Retro Television Review: Fantasy Island 6.14 “Revenge of the Forgotten/Charo”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week epitomizes an era!

Episode 6.14 “Revenge of the Forgotten/Charo”

(Dir by Phillip Leacock, originally aired on February 19th, 1983)

Just the fact that one of this week’s fantasies is actually entitled “Charo” should tell you all you need to know about it.  Charo plays Maria Diaz (her full name is much longer), who has come to Fantasy Island to meet her father.  Charles Woodruff (Van Johnson) didn’t even know that he had a daughter but he takes the news surprisingly well.

The interesting thing about this fantasy is that Charles Woodruff is an American diplomat, who has a home in both New York City and Fantasy Island.  As Fantasy Island has previously been established as being its own nation, you do have to wonder if perhaps Charles Woodruff is America’s ambassador to Fantasy Island.  A large part of the fantasy involves him hosting a dinner for several other diplomats so I guess it’s possible that every country sends an ambassador to Fantasy Island.  Perhaps Fantasy Island even sends a delegate to the United Nations.  Maybe that would explain where Tattoo was during all of those season 5 episodes where Julie was suddenly Roarke’s sidekick.  For that matter, maybe that’s where Julie is now.  The show never has really explained what happened to her.

Anyway, how much you like this fantasy will depend on how much you like Charo.  She is someone who definitely epitomizes an era and, of course, the same can be said of both The Love Boat and Fantasy Island.  It’s interesting that, over the years, there have been multiple attempts to reboot both of those series and they’ve never really worked, largely because a good deal of the appeal of Love Boat and Fantasy Island is how much they really are a product of the 70s and 80s.  Attempting to update them for the modern era tends to negate everything that make both of the shows so entertaining to watch today.

(The latest Fox update of Fantasy Island had a lot of gorgeous scenery but it got bogged down in all of its attempts to world build.  It’s fun to speculate about how the Island works.  It’s less fun to actually have the show explain it to us.)

As for the other fantasy, it involves Marjoe Gortner!  As usual, Marjoe’s playing a villain.  He’s cast as Loren Robertson, who framed Alan Daly (Steve Kanaly) for a crime that he didn’t commit and then tricked Alan’s girlfriend, Marion (Christine Belford), into marrying him.  Recently released from prison, Alan comes to Fantasy Island to track down a fabled treasure that Alan believes he can use to restart his life.  With the help of Tattoo (who dresses up like Indiana Jones), Alan finds the treasure but, when he sees Loren and Marion on the Island, Alan gets distracted by his desire for revenge.

This story was a bit of an odd one.  Alan’s fantasy was to find the treasure and, after he found it, Roarke was like, “So, I guess you’ll be leaving now.”  Instead, Alan decides to spend a full weekend on the Island to try to get revenge.  I’ve never seen Roarke try to get a guest to leave early before but it’s even more strange to be reminded that somehow all of these fantasies occur over the course of one weekend.  Some episodes have seemed like a bit much for just two or three days.

Despite the fact that this episode originally aired in 1983, it doesn’t get more 70s than Charo and Marjoe!  Charo was her usual self.  Marjoe was a great villain as always.  This was an enjoyable trip to the Island.

Scenes That I Love: Marjoe Gortner in Earthquake


Today is Marjoe Gortner’s 81st birthday!

The former child evangelist-turned-whistleblower-turned-recording-artist-turned-golf-tournmanet-organizer appeared in some of the most memorable exploitation films of the 70s and 80s, usually playing villains.  (Personally, I’ve always liked his heroic performance in Starcrash.)

In today’s scene, from 1974’s Earthquake, Marjoe gives au unforgettably creepy performance as the type of character who, today, would probably be called an incel.  Usually, no one takes him serious but, when an earthquake hits, he puts on his uniform and becomes a mini-tyrant.  Few actors were as effective at playing crazy as Marjoe Gortner.

 

Film Review: Starcrash (dir by Luigi Cozzi)


Is there a better movie than Starcrash?

