Horror on the Lens: The Ghost In The Invisible Bikini (dir by Don Weis)


In 1965’s The Ghost In The Invisible Bikini, the recently deceased Hiram Stokely (Boris Karloff) is informed that he has just 24 hours to perform a good deed and get into Heaven.  He also has 24 hours to keep Basil Rathbone from stealing his estate.  Hiram teams up with the ghost of his his dead girlfriend (Susan Hart) and together, they help Hiram’s real heir throw a pool party!

I know, I know.  That makes no sense.  Go with it, it’s the 60s and it’s a party.  The film is silly even by the standards of the typical beach party film but it features Boris Karloff and Basil Rathbone somehow managing to maintain their dignity and Nancy Sinatra singing a song.  (Dean Martin’s daughter, Claudia, also makes an appearance.)  Even more importantly, this is a film that epitomizes an era.  Released in 1965, this was the last AIP beach party movie and it’s a product of the innocent, fun-loving early 60s that would soon be replaced by the violent turmoil of the late 60s.  Hiram was probably happy that he got out when he could.

Here is The Ghost In The Invisible Bikini:

Retro Television Review: The Love Boat 4.24 “That Old Gang of Mine/Love with a Skinny Stranger/Vicki and the Gambler”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Vicki learns how to gamble.

Episode 4.24 “That Old Gang of Mine/Love with a Skinny Stranger/Vicki and the Gambler”

(Dir by Richard Kinon, originally aired on April 11th, 1981)

It’s an anniversary cruise!

Captain Stubing and Vicki are celebrating the anniversary of Vicki coming to live on the boat with her father.  Captain Stubing has already picked out the gift that he’s going to give Vicki, a beautiful and valuable pearl necklace.  As for Vicki, there’s a watch in the boat’s gift shop that she would love to give her father but she can’t afford it.  Then again, Vicki is the Captain’s daughter.  Can’t she just take whatever she wants?  I mean, who is going to snitch on the Captain’s daughter?  Add to that, it was only two weeks ago that the manager of the gift shop was juggling three lovers on one cuise.  Who is she to judge anything Vicki might do?

Admirably, Vicki is an honest person and does not want to just steal something for her father.  But when her father’s old friend, Wade Hubbard (Gene Barry), boards the ship, he shows Vicki that she can easily make enough money to buy the watch by betting on a horse race!  Wade, it turns out, is a compulsive gambler and Vicki soon falls under his influence.  Captain Stubing is not happy about that so Wade pretends to lose all of his money (and Vicki’s necklace!) in order to trick Vicki into not only hating him but also hating gambling.

You know, Wade and Captain Stubing could have just told Vicki not to gamble anymore.  Vicki seems like she’s pretty smart and level-headed so I’m sure she would have listened if Wade and the Captain had just told her that they didn’t want her placing bets as a minor.  Instead, Wade created an elaborate lie and basically traumatized Vicki for life.  That seems a bit extreme to me but, then again, I don’t have a gambling problem.

As for the other passengers, Patty Beller (Vicki Lawrence) is stunned when she discovers that her long-distance boyfriend, Phil Manning (Charles Siebert), has spent the last month at a fat farm and is now totally athletic and handsome.  Patty always took it for granted that Phil would only have eyes for her but suddenly, every other woman on the cruise appears to be trying to get his attention.  This story would have perhaps worked better if Patty hadn’t come across as being so self-centered.  Phil explains that he lost the weight because he was worried about his health and tired of people making fun of him.  To me, it seems like Phil should be applauded for his self-discipline and his desire to make a better life for himself.  Instead, Patty gets upset that Phil is taking care of himself.  Seriously, Phil — you can do better!

Finally, three old-time crooks (Jack Gilford, Jesse White, and Kaye Ballard) board the cruise and make plans to rob the safe.  That shouldn’t be too hard since Gopher is the person in charge of watching the safe.  However, the crooks are all elderly and out-of-touch with life in the swinging 80s.  The safecracker has gone deaf and needs someone else to listen as he turns the dial.  It’s all a bit silly but it was kind of a sweet story, largely due to the performances of Gilford, White, and Ballard.

