4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we celebrate the 82nd birthday of the great Michael Mann! It’s time for….
4 Shots From 4 Michael Mann Films
Thief (1981, dir by Michael Mann, DP: Donald Thorin)
Manhunter (1986, dir by Michael Mann, DP: Dante Spinotii)
Heat (1995, dir by Michael Mann, DP: Dante Spinotti)
Public Enemies (2009, dir by Michael Mann, DP: Dante Spinotti)
On this date, 119 years ago, the great actor John Carradine was born in New York City.
Over the course of his career, Carradine worked for just about everyone. He appeared on stage. He appeared in film and television. He played the great roles of Shakespeare and he also played Dracula. He was a part of both the John Ford and the Fred Olen Ray stock companies. He had a reputation for taking almost any role offered to him and, as a result, his huge filmography offers up a wonderful amount of variety.
He was also a singer! Here he is performing today’s song of the day, Night Train to Mundo Fine! This song was featured Coleman Francis’s Red Zone Cuba. Say what you may about the song or the film, how can you not love Carrdine’s dramatic (and perhaps slightly mocking) delivery of the lyrics?
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.
This show is proving difficult to review.
Episode 1.5 “Out of the Past”
(Dir by Terrence O’Hara, originally aired on March 30th, 1996)
Look, I tried. I really did.
This episode should have fascinated me. It featured three storylines. Palermo was told take a vacation when it became obvious that a serial killer known as The Angel (Tim Thomerson) had returned to the beach and was targeting doctors. Palermo and The Angel had a history, with Palermo failing to capture The Angel during the killer’s previous spree. This time, The Angel tried to force a journalist (played by Barry Miller) to record his crimes for posterity.
Meanwhile, Chris and TC went undercover as guests at a hotel so that they could catch a thief and a peeping tom. Chris and TC pretended to be romantically involved and were so dedicated to maintaining the act that they ended up spending a good deal of the episode hanging out together in their underwear.
Finally, both TC and Del Toro were obsessed with catching a speeding biker who continually managed to outrun and outmaneuver them. Compounding their embarrassment was the revelation that the biker was a woman.
Mystery, empowerment, and lingerie. Those are three of my favorites things but this episode still managed to thoroughly bore me. I had to view it three times because I kept getting distracted whenever I tried to sit down and just watch the show. Admittedly, with my ADHD, my attention span is on the short side but still, this episode of Pacific Blue was remarkable in that, no matter what happened, I just didn’t care.
Why? Why can’t this show even work in a so-bad-its-good kind of way? The characters are just boring and interchangeable. The men are all grim and serious-minded and, physically, they’re all the same type. They’re all tall and lean and blandly handsome and none of them have any quirks or interests to really make them stand-out. The women are also bland and spend most of their time smirking at their male co-workers. Who are these people? Who cares?
Perhaps the biggest flaw with this episode and the show so far is that the members of the bicycle patrol just look dorky and they peddle around the beach. The worse thing is when they have to chase a suspect down a flight of stairs and they literally pick and carry their bicycles as they do so. It’s hard to take bicyclists seriously, even when they’re cops.
Watching the show, I kept thinking about the bicycle cops who used to patrol the campus where I went to college. No one took them seriously and everyone knew the experience of being yanked over by one of them and being asked, “You been drinking tonight?” when you were totally sober. It happened to me, one night, when an old ankle injury was acting up and I was walking with a slight limp. I was already feeling self-conscious about it and getting stopped when all I wanted to do was get home and rest my ankle didn’t help. The insistence that I must have been drunk or otherwise under the influence and also the assumption that I was obligated to stand around while the cops slowly talked to each other left me feeling violated. Whenever I see TC or Palermo sitting on their bikes with their oh-so serious “I am a badass” facial expressions, I remember every bad experience that I’ve ever had or I’ve ever seen someone else have with a cop.
My hope is that Pacific Blue, over the course of its run, eventually found a way to make its characters less annoying and more likable. (For instance, I don’t mind the cops on CHiPs because at least they’re entertaining.) I guess we’ll find out!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.
This week, an angel comes to the Island.
Episode 6.4 “The Angel’s Triangle/Natchez Bound”
(Dir by Bob Sweeney, originally aired on November 6th, 1982)
Death takes a holiday!
