Retro Television Reviews: The Love Boat 3.12 “The Brotherhood of the Sea/Letter to Babycakes/Daddy’s Pride”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This cruise is all about deception!  Welcome aboard, it’s love!

Episode 3.12 “The Brotherhood of the Sea/Letter to Babycakes/Daddy’s Pride”

(Dir by George Tyne, originally aired on November 17th, 1979)

Julie’s birthday is coming up and the crew is planning to throw her a surprise party.  However, to keep Julie from catching on to what they’re planning, Doc, Gopher, and Isaac decide that they need to keep her occupied.  They tell her that they are all member of the “The Brotherhood of the Sea” and that they’re now prepared to make Julie a member as well.

Somehow, Julie falls for this very obvious lie and she spends almost the entire cruise doing all of the silly activities that Doc, Gopher, and Isaac have set up for her.  As I watched this, I found myself wondering if maybe Julie had somehow forgotten when her birthday was because, seriously, it couldn’t have been any more obvious what Doc, Gopher, and Isaac were doing.  Even worse, Julie gets so busy trying to join the Brotherhood of the Sea that she neglects her latest romantic partner, Rory Daniels (Christopher Connelly).

It’s time that we just face facts.  Until Julie gets off that boat, she’s never going to find the husband that she always says that she’s looking for.  The Boat pretty much dominates Julie’s life and there’s no way that her male co-workers are ever going to stop out of the way and allow Julie to find any sort of happiness.  It’s an interesting dynamic and I think it’s one that’s familiar to any woman who has worked with mostly male co-workers.  On the one hand, the ground you walk on is worshipped.  On the other hand, they don’t ever want to let you go.

While Julie is trying to join the Brotherhood of the Sea, Olympic gymnast Penny Barrett (Nancy McKeon) just wants to hang out with Kevin (Stephen Manley), a passenger who is her own age.  Unfortunately, Penny’s father (Alex Cord) is also her coach and he wants her to devote all of her time, even her time on the Boat, to training.  Poor Penny!  Seriously, back when my whole life was about going to dance class, I met so many people like Penny, whose parents basically lived their entire lives through them and never allowed them to have a childhood.  I was glad my parents supported me but didn’t pressure me.

Finally, wealthy Bart (Demon Wilson) boards the ship with his girlfriend, Tracy (Telma Hopkins), and his assistant, Wally (Jimmie Walker).  After Bart meets Ginger (Sydney Goldsmith), he decides that he wants to cheat on Tracy and he expects Wally to help him pull it off by keeping Tracy busy while Bart goes off with Ginger.  Needless to say this leads to Tracy and Wally falling in love.  Ha!  Take that, Bart!  This storyline would have been a bit more interesting if the two leads actors weren’t so boring in their roles.

This was a so-so cruise but at least Julie knows where she stands now.

Retro Television Reviews: The Love Boat 3.10 and 3.11: “The Love Lamp Is Lit/Critical Success/Rent a Family/Take My Boyfriend, Please/The Man in Her Life”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s a double length episode of The Love Boat as the Dallas Cowboy Cheerleaders take over the cruise!

Episodes 3.10 and 3.11 “The Love Lamp Is Lit/Critical Success/Rent a Family/Take My Boyfriend, Please/The Man in Her Life”

(Dir by Roger Duchowny, originally aired on November 10th, 1979)

This episode features the first time that Jill Whelan (as Vicki) is included in the opening credits and what an episode to be included in!  It’s time for a special charity cruise of the Love Boat!  In order to raise money for an orphanage in Mexico, the Dallas Cowboys Cheerleaders will be performing on the boat!

I don’t really follow football but I do know that both the Cowboys and their cheerleaders were really popular back in the 70s and 80s.  (Living in Texas, I’ve become very good at sympathetically nodding whenever anyone starts talking about frustrated they are with the Cowboys.)  Still, the idea of the cheerleaders performing on a cruise ship for a charity drive seems a little off.  I mean, shouldn’t they be cheering at a football game?  As I always do when it come to things involving cheerleaders, I asked my sister Erin if any of this made sense to her.  Erin suggested that I not worry about it because it’s The Love Boat.  And really, she has a point.  The Dallas Cowboy Cheerleaders marching onto the boat in full uniform and practicing their routines by the pool makes about as much sense as 11 year-old Vicki suddenly living on a cruise ship.  With The Love Boat, you just have to kind of go with it.

The Cheerleaders play themselves, with three of them getting storylines of their own and I will say that they all came across as being likable and natural in their performances.  I always kind of dread any episode that features celebrities playing themselves because just because someone is famous, that doesn’t mean they’re going to be a good actor.  (I still remember all of those stiff basketball player cameos on Hang Time.)  But the cheerleaders all do a good job, even if none of them are given particularly challenging roles.