The safecracker’s story aside, this episode of The Love Boat was a bit of a sour ride.  Between Wade lying to Vicki and Patty wishing that her boyfriend was at risk for heart disease, this just wasn’t a very likable cruise.  Hopefully, next week will be a bit more fashionable.  Considering that the upcoming episode guest stars Glorida Vanderbilt, Bob Mackie, and Halston, I imagine it will be.

Spring Breakdown: The Ghost In the Invisible Bikini (dir by Don Weis)


The 1966 film, The Ghost In The Invisible Bikini, asks the question, “What can you do if you want to have a beach party but you don’t have a beach?”

The answer: “Find a pool!”

Seriously, a pool is just as good as a beach and fortunately, Chuck (Tommy Kirk) has a pool where his friends can hang out and listen as Vicki (Nancy Sinatra) sings a song.  It’s in a big old mansion and hey, it might be haunted.  It used to belong to Hiram Stokeley (Boris Karloff) and he’s dead now so he certainly won’t mind, right?

Well, what if he’s not dead!?

Oh wait, actually, he is dead.  But he’s still hanging around.  It turns out that he needs to do at least one good deed in order to get into Heaven.  (Isn’t starring in Frankenstein enough?  I mean, c’mon…..)  It also turns that Hiram only has 24 hours to do that good deed or it’s off to Hell for him.  Maybe he could figure out a way to help Chuck and his family win his fortune!  Hiram enlists the help of his long-dead girlfriend, Cecily (Susan Hart).  Cecily, we are told, is wearing an invisible bikini but we just have to take the film’s word on that because it’s invisible and, seeing as how Cecily’s a ghost, it’s always possible that only reason she’s transparent is because she’s a spirit.  I mean, seriously, who knows how ghosts work?

Anyway, it’s not going to be easy for Hiram and Cecily to ensure that Chuck inherits that fortune, largely because Chuck and all of his friends are idiots.  The other problem is that Reginald Ripper (Basil Rathbone), Hiram’s lawyer, is determined to win that money for himself and, if you have any doubt that he’s a bad dude, just check out his name.  GOOD PEOPLE ARE NOT NAMED REGINALD RIPPER!  Fortunately, even though Reginald graduated from law school and is played by Basil freaking Rathbone, he’s still an idiot and he comes up with the stupidest plan possible to get Chuck and friends out of the house.

He’s going to make them think that it’s haunted!

(But it is haunted….)

Reginald’s plan is to have his evil associates, J. Sinister Hulk (Jesse White), Chicken Feather (Benny Rubin), and Princess Yolanda (Bobbi Shaw), pretend to be monsters and ghosts in order to scare all of the teens out of the house.  He also enlists his daughter, Sinistra (Quinn O’Hara), to help but Sinistra isn’t really bad.  She’s just extremely near-sighted and someone thought it would be a good idea to name her Sinistra.

And then the bikers show up!  This is one of AIP’s beach party films so, of course, there are bikers.  Eric von Zipper (Harvey Lembeck) shows up and pretends to be Marlon Brando in The Wild One.  Of course, at the time this film was made, the real Marlon Brando was filming Arthur Penn’s The Chase so I’m going to guess that Harvey Lembeck probably had more fun pretending to be Brando than Brando was having being himself….

Anyway, this is a stupid movie even by the standards of the AIP beach party films.  It’s also notably disjointed.  That probably has something to do with the fact that Karloff and Susan Hart weren’t actually added to the film until after the movie had already been shot.  Apparently, AIP felt that the first cut of the movie was missing something so they said, “Let’s toss in a little Karloff!”  Of course, Boris Karloff was such an old charmer that it doesn’t matter that he doesn’t ever really interact with anyone other than Susan Hart over the course of the film.  You’re just happy to see him.

So yeah, technically, this is not a good film but, at the same time, you kind of know what you’re getting into when you watch a movie called The Ghost In The Invisible Bikini.  The jokes fall flat.  The songs are forgettable.  But the whole thing is such a product of its time that it’s always watchable from an anthropological perspective.  Add to that, you get Boris Karloff and Basil Rathbone, doing what they had to do to pay the bills and somehow surviving with their dignity intact.  Good for them.

Horror on TV: Kolchak: The Night Stalker 1.15 “Chopper” (dir by Bruce Kessler)


Tonight on Kolchak….