First released in 1978, Starcrash takes place in a galaxy that is probably far, far away.  The evil Count Zath Arn (Joe Spinell) is attempting to overthrow the benevolent Emperor (Christopher Plummer).  Zath Arn has built a weapon that is so large and so powerful that it can only be hidden inside of another planet.  (“Like a Death Star?” you say.  Hush, don’t go there….)  The Emperor’s son, Prince Simon (David Hasselhoff), led an expedition in search of the weapon but a surprise attack of glowing red lights led to his ship crashing on the unknown planet.  Simon is missing and Zath Arn’s power is growing.

Two legendary smugglers — Stella Starr (Caroline Munro) and the enigmatic Akton (Marjoe Gortner) — are released from prison and tasked with tracking down both the weapon and Simon.  (Stella was already in the process of escaping when she got the news of her release.)  Accompanied by the duplicitous Thor (Robert Tessier) and the loyal Elle (Judd Hamilton), a robot with a thick Southern accent, Stella and Akton set out to explore the haunted stars.

It’s a journey that leads them to …. well, actually, it only leads them to three planets.  It turns out that the weapon wasn’t that well-hidden after all.  Still, one planet is populated by Amazons and protected by a giant, tin robot.  Another planet is populated by cannibals who wear stone masks.  And then there’s an ice planet where the clouds race across the sky while Stella and Elle try to make it back to their ship without freezing to death.  And if that’s not enough to make things exciting, this film also features David Hasselhoff with a light saber!

There’s no point in denying that Starcrash would never have been made if not for the success of the first Star Wars.  Indeed, the film even begins with an opening crawl and features a shot that is almost a recreation of the first scene in Star Wars.  However, director Luigi Cozzi doesn’t limit himself to just mining Star Wars for inspiration.  The giant tin robot owes a huge debt to the creations of Ray Harryhausen.  The judge that sentences Stella and Akton to prison is the same talking head that appeared in Invaders From Mars.  A scene in which Stella explores an abandoned spaceship owes more than a little to 2001: A Space Odyssey.  Even Akton, with his telepathic powers, seems like he could have stepped out of an episode of Star Trek.

Starcrash makes no secret of its influences but it’s such an energetic and good-natured film that all of the borrowing feels like like a rip-off and more like a very affectionate homage.  It’s obvious that director Luigi Cozzi loved the films from which he borrowed and that love is present in every frame of StarcrashStarcrash is a fast-paced space adventure and it’s a lot of fun.  It’s certainly more fun than any of the recent entries in the Star Wars franchise.  Working with a low-budget, an energetic cast, and some surprisingly creative special effects, Cozzi crafts a genuinely entertaining movie.  Marjoe Gortner was never better than he was in Starcrash.  Christopher Plummer, to his credit, brings a truly noble bearing to the role of the Emperor.  Joe Spinell obviously understood that his role didn’t require subtlety and he delivers all of his lines like a villain in an old time serial.  As for David Hasselhoff …. he’s the Hoff and he brings his trademark earnestness to the role of Simon.  Starcrash is the best film that Cozzi ever directed.

A good deal of the success of Starcrash is due to Caroline Munro, who gives such a committed and likable performance as Stella Starr that it’s hard not to mourn the fact that Cozzi was never able to make any more films about the character.  As played by Munro, Stella Starr is a smart, confident, and strong.  Stella loves doing what she does and it’s impossible not share her joy when she announces she’s taking the ship into “hyperspace.”  Even though Stella spends the majority of the film running around in a leather bikini, Munro brings a definite touch of class to the role.  No one is going to push Stella Starr around and certainly, no one is going to destroy the Galaxy on her watch.  Thank to Caroline Munro’s fearless performance, Starcrash is one of the most empowering science fictions ever made.

