4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today, we acknowledge the release of David Gordon Green’s Halloween with….
4 Shots From 4 Halloween Films
Halloween (1978, dir by John Carpenter)
Halloween III: Season of The Witch (1982, dir by Tommy Lee Wallace)
Halloween H20 (1998, dir by Steve Miner)
Halloween (2007, dir by Rob Zombie)
When an abandoned car is found in the desert, Deputy Langely (Franc Luz) is dispatched to the scene. While Langely investigates, a man suddenly rides by on horseback and takes a shot at him. Searching for the man, Langely comes across an old ghost town. After he passes out in a seemingly abandoned building, he wakes up and discovers that he’s surrounded by old-timey western folks. There’s a barmaid and a blind gambler and a blacksmith. They are all spirits who are being held hostage by an undead outlaw, Devlin (Jimmie Skaggs), who long ago made a pact with Satan that gave him control over the souls of all the people in the town. Now, Devlin has kidnapped Kate (Catherine Hickland), a woman from the modern world, and it’s up to Langely to not only rescue her but also set free the spirits that are trapped in the ghost town.
There’s nothing unexpected about this hororr/western hybrid, which was produced by Charles Band’s Empire Productions. The combination of two different genres leads to double the clichés but the film itself is still entertaining in its own cheesy way. The town is atmospheric and spooky, Franc Luz is a passable lawman, Jimmy Skaggs is a devilish villain, and Catherine Hickland shows that she deserved to be known for more than just being David Hasselhoff’s first wife. Despite a troubled production that went through three different directors, Ghost Town is a decent B-movie that should be enjoyed by anyone who ever played cowboys and zombies.
It’s really not Halloween without at least one mummy film!
With that in mind, here’s a 1957 film called Pharaoh’s Curse. In this film, a team of archeologists foolishly enter a mummy’s tomb and you can probably guess the rest. Honestly, you would think that archeologists would eventually learn that it’s never a good idea to test a curse but apparently, it never happened.
Anyway, if you’ve got an hour to kill, enjoy Pharaoh’s Curse!
I know, I know.
This song isn’t really about the Frankenstein that we all know and love, the one who reanimated the dead and who declared himself to be God.
Oh well, no matter!
It still feels appropriate for October.
Enjoy!
1965’s Attack of the Eye Creatures is an odd little movie.
It starts, as so many bad sci-fi movies do, with Peter Graves narrating about how the government has been keeping an eye on a flying saucers that’s apparently been hovering over the Earth for quite some time. However, a quick visit to Project Visitor reveals that the soldiers assigned to protect us are more interested in using their monitoring equipment to spy on teenagers making out in their cars!
Agck!
EWWWWWW!
Total invasion of privacy!
Of course, what’s particularly sad about the whole thing is that you know that’s totally what would happen in real life as well. Give a group of people the power to spy on anyone in the world? Of course they’re going to end up spying on people fooling around in cars! That’s one reason why Earth is just as doomed today as it was in 1966.
Anyway, the flying saucer does eventually land. Unfortunately, our government is too incompetent to do anything about it. The aliens inside turn out to be …. well, not that impressive. For one thing, they don’t speak. There are none of the grandiose threats to conquer the world that we’ve come to expect from aliens. At the same time, we also don’t have to hear about how the rest of the universe is disappointed in us for polluting our planet and blowing each other up so that’s a good thing. So often, intergalactic visitors can be so judgmental! Anyway, these aliens are lumpy and gray and they’ve got several eyes. They don’t really look that impressive. Seriously, check this jerk out:
As I said, the government turns out to be pretty useless when it comes to battling the aliens and the local police are skeptical that any intergalactic visitors would bother to land in their crappy little town. Fortunately, as always happens whenever the controlling legal authorities fail to do their job, there are teenagers and they’re willing to do what needs to be done to protect the world!
Of course, if Stan (John Ashley) and Susan (Cynthia Hull) are going to rally the troops against the aliens, they’re going to have to borrow someone’s phone. That’s going to mean convincing the local old man to let them use his phone. The old man, who has had enough of those crazy kids with all their kissing and the jazzy lingo, is more interested in using his shotgun to keep people off his lawn.
Meanwhile, two drunks decide that they want to get in on all this alien business. They both later die and no one in the movie seems to care. That’s just the type of movie that this is….
….and if it sounds familiar, that’s probably because you’ve seen the 1957 drive-in classic, Invasion of the Saucer Men! Basically, in the mid-60s, American International Pictures commissioned Texas filmmaker Larry Buchanan to remake some of their most successful drive-in films. Apparently, the plan was to sell them to television. So, Buchanan took the script for Saucer Men, tossed in some scenes of the government spying on people (Buchanan was a noted conspiracy theorist who previously directed The Trial of Lee Harvey Oswald), and called his film Attack Of the Eye Creatures!