There’s a headless man riding a motorcycle, using a sword to behead members of a rival motorcycle gang!  And …. well, really what else do you need to know?  When a headless cyclists start killing people, you don’t worry about why.  There is a reason however and everyone’s favorite nervous journalist is going to find out what it is!

This episode originally aired on January 31st, 1975!

Enjoy!

http://www.youtube.com/watch?v=3raQnXP2s3s

Drive-In Saturday Night 2: BIKINI BEACH (AIP 1964) & PAJAMA PARTY (AIP 1964)


gary loggins's avatarcracked rear viewer

Welcome back to Drive-In Saturday Night! Summer’s here, and the time is right for a double dose of American-International teen flicks, so pull in, pull up a speaker to hang on your car window, and enjoy our first feature, 1964’s BIKINI BEACH, starring Frankie Avalon and Annette Funicello:

BIKINI BEACH is the third of AIP’s ‘Beach Party’ movies, and this one’s a typical hodgepodge of music, comedy, and the usual teenage shenanigans. The gang’s all here, heading to the beach on spring break for surfing and swinging. This time around, there’s a newcomer on the sand, British rock star The Potato Bug, with Frankie playing a dual role. Potato Bug is an obvious spoof of the big Beatlemania fever sweeping the country, with all the beach chicks (or “birds”, as he calls ’em) screaming whenever PB starts singing one of his songs, complete with Lennon/McCartney-esque “Wooos” and “Yeah, yeah, yeahs”…

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Film Review: The Rise and Fall of Legs Diamond (1960, directed by Budd Boetticher)


TheRiseFallofLegsDiamondIt’s the 1920s.  Prohibition is the law of the land and gangsters control the streets of New York City.  Jack Diamond (Ray Danton) and his tubercular brother, Eddie (Warren Oates), arrives in town.  Jack and Eddie are small-time jewel thieves but Jack has ambitions to be something more.  He works with his girlfriend, Alice (Karen Steele), as a dance instructor but he dreams of being the most powerful mobster in the world.  His first step is to get a job working as a bodyguard for New York crime lord (and fixer of the 1919 World Series), Arnold Rothstein (Robert Lowery).  Though Rothstein never trusts him, Jack works his way into his inner circle and even gets a nickname.  Because he is a dancer, he is renamed “Legs” Diamond.

From the minute that he starts working with Rothstein, Legs Diamond’s cocky personality and ruthless ambition make him enemies.  When he is shot three times, Legs shocks everyone by surviving and announces that he is invulnerable and cannot be killed.  After Rothstein is mysteriously gunned down, Diamond goes to war against Leo “Butcher” Bremer (Jesse White, better known as the original Maytag repairman) for control of the New York underworld.

The Rise and Fall of Legs Diamond was directed by the legendary Budd Boetticher, a bullfighter-turned-director who is best known for directing a series of low-budget westerns in the 1950s.  The violent and hard-boiled The Rise and Fall of Legs Diamond was Boetticher’s only gangster film and it’s a good one.  The Rise and Fall of Legs Diamond is tightly-written, fast-paced, and Lucien Ballard’s black-and-white cinematography ranks with the best of film noir.

The role of Legs Diamond was originally offered to future producer Robert Evans (of The Kid Stays In The Picture fame) but when Evans turned it down, the role was given to Ray Danton.  Though he is occasionally a little stiff, Danton still gives a good and tough performance as Diamond but it is still hard not to wonder what Evans would have been like in the role.  The rest of the cast is full of recognizable B-movie actors, all of whom do a good job.  Actress Dyan Cannon made her film debut in Legs Diamond, playing one of Diamond’s girlfriends.  Meanwhile, in only his third film role, Warren Oates is memorable and sympathetic as the sickly Eddie.  Though Oates does not get to do much in the film, his performance still shows why he went on to become one of the most popular and well-respected character actors of all time.

Though hardly historically accurate (in real life, Arnold Rothstein never knew Jack Diamond and Diamond received his nickname not because he was a dancer but because of the speed with which he ran away from the police), The Rise and Fall of Legs Diamond is an exciting and entertaining Depression-era gangster film.

LegsDiamond