Well, not literally. The Angel of Death, Michael Eden (played by Gary Collins), does come to Fantasy Island but he’s working. Years ago, he was meant to take soul of Catharine Harris (Carol Lynley), a woman who was in a car accident with her husband, Brent Harris (Doug McClure). Michael could not bring himself to allow Catharine to die. So, she miraculously survived. But now, years later, Michael has been sent to collect the soul of Brent. Brent and Catharine have come to Fantasy Island to have the honeymoon they missed out on due to the car accident. Michael has come to make sure that the honeymoon is a tragic one.
Michael very much wants to take Brent’s soul. If Brent’s dead than maybe Michael and Catharine could (somehow) be together. But when Brent is taken ill and sent to the Fantasy Island hospital, Michael sees how much Catharine loves her husband. And he allow Brent to live, which seems a bit unfair to …. well, like anyone. Or at the very least, anyone who has ever died or lost a loved one.
The interesting thing about this fantasy was that it established that Roarke is apparently not an angel. When Roarke introduces Tattoo to Michael, Roarke says that Michael “is not like us.” This leads to a funny moment in which Tattoo, upon hearing that Michael is the angel of death, announces that he some work to catch up on. I always like it when Tattoo gets to do more than just wave at the airplane. As for the rest of this fantasy, it wasn’t bad. Carol Lynley did a good job as Catharine. Gary Collins was a bit stiff but it kind of worked for his character. Doug McClure was as goofy as ever.
The other fantasy features Jennilee Harrison as Jenny Ryan, a Vegas card dealer who wants to work on a Mississippi steamboat. She gets her wish and promptly gets involved with helping a writer named Samuel Clemens (Stephen Shortridge, a.k.a. Beau on Welcome Back Kotter) and a kid named Huck Finn (Adam Rich) hide an escaped slave (Sam Scarber) from a dastardly gambler and slave hunter (Roddy McDowall). Did I mention that Clemens is having trouble coming up with a plot for his new book? Jenny inspires Mark Twain, helps Jim get to safety, and returns to the present with a pet frog. Sure, why not? This storyline was predictable, largely because I read Huckleberry Finn in high school. However, Stephen Shortridge was, somewhat surprisingly given his work on Kotter, perfectly charming as Mark Twain and Roddy McDowall obviously enjoyed hamming up his villainy. (To be honest, when I saw Roddy’s name in the opening credits, I was hoping he’d be returning as Satan.)
This was not a bad episode, especially compared to the previous season 6 episodes. Both fantasies held me attention and apparently, the Angel of Death will leave you alone if he thinks you’re cute. That’s good to know!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!
Sorry, last night’s review of CHiPs was pre-empted by my own need to get some rest after spending the previous few days dealing with the worst sinus pain ever. (Well, maybe not ever but it was still pretty bad….) Here’s last night’s episode of CHiPs, just a few hours late! Regularly scheduled programming will resume soon.
Episode 3.17 “Return of the Supercycle”
(Dir by Bruce Kessler, originally aired on October 27th, 1979)
The Supercycle is back! A thief on a supercharged motorcycle is robbing jewelry storefronts. Baker takes the old Highway Patrol Supercycle out of storage so that he can go after the new Supercycle. Baker suspects that the Roy Yarnell (George O’Hanlon, Jr) might be up to his old Supercycle tricks again but it turns out that Roy is innocent. Instead, it’s his mechanic.
In other words: SUPERCYCLE SUPERCYCLE SUPERCYCLE!
Ponch spends the majority of this episode in a hospital bed. Early on in the episode, Ponch crashes his motorcycle while chasing the new Supercycle and seriously injures himself. Apparently, the crash was real and Estrada actually did injure himself. Watching the episode, it’s easy to see that the show dealt with Estrada’s injuries by just giving all of Ponch’s lines to Baker. For once, Baker is the one who bends the rules and gets to do all the cool stuff. He even gets to romance a visiting member of the Highway Patrol, Kathy Mulligan (Anne Lockhart). In any other episode, Ponch would have been the one doing all of that so it’s interesting to get to see Baker actually get to have a life for once. And yes, before anyone asks, Estrada finds an excuse to remove his shirt even when he’s relaxing in a hospital bed. No hospital gowns for Estrada!