Yet, while Invasion of the Saucer Men was a genuinely clever sci-fi satire, Attack of the Eye Creatures is done in by Buchanan’s inability to keep his story moving at a steady pace and it doesn’t help that the iconic Saucer Men have been replaced by men who appear to be wearing trash bags. Attack of the Eye Creatures is an unfortunate remake and one that should be viewed only after you’ve watched Invasion of the Saucer Men and maybe every other public domain sci-fi film that’s currently on YouTube.
Tonight’s episode of Kolchak: The Night Stalker is a fun one!
In this episode, Kolchak investigates a series of mysterious deaths that seem to involve one very ambitious politician (played by Tom Skerritt). Kolchak’s investigation leads him to believe that not only has the politician made a deal with the devil but that the politician also has the ability to transform himself into a killer dog!
Agck!
That’s Chicago-style politics for you, I guess.
This episode originally aired on November 15th, 1974.
Enjoy!
Way back at the end of August, in anticipation of the TSL’s Horrorthon, I went down to my local Half-Price Books and I explored their collection of old horror paperbacks. Among the books that I pulled off the shelf was the 1981 horror novel, The Beast Within by Edward Levy.
The book opens, in the 1920s, on the Arkansas farm of Henry Scruggs. Henry is a cruel religious fanatic, one who views fornication as being such a sin that he refuses to even have sex with much younger wife, Sarah. (Sarah, for her part, was practically sold to Henry by her father.) One day, an Englishman named Connors shows up at the farm. He’s a traveling bible salesman who specializes in seducing farm girls. When he attempts to do just that to Sarah, they both end up getting caught by Henry. Henry sets his wife on fire and then chains up Connors in the basement. That’s where Connors spends the next 20 years, while Henry prays for his soul.
By the time Henry dies and Connors manages to escape, Connors is no longer human. He’s been turned into a savage beast, who lives in the woods and eats anything that he comes across. The beast eventually attempts to catch a snake and ends up getting a poisonous bite as a result. However, before it dies, the Beast rapes Carolyn McCleary.
When Carolyn subsequently gives birth to a son named Michael, both she and her husband, Eli, convince themselves that Michael is Eli’s child, even though there’s no physical resemblance. As a child, Michael has a terrible temper and is sometimes violent. He has terrible dreams and sometimes wakes up covered in the blood of other animals. After Eli and Carolyn are forced to resort to extreme measures to control Michael’s impulses, it seems as if Michael has recovered. He grows up to be a relatively normal boy.
But then puberty hits….
The Beast Within is a grim, dark, and occasionally depressing little book. It’s also compulsively readable. Though many of the scenes between Henry, Sarah, and Conners verge a bit too much towards the cartoonish side, the book picks up once Henry’s out of the way and the focus shifts to the McClearys. You find yourself hoping the best for Eli, Carolyn, and Michael, even though you know it’s doubtful that this story is going to have a happy ending. The Best Within is short, sordid, pulpy as can be, and undeniably effective.
1939. War is breaking out across Europe. The British luxury liner Goliath is torpedoed by a German U-boat. Presumed to be lost with the ship are a swashbuckling film star, Ronald Bentley (John Carradine), and U.S. Senator Oliver Barthowlemew (John McIntire), who may have been carrying a forged letter from Hitler to Roosevelt when the boat went down.
1981. Oceanographer Peter Cabot (Mark Harmon, with a mustache) comes across the sunken wreck of the Goliath. When he dives to check out his discovery, he is shocked to hear big band music coming from inside the ship. He also thinks that he can hear someone tapping out an S.O.S. signal. When he looks into a porthole, he is stunned to discover a beautiful young woman (Emma Samms) staring back at him.
Under the command of Admiral Sloan (Eddie Albert), who wants to retrieve the forged letter before it does any damage to the NATO alliance, Cabot and Command Jeff Selkirk (Robert Forster) are assigned to head an expedition to explore Goliath. What they discover is that, for 40 years, the passengers and crew have survived within an air bubble. Under the leadership of Captain John McKenzie (Christopher Lee), they have created a new, apparently perfect society within the sunken ship. Cabot discovers that the woman that he saw was McKenzie’s daughter, Lea.