Starcrash ends with hints of a possible sequel but sadly, there never came to be.  (Not surprisingly, there was an unrelated film that was advertised as being a sequel but which was actually just a softcore science fiction version of Lady Chatterley’s Lover.)  It’s a shame.  Stella Starr definitely deserved to have many more adventures.

Retro Television: Fantasy Island 4.15 “Loving Strangers/Something Borrowed, Something Blue”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion.

Sorry for running late with the review today.  Are you prepared for some romance?

Episode 4.15 “Loving Strangers/Something Borrowed, Something Blue”

(Dir by Cliff Bole, originally aired on February 14th, 1981)

It’s a special Valentine’s Day episode of Fantasy Island!

Now, I have to admit that my first reaction to this was to think that I would be pretty depressed if I spent a Valentine’s Day at home, watching Fantasy Island.  But then I realized that’s pretty much what happened to me this year.  I had the excuse of a sprained ankle, though.  Add to that, I was watching The Love Boat instead of Fantasy Island and Jeff and I still had a romantic time, even if I was stuck on the couch for most of the day.

(For the record, my ankle is doing much better.  It only hurts with every 20th step now.)

Anyway, both of this episode’s fantasies are about falling in love.

Tom (Peter Marshall) and Margaret Wilkerson (Jane Powell) have been married for 25 years.  It’s been a happy marriage but they’re both curious whether they would still fall in love if they met each other as the way they are now.  Their fantasy is to meet again for the very first time.  Mr. Roarke warns them that this might not be a good idea but Tom and Margaret still choose to walk through the Door of Forgetfulness and immediately forget that they know each other or that they’re married.  Uh-oh — Tom’s flirting with a younger woman!  And Margaret just met international man of mystery, Cesar Romero.  Well, that marriage is doomed.  Or is it?

No, of course, it’s not doomed.  This is Fantasy Island and it’s Valentine’s Day.  Still, you do have to wonder why Roarke grants fantasies that could so easily go terribly wrong.  What if Tom and Margaret hadn’t eventually found each other again?  How would that be explained to the members of their family in Indiana?  Does Mr. Roarke ever worry about getting sued?

As for the other fantasy, Jack Foster (John Gavin) wants to marry Pamela Archer (Shelley Smith) on the Island.  The wedding is being planned.  Tattoo is calling people to order the cake and the plates and the silverware and it’s actually kind of neat to see Tattoo do something other than glare at Mr. Roarke.  However, Pamela has not told Jack the truth about her trampy past and she fears that, if the truth comes out, it will destroy Jack’s campaign to be governor of Illinois.  (I don’t know what she’s worried about.  It’s not like Illinois has a reputation for being run by ruthless political machine or anything.)  Pamela wants to marry Jack but …. OH NO, IT’S MARJOE GORTNER!

Marjoe plays Nick Corbin, who was apparently Pamela’s pimp in her previous life.  He’s come to Fantasy Island to drag Pamela away from Jack and Pamela feels that she has to go with him in order to protect Jack.  Jack reveals that he knows about her past and he doesn’t care.  He then confronts Nick, who pulls a knife on him.  OH NO!  Fortunately, Mr. Roarke appears and literally tosses Nick 20 feet into the air.  I’m not kidding, either.  MARJOE GORTNER GOES FLYING!

With Nick taken care of, Jack and Pamela have an incredibly tacky wedding.  Mr. Roarke walks Pamela down the aisle because apparently, Pamela has no family.  That’s kind of sad.

But the important thing is that everything worked out.  To be honest, neither fantasy was that interesting but I’m always happy to see Marjoe Gortner.  No one glowered quite like Marjoe!

Song of the Day: Lo and Behold, covered by Marjoe Gortner


It’s Marjoe Gortner’s birthday!

Marjoe is a former child evangelist who, in 1972, appeared in the candid documentary, Marjoe.  The Oscar-winning film featured a look behind the scenes of the religious revival industry, with Marjoe as an amoral tour guide who discussed how he didn’t believe what he was preaching and who had basically been forced into the business by his parents.  Marjoe described how every word he preached was calculated to inspire people to donate more money to his ministry.  Marjoe described himself as being “bad but not evil.”

