crook”

(Dir by Don Johnson, originally aired on March 20th, 1987)

Here I am, halfway through the third season of Miami Vice and it still amuses the Heck out of me how shocked Crockett and Tubbs are whenever their cover gets blown.

As far as I can tell, neither Crockett nor Tubbs make much of an effort at maintaining their cover, beyond using the names Burnett and Cooper. (Tubbs occasionally uses a fake Jamaican accent.) They dress exactly the same as cops as they do when they’re criminals. They hang out, in public, with the other members of the Vice Squad. They occasionally respond to “all unit” calls, which means that anyone in the area at the time will recognize them as being cops. Add to that, Crockett is supposedly a minor Florida celebrity, a former football star who went to Vietnam. In short, these two have the worst covers ever but they’re still stunned when the criminals see through their “Burnett and Cooper” identities …. even though it happens in every episode!

This time, it’s George Takei, playing a viscous crime lord, who sees through their cover and orders his men to attack. It leads to a shoot-out, much of which is filmed in slow motion. It would be pretty exciting and dramatic, except for the fact that one of Takei’s henchmen is played Captain Lou Albano, the rubber band-wearing wrestler. It also doesn’t help that Takei is …. well, he’s Takei. He camps up his villain role to such an extent that it’s impossible to take him seriously as any sort of threat. Even though he orders his men to kill an escort played by Vanity, he still comes across as being flamboyant, eccentric old George.

This episode was directed by Don Johnson and, as often happens when a cast member first tries his hand at directing, it’s filled with shots that are supposed to make you go, “Hey, this guy’s got a vision!” The slow motion gunfight is an example of this. An extended scene that is filmed with a fish-eyed lens (the better to represent Izzy’s point of view as he looks through a peephole) is another example. A sex scene between Crockett and a madame who is played by Melanie Griffith is filmed in soft focus and lit in such a way that it looks like the entire set is about to burst into flame from the heat. Johnson the director seems to be saying, “Dang, Don Johnson’s hot!”

At the time of this episode, Melanie Griffith was divorced from Don Johnson and married to Steve Bauer. Later, she would divorce Bauer and remarry Johnson. Johnson and Griffith do have amazing chemistry in this episode so kudos to Johnson the Director for making a good casting choice. Johnson the actor owes him one.

Retro Television Review: Miami Vice 3.19 “Red Tape”

Posted on March 3, 2025 by Lisa Marie Bowman

This week …. has Tubbs turned evil?

Episode 3.19 “Red Tape”

(Dir by Gabrielle Beaumont, originally aired on March 13th, 1987)

There’s a turncoat in the Vice Department. Someone is leaking information about search warrants to the bad guys and, as a result, cops are walking straight into booby traps. When a routine search for a low-level thief leads to an explosion that kills one cop (Viggo Mortensen) and leaves Tubbs covered in the man’s blood, Tubbs announces that he’s fed up with all of this and he refuses to take another assignment until the leaker has been caught. Castillo tells Tubbs he can either accept his new assignment or quit. Tubbs says he’s done.

The problem is that all of Tubbs’s money is wrapped up with the department’s credit union and Tubbs can’t withdraw it quickly enough to get back to New York. The usually cool and collected Tubbs throws a fit, getting himself arrested when he starts threatening people at the credit union. Crockett gets him out of jail and Tubbs says their partnership is done. Switek tries to open up about his feelings after Zito’s death. Tubbs says he doesn’t care. What’s going on with Tubbs? He’s acting like a total jerk and he’s also loudly letting everyone know that he’s desperate to get out of Miami and that he needs money quickly….

If you guessed Tubbs was working undercover, you are correct! It’s all an elaborate ruse to get crooked Detective McIntyre (Scott Plank) to approach Tubbs with an offer. (McIntyre’s girlfriend is played by a young actress named Annette Bening) Unfortunately, only Tubbs and Castillo know that Tubbs is still one of the good guys, A hot-headed young detective named Bobby Diaz (Lou Diamond Phillips) thinks that Tubbs really is crooked. Diaz already lost one partner to the leaker. He’s looking for revenge and even while Tubbs and Castillo are planning to take down McIntyre, Bobby is planning to take down Tubbs. In typical Miami Vice fashion, it all leads to shoot out that leaves the bad guys dead but which also leaves Diaz mortally wounded and cursing Tubbs with his dying breath. Tubbs goes from pretending to hate his job to actually hating it.

Seriously, were there ever any unambiguously happy endings on Miami Vice? It seems like nearly every episode ended with Crockett and Tubbs realizing that their latest victory — assuming they were lucky enough to even have one — would prove to pyrrhic. There would always be a new drug boss ready to replace anyone that they took out of the game. There would aways be a new cop willing to betray his colleagues. And there would always be a mountain of red tape, waiting to keep them from making a difference. This episode was dark!