Stacy (Tami Barber), for instance, is shocked when Mark Scott (Stephen Shortridge) boards the cruise.  Mark was someone who pursued her in Dallas but she wanted nothing to do with him.  However, on the boat, Mark shows that he’s a nice guy underneath his smooth exterior.  He even choreographs a new routine for the charity performance.  Good for him!

Wendy Ames (Gaye Carter) boards the boat with her mother, Helen (Dina Merrill) and Helen’s boyfriend, Bill (William Windom).  Helen gets jealous of the amount of time that Wendy and Bill are spending together and, when she sees the two of them looking at wedding rings, she decides that they’re having an affair!  No, Helen — Bill wants to marry you!  This whole storyline was silly, to be honest.  Helen just came across as being unnaturally paranoid.

Lisa (Kim Kilway) meets and falls for Paul (Bill Daily), who is the newest vice president of the greeting card company that is sponsoring the cruise.  Paul loves Lisa to but he has a problem.  He’s traveling with his fake family!  Why does Paul have a fake family?  Apparently, Paul’s boss (John Hillerman) only hires family men.  (That sounds like a lawsuit in the making.)  Paul recruited a fake wife (Roz Kelly), mother (Patsy Kelly), and son (Jackie Earle Haley, who appears to be having a lot of fun playing bratty) to pretend to be his family.  The truth comes out, of course.  Fortunately, Lisa is remarkably forgiving and Paul avoids getting fired by promising to marry and start a family with Lisa as quickly as possible.  Again, this all sounds like the beginning of Supreme Court case.

Among the non-cheerleaders, Lou (Larry Linville) and Nora (Gunilla Hutton) are two jewel thieves who board the boat so that they can find some diamonds they hid the last time they took a cruise.  They hid the diamonds in a lamp and it turns out that the lamp is now in the possession of a member of the crew.  This leads to Nora flirting with Gopher, Isaac, and Doc and then quickly abandoning them once it becomes clear that they don’t have the lamp.  (These scenes were fun, largely because of Gunilla Hutton’s comedic timing.)  Finally, Lou and Nora get the diamonds but they have a change of heart and, along with declaring their love for each other, Lou and Nora also donate the $500,000 that they’re going to make from selling the diamonds to the orphanage!  Yay!  Assuming that Lou and Nora don’t get arrested while trying to fence the stolen merchandise, the orphanage will greatly benefit.

Meanwhile, an acerbic theatrical critic (Douglas Fairbanks, Jr.) tries to get an actress (Ginger Rogers) to agree to appear in his new play.  In the end, they realize they’re in love and Ginger Rogers sings Love Will Keep Us Together.

There was a lot going on in this episode but it was enjoyably silly in the way that the best episodes of The Love Boat usually are.  It was excessive and ridiculous, but fun.  On The Love Boat could you get Jackie Earle Haley mocking his fake father while Ginger Rogers sang a song.  This was an enjoyable episode and it did Dallas proud.

Retro Television Reviews: The Love Boat 3.9 “Trial Romance/Never Say Goodbye/A New Woman”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Love Boat gets a new member of the crew!

Episode 3.9 “Trial Romance/Never Say Goodbye/A New Woman”

(Dir by Gordon Farr, originally aired on November 3rd, 1979)

This episode is a big one for Captain Stubing so let’s quickly get the non-Stubing storylines out of the way.

First off, Barney Briscoe (Louis Nye) and Rose Kennycott (Gale Storm) are two older passengers who board the ship looking for love.  Since they’re both kind of old-fashioned and not a fan of public displays of affection, Julie thinks that they would be perfect together.  Unfortunately, while Barney does like Rose, he also thinks that Julie is hitting on him while Rose thinks that the man Julie says likes her is Doc Bricker!  Rose decides to take matters into her own hands and heads to Doc Bricker’s office.  Thinking that she’s feeling ill, Doc tells her to go in the exam room and remove her clothes.  Rose, fearing that things are moving too quickly, flees from Bricker’s cabin.  Fortunately, she and Barney do end up together but Barney is always in such a cranky mood that you can’t help but feel that Rose is going to get tired of dealing with him after a week or two.

Meanwhile, Harry Stewart (Vic Tayback) boards the ship, fresh from getting finished with jury duty.  He was a part of jury that heard a case that drew national attention.  A woman was accused of poisoning her husband and the trial ended with a hung jury.  Harry explains to Gopher and Isaac that 11 men were ready to convict but the one woman on the jury refused to vote guilty.  That woman is Ann Noyce (Jo Ann Pflug) and — surprise! — she’s also a passenger.  Harry and Ann spend the entire cruise arguing the facts of the case before eventually falling in love. It’s a typical Love Boat storyline and Tayback and Pflug don’t exactly have the greatest romantic chemistry.  It’s easy to believe them when they’re arguing but not quite as easy to buy them as sudden lovers.

