4 Shots From 4 Films: Special Neil Jordan Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Irish director Neil Jordan!  It’s time for….

4 Shots From 4 Neil Jordan Films

The Company of Wolves (1984, dir by Neil Jordan, DP: Bryan Loftus)

Interview With A Vampire (1994, dir by Neil Jordan, DP: Philippe Rousselot)

In Dreams (1999, dir by Neil Jordan, DP: Darius Khondji)

Byzantium (2012, dir by Neil Jordan, DP: Sean Bobbitt)

4 Shots From 4 Films: Special Neil Jordan Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Irish director Neil Jordan!  It’s time for….

4 Shots From 4 Neil Jordan Films

The Company of Wolves (1984, dir by Neil Jordan, DP: Bryan Loftus)

Interview With A Vampire (1994, dir by Neil Jordan, DP: Philippe Rousselot)

The Butcher Boy (1998, dir by Neil Jordan, DP: Adrian Biddle)

In Dreams (1999, dir by Neil Jordan, DP: Darius Khondji)

Here Are The 2023 Gotham Award Winners!


In one of the first events of Awards Season, The Gotham Awards were handed out tonight, with Past Lives picking up the award for best film.  Below, all of the winners are listed in bold!

Best Feature
Passages
Ira Sachs, director; Saïd Ben Saïd, Michel Merkt, producers (MUBI)

Past Lives
Celine Song, director; David Hinojosa, Pamela Koffler, Christine Vachon, producers (A24)

Reality
Tina Satter, director; Brad Becker-Parton, Riva Marker, Greg Nobile, Noah Stahl, producers (HBO Films)

Showing Up
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (A24)

A Thousand and One
A.V. Rockwell, director; Julia Lebedev, Rishi Rajani, Eddie Vaisman, Lena Waithe, Bred Weston, producers (Focus Features)

Best International Feature
All of Us Strangers
Andrew Haigh, director; Graham Broadbent, Peter Czernin, Sarah Harvey, producers (Searchlight Pictures)

Anatomy of a Fall
Justine Triet, director; Marie-Ange Luciani, David Thion, producers (NEON)

Poor Things
Yorgos Lanthimos, director; Ed Guiney, Yorgos Lanthimos, Andrew Lowe, Emma Stone, producers (Searchlight Pictures)

Tótem
Lila Avilés, director; Lila Avilés, Tatiana Graullera, Louise Riousse, producers (Sideshow/Janus Films)

The Zone of Interest
Jonathan Glazer, director; Ewa Puszczynska, James Wilson, producers (A24)

Best Documentary Feature
20 Days in Mariupol
Mstyslav Chernov, director; Raney Aronson-Rath, Mstyslav Chernov, Derl McCrudden, Michelle Mizner, producers (PBS Distribution)

Against the Tide
Sarvnik Kaur, director; Koval Bhatia, Sarvnik Kaur, producers (Snooker Club Films, A Little Anarky Films)

Apolonia, Apolonia
Lea Glob, director; Sidsel Lønvig Siersted, producer (Danish Documentary Production)

Four Daughters
Kaouther Ben Hania, director; Nadim Cheikhrouha, producer (Kino Lorber)

Our Body
Claire Simon, director; Kristina Larsen, producer (Cinema Guild)

Breakthrough Director Award, Presented by Cadillac

Raven Jackson, All Dirt Roads Taste of Salt (A24)

Georgia Oakley, Blue Jean (Magnolia Pictures)

Michelle Garza Cervera, Huesera (XYZ Films)

Celine Song, Past Lives (A24)

A.V. Rockwell, A Thousand and One (Focus Features)

Best Screenplay

All of Us Strangers, Andrew Haigh (Searchlight Pictures)

Anatomy of a Fall, Justine Triet, Arthur Harari (NEON)

May December, Samy Burch (Netflix)

R.M.N., Cristian Mungiu (IFC Films)

The Zone of Interest, Jonathan Glazer (A24)

Outstanding Lead Performance

Aunjanue Ellis-Taylor, Origin (NEON)

Lily Gladstone, The Unknown Country (Music Box Films)

Greta Lee, Past Lives (A24)

Franz Rogowski, Passages (MUBI)

Babetida Sadjo, Our Father, The Devil (Cineverse)