Marjoe Gortner would go on to have a long career as an actor in films, usually playing sinister characters.  His most-seen film was probably Earthquake.  My favorite Marjoe film is Starcrash.

In 1972, Marjoe recorded an album called, after his famous documentary quote, Bad But Not Evil.  Today’s song of the day is Marjoe Gortner covering Bob Dylan’s Lo and Behold on that album.

Happy birthday, Marjoe Gortner!

I pulled out for San Anton’I never felt so goodMy woman said she’d meet me thereAnd of course, I knew she would
The coachman, he hit me for my hookAnd he asked me my nameI give it to him right awayThen I hung my head in shame
Lo and behold! Lo and behold!Looking for my lo and beholdGet me outta here, my dear man
I come into PittsburghAt 6:30 flatI found myself a vacant seatAnd I put down my hat
“What’s the matter, Molly, dear?What’s the matter with your mound?”“What’s it to ya, Moby Dick?This is chicken town!”
Lo and behold! Lo and behold!Looking for my lo and beholdGet me outta here, my dear man
I bought myself a herd of mooseOne she could call her ownWell, she came out the very next dayTo see where they had flown
I’m going down to TennesseeGet me a truck or somethingGonna save my money and rip it up
Lo and behold! Lo and behold!Looking for my lo and beholdGet me outta here, my dear man
Now, I come in on a Ferris wheelAnd boys, I sure was slickI come in like a ton of bricksLaid a few tricks on them
Going back to PittsburghCount up to 30Round that horn and ride that herdGonna thread up
Lo and behold! Lo and behold!Looking for my lo and beholdGet me outta here, my dear man

Retro Television Reviews: Half Nelson 1.9 “Beverly Hills Princess”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

Today, we close the book on the adventures of Rocky Nelson in Beverly Hills.

Episode 1.9 “Beverly Hills Princess”

(Dir by Bernard McEveety, originally aired on May 10th, 1985)

The hottest new thing in Beverly Hills is a movement called Emotional Awareness.  Led by the slick Dexter Breen (played by Marjoe Gortner, who was himself a former child evangelist) EA is a self-improvement cult that definitely should not be mistaken for Scientology.  Not surprisingly, EA is a scam.  Dexter and his people encourage the rich and the powerful to confess all of their secrets during “Awareness Sessions” and then use those secrets to blackmail their followers.

Businessman George Farrell (Dick Van Patten) is sick of being blackmailed.  However, when George tries to confront Dexter, he gets into a struggle with one of Dexter’s goons.  The goon has a gun, which goes off.  Fear not, George is not wounded.  However, he is arrested for murder when the goon drops dead.  Because George doesn’t want to admit that Dexter was blackmailing over him over an affair he had with a congresswoman, George finds himself sitting in prison.

Fortunately, George Farrell is a client of Beverly Hills Security!  After being approached by George’s 14 year-old daughter, Leslie (Sydney Penny), Rocky (Joe Pesci, who was shorter than Sydney Penny) makes it his mission to prove that George didn’t mean to kill anyone.  To do this, he’ll visit two more of Dexter’s victims (played, in this week’s cameos, by Rich Little and Lyle Waggoner).  He’ll also steal several cars, including a police car.  Why is Rocky stealing cars?  Because he keeps wrecking them, of course!  Detective Hamill (Gary Grubbs) isn’t happy about all of the wrecked cars.  When he demands to know why Chester (Fred Williamson) keeps Rocky employed despite all of Rocky’s mishaps, Chester replies, “Because he cares!”