But really, the only storyline that matters is the one involving Captain Stubing and his daughter Vicki (Jill Whelan, who is listed as a guest star for this episode but joins the regular cast next week).  Now 11 years old, Vicki has been writing to Stubing on a regular basis and telling him about how much she wishes she could see him again.  However, Stubing tells Bricker that he has resolved never to see Vicki again because it would be too painful for him to have to say goodbye to his daughter all over again.  However, Vicki has discovered that Stubing is her father and she decides to take matters into her own hands by running away from home and boarding the ship in Acapulco.  Stubing finally admits that he is Vicki’s father but he still feels that a ship is not the right place for a child.  He returns her home to her aunt, just to discover that her aunt is in the middle of a divorce and she feels that Vicki should be with her father.  Stubing and Vicki return to the ship, where Vicki will now live.

Awwwwww!

Actually, I’m not totally sure how this thing with Vicki living on the ship is supposed to work.  She’s 11 years old, which is a bit young to be working on a cruise ship.  Does the Love Boat have a school on one of its decks?  Is Vick really going to be happy living on a boat that is largely populated by elderly people?  There’s a lot of questions to be considered but it really doesn’t matter.  Gavin MacLeod gives such a sincere and emotional performance that it feels almost churlish to obsess on the specifics of how Vicki is going to be raised.  Captain Stubing has always been more interesting of character than one might assume.  Though he’s often a bit goofy and it’s hard not to cringe whenever he gets a storyline that requires him to flirt, Gavin MacLeod always did a wonderful job of showing Stubing’s more vulnerable side.  Whether he was talking about Vicki’s mother or his own struggles with alcoholism, there was always an undercurrent of melancholy with Captain Stubing and MacLeod always seemed to make the most of those scenes that allowed Stubing to open up about his life and regrets.

In the end, the viewer is just happy that Captain Stubing has finally been reunited with his daughter.

Next week: The Dallas Cowboy Cheerleaders board the ship!

Retro Television Reviews: The Love Boat 3.8 “Play By Play/Cindy/What’s A Brother For?”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time for a Halloween cruise!

Episode 3.8 “Play by Play/Cindy/What’s A Brother For?”

(Dir by James Sheldon and George Tyne, originally aired on October 27th, 1979)

Yes, this episode does feature the Love Boat’s annual Halloween cruise but sadly, it doesn’t do much with the theme.  Last season’s Halloween cruise featured Vincent Price as an illusionist.  This season, there is a costume ball but it’s mostly just there so that the show can do a take off on Cinderella.

Cindy (Melissa Sue Anderson) is a shy girl who boards the ship with her wicked stepmother (Carolyn Jones) and her two less-than appealing step-sisters (Ronda Bates and Lila Kent).  While the stepmother tries to find an eligible bachelor for either one of her biological daughters, Cindy is expected to stay in the cabin and do the laundry.  However, Gopher hears Cindy singing Witchcraft and decides that Cindy simply has to sing for “the prince of pop,” Preston Maddox (Frank Sinatra, Jr., who looks like a cross between his father and Jerry Lewis).  However, how can Cindy escape from the cabin?  Gopher arranges for her to go to the costume ball and he even steals Julia’s Cinderella costume so Cindy can go incognito.  Cindy impresses Preston but, when Julie sees that Cindy is wearing her costume, Cindy makes a run for it.  She leaves behind one glass slipper and …. well, you know where this is going, right?  As everyone disembarks in Los Angeles, Preston has them try to on the slipper.  Cindy, however, doesn’t have to try on the slipper to prove her identity.  She just has to start singing Witchcraft.  By the end of the episode, you’ll wonder if Cindy knows any other songs.

While all that is going on, Bud Pomeroy (Christopher George) and Peggy Rossmore (Lynda Day George) are two sportscasters who work together but actually dislike each other.  Peggy thinks Bud is a chauvinist and Bud thinks that Peggy was only hired for her looks.  They decide to compete in a series of athletic events to determine who will stay at their station and who will quit.  Bud wins at arm wrestling.  Peggy wins a 5-mile race around the ship.  To determine their third event, Peggy randomly draws a piece of paper from Captain Stubing’s hat and discovers that the next competition will be weight-lifting!  When Bud throws his back out, it looks like Cindy is going to win but then Cindy asks Bud to stay and they discover that they actually love each other.  Yay!  Neither the story nor the characters were that interesting but Christopher George and Lynda Day George were married in real life and they made an attractive couple.