Andrew Scott, All of Us Strangers (Searchlight Pictures)

Cailee Spaeny, Priscilla (A24)

Teyana Taylor, A Thousand and One (Focus Features)

Michelle Williams, Showing Up (A24)

Jeffrey Wright, American Fiction (Orion Pictures / Amazon MGM Studios)

Outstanding Supporting Performance

Juliette Binoche, The Taste of Things (IFC Films)

Penélope Cruz, Ferrari (NEON)

Jamie Foxx, They Cloned Tyrone (Netflix)

Claire Foy, All of Us Strangers (Searchlight Films)

Ryan Gosling, Barbie (Warner Bros. Pictures)

Glenn Howerton, BlackBerry (IFC Films)

Sandra Hüller, The Zone of Interest (A24)

Rachel McAdams, Are You There God? It’s Me, Margaret (Lionsgate)

Charles Melton, May December (Netflix)

Da’Vine Joy Randolph, The Holdovers (Focus Features)

Breakthrough Series – Under 40 minutes
Beef, Lee Sung Jin, creator; Ravi Nandan, Alli Reich, Jake Schreier, Ali Wong, Steven Yeun, executive producers (Netflix)

High School, Clea DuVall, Sara Quin, Tegan Quin, creators; Clea Duvall, Dede Gardner, Laura Kittrell, Jeremy Kleiner, Sara Quin, Tegan Quin, Carina Sposato, executive producers (Amazon Freevee)

I’m A Virgo, Boots Riley, creator; Tze Chun, Michael Ellenberg, Marcus Gardley, Carver Karaszewski, Jharrel Jerome, Boots Riley, Rebecca Rivo, Lindsey Springer, executive producers (Prime Video)

Rain Dogs, Cash Carraway, creator; Cash Carraway, Sally Woodward Gentle, Lee Morris, executive producers (HBO | Max)

Swarm, Donald Glover, Janine Nabers, creators; Ibra Ake, Donald Glover, Stephen Glover, Janine Nabers Jamal Olor, Steven Prinz, Michael Schaefer, Fam Udeorji, executive producers (Amazon Studios)

Breakthrough Series – Over 40 minutes
Anne Rice’s Interview with the Vampire
Rolin Jones, creator; Mark Johnson, Rolin Jones, Anne Rice, Christopher Rice, Alan Taylor, executive producers (AMC)

Dead Ringers
Alice Birch, creator; Alice Birch, Anne Carey, Sean Durkin, Megan Ellison, Erica Kay, Ali Krug, Sue Naegle, Stacy O’Neil, David Robinson, James G. Robinson, Polly Stokes, Barbara Wall, Rachel Weisz, executive directors (Prime Video)

The English
Hugo Blick, creator; Hugo Blick, Emily Blunt, Greg Brenman, executive producers (Prime Video)

The Last of Us
Craig Mazin, Neil Druckmann, creators; Neil Druckmann, Craig Mazin, Rose Lam, Asad Qizilbash, Carolyn Strauss, Carter Swan, Evan Wells, executive producers; (HBO | Max)

A Small Light
Tony Phelan, Joan Rater, creator; Susanna Fogel, William Harper, Avi Nir, Tony Phelan, Joan Rater, Lisa Roos, Alon Shtruzman, Peter Traugott, executive producers (National Geographic)

Telemarketers
Adam Bhala Lough, Sam Lipman-Stern, directors; Nancy Abraham, Dani Bernfeld, David Gordon Green, Lisa Heller, Jody Hill, Brandon James, Sam Lipman-Stern, Adam Bhala Lough, Danny McBride, Tina Nguyen, Benny Safdie, Josh Safdie, Greg Stewart, executive producers (HBO | Max)

Outstanding Performance in a New Series
Jacob Anderson, Anne Rice’s Interview with The Vampire (AMC)

Dominique Fishback, Swarm (Amazon Studios)

Jharrel Jerome, I’m A Virgo (Prime Video)

Natasha Lyonne, Poker Face (Peacock)

Bel Powley, A Small Light (National Geographic)

Bella Ramsey, The Last of Us (HBO | Max)

Chaske Spencer, The English (Prime Video)

Rachel Weisz, Dead Ringers ((Prime Video)

Ali Wong, Beef (Netflix)

Steven Yeun, Beef (Netflix)

Here Are The 2023 Gotham Nominations (Only A Week Late!)