McKenzie is friendly to Cabot and his crew, explaining to them the scientific developments that have allowed the passengers and crew to not only survive but thrive underwater. The only problems are a group of outcasts — the Bow People — who refuse to follow McKenzie’s orders and Palmer’s Disease, an infection that only seems to infect people who are no longer strong enough to perform the daily tasks necessary to keep McKenzie’s utopia functioning. Even when people on the boat die, they continue to play their part by being cremated in Goliath’s engine room and helping to power the ship.
Everything seems perfect until Cabot announces that he has come to rescue the survivors of the Goliath. Even though Goliath is starting to decay and will soon no longer be safe, McKenzie is not ready to give up the perfect society that he’s created. McKenzie sets out to prevent anyone from escaping the Goliath.
Goliath Awaits is a massive, 3-hour production that was made for television and originally aired over two nights. (The entire 200-minute production has been uploaded to YouTube. Avoid the heavily edited, 91-minute version that was released on VHS in the 90s.) It’s surprisingly good for a made-for-TV movie. Because a large portion of the film was shot on the RMS Queen Mary, a retired cruise ship that was moored in Long Beach, California, Goliath looks luxurious enough that you understand why some of the passengers might want to stay there instead of returning to the surface. Beyond that, Goliath Awaits takes the time to fully explore the society that McKenzie has created and what it’s like to live on the ship. McKenzie may not be as benevolent as he first appears to be but neither is he a one-dimensional villain.
Mark Harmon is a dull lead but Robert Forster is just as cool as always and Christopher Lee is perfect for the role of misguided Capt. McKenzie. The movie is really stolen by Frank Gorshin, who is coldly sinister as Dan Wesker, the Goliath’s head of security. McKenzie may by Goliath’s leader but Wesker is the one who does the dirty work necessary to keep the society running.
Goliath Awaits also features several character actors in small roles, with John Carradine, Duncan Regehr, Jean Marsh, John McIntire, Jeanette Nolan, Alex Cord, Emma Samms, and John Ratzenberger all getting to make a good impression. (Ignore, if you can, a very young Kirk Cameron as one of the children born on the Goliath.)
Goliath Awaits is far better than your average made-for-TV movie from the 80s. With any luck, it will someday get the home video release that it deserves.
Today’s horror scene that I love comes from 1941’s The Wolf Man.
In this scene, poor, unfortunate Larry Talbot (Lon Chaney, Jr) visits a gypsy camp and learns that sad truth of his fate from Maleva (Maria Ouspenskaya). I love this scene not only for the iconic dialogue but also for George Waggner’s atmospheric direction and Maria Ouspenskaya’s performance. Even Lon Chaney, Jr. gives it his all in this scene. Larry Talbot may have been a dumb lug but he was our dumb lug!
Oh my God, this film freaks me out!
Listen, I’ve watched a lot of Italian horror films. I know how violent they can be. I know how gory they can be. I know how sordid they can be. I know how disturbing they can be. It’s not like I sat down and watched Torso with virgin eyes. But with all that in mind, Sergio Martino’s 1973 giallo still totally freaks me out!
Why does it freak me out?
Well, it’s going to be hard to really explain it without spoiling the movie’s biggest twist. It occurs about halfway through the film and it totally took me by surprise when it happened. Suddenly, Torso went from being just another film about a seemingly unstoppable murderer to becoming a tension-filled game of cat and mouse. So, I’m going to discuss the movie but I’m going to give a spoiler alert before I talk about the twist and, if you’ve never seen Torso before, you should stop reading and you should discover what happens for yourself.
Torso takes place in Perugia, Italy. During the day, it’s a beautiful city that’s surrounded by a beautiful countryside. The nearby University of Perguia seemse to be exclusively populated by beautiful students, including American exchange student Jane (Suzy Kendall) and her best friend, the wealthy Daniela (Tina Aumont), and beautiful instructors, like the rather opinionated Art History teacher, Franz (John Richardson).
But at night, Perugia changes. The countryside around the university becomes considerably less beautiful. A masked killer stalks through the fog-covered woods, carrying with him a knife and an endless supply of red scarves. He kills anyone that he comes across in the wilderness, including one of Jane and Daniela’s friends!
With everyone panicking about the serial killer in their midst, the ineffectual police investigate the usual sordid collection of suspects but with little success. Daniela, meanwhile, thinks that she may have seen the killer and, for her own safety, she, Jane, and their friends all go to her family’s villa for the holiday weekend.
And then….
(SPOILER ALERT)
(SPOILER ALERT)
(SPOILER ALERT)
Jane breaks her ankle and is given a sedative by the local doctor. This knocks Jane out for the night and when she finally wakes up, she discovers that all of her friends have been murdered and the killer is still in the villa! Fortunately, he doesn’t realize