Finally, Tom Benton (Tom Hallick) has devoted his entire life to looking after his brother, Matt (Patrick Wayne), who uses crutches.  When Tom meets and falls in love with Kris (Joan Van Ark), Matt realizes that it is time for Tom to move on and find some happiness of his own.

For the most part, this was a typically pleasant episode of The Love Boat but, as a Halloween episode, it was a major disappointment.  They should have had some fun with season but, unfortunately, they didn’t.  This was like going on a Christmas cruise and not getting any presents.

Retro Television Reviews: The Love Boat 3.7 “The Reunion/Haven’t I Seen You?/Crew Confessions”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week is all about mistaken identity!

Episode 3.7 “The Reunion/Haven’t I Seen You?/Crew Confessions”

(Dir by George Tyne, originally aired on October 20th, 1979)

After discovering that a guy that he went to high school with in Oakland is now a published author, Isaac decides that maybe he should spend the cruise writing a novel of his own.  The other members of the crew encourage him to try his hand at being a literary genius because, seriously, how hard can it be?  (Gopher suggests that anyone can be a writer!  Okay, Gopher….)  Isaac attempts to write a western, just to discover that he can’t get past the first two sentences.  He then tries to write a romance and can’t get past the first two sentences.  Finally, he attempts to do a science fiction novel and can’t get past …. well, you get the idea.

Finally, Isaac realizes that his mistake is that he’s not writing about what he knows.  Instead, he starts writing a book about life on a cruise ship!  (There’s a bit of an inside joke here as The Love Boat itself was inspired by a “non-fiction” book written by a former cruise director.)  Unfortunately, the rest of the crew soon recognizes themselves in Isaac’s writing.  Doc is offended at being portrayed as a sex-crazed womanizer who rarely practices medicine.  Gopher is upset to discover that the fiction ship’s purser is a klutz named Muskrat.  Julie is upset at the character of the “perky” cruise director.  Only Captain Stubing seems to be truly supportive of Isaac.  Upset that his friends are upset, Isaac rips his book in half.  Guilt-stricken, the rest of the crew decides to support Isaac and they start giving him ideas for his novel.  For instance, Doc Bricker tells Isaac that he served in the U.S Navy after medical school, adding yet another piece of the puzzle to the enigma of Adam Bricker.

The novel-writing storyline, I liked.  I could relate to it because I’ve noticed that people are always willing to support your literary ambitions until they realize that you’re writing about them.  I kind of hope that Isaac will keep writing.  Knowing The Love Boat, though, I know this is probably one of those things that will be forgotten by the next episode.

As for the other storylines this week, they were okay if slight.  Don Knotts plays a shoe salesman named Herb Groebeck who looks just like a television start named Devon King.  At first, Herb keeps correcting everyone about his identity but, when he’s approached by Marla (Julie Newmar), he decides to pretend to be Devon for a while.  Marla reveals that she has a baby and she says that Devon is the father, the result of a one-night stand in Las Vegas.  Herb, having fallen in love with Marla, asks her to marry him.  Marla suddenly reveals that she’s never actually met Devon and that she was lying about him being the father because she wanted a husband who could take care of her baby.  Herb says that’s okay because he’s not even Devon King.  Marla and Herb share a good laugh and leave the cruise as an engaged couple which …. I mean, is this really a relationship that’s really going to last?  It’s pretty much built on lies.

Speaking of lies, Laurette Ferot (Jane Wyatt) has boarded the boat so she can be reunited with her long-missing husband, Gilbert (Jean-Pierre Aumont).  Laurette and Gilbert were married in 1939 but the Nazi invasion of France tore them apart.  Laurette was taken off to Denmark.  Gilbert vanished and was presumed dead.  Laurette has spent the last 40 years looking for Gilbert.  Unfortunately, the man who shows up on the cruise is not her Gilbert.  Instead, he’s a former member of the French Resistance who befriended the real Gilbert in a concentration camp and who fell in love with Laurette as a result of listening to the real Gilbert talk about her.  When the real Gilbert died in the camp, the fake Gilbert assumed his identity.  Having survived the war, the fake Gilbert came to America and made millions as a lock manufacturer while also looking for Laurette.  Laurette is surprisingly forgiving of Fake Gilbert and even goes through with the ceremony to “renew” their vows on the ship.  Laurette marries Fake Gilbert and they leave the ship together.  Jane Wyatt and Jean-Pierre Aumont both gave heartfelt performances but this storyline, involving concentration camps and Nazi cruelty, felt a bit out-of-place when partnered up with stories about Isaac writing a salacious book and Don Knotts pretending to be an action star.  It was a bit too serious for The Love Boat format.