As usual, Rocky recruits Beau (Dick Butkus), Kurt (Bubba Smith), and Annie (Victoria Jackson) to help him out.  When Rocky discovers that one of Dexter’s victims is holding auditions for a drag revue, Rocky decides that Annie should audition.  “But I’m a real woman!” Annie replies.  At this point, I was expecting thing to get pretty cringey but, by the standards of when the show was produced, the whole drag revue subplot was handled with maturity and with a relative lack of cheap jokes.  I sat there dreading the moment that Bubba Smith and Dick Butkus would put on ball gowns and start speaking in falsetto but it didn’t happen.  Instead, they just mentioned how talented all of the performers were.  It was pretty clear that the director of the revue was being blackmailed because he was gay but, again in contrast to a lot of shows and movies from the period, both the show and Rocky treated the character with respect.  It was an unexpected moment in a show that many would probably dismiss as just being another generic detective series.

While Rocky is stealing cars, Dean Martin is searching for his.  No, Rocky didn’t steal Dean’s car.  According to Dean, Sammy Davis, Jr. stole it.  In this episode, Dean shares all of his scenes with Fred Williamson.  Because this was Half Nelson‘s final episode, this was also Dean Martin’s last onscreen moment.  Dean passed away ten years later.

Yes, this was indeed the final episode of Half Nelson.  In fact, towards the end of the episode, Rocky crashes Chester’s car and then comments that he’s probably going to get fired as a result.  Since this was the final episode, I guess we can assume that, once George got out of prison, Rocky was unemployed and on the next flight back to New York City.  I hope he got to take the dog with him.

As for the episode itself, it wasn’t a bad way to wrap things up.  Everyone got to do something.  Chester defended Rocky, for once.  Victoria Jackson got to sing a song.  Joe Pesci got one final chance to make a joke about his height, snapping that he was “5’4,” when he heard a report that a car had been stolen by a man standing “5’2.”  Dean Martin was clearly unwell during filming but he still had a devilish twinkle in his eye.  As always, Marjoe Gortner was a good villain.  On the negative side, Rocky didn’t so much solve the mystery as he just stumbled into solutions and Detective Hamill’s intense dislike of Rocky never made any sense.  As well, Hamill and Annie were dating in the previous episode but they barely even acknowledged each other in this one, which leads me to suspect that this episode was originally meant to air earlier than it did.

Having now watched the entire show, it’s easy to see why Half Nelson failed to attract a regular audience, despite it’s strong pilot.  The show never really found the right balance between comedy and drama and, far too often, it turned into a retread of Beverly Hills Cop.  The ensemble often felt underused, with Jackson and Williamson spending far too much of their time sitting in the office.  The show had a great star in Joe Pesci but many episodes got bogged down with the antics of Bubba Smith and Dick Butkus.

Here’s the thing, though.  The show was always interesting, specifically because it did star Joe Pesci.  There was something undeniably fun about having stolid TV actors — like Robert Reed and Dick Van Patten — appearing opposite a combustible force of nature like Joe Pesci.  Though there were a few times that Pesci did seem a bit bored with going through the detective show motions, he was still a force of chaos and, by his very presence, he made Half Nelson into something more than just another generic crime show.

Next week, we start Freddy’s Nightmares!

The TSL’s Horror Grindhouse: Food Of The Gods (dir by Bert I. Gordon)


Uh-oh! Something weird has bubbled up to the ground on an island near British Columbia and a farmer and his wife (played by John McLaim and Ida Lupino) foolishly decided to feed it to their farm animals! Soon, they’ve got giant chickens! And listen, that might sound like a good thing to some but I’ve spent enough time around farms to know that giant chickens are not a good thing! Seriously, normal-sized chickens are messy enough. Giant ones? I don’t even want to thinking about it.

Unfortunately, it’s not just the chickens that are eating the food. Rats are eating the food. Wasps are eating the food. All of the animals are turning into giants and now, they’re hunting humans! After his best friend is attacked and killed by giant wasp, a football player named Morgan (Marjoe Gortner) decides to investigate on his own. You would think that a football player would be busy preparing for his next game or something like that but no, not Morgan! Morgan’s determined to find out why there are giant animals off the coast of Canada.