This season seems like it’s been more Tubbs-centric than previous seasons and, as dark as thing got, it was still a little fun to watch Phillip Michael Thomas go totally over the top as the angry Tubbs. The scene in the credit union was one that I’m sure would be enjoyed by anyone who has ever had to deal with red tape. One could argue that Tubbs go so far overboard that the bad guys should have been able to see through his ruse. But, still, this episode was effectively moody and dark. Watching it, it was hard not to feel that Thomas deserved more storylines than he got.

Next week: Crockett falls in love with Melanie Griffith!

Lisa Marie’s Week In Television: 2/16/25 — 2/22/25

Posted on February 23, 2025 by Lisa Marie Bowman

Yeah, I’m running late with this. That seems to be the theme of my life this weekend but no matter! Here it is, my week in television.

American Murder: Gabby Petito (Netflix)

Netflix’s Gabby Petito documentary didn’t necessarily tell me anything that I didn’t already know about that tragic and awful case. Indeed, I kind of found myself getting angry at the documentary as I watched the endless footage of Gabby because it reminded me that Gabby Petito — and every other crime victim — deserved more than to be the latest subject of America’s fascinating with the morbid and the sordid. (Of course, it’s hypocritical of me to judge as I was the one watching the documentary.) But, in the end, I did feel that the documentary made an important point. There were so many red flags about Brian Laundrie but no one wanted to admit it, not the cops and not Gabby’s friends. Gabby was failed by so many people.

Up until I saw this documentary, I was not convinced that Brian’s family really knew the full extent of his crimes. Now, I’m convinced that they not only knew but tried to help him cover them up. It’s infuriating.

Check it Out! (Tubi)

I reviewed Check It Out! here. I’ll soon be finished with this show and I have to admit that I’m kind of proud of being the only person to have actually sat down and reviewed every single episode.

CHiPs (Prime)

I reviewed CHiPs here!

Dark (Netflix)

Case and I have now started the third and final season of this creepy German show. It’s all about time travel, black holes, and people having nonstop sex without any emotional connection. The architecture is brutalist, the cinematography is dark, and everyone seems to be fairly depressed. It’s very German and very intriguing.

Fantasy Island (DVR)

I reviewed Fantasy Island here!

Friday the 13th: The Series (YouTube)

I wrote about Friday the 13th here!

Highway to Heaven (Tubi)

I reviewed Highway to Heaven here!

Kitchen Nightmares (Tuesday Evening, Fox)

Chef Ramsay was back in New Orleans, helping out another surprisingly ugly restaurant. Seriously, how can a restaurant succeed when it looks like a trailer? Again, a former football player was brought in to provide emotional encouragement. I will undoubtedly find myself in New Orleans in the future but I’ll probably never eat there.

The Love Boat (Paramount+)

I reviewed The Love Boat here!

Malibu CA (YouTube)

I reviewed Malibu CA here!

Miami Vice (Prime)

I reviewed Miami Vice here!

Monsters (YouTube)

I reviewed Monsters here!

Pacific Blue (Tubi)

I reviewed this stupid, stupid show here!

Scamanada (Hulu)

I finished up Scamanda this week, watching the final two episodes. For all the build-up, the finale was a bit disappointing. Amanda was arrested and convicted and then, for 30 minutes, we listened to a bunch of podcast hosts talk about how they came across the story and went viral with it. I love true crime documentaries but true crime podcast hosts are always so annoying and self-important.

St. Elsewhere (Hulu)

I wrote about St. Elsewhere here!

Welcome Back, Kotter (Prime)

I’m nearly done with this show, thank God. I reviewed the latest episode here!

Retro Television Review: Miami Vice 3.18 “Lend Me An Ear”

Posted on February 17, 2025 by Lisa Marie Bowman

This week, Crockett and Tubbs are both spectacularly bad at their jobs.

Episode 3.18 “Lend Me An Ear”

(Dir by James Quinn, originally aired on February 27th, 1987)

This week’s episode of Miami Vice centers around Steve Duddy (John Glover), an eccentric former cop-turned-surveillance expert. When the Vice Squad has trouble bugging the home and phone lines of a mysterious Greek criminal named Alexander Dykstra (Yorgo Voyagis), Crockett and Tubbs approach Duddy for help. Little do they know that Dubby is also on Dykstra’s payroll. Duddy sells them the bugs that they plant in Dykstra’s home. Then Dykstra calls Duddy and Duddy removes them. Dykstra doesn’t know that Duddy works for the cops and the cops don’t know that Duddy works for Dykstra.