Overall, this episode was uneven but genuinely well-acted.  Just as last week’s episode gave Fred Grandy a chance to show off the fact that he actually could act, this episode gives the spotlight to Ted Lange and Lange, again, proves himself to be capable of more than just making drinks and pointing.  I hope his book was best seller.

Retro Television Reviews: The Love Boat 3.6 “Gopher’s Greatest Hits/The Vacation/One Rose A Day”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Gopher sings!

Episode 3.6 “Gopher’s Greatest Hits/The Vacation/One Rose A Day”

(Dir by Alan Rafkin, originally aired on October 13th, 1979)

What a pleasant cruise this turned out to be!

Two sisters, Joan (Joanna Cassidy) and Olivia (Jaye P. Morgan), are apparently regulars on the boat.  They sail so often that Captain Stubing literally jumps for joy when he sees that they are once again on the ship.  Joan and Olivia always take the cruise together and usually, they have a wild time.  But this year, Olivia is shocked when Joan shows up with her husband, Byron (Conrad Janis)!  Byron is a bit uptight and not at all happy when he starts to hear stories about how wild his wife and sister-in-law have gotten in the past.  He assumes that Joan has cheated on him.  She hasn’t but Olivia has cheated on her husband.  In the end, Olivia continues to have fun and Joan decides that it’s time to settle down.  This story suffered a bit because Byron came across as being insufferably self-righteous but Joanna Cassidy and Jaye P. Morgan were believable as sisters.  As someone who has enjoyed a wild vacation or two with her sisters, I could relate.

Meanwhile, Janet Latham (Martha Scott) is taking her first vacation since the death of her husband.  Her florist, Henry (Don Ameche), is also on the cruise.  Every day, during their marriage, Janet’s husband would have Henry deliver a single white rose to Janet.  After her husband died, Henry continued to deliver the roses to Janet.  He allowed Janet to believe that her husband had arranged for her to continue to receive the daily roses but it turns out that Henry has been delivering them on his own because he’s fallen in love with her.  Janet does fall in love with Henry on the ship, though she fears that she’s betraying her husband’s memory.  Fortunately, by the end of the cruise, she’s ready to take another shot on love.  This story worked wonderfully, largely due to the sincere and heartfelt performances of Martha Scott and Don Ameche.  There was a tremendous amount of sincerity to their love story and it was impossible not to smile at the sight of them leaving the cruise together.

Finally, Julie has a problem!  The singer that she scheduled to perform in the Acapulco Lounge gets the mumps and has to cancel at the last minute.  Julie has to find a replacement.  Fortunately, it turns out that Gopher has a great singing voice.  He performs at the Lounge, wearing a pink tuxedo and acting like a drunk brat packer.  The audiences loves him.  The captain, once skeptical, applauds.  Gopher thinks that they love his singing but actually, they all think that he’s parodying a bad lounge act.  When the captain congratulates Gopher for being a brilliant comedian, the crestfallen Gopher says that he’s only going to sing in the shower from now on.  So, Julie arranges for a fake shower to be placed in the middle of the Acapulco Lounge so that Gopher can sing Danny Boy while Isaac holds a watering can over his head.  Again, the captain loves it.  This was undoubtedly a goofy storyline but goofiness was Fred Grandy’s strong suit and it’s hard not to smile at his over-the-top interpretation of Mack the Knife.

This was a good episode that really showed how much fun The Love Boat could be at its best.  From the sentimental Don Ameche/Martha Scott storyline to Fred Grandy dancing around the pool, this was an entertaining cruise.

Retro Television Reviews: The Love Boat 3.5 “The Scoop/The Audit Couple/My Boyfriend’s Back”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Today, the IRS takes a cruise.  Agck!

Episode 3.5 “The Scoop/The Audit Couple/My Boyfriend’s Back”

(Dir by Jack Arnold, originally aired on October 6th, 1979)

Captain Stubing is being audited!

Damn the IRS!  What a bunch of money-obsessed fascists!

The IRS agent, Viola Penny (Phyllis Diller), has booked a room on the cruise so that she can look through Captain Stubing’s records and….

Wait a minute.  If you’re an IRS agent, you get to go on a luxury cruise and also look through someone’s private information?  That sounds like fun!  Sign me up!