Of course, Morgan isn’t the only one interested in the so-called Food of the Gods. There’s also Jack Bensington (Ralph Meeker), who owns a dog food company. Jack wants to sell the food. Why would Jack want to do that? Does he actually think that causing dogs to transform into giants who would undoubtedly try to kill their masters is somehow going to be good for his company’s reputation? Jack’s main motivation seems to be that he’s a businessman and, in this film’s moral universe, that automatically makes him one of the bad guys. But it seems like even an evil businessman would know better than to kill off all of his customers.

This 1976 film, which is loosely (very loosely) based on a novel by H.G. Wells, was directed by Bert I. Gordon and, if you think the plot sounds a little ludicrous …. well, it is. Nothing about the film really makes much sense but that’s kind of to expected from a Bert I. Gordon film. Gordon specialized in making films about giants destroying stuff. The films were never particularly good but Gordon obviously understood that American filmgoers love big things. Food of the Gods, as silly as it may be, apparently made a lot of money when it was first released.

Today, of course, it’s impossible to watch the film without noticing just how terrible the special effects are. Between the unconvincing use of super-imposed images and the obviously fake rats that are tossed at some of the actors, there’s not a single shot that doesn’t somehow look totally ridiculous. In fact, it’s all so silly and obviously done on the cheap that it becomes rather charming, or at least as charming as the superimposed image of giant wasp ever could possibly be. You have to admire the film’s determination to tell its story despite not having the resources to do so. As for the rest of the film, it’s dumb but it doesn’t take itself too seriously. If you’re specifically searching for a bad giant animal movie, The Food of the Gods is fun in its own goofy, nonsensical, low-budget way.

Lisa Marie’s Grindhouse Trailers: 6 Trailers For The Second Thursday In October


We are rapidly reaching the halfway mark of our October horrorthon here at the Shattered Lens. By the time we reach the end of the first half at midnight on Saturday, we will have published over 200 posts. During the second half, we’ll publish …. well, let’s not speculate. You never know. The world could end tomorrow and, as a result, we might never post again. What’s important is that I’m proud of what we’ve accomplished so far and I look forward to seeing what we accomplish during the rest of the month!

(That said, I’m hoping for another 250 to 300 or so posts. 500 FOR OCTOBER! It seems like a reasonable go. We’ll see!)

Anyway, today seems like a good time for another edition of Lisa Marie’s Favorite Grindhouse Trailers! And, since today is Jack Arnold’s birthday, it only seems appropriate that today’s edition deals with giant creature features!

  1. Q: The Winged Serpent (1982)

From director Larry Cohen, it’s Q The Winged Serpent! I’ve seen this movie and it’s undeniably entertaining. On the one hand, you’ve got the serpent flying around and looking all dangerous. Then you’ve got David Carradine and Richard Roundtree kind of sleepwalking through their roles. And then, suddenly, Michael Moriarty shows up and gives this brilliant, method-influenced performance. It’s an odd film but it’s hard not to like that Claymation flying serpent.

2. The Giant Spider Invasion (1975)

From Wisconsin’s own Bill Rebane, here’s the trailer for The Giant Spider Invasion! This is probably Rebane’s best film. If you’re trying to frighten your audience, you can’t go wrong with a giant spider.

3. Empire of the Ants (1977)

What’s the only thing scarier than a giant spider? A giant ant, of course! This film is from Bert I. Gordon, a director so obsessed with films about giant monsters that he was actually nicknamed Mr. BIG. (Of course, it also helped that those were his initials.)

4. Food of the Gods (1976)

Speaking of Bert I. Gordon, he was also responsible for this film, Food of the Gods. Like Empire of the Ants, it was based (however loosely) on a novel by H.G. Wells. Two old farmers feed the food of the Gods to the local animals and things do not go well. For some reason, a football player played by Marjoe Gortner decides to investigate. Shouldn’t he be practicing for the big game? Gordon missed an opportunity here by not having a giant-sized Marjoe Gortner.