The sad thing is that Larry Wilcox was definitely a better actor than Erik Estrada and he also looked a lot more believable on a motorcycle. But, this episode shows that Estrada just had more screen presence. As easy as it is to make fun of Ponch, Estrada’s over-the-top displays of vanity were often just what CHiPs needed. Estrada may not have been a great actor but he amusing to watch. Wilcox has a much more laid back presence. He’s a believable cop but he’s just not as much fun to watch as Estrada.
Probably the most amusing thing about this episode is that, when Estrada (or his stuntman pretending to be Estrada) is lying on the pavement, Wilcox cannot bring himself to really act convincingly concerned or worried. CHiPs is a bit infamous for the fact that Larry Wilcox and Erik Estrada did not have a great working relationship. That’s all I could think about as I watched Baker casually step over Ponch’s prone form on the street.
Anyway, this episode has some spectacular motorcycle jumps and some good chase footage. There was an occasionally amusing subplot where the men of the Highway Patrol worried that Kathy was reporting their behavior to Sacramento. (Grossman, played by the invaluable Paul Linke, made me laugh with his sudden emphasis on doing everything by the book.) The Supercycle was cool. Everyone should have one.
Today would have been George Romero’s 85th birthday.
Today’s scene of the day comes from Romero’s best film, Night of the Living Dead. In this scene, an attempt to escape from a farmhouse ends in disaster. As was typical of all of Romero’s films, the disaster has less to do with the zombies and more to do with humans that simply can’t work together.
The upload isn’t great but this scene still represents Romero’s vision of a society working to destroy itself.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!
This week, a guest star breaks Sonny’s heart.
Episode 3.16 “Theresa”
(Dir by Virgil W. Vogel, originally aired on February 13th, 1987)
Sonny is planning on asking his girlfriend, Dr. Theresa Lyons (Helena Bonham-Carter), to marry him. What Sonny doesn’t know is that Theresa is a junkie. Back surgery caused her to develop a dependence on painkillers and, after she got in trouble for writing her own prescriptions, Theresa started dealing with drug dealers. Theresa’s addiction has left her vulnerable to a long-haired drug lord named Wyatt (Brad Dourif). Sonny recently arrested Wyatt but Wyatt has one of his dealers tell Theresa that he’ll only give her a fix if she steals the four evidence tapes from Sonny’s houseboat. Theresa steals one tape. The other tapes are destroyed when Wyatt bombs a police evidence warehouse! Seriously, Wyatt doesn’t mess around and, when that warehouse goes up in flames, we’re reminded that Miami is not a place for the weak. The police are in a war and they have no possible path to victory. The bad guys are always willing to do what the police can not.
Most of this episode centers around Theresa and Sonny attempting to deal with her addiction and Sonny coming to realize that Theresa will have to return to the UK if she’s ever going to recover. Even after Sonny gets suspended from the force while Internal Affairs investigates the theft of the tape, Theresa remains Sonny’s main concern. It was actually kind of nice to see Sonny caring about someone again. Don Johnson has been a bit inconsistent this season. (There are several episodes were its obvious he was getting a bit bored with the part.) But he does a good job in this episode.
As for the guest stars, Brad Dourif is charismatically evil as the smug and New Age-y Wyatt. Helena Bonham Cater was only 20 when she appeared in this episode and she looked even younger. That doesn’t exactly make her the most believable trauma doctor in the world. Because of her youth, she’s miscast and there are a few times when she looks more like Crockett’s daughter than his girlfriend. That said, Bonham Carter really sells the scene where she reveals her addiction to Crockett and she definitely captures the desperation of someone in need of another fix.
“Life’s not easy when you’re a lover,” Tubbs says at one point, “….or a primary investigator.” With Sonny sidelined with his suspension and his personal drama, Tubbs got to play the role of concerned best friend and it’s one that Philip Michael Thomas always played well on the show. If nothing else, you believe that Tubbs would take a bullet for his partner. The show may end with Theresa returning to the UK and Sonny sadly looking down at the engagement ring that he’ll never give her but, fortunately, he’ll always have Tubbs.
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1977’s Speedtrap, starring Joe Don Baker! I picked it so you know it’ll be good.
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube or Tubi, hit play at 8 pm et, and use the #MondayActionMovie hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.