The Boston Society of Film Critics Honors Nomadland


Like all things this year, 2020’s Awards Season is a bit strange.  Because the Academy foolishly decided to extend the Oscar-eligibility window to February, several groups sold out and moved their annual awards back as well.  The National Board of Review, for instance, won’t be giving out their awards until February or something stupid like that.

Fortunately, some groups — like the Boston Society of Film Critics — are continuing to honor the best of 2020 at the end of 2020.  I love these groups because they’re reminding us that these awards are supposed to be about the movies and not about influencing the Academy.  I mean — seriously, the best films of 2020 should be films that came out in 2020, not films that came out in 2020 and the first two months of 2021.

On that note, earlier today, the Boston Society of Film Critics announced their picks for the best of 2020.

And here they are:

Best Picture
Nomadland
Runners Up: First Cow

Best Foreign Language Film
La Llorona
Runner Up – The Painted Bird

Best Director
Chloé Zhao – Nomadland
Runner Up: Kelly Reichardt – First Cow

Best Ensemble
Ma Rainey’s Black Bottom
Runner Up: Minari

Best Actor
Anthony Hopkins – The Father
Runner Up: Riz Ahmed – Sound of Metal

Best Actress
Sidney Flanigan – Never Rarely Sometimes Always
​Runner Up: Julia Garner – The Assistant

Best Supporting Actor
Paul Raci – Sound of Metal
Runner Up: Brian Dennehy – Driveways

Best Supporting Actress
Youn Yuh-jung – Minari
Runner Up: Amanda Seyfried – Mank

Best Screenplay
I’m Thinking Of Ending Things
​Runner Up: First Cow

Best New Filmmaker
Florian Zeller – The Father
Runner Up: Autumn de Wilde – Emma.

Best Documentary
Collective
​Runner Up: The Painter & The Thief

Best Animated Feature
The Wolf House
​Runner Up: Wolfwalkers

Best Cinematography
Nomadland
Runner Up: Lover’s Rock

Best Editing
I’m Thinking Of Ending Things
Runner Up: Nomadland

Best Score
Minari
Runner Up: Mank

Horror Trailer: The Curse of La Llorona


The Curse of La Llorona

Every culture has it’s own folktales and scary stories to tell around the campfire in the dark. Coming from the Philippines I know of many scary folk stories and monsters that’s unique to my culture. As the world has become more modern these dark tales have morphed into urban legends new and old.

What all these dark folk tales and urban legends have in common is the theme of death and suffering. One such urban legend, or a dark folk story among the Latino community, is the tale of “La Llorona” or the Weeping Woman.

This April 2019, James Wan of The Conjuring fame will bring to the bigscreen an adaptation of the tale of the “La Llorona.” This should be of much interest not just to me but to fellow co-founder of the site, Lisa Marie, who has such a huge interest in the subject of the Weeping Woman.

The Curse of La Llorona arrives with its first official poster as seen above and it’s first trailer below.

4 Shots From Horror History: La Llorona, The Invisible Man, Maniac, The Bride of Frankenstein


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we continue with the 1930s.

4 Shots From 4 Films

La Llorona (1933, dir by Ramon Peon)

La Llorona (1933, dir by Ramon Peon)

The Invisible Man (1934, dir by James Whale)

The Invisible Man (1933, dir by James Whale)

Maniac (1934, dir by Dwain Esper)

Maniac (1934, dir by Dwain Esper)

The Bride of Frankenstein (1935, dir by James Whale)

The Bride of Frankenstein (1935, dir by James Whale)