Wow!  I’ve been so busy coordinating this year’s Horrorthon that I totally missed the fact that the Gotham nominations were announced on October 24th!  In the past, the Gothams only honored films that were made for a certain low budget.  This year is the first time that they’ll be honoring films of any budget.  To me, that would seem to defeat the purpose of the awards but whatever.  Everyone wants to be an Oscar precursor nowadays.

Anyway, this is really late on my part but here are this year’s Gotham nominations!  Whether or not these nominations will give a boost to any of these film’s Oscar chances remains to be seen.  The winners will be announced on November 27th!

Best Feature
Passages
Ira Sachs, director; Saïd Ben Saïd, Michel Merkt, producers (MUBI)

Past Lives
Celine Song, director; David Hinojosa, Pamela Koffler, Christine Vachon, producers (A24)

Reality
Tina Satter, director; Brad Becker-Parton, Riva Marker, Greg Nobile, Noah Stahl, producers (HBO Films)

Showing Up
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (A24)

A Thousand and One
A.V. Rockwell, director; Julia Lebedev, Rishi Rajani, Eddie Vaisman, Lena Waithe, Bred Weston, producers (Focus Features)

Best International Feature
All of Us Strangers
Andrew Haigh, director; Graham Broadbent, Peter Czernin, Sarah Harvey, producers (Searchlight Pictures)

Anatomy of a Fall
Justine Triet, director; Marie-Ange Luciani, David Thion, producers (NEON)

Poor Things
Yorgos Lanthimos, director; Ed Guiney, Yorgos Lanthimos, Andrew Lowe, Emma Stone, producers (Searchlight Pictures)

Tótem
Lila Avilés, director; Lila Avilés, Tatiana Graullera, Louise Riousse, producers (Sideshow/Janus Films)

The Zone of Interest
Jonathan Glazer, director; Ewa Puszczynska, James Wilson, producers (A24)

Best Documentary Feature
20 Days in Mariupol
Mstyslav Chernov, director; Raney Aronson-Rath, Mstyslav Chernov, Derl McCrudden, Michelle Mizner, producers (PBS Distribution)

Against the Tide
Sarvnik Kaur, director; Koval Bhatia, Sarvnik Kaur, producers (Snooker Club Films, A Little Anarky Films)

Apolonia, Apolonia
Lea Glob, director; Sidsel Lønvig Siersted, producer (Danish Documentary Production)

Four Daughters
Kaouther Ben Hania, director; Nadim Cheikhrouha, producer (Kino Lorber)

Our Body
Claire Simon, director; Kristina Larsen, producer (Cinema Guild)

Breakthrough Director Award, Presented by Cadillac

Raven Jackson, All Dirt Roads Taste of Salt (A24)

Georgia Oakley, Blue Jean (Magnolia Pictures)

Michelle Garza Cervera, Huesera (XYZ Films)

Celine Song, Past Lives (A24)

A.V. Rockwell, A Thousand and One (Focus Features)

Best Screenplay

All of Us Strangers, Andrew Haigh (Searchlight Pictures)

Anatomy of a Fall, Justine Triet, Arthur Harari (NEON)

May December, Samy Burch (Netflix)

R.M.N., Cristian Mungiu (IFC Films)

The Zone of Interest, Jonathan Glazer (A24)

Outstanding Lead Performance

Aunjanue Ellis-Taylor, Origin (NEON)

Lily Gladstone, The Unknown Country (Music Box Films)

Greta Lee, Past Lives (A24)

Franz Rogowski, Passages (MUBI)

Babetida Sadjo, Our Father, The Devil (Cineverse)

Andrew Scott, All of Us Strangers (Searchlight Pictures)

Cailee Spaeny, Priscilla (A24)

Teyana Taylor, A Thousand and One (Focus Features)

Michelle Williams, Showing Up (A24)

Jeffrey Wright, American Fiction (Orion Pictures / Amazon MGM Studios)

Outstanding Supporting Performance

Juliette Binoche, The Taste of Things (IFC Films)

Penélope Cruz, Ferrari (NEON)

Jamie Foxx, They Cloned Tyrone (Netflix)

Claire Foy, All of Us Strangers (Searchlight Films)