It sounds like a pretty good deal for Steve Duddy, no? But when Duddy witnesses Dykstra commit a murder that was caused by Dykstra using one of Duddy’s voice analyzers to discover whether or not her girlfriend was lying about cheating on him, Duddy decides to try to take down Duddy. First, he calls the homicide department and, using a device to disguise his voice, he reports that Dykstra just killed someone. When that doesn’t work, he splices together some recordings to make it appear as if Dykstra is setting up a crime. When that doesn’t work and Dykstra decides to take out Duddy, Duddy just kills Dykstra and his men. Crockett and Tubbs arrest him, charging him with interfering with an investigation. The charges are ultimately dropped but, when Duddy returns to his home, he finds a video message from Crockett. “I’ll be watching you!” Crockett says.

This was a strange episode, if just because the main theme seemed to be that the members of the Vice Squad weren’t that smart. Not only were they repeatedly fooled by Duddy but also Dykstra as well. Really, anyone with as much experience as Crockett and Tubbs should have been able to figure out what Duddy was doing. Duddy’s reaction when he heard the 9-11 call (“Sounds like someone’s altering their voice!” Duddy says) should have been a dead giveaway that Duddy knew more than he was telling. And yet, somehow, Crockett and Tubbs didn’t figure out anything strange was happening until the episode was nearly over.

Dykstra, incidentally, was not a drug dealer. He was a money launderer and he really didn’t make much of an effort to hide that fact. I figure it out pretty quickly. But, again, it took Crockett and Tubbs nearly the entire episode to figure out what Dykstra’s business actually was. Crockett and Tubbs just had a really off-week with this episode.

On the plus, John Glover was memorably odd as Duddy. Up until he discovers Dykstra is a murderer, Duddy is having the time of his life playing both sides against each other and it’s actually kind of entertaining to watch. Apparently, this was Duddy’s only appearance on Miami Vice. That’s a shame because his character definitely had potential.

Next week: Viggo Mortensen, Annette Bening, and Lou Diamond Phillips all stop by Miami!

Lisa Marie’s Week In Television: 2/9/25 — 2/15/25

Posted on February 15, 2025 by Lisa Marie Bowman

Abbott Elementary (Wednsesday Night, ABC)

I loved the science fair episode, which I watched on Hulu on Wednesday afternoon! Ava is my favorite character so I enjoy any episode that deals with her troubled past, her unique principal style, and the moments where she actually turns out to be good at her job.

I also enjoyed the latest episode of Abbott, with Ava helping out the other schools and Jacob giving an impassioned speech to the school board that will probably come back to haunt him at some point in the future. After the previous season’s somewhat uneven mix of episodes, it’s nice to see Abbott Elementary going strong again!

Be My Valentine, Charlie Brown (Apple TV+)

Erin and I watched this on Thursday. It’s a holiday tradition! You can read Erin’s review here!

Dark (Netflix)

Case and I finished up season two this week. Onward to the season three next week!

Extracted (Monday Night, Fox)

In this new reality show, out-of-shape people go into the wilderness and try not to die. From a control room, their family members watch and debate whether or not to pull them out of the game. On Wednesday, I watched the first two episodes on Hulu. The show is ludicrous but it’s entertaining, as most good reality shows are. I would hope that my family would pull me out after the first ten minutes.

Kitchen Nightmares (Tuesday Night, Fox)

Finally leaving the ugly restaurants of New Orleans, Chef Ramsay helped out an ugly restaurant in Houston. Seriously, how does the show find these ugly places? This time, the restaurant owner got mad at Ramsay and even called him into the storeroom for a talk. Ramsay was still able to get through to her and save the restaurant. Yay!

Scamanda (Hulu)

On Tuesday, I watched the second episode of Scamanda, which revealed a bit about Amanda’s background and also her husband. The episode suggested that Amanda based her scam off of her husband’s stepdaughter from his first marriage and her very real battle with Leukemia. Not only does this show how twisted Amanda was but it also indicates that her husband was very much a part of her scheme. The second episode was marked improvement over the first. I’m looking forward to the third.

The Story Behind (Tubi)

I watched two episodes. One featured the story behind Beverly Hills 9o210. The other was the story behind Full House. Neither really told me anything that I didn’t already know.

Super Bowl LXI (Sunday Night, Fox)

The only thing more boring than the game were the commercials. A lot of people are making a big deal about Taylor Swift getting booed at the game. The Swifties are in an uproar but, honestly, it’s an American tradition to boo celebs at sporting events, especially ones who are only there because they’re dating a player. Taylor’s apparent shock at being booed has become a meme but it was actually a very relatable and human moment. I prefer Taylor’s “What’s going on?” to the celebs who either pretend to not to care or the ones who go into a rage mode the minute they have to deal with public opinion.

Watched and Reviewed Elsewhere: