4 Shots From 4 Films: Special Maureen O’Hara Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

These 4 Shots From 4 Films are dedicated to the memory of the great Maureen O’Hara.

4 Shots From 4 Maureen O’Hara Films

The Hunchback of Notre Dame (1939, dir by William Dieterle)

The Hunchback of Notre Dame (1939, dir by William Dieterle)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Miracle on the 34th Street (1947, dir by George Seaton)

Miracle on the 34th Street (1947, dir by George Seaton)

The Quiet Man (1952, dir by John Ford)

The Quiet Man (1952, dir by John Ford)

Sláinte!

Live Tweet Alert: Watch Zombie Island Massacre With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1984’s Zombie Island Massacre!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Scenes That I Love: Elsa Lanchester as Mary Shelley in Bride of Frankenstein


The writer Mary Shelley was born on this date in 1797.  Shelley, of course, is best-known for writing Frankenstein, a book that some claim is the first science fiction novel.  (That’s debatable but it was still a major literary achievement.)

In this scene from 1936’s Bride of Frankenstein, Elsa Lanchester appears as Mary Shelley, continuing her story.  (Of course, Lanchester also played the Bride herself.)

Retro Television Review: St. Elsewhere 2.13 “In Sickness and In Health”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, Victor gets married!

Episode 2.13 “In Sickness and In Health”

(Dir by Mark Tinker, originally aired on February 8th, 1984)

This week’s episode features three storylines.

The least interesting one features Joan Halloran’s father, Charlie Halloran (William Windom), being admitted to and eventually dying at St. Eligius.  The entire Halloran family comes out to visit Charlie and this is one of the storylines that would have worked better if I had the slightest bit of interest in Joan or her family.  For the most part, though, Joan is a boring character and her wealthy family is not that interesting.  I got the feeling this storyline was mostly included to remind us that Joan is a character on the show.  We really have seen much of her over the past few episodes.

Dr. Chandler trained for the Boston Marathon by running the route in the rain.  A car ran him off the road.  A dog chased him.  An attractive woman flirted with him.  (He is Denzel Washington, after all!)   And he finally reached the finish line and nearly collapsed while imagining everyone cheering for him.

Finally, Ehrlich married Roberta.  The wedding took place at Dr. Craig’s house.  Dogger (Kevin Scannell) was the best man and turned out to be just as crude as you might expect someone named Dogger to be.  Dr. Craig was disgusted by the whole thing.  Roberta got cold feet after her mother confessed to having never loved her father.  However, Dr. Craig’s abrasive mother-in-law (Lurene Tuttle) was there to order Roberta to take a chance and marry the man who she might eventually come to love.  This marriage is so obviously doomed.  I’m predicting Ehrlich will be divorced before the season ends.

This episode really didn’t work.  Dr. Chandler training for the Boston Marathon finally gave Denzel Washington something to do but the storyline excuse was mostly just an excuse to do some Boston location shooting.  The Halloran storyline didn’t work because the Hallorans themselves aren’t that interesting.  And, after all the build-up, the wedding was a bit anti-climatic.

They can’t all be winners.

Live Tweet Alert: Join #FridayNightFlix for Rocky V!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1990’s Rocky V!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Rocky V is available on Prime!

See you there!

4 Shots From 4 Films: Special William Friedkin Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we honor director William Friedkin on what would have been his birthday.

4 Shots From 4 William Friedkin Films

The French Connection (1971, dir by William Friedkin, DP: Owen Roizman)

The Exorcist (1973, dir by William Friedkin, DP: Owen Roizman)

Sorcerer (1977, dir by William Friedkin, DP: Dick Bush and John M. Stephens)

To Live And Die In L.A. (1985, dir by William Friedkin, DP: M. Scott Smith)

 

Scenes That I Love: The End Of The French Connection


Today, the Shattered Lens celebrates what would have been birthday oif the great William Friedkin.  As a director, William Friedkin revolutionized both the horror genre and the crime genre.  The car chase from 1971’s The French Connection has been much imitated but rarely equaled.

That said, as impressive as the car chase is, the ending of the French Connection is a perfect example of the bleakness of 70s cinema.  Between the seemingly crazed Doyle firing his weapon into the void to the end cards that leave us wondering if any of this was worth it, the final minutes of The French Connection still pack an undeniable punch.

Late Night Retro Television Review: Highway to Heaven 4.11 “In With The In Crowd”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan brings vengeance to a high school.

Episode 4.11 “In With The In Crowd”

(Dir by Michael Landon, originally aired on December 9th, 1987)

This week, Jonathan and Mark are cops, assigned to a ritzy private school where a student recently died of an overdose.  They’re working with Denise Kelly (Lar Park Lincoln), an undercover cop who is pretending to be a student in order to uncover the identity of and arrest the school’s main dealer.  Unfortunately, the dealer figures out that Denise is a cop and he orders another student (Tom Hodges) to testify that Denise seduced him to get information.  Suddenly, it looks like Denise might lose her job and even get charged with a crime herself!

Mark, feeling protective of Denise and also guilty that he stopped recording Denise’s conversation with the student who subsequently accused her, decides to go undercover himself.  He tells drug dealing student Ray Russo (Jason Oliver Lipsett) that he’s actually a dealer himself.  Ray, however, sees through the ruse and knocks Mark out before injecting him with pure cocaine.

Mark’s in coma.  Denise feels like there’s no point in fighting crime.  Seeking revenge, Jonathan calls a school assembly and specifically accuses Ray of being the school’s main dealer.  Ray pulls out a gun and then  runs out of the school.  He gets in his car and starts the engine.  As he’s speeding down the street, Ray sees that Jonathan is sitting in the passenger’s seat.  Ray shoots at him, twice.  Jonathan, untouched, says that Ray should look in the back seat.  Ray sees the spirit of the girl who died over an overdose.  The terrified Ray is so distracted that he crashes into a truck and his car explodes.

JONATHAN KILLED A GUY!

WOW!

That’s something I never thought I’d see on Highway to Heaven.

Now, to be clear, Ray was a very, very bad guy.  He tried to murder Mark.  He sold the drugs that killed the student.  He brought a gun to school.  There really wasn’t much hope that Ray would ever reform but still, Jonathan killing him seems to go against everything that Highway to Heaven was usually about.  Highway to Heaven usually emphasized the idea of redemption and that everyone — even the worst among us — could change their ways.  Part of the appeal of the show was that it was so unapologetically earnest.  Ray getting blown up may have been emotionally satisfying but it just seemed to go against everything that the show was about.

In the end, Mark wakes up and Denise is cleared of all the accusations against her.  Jonathan and Mark leave for their next assignment.  Who knows who Jonathan will kill next!

Retro Television Review: Decoy 1.1 “Stranglehold”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, we start a look at Decoy, a show that will hopefully be a considerable improvement on Malibu CA!

Episode 1.1 “Stranglehold”

(Dir by Don Medford, originally aired on October 17th, 1957)

“There are 249 of us in the Department. We carry two things in common wherever we go – the shield, called a “pottsy”, and a .32 revolver. We’re New York’s finest …. we’re police women.”

Those are the words that end the first episode of Decoy and they’re delivered by Casey Jones (Beverly Garland), a former ballet dancer who now works undercover as a member of the NYPD’s Department of Policewomen.  Casey holds up her revolver for the audience to see, leaving them no doubt that she’s telling the truth.  A woman who know how to handle a gun!?  Audiences in 1957 were no doubt stunned.

Of course, the audience had also just spent 25 minutes watching Casey work undercover.  After a merchant seaman is murdered and a woman named Molly Orchid (Joanne Linville) is caught with some of his jewelry, Casey is sent to live across the hall from Molly.  (Casey is also living in the dead man’s apartment.  Casey, a true New Yorker, comments that she’ll do anything to get a good apartment.)  After hiding her gun in a lighting fixture and hiding her badge under her blouse, Casey befriends Molly and tries to meet George, the mysterious boyfriend that Molly says gave her the jewelry.

Molly loves to talk about George but George never seems to be around.  Molly says that George is a musician and that he’s often out of town.  Casey comes to feel sorry for Molly, feeling that the emotionally vulnerable woman is being manipulated by George.  Whereas the male cops would just as soon shoot Molly than try to negotiate with her (this entire show is from the pre-Miranda era), Casey does her best to reason with Molly.  That is the difference between a policewoman and a policeman.

Of course, as you probably already guessed, there is no George.  Casey eventually figures it out after she realizes that Molly has been going to the movies alone as opposed to meeting up with George.  Molly, spotting Casey’s gun, grabs it and finally admits the truth.  The merchant seaman tried to assault her and Molly strangled him in self-defense.  George is a figment of her imagination, someone who she made up as a way to deal with her guilt.  A policeman barges into the apartment and points his gun at Molly but Casey steps in front of him and then manages to talk Molly down.

The first episode of Decoy was distinguished by some on-location shooting in New York City and the performances of Joanne Linville and especially Beverly Garland.  Garland’s empathetic but strong-willed performance dominates the show and it leaves us with little doubt that Casey Jones is the best at what she does.  Meanwhile, Linville, in the role of Molly, may be dangerous but she’s also sympathetic.  Her crime was initially one of self-defense and George was someone she created as her way of surviving in a world where no one was willing to look out for her.

Next week: Casey searches for a missing artist.

4 Shots From 4 Films: Special David Fincher Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 63rd birthday to David Fincher!  It’s time for….

4 Shots from 4 David Fincher Films

Seven (1995, dir by David Fincher. DP: Darius Khondji)

Fight Club (1999, dir by David Fincher, DP: Jeff Croneweth)

Zodiac (2007, dir by David Fincher, DP: Harris Savides)

Mank (2020, dir by David Fincher, DP: Erik Messerschmidt)