Ryan Gosling, Barbie (Warner Bros. Pictures)

Glenn Howerton, BlackBerry (IFC Films)

Sandra Hüller, The Zone of Interest (A24)

Rachel McAdams, Are You There God? It’s Me, Margaret (Lionsgate)

Charles Melton, May December (Netflix)

Da’Vine Joy Randolph, The Holdovers (Focus Features)

Breakthrough Series – Under 40 minutes
Beef, Lee Sung Jin, creator; Ravi Nandan, Alli Reich, Jake Schreier, Ali Wong, Steven Yeun, executive producers (Netflix)

High School, Clea DuVall, Sara Quin, Tegan Quin, creators; Clea Duvall, Dede Gardner, Laura Kittrell, Jeremy Kleiner, Sara Quin, Tegan Quin, Carina Sposato, executive producers (Amazon Freevee)

I’m A Virgo, Boots Riley, creator; Tze Chun, Michael Ellenberg, Marcus Gardley, Carver Karaszewski, Jharrel Jerome, Boots Riley, Rebecca Rivo, Lindsey Springer, executive producers (Prime Video)

Rain Dogs, Cash Carraway, creator; Cash Carraway, Sally Woodward Gentle, Lee Morris, executive producers (HBO | Max)

Swarm, Donald Glover, Janine Nabers, creators; Ibra Ake, Donald Glover, Stephen Glover, Janine Nabers Jamal Olor, Steven Prinz, Michael Schaefer, Fam Udeorji, executive producers (Amazon Studios)

Breakthrough Series – Over 40 minutes
Anne Rice’s Interview with the Vampire
Rolin Jones, creator; Mark Johnson, Rolin Jones, Anne Rice, Christopher Rice, Alan Taylor, executive producers (AMC)

Dead Ringers
Alice Birch, creator; Alice Birch, Anne Carey, Sean Durkin, Megan Ellison, Erica Kay, Ali Krug, Sue Naegle, Stacy O’Neil, David Robinson, James G. Robinson, Polly Stokes, Barbara Wall, Rachel Weisz, executive directors (Prime Video)

The English
Hugo Blick, creator; Hugo Blick, Emily Blunt, Greg Brenman, executive producers (Prime Video)

The Last of Us
Craig Mazin, Neil Druckmann, creators; Neil Druckmann, Craig Mazin, Rose Lam, Asad Qizilbash, Carolyn Strauss, Carter Swan, Evan Wells, executive producers; (HBO | Max)

A Small Light
Tony Phelan, Joan Rater, creator; Susanna Fogel, William Harper, Avi Nir, Tony Phelan, Joan Rater, Lisa Roos, Alon Shtruzman, Peter Traugott, executive producers (National Geographic)

Telemarketers
Adam Bhala Lough, Sam Lipman-Stern, directors; Nancy Abraham, Dani Bernfeld, David Gordon Green, Lisa Heller, Jody Hill, Brandon James, Sam Lipman-Stern, Adam Bhala Lough, Danny McBride, Tina Nguyen, Benny Safdie, Josh Safdie, Greg Stewart, executive producers (HBO | Max)

Outstanding Performance in a New Series
Jacob Anderson, Anne Rice’s Interview with The Vampire (AMC)

Dominique Fishback, Swarm (Amazon Studios)

Jharrel Jerome, I’m A Virgo (Prime Video)

Natasha Lyonne, Poker Face (Peacock)

Bel Powley, A Small Light (National Geographic)

Bella Ramsey, The Last of Us (HBO | Max)

Chaske Spencer, The English (Prime Video)

Rachel Weisz, Dead Ringers ((Prime Video)

Ali Wong, Beef (Netflix)

Steven Yeun, Beef (Netflix)

Lisa Marie’s Week In Television: 10/9/22 — 10/15/22


I spent most of this week watching movies but I did catch a few shows.  Here’s some thoughts on them:

Abbott Elementary (Wednesday Night, ABC)

Ava is such a cool principal!  This week’s episode wasn’t as strong as the previous three episodes but the scenes in which we saw how Ava dealt with disciplinary problems were entertaining.  “I want to go to the principal’s office!”

The Amazing Race (Wednesday Night, CBS)

I reviewed the latest episode of The Amazing Race here!