Anyway, Viola originally seems to be tough-minded and determined to toss Capt. Stubing in jail.  But then she gets drunk at dinner and, when she wakes up in the captain’s cabin, she’s convinced that she and Stubing are now lovers.  She decides to go easy on the audit but then she comes across $50,000 hidden in an ice bucket and she becomes convinced that Stubing is cheating the government and that he seduced her to keep her from finding out.  But then she discovers that the money is actually the crew emergency fund and she falls in love with Stubing again….

Yeah, it’s hard to keep track of how Viola feels from scene to scene.  At the end of the episode, she declares her love for the captain and leaves the boat.  Stubing realizes that he forgot to ask her what the results of his audit were but he also orders Gopher not to call her back to the boat.  If there’s a new captain next week, I’ll just assume Stubing’s in USP Marion.

Meanwhile, caddish Jay Cavanaugh (Lyle Waggoner) is really excited when he sees his ex-girlfriend, Patricia Lucas (Jennifer Salt), on the boat.  Jay is determined to get back together with Patricia, despite the fact that Patricia is on her honeymoon with her new husband, Danny (Richard Kline).  Danny is instantly jealous of Jay, who has a perfect smile and a perfect tan.  However, he needn’t be insecure because Patricia is totally in love with him.  Still, Danny keeps walking in on Jay flirting with Patricia and soon, he declares that the marriage is over.

Patricia tricks Jay into stepping up on a stage in the Acapulco Lounge and announcing that he’s in love with Patricia.  Patricia then announces that Jay has no idea what love is and declares, in front of all the crew and passengers, that she’s in love with Danny.  Danny and Patricia’s marriage is saved but seriously, Danny was kind of wimpy about the whole thing.  It seems like Patricia deserved better than both Jay and Danny.

Finally, Simon Scott (Ray Buktenica) is a tabloid reporter who is on the cruise because he’s been assigned to discover who the famous actress, Jackie Landers (Joyce Dewitt), is traveling with.  It turns out that Jackie is not traveling with a romantic partner but instead with her autistic son.  At first, Jackie pretends to be in a relationship with Doc Bricker but eventually, Simon discovers the truth.  However, Simon refuses to write a tabloid-style story about her child so Jackie falls in love with him and hires him to help her write her own non-tabloidy story about her son.

This episode was a mixed bag.  The IRS storyline was frustrating, largely because it featured a lot of complications that could have been prevented by people just not jumping to conclusions.  The newlyweds story felt anticlimactic because there was never any question about who Patricia would choose to be with.  But the storyline with Jackie, Simon, and Jackie’s son was actually pretty sweet.  Ultimately, this was a pleasant but forgettable cruise.

Retro Television Reviews: The Love Boat 3.4 “Going My Way/Dance with Me/Doc, Be Patient”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s cruise is all about love and dancing!

Episode 3.4 “Going My Way/Dance with Me/Doc, Be Patient”

(Dir by Adam Rafkin and James Sheldon, originally aired on September 29th, 1979)

Oh no!  The ship has just left port and Doc Bricker has come down with the flu!  He’s so sick that he can barely walk without getting dizzy.  Fortunately, there’s another doctor on the boat.  Dr. Emily Bradford (Susan Sullivan) takes time away from her own vacation to not only look after Doc but also check in on his other patients.  I have to admit that I found myself wondering if the cruise line agreed to pay her for filling in for Doc or if she just did it for free.  It seems like, if she misdiagnosed anyone on the boat, it would lead to an even bigger lawsuit than usual.

It turns out that Doc is not a particularly good patient.  He hates having his temperature taken.  He hates getting shots.  He even resists allowing Emily to take a look at his throat.  But when he ends up sick and delirious, he’s thankful that Emily’s there.  In fact, he’s so thankful that he decides that he’s in love with Emily and he wants her to spend all of her time with him!  Emily reveals to Doc that he’s doing what so many past patients have done to him, falling in love with the person who takes care of them.  A chagrined Doc says that he’s going to have to write a lot of apologies to his former patients.

Probably one of the stranger aspects of The Love Boat has always been the portrayal of Doc Bricker as some sort of decadent swinger.  Bernie Kopell was very likable in the role of Adam Bricker but there was also absolutely nothing about him that would make one think that he was some sort of fun-loving satyr.  While the show insisted that Doc was a legendary womanizer, he actually came across as being a mild-mannered, slightly out-of-touch but well-meaning suburbanite who just happened to work on a cruise ship.  In this episode, Doc actually got to show some vulnerability and it was nice to see.  Certainly, Bernie Kopell seemed to be more comfortable playing Doc as someone who hated needles as opposed to as a doctor who casually kept adult magazines in his waiting room.

While Doc came down with the flu, Suzy Butterfield (Arlene Golonka) is determined to still take her cruise despite having been stood up by her boyfriend.  Because she has an extra ticket and because she enjoyed the jokes that he told while driving her to the docks, Suzy impulsively invites her cab driver, Mickey Greenbaum (Buddy Hackett) to join her on the cruise.  Mickey, an aspiring writer, agrees and I assume he also loses his job as a taxi driver as a result.

On the boat, Suzy recommends women that Mickey could date and Mickey recommend men that Suzy could date but, of course, they’re destined to end up together.  And, of course, they do.  Mickey even proposes marriage.  Yay!  This was a sweet story, even if Buddy Hackett wasn’t the most convincing romantic lead.  He was ten years older than Arlene Golonka and they had an older brother/little sister chemistry that didn’t exactly translate to romance.  But no matter.  I was still glad that things worked out for their characters.

Finally, world famous ballet dancer William Delaney (John Meehan) boards that boat with his much younger partner, Joanna (Starr Danias).  Also on the cruise is William’s former partner, Marcy McGuire (Carol Lawrence).  Marcy now runs a dance academy in Germany and she wants William to teach at the school.  William realizes that he’s getting older and that he’s actually holding Joanna back by not retiring.  William accepts Marcy’s offer, which Joanna’s misinterprets are William and Marcy having an affair.  Fortunately, Captain Stubing is there to help gently explain the whole situation.  Both John Meehan and Starr Danias were real-life dancers (To be honest, they were far better at dancing than delivering dialogue.) and the story is really just an excuse for the two of them to perform, together and separately.  Starr Danias’s solo performance of Swan Lake was absolutely wonderful and, for me, the highlight of the cruise.

I enjoyed this episode.  The passengers were likable, Doc Bricker finally stopped acting like a walking HR nightmare, and best of all …. there was dancing!  This was a very enjoyable cruise.

Retro Television Reviews: The Love Boat 3.3 “The Grass Is Greener/Three Stages of Love/Oldies But Goodies”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

For this week’s cruise, Julie learns that she’s not the only person who can do her job!

Episode 3.3 “The Grass is Greener/Three Stages of Love/Oldies But Goodies”

(Dir by Alan Rafkin, originally aired on September 22nd, 1979)

This week, Julie is super excited when her friend, Tina Philips (Joan Hackett), boards the cruise with her young son, Brian (Adam Rich).  Tina and Julie went to cruise director school together, where they were both taught by none other than Captain Stubing.

(As I’ve mentioned before, there have been a lot of weird continuity issues with establishing just how long anyone had actually known Captain Stubing.  During the first season, everyone was unsure of what to make of Captain Stubing and none of them had any experience sailing with him.  But, in the second season, Stubing was suddenly celebrating his five year anniversary as the ship’s captain.  And, in this episode, Stubing is established as being Julie’s mentor.)

Tina had a crush on Stubing while she was a student and Stubing had a bit of a crush on her as well.  Though Tina could have had a great career as a cruise director, she decided to get married and settle down instead.  Now, with her marriage falling apart, Tina boards the boat and immediately starts giving Stubing and Julie advice.  Julie, meanwhile, takes care of Brian while Tina dances with the captain.  Tina lives Julie’s life and Julie lives the life she could have had if she had stayed in Alaska and gotten married.  It turns out that Julie’s a great substitute mom but Tina is a terrible substitute cruise director.  Her idea of throwing a sock hop is a huge bust and, to be honest, it does seem a bit childish for a luxury cruise.  In the end, Tina returns to being a single mom and Julie returns to being childless and career-driven.  Yay, I guess.

Meanwhile, Nora (Amanda Blake) boards the ship with her daughter, Daphne (Karen Morrow).  Daphne is determined to marry a millionaire but Nora is the one who finds love when she meets the wheelchair-bound Phillip (Barry Sullivan).  Unfortunately, Phillip’s stuffy valet, Perkins (Werner Klemperer), insists that Philip needs to stay in his cabin and watch his blood pressure.  Fear not, though.  Daphne finds a millionaire and the millionaire hires away Perkins so now Phillip and Nora are free to have fun.  Yay!

(Though, really, Phillip should keep an eye on his blood pressure….)

Finally, Mike (Eddie Mekka) and Robin (Lani O’Grady) seems like a perfect couple, except for the fact that Mike is convinced that all relationships go through three stages before ending and he has an annoying habit of saying stuff like, “We’ve just entered stage two!”  Robin gets tired of Mike and his cynicism and eventually, Mike decides to give love a try because …. well, I’m not sure why.  I think it was because the episode was nearly over.

This episode was pleasant but, ultimately, rather forgettable.  Nora and Phillip were a nice couple but Perkins was portrayed in an over-the=top villainous light, especially when one considers that he was just doing the job he was hired to do.  Mike and Robin seemed like they were still destined to break up, even as they left the ship in love.  I did enjoy the scenes in which Tina’s sock hop party turned out to be a bust, just because it seemed like a dumb idea from the minute she mentioned it.  That said, the main message of this episode seemed to be that having a family and career were two mutually exclusive things, which I certainly did not agree with.

Again, this was not necessarily a bad episode.  It was just kind of a bland one.

Retro Television Reviews: The Love Boat 3.1 and 3.2 “The Alaskan Wedding Cruise: Carol and Doug’s Story/Peter and Alicia’s Story/Julie’s Story/Buddy and Portia’s Story”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

The Love Boat sets sail for season 3!

Episode 3.1 and 3.2 “The Alaskan Wedding Cruise: Carol and Doug’s Story/Peter and Alicia’s Story/Julie’s Story/Buddy and Portia’s Story”

(Dir by Roger Duchowny, originally aired on September 15th, 1979)

The third season of The Love Boat starts with a special voyage to Alaska and a two-hour running time.  It’s double the guest stars, double the melodrama, double the goofiness, and double the romance!  The opening also features new clips for Doc, Gopher, and Julie.  Whereas the first two seasons introduced Doc listening to his own heartbeat, the third season opening features him laughing while leaning against a railing.  Gopher’s new opening credit features him looking wistfully out at the ocean and it’s a much more mature look for him.  As for Julie, she’s still smiling and perky but she’s let her hair grow out.  If the first two seasons of The Love Boat featured Julie looking like the star of the high school drama department, she looks more like the most popular cheerleader now.  As for the Captain, he continues to salute the camera and Isaac continues to do his signature pointing.

The episode opens in Canada. The boat is docked in Vancouver, where it has been rented out by a huge and wealthy wedding party.  The boat will be sailing to Alaska.  Isaac has been reading everything that he can find about Alaska and he spends most of the episode sharing trivia about the state’s history.  Gopher, preparing for Alaska’s cold weather, buys a gigantic coat.  Meanwhile, Doc Bricker makes jokes about his ex-wives and Capt. Stubing tries to keep everything professional.  (“You’re not going to the North Pole!” he snaps at Gopher when he sees the size of his new fur coat.)

As for Julie, her mind is elsewhere.  Alaska is where Jack (Tony Roberts) lives.  Who is Jack?  During the second season, he was a passenger who fell in love with Julie and who asked Julie to marry him.  She knows that she’s going to see Jack in Alaska and she’s going to give him an answer as far as his proposal is concerned.  (If you don’t remember Jack asking Julie to marry him, don’t feel bad.  I had forgotten about it, too.  Fortunately, the first hour of this episode is full of flashbacks to Jack’s previous episode.)  Is Julie ready to settle down?  While Julie tries to make up her mind, she also has to deal with the romantic intentions of the wedding party’s dorky best man (Donny Most).

As for the wedding party, Carol (Lisa Hartman) and Doug (Mark Harmon, sporting a truly unfortunate haircut) are looking forward to getting married, even though Doug’s ex-girlfriend (Caren Kaye) is also on the boat and determined to win Doug back.  If that means jumping out a cake while wearing a bikini, she’ll do it.  Doug is more concerned about the fact that his estranged, alcoholic father, Peter (Ray Milland) had turned up on the cruise despite having not been invited to or even informed about the wedding.  Peter has stopped drinking and is trying to make peace with his son and his ex-wife, Alicia (Eleanor Parker).  What Doug and Alicia do not know is that Peter is terminally ill.  And what neither Doug nor Peter knows is that Alicia is on the verge of filing for bankruptcy.

Meanwhile, Carol’s plain-spoken grandfather (Lorne Greene) feels uncomfortable with all of the rich folks but then he meets Doug’s equally plain-spoken aunt (Audra Lindley).  Could we be heading for a double wedding?  It is The Love Boat, after all!

There aren’t really any big surprises on this episode but it’s likable nonetheless.  For this episode, the crew and the cast actually sailed to Alaska and all the action was filmed during an actual cruise.  The scenery is gorgeous, even if it’s obvious that the cast was frequently freezing while filming their scenes.  By this point, the show’s regulars had their chemistry down perfectly and all of the 3rd season premiere’s guest stars are well-selected.  I especially liked the performances of Lorne Greene, Audra Lindley, the great Ray Milland, and Tony Roberts.  Julie and Jack’s reunion was far more touching that I think anyone would expect from a show like The Love Boat, with Tony Roberts playing the role of Jack so well that the viewer really did believe that, under different circumstances, he and Julie truly would have had a wonderful life together.  This was a great way to start the third season.