5. Night of the Lepus (1972)

As frightening as those previous trailers were, can anything prepare you for the terror of killer rabbits!? This movie is proof positive that rabbits look cute no matter who they’re killing.

6. Village of the Giants (1965)

In the end, though, the greatest monster will always be man. By the way, this is another Bert I. Gordon film. Beau Bridges turns into a giant and plots to conquer the world. Only a young Ron Howard can stop him.

I hope you’re having a wonderful October! Never stop watching the shadows!

Film Review: Acapulco Gold (dir by Burt Brinckerhoff)


The poster is better than the film.

I just finished watching Acapulco Gold, a rather goofy 1976 film about …. well, who knows?

The film starts with some well-shot footage of marijuana farmers checking out their crop but then it abruptly abandons all of that to follow an American insurance salesman named Ralph Hollio (Marjoe Gortner). Ralph is at an airport in Acapulco, waiting to board a flight back to America. He’s approached by a nun who asks him to carry a piñata for her. Ralph says sure but — oh no! — that piñata is actually full of heroin! Ralph’s an unwitting drug mule and not a very good one because it doesn’t take long for him to get himself arrested and sentenced to 40 years in a Mexican prison.

Despite this run of bad luck, Ralph remains surprisingly cheerful. One is tempted to almost describe him as being a Candide-like figure but that would probably be giving this film too much credit. In prison, he meets another prisoner, a boat captain named Carl Solberg (Robert Lansing). Carl is sprung from jail by local businessman, Morgan Frye (John Harkins). Frye wants Carl to sail a boat from Mexico to Hawaii. Carl agrees but he insists that Morgan also pull some strings so that Ralph can serve as his first mate. Morgan, of course, agrees.

The film’s “action” shifts to Hawaii, where it turns out that Ralph and Carl are being used as a part of a much bigger plot. Or something. To be honest, it’s a bit difficult to figure out just what exactly is going on. Acapulco Gold has a make-it-up as you go along feel to it. Occasionally, it’s amusing. Often, it’s frustrating. As soon as you start to get in any way interested in one storyline, it gets abandoned. The film doesn’t have a plot as much as it has a bunch of scenes that we’re left to assume are meant to be somehow connected.

For instance, there’s an elderly couple who keep showing up at inopportune times, providing what I guess is meant to be comedic relief. At one point, it appears that the couple is surely doomed but, several scenes later, they show up at a golf course and they look none the worse for wear. There are lengthy sailing scenes, mixed in with lengthy helicopter scenes. None of them add much to the plot but the Hawaiian scenery is frequently nice to look at. Ralph falls for Morgan’s girlfriend (Randi Oakes) while a Congressman and a corrupt DEA agent use huge, oversized walkie-talkies to communicate with two people who we occasionally see wandering around in the jungle. There’s a golf cart chase, which ends with a labored joke about a two-strike penalty. And, since this is a low-budget 70s film, there’s a day-for-night sequence that is so ineptly lit that we can barely see anyone for several minutes of the movie. (Though his face may not be visible, one can always spot Marjoe Gortner by his hair. 70s Marjoe had a lot of hair.)

At its best, Acapulco Gold is a charmingly incoherent time capsule, a chance to hop in a time machine and go back to 1976. At its worse, it’s a total mess. That said, it’s short enough that it’s never exactly boring and the randomness of it all occasionally lends the film a dream-like atmosphere (albeit one of those dreams that you forget about after you’ve been awake for 87 minutes). As I previously stated the Hawaiian scenery is lovely and some members of the cast — Robert Lansing and Ed Nelson, in particular — do the best that they can with their inconsistently written characters. The whole thing is such a slapdash affair that it becomes oddly fascinating to watch.