Atlanta (Thursday Night, FX)

Another crazy day at the mall.  I’m glad Al survived.  Earn and Darius got their shoes.  The Crank Dat Killer was taken off the streets.  Some Guy Named Doug finally got to collaborate with Al.  Another day in Atlanta.

Bachelor in Paradise (Monday and Tuesday Night, ABC)

Eh.  This season is too complicated for me.  The scenery’s nice.

Baywatch (Weekday Morning, H&I)

I watched an episode of Baywatch on Wednesday morning.  After an accident left him paralyzed, Manny had a crisis of confidence.  Meanwhile, Neely and Mitch continued to argue on the beach.  This was an episode from Baywatch’s final season.  It was all a bit silly but the scenery was nice.

Fantasy Island (Tubi)

You can read my review of what I watched by clicking here!

Full House (Sunday Evening, MeTV)

In the first episode, Aunt Becky went back to work and Danny panicked because it meant his new girlfriend would be leaving Wake Up, San Francisco.  Fortunately, she got hired to do weather so I guess that all worked out.  Becky going back to work reminded me of how little Jesse actually does.

In the second episode, a singer was hired to perform at Stephanie’s birthday party.  Stephanie had a crush on him but he had a crush on DJ.  The singer was like 30 so he really shouldn’t have had a crush on either of them.

Ghosts (Thursday Night, CBS)

Poor Jay!  He just wants some friends, like his wife has with the ghosts.  Unfortunately, he always seems to end up finding the worst possible friends around.  This week, he nearly got sucked into a cult.  Perhaps Jay should follow the ghost’s advice and become a snake oil salesman.

Hell’s Kitchen (Thursday Night, FOX)

O’Shay being eliminated was not a huge surprise.  It really should have happened last week, when he tried to send out raw chicken.  The episode ended with Chef Ramsay announcing that the 20s vs. 40s competition was over and the show was reverting back to its usual women vs men format.  Again, this wasn’t a huge surprise.  Hell’s Kitchen, unlike several other reality shows, has pretty much stuck with its original format and I don’t see it changing any time soon.

Interview With A Vampire (Sunday Night, AMC)

I’m still struggling to get into this one, for whatever reason.  I’ll give it another try next week and maybe rewatch the first two episodes as well.

Law & Order (Thursday Night, NBC)

This week, the criminal was a serial killer who was also a famous actor.  The episode wasn’t anything special but at least it wasn’t obnoxiously political.

Law & Order: Organized Crime (Thursday Night, NBC)

I watched it but I’d be lying if I said I remembered a thing about it, beyond Stabler looking like he was about to give himself a heart attack with all of his pent-up rage.

Law & Order: SVU (Thursday Night, NBC)

Again, I watched it but I don’t remember much about it.  By broadcasting all of these Law & Order shows on the same night, NBC is causing them to blend together in my mind.

The Love Boat (Paramount Plus)

I reviewed what I watched here!

Mike Judge’s Beavis and Butt-Head (Paramount Plus)

I honestly thought last week’s episode was the season finale but it turns out I was wrong!  A new episode dropped on Thursday.  Beavis and Butt-Head building their own dinosaur was hilarious and also sad.  “Why did we do this?”

The Real Love Boat (Wednesday Night, CBS)

Who cares?  The old Love Boat is more fun.

Survivor (Wednesday Night, CBS)

I reviewed the latest episode of Survivor here!

Talking Dead (Sunday Night, AMC)

I didn’t pay much attention.  Chris Hardwicke seemed kind of bored with it all.

The Walking Dead (Sunday Night, AMC)

I hate to admit it but I have yet to find the time to write out full length reviews of the past two episodes of The Walking Dead.  Hopefully, I’ll get a chance to do it next week.  As for last week’s episode, it was an improvement on the episode that came before it.  I’m kind of bored with the downfall of the Commonwealth, though.  I think the show made an excuse taking that long break before starting the final half of season 11.  I was really into the show before that break but now I’m struggling to get reinvested.

Lisa Marie’s Week In Television: 10/2/22 — 10/8/22


Here’s some thoughts on what I watched this week!

Abbott Elementary (Wednesday Night, ABC)

Oh Lord, the Story Samurais.  Seriously, I’ve known people just like that.  I was cringing for them through the entire episode.  Ava continues to be the best character on the show.

The Amazing Race (Wednesday Night, CBS)

I wrote about the latest episode of The Amazing Race here.

Atlanta (Thursday Night, FX)

This week’s episode dealt with an enigmatic entertainment mogul known as Kirkwood Chocolate, who was a prolific and popular creator of melodramatic dramas and broad comedies.  Everyone on the show acknowledged that Mr. Chocolate’s shows were not necessarily good but they also wanted to support black art.  Mr. Chocolate, himself, turned out to be a somewhat crazed megalomaniac who also claimed to have no control over his shows.  Lottie briefly became Mr. Chocolate’s biggest star.  It was a funny and thought-provoking episode and it made no attempt to hide that Kirkwood Chocolate was basically Tyler Perry.

Bachelor In Paradise (Monday and Tuesday Nights, ABC)

I just watched it for the scenery.  It is kind of interesting that everyone who has been eliminated so far came from Clayton’s season.  It’s like someone put a curse on that season and the people involved will never find peace.

Beyond The Headlines (Sunday Morning, Lifetime)

This was a one-hour discussion of the Gabby Petito case, which Lifetime aired as a companion to The Gabby Petito Story.

East New York (Sunday Night, CBS)

On Sunday, I watched the first episode of CBS’s newest cop show, East New York.  The main reason that I watched it was because I had been inundated for commercials for the show while I was watching Big Brother last month.  Much as I was expecting, East New York turned out to be a middling cop show, one that tried to walk the fine line between back the blue and defund the police.  It didn’t really work but it was nice to see that the show had good roles for Richard Kind and Jimmy Smits.

Ghosts (Thursday Night, CBS)

Sam started a podcast about Hetty’s murder but, in order to get funding, she had to accept the eccentric and creepy Todd Pearlman as a co-host.  This episode wasn’t quite as funny as the season premiere but it did set up what I assume will be this season’s major storyline.

Hell’s Kitchen (Thursday Night, FOX)

Someone finally tried to serve raw chicken.  It’s not really Hell’s Kitchen until that happens.

Inspector Lewis (YouTube)

I watched the end of the 8th series on Tuesday.  Robbie was upset because one of his old cases was being reopened.  I was upset because Hathaway had a truly terrible haircut.  Hopefully, that’ll be corrected next week.

Interview With A Vampire (Sunday, AMC)

I watched the premiere on Monday and I was bored out of my mind.

Law & Order (Thursday Night, NBC)

Anti-Asian hate crimes have been on the rise in New York City so, of course, Law & Order decided to do an episode about it in which they blamed it all on a generic right-wing gun nut who was upset over COVID.  The U.S. government wanted to prosecute the criminal but they also wanted to see the death penalty.  “I don’t know if I can set my personal beliefs aside,” Price said.  When has Price ever been able to set aside his personal beliefs?  Seriously, we’re only to seasons into this season and I’m already sick of Price talking about his personal beliefs.

Law & Order: Organized Crime (Thursday Night, NBC)

I did watch Organized Crime but seriously, don’t even ask me what happened on this week’s episode.  I got bored and kind of zoned out.  All I know is that Stabler needs to relax.  Maybe try yoga or something.

Law & Order: SVU (Thursday Night, NBC)

SVU took a heavy-handed swipe at influencer culture this week.  It was a bit of a generic story but the episode was somewhat redeemed by Killi Giddish’s performance as Amanda Rollins, who is still struggling to put being shot behind her.

Mike Judge’s Beavis and Butt-Head (Paramount Plus)

Never will I forget the horror of Beavis putting on Yoga pants.  The season came to an end this week with an appropriately hilarious episode.  First, Beavis and Butt-Head were thrilled to discover their employer reserved the right to refuse service to customers who created an unsafe work environment.  And then Beavis decided that he would “look really sexy” in yoga pants.  Needless to say it didn’t go well.  As for the overall season, I liked it.  I perhaps would have done a bit less with Old Beavis and Old Butt-Head but otherwise, this was a really funny and sharply satiric show.

Night Flight (NightFlight+)

I watched two episodes of this old 80s show on Friday night.  One dealt with songs about drugs.  The other was a profile of Depeche Mode.

The Real Love Boat (Wednesday Night, CBS)

Basically, this is just Paradise Hotel on a boat.  Who knows?  Maybe everyone will find love before the season ends.

So Help Me Todd (Wednesday Night, CBS)

This is a new show about a lawyer and her son, the private investigator.  Guess what the son’s name is!  CBS advertised the Hell out of this during Big Brother, so I watched the first episode when it was re-aired on Sunday.  It was not quite as bad as I was expecting but it’s still very much a middle-of-the-road, safe to watch with your middle-aged relatives sort of show.  Marcia Gay Harden plays the lawyer and it’s nice to see her playing someone who isn’t a half-crazed victim for once.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here.

Talking Dead (Sunday Night, AMC)

I still like Talking Dead but it’s hard not to feel that everything that can be said about The Walking Dead already has been said.  Even Chris Hardwicke seemed to be kind of bored with it all.

The Walking Dead (Sunday Night, AMC)

The Walking Dead returned with a boring episode.  Let’s hope things pick up next week.

Horror Film Review: Interview With The Vampire (dir by Neil Jordan)


Oh, poor Claudia.

There are a lot of vampires and other cursed beings wandering through the 1994 film adaptation of Interview With A Vampire but Claudia (Kisten Dunst) is the only one for whom I have any sympathy.

Louis (Brad Pitt) may be the main character and the vampire giving the interview but it’s hard to have much sympathy for him.  He’s just such a whiny little bitch.  The Louisiana aristocrat is transformed into a vampire in 1791 and basically spends the next 200 years complaining about it.  You want to have sympathy for him but sometimes, you just have to accept stuff and move on.  It doesn’t help that Brad Pitt, who has always given his best performances when cast as men of action, is somewhat miscast as the effete and self-loathing Louis.

Lestat (Tom Cruise) may be the most charismatic of the vampires but he’s never exactly sympathetic.  He turns Louis into a vampire and then spends years following him across Louisiana and Europe.  Lestat is decadence personified and he never whines and, as a result, he’s far more enjoyable to spend time with than Louis.  Cruise is as perfectly cast as Lestat as Pitt was miscat as Louis.  Lestat is a star and Tom Cruise has always been one of the few true movie stars around.  That said, Lestat is still far too self-indulgent and thoughtlessly self-destructive to really be a sympathetic character.  Instead, he’s like Lord Byron, destroying happy families but at least writing a poem about it afterwards.

Armand (Antonio Banderas) runs the Théâtre des Vampires in Paris and he becomes Louis’s companion for a time.  Louis is charismatic because he’s played by Antonio Banderas but, ultimately, he proves to be a rather ineffectual leader.  Armand puts on a good show but, in the end, that’s all he has to offer.  He’s a bit shallow, despite all of the theatrics.

Santiago (Stephen Rea) isn’t sympathetic at all but at least he really seems to get into being evil.  Good for him!

And then there’s Daniel Malloy (Christian Slater), the journalist who conducts the interview with Louis.  In the film, Malloy starts out as a cynic, the type of writer who theatrically pours himself a glass of whiskey before dramatically turning to his typewriter.  All he needs is a fedora with a press pass tucked into the headband.  It’s difficult to take him seriously.

But then there’s Claudia.  Poor Claudia.  In the book, Claudia was only five years old when she was turned into a vampire.  In the movie, she’s played by 12 year-old Kirsten Dunst and it’s left ambiguous as to how young Claudia actually was when Lestat turned her into a vampire, though it’s still made clear that was too young to be cursed without her consent.  Claudia becomes Lestat and Louis’s companion.  Louis treats her like the daughter that he will never have.  Lestart treats her like an apprentice, teaching her how to kill.  Claudia grows up but is forever trapped in the body of a child.  It’s impossible not to feel sorry for Claudia, who never asked to become a vampire, who indeed was just turned so that Lestat could use her as a pawn to keep control of Louis.  Claudia spends a good deal of the movie in a rage and who can blame her?

Interview With A Vampire is a messy and uneven film.  Brad Pitt is miscast and the whole film is oddly paced, with the New Orleans scenes taking too long and the Paris scenes going by almost too quickly.  At the same time, Tom Cruise brings the proper joie de mort to the role of Lestat and Claudia and her fate will simply break your heart.  Interview With The Vampire is not the best vampire movie that I’ve ever seen but it definitely has its pleasures.