As for the film’s star, Marjoe Gortner was a former child evangelist whose claim to fame was being the subject of Marjoe, a documentary in which he admitted that he didn’t believe in anything that he preached and that he was just scamming people out of their money. Perhaps not surprisingly, Gortner was usually best-cast as villains or unpredictable rogues. (His best performance was as a morally ambiguous space pirate in Starcrash.) In Acapulco Gold, Gortner is playing a normal, ordinary guy who finds himself caught up in the drug underworld. Gortner is miscast as a naive innocent and, instead of projecting any sort of shock over anything tht he experiences, Gortner’s laid back performance suggests that there were multiple reasons why this film was called Acapulco Gold.

Acapulco Gold is currently viewable on Prime. It’s not a particularly good film but Hawaii has always looked great.

Viva Knievel (1977, directed by Gordon Douglas)


Last night, I watched one of the greatest movies of all time, Viva Knievel!

Viva Knievel! starts with the real-life, motorcycle-riding daredevil Evel Knievel breaking into an orphanage in the middle of the night, waking up all the children, and giving each of them their own Evel Knievel action figure.  When one of the kids says, “You actually came!,” Evel replies that he always keeps his word.  Another one of the orphans then throws away his crutches as he announced that he can walk again!

From there, Viva Knievel! only gets better as Evel preaches against drug use, helps his alcoholic mechanic (Gene Kelly) bond with his son, and flirts with a glamorous photojournalist (Lauren Hutton).  Evel was married at the time that Viva Knievel! was produced but his wife and family go unmentioned as Evel, Kelly, and Hutton travel through Mexico, jumping over fire pits, and battling drug dealers.

Evel’s former protegee, Jessie (former child evangelist Marjoe Gortner), has fallen in with a bad crowd and gotten messed up on the same drugs that Evel spends the entire movie preaching against.  An evil drug trafficker (Leslie Nielsen, a few years before Airplane! and The Naked Gun) pressures Jessie to convince Evel to do a dangerous stunt.  The plot is to replace Evel’s trusted mechanic with a crooked mechanic (Cameron Mitchell) who will sabotage the jump.  When Evel dies, he will be shipped back to the U.S. in a coffin and, hidden within the walls of the coffin, will be several kilos of cocaine.  Oh, the irony!  Evel Knievel, America’s number one spokesman against drugs, will be responsible for bringing them into the United States!  Can Evel thwart the nefarious plans of Leslie Nielsen while still finding time to fall in love with Lauren Hutton and break Gene Kelly out of a psychiatric ward?  If anyone can do it, Evel can.

Even Dabney Coleman’s in this movie!

From the start, Viva Knievel! is a vanity project but in the best, most loony and entertaining way possible.  There are many well-known actors in this film and all of them take a backseat to Evel Knievel, whom they all speak of as if he’s a cross between Gary Cooper and Jesus Christ.  Watching this movie, you learn three things: 1) Evel Knievel was high on life but not dope, 2) Evel Knievel always kept his word, and 3) Evel Knievel always wore his helmet.  He even makes sure that Lauren Hutton is wearing one before he takes her for a spin on his motorcycle.  You also learn that Evel Knievel liked to get paid.  He nearly beats up his manager (Red Buttons) when he thinks that he’s been cheated but they’re still friends afterwards because how could anyone turn down a chance to be in Evel’s presence?

There are plenty of stunts and jumps to be seen in Viva Knievel!, though watching Leslie Nielsen play a villain is almost as fun as watching Evel jump over a fire pit.  Judging from his performance here, Evel Knievel probably could have had a film career.  He had a natural screen presence and delivered even the worst dialogue with sincerity.   Unfortunately, three months after Viva Knievel! opened in the United States, Evel attacked a promoter with an aluminum baseball bat and ended up doing 6 months in jail.  Evel said it was because the promoter was spreading lies about him but, regardless, Evel lost most of his sponsorships and his toyline was discontinued.  Viva Knievel! sunk into an obscurity from which it has only recently reemerged.  Viva Knievel! is cheesy fun, a relic of a bygone era.  Watch it, think about whatever problems you may be dealing with in your own life, and then ask yourself, “What would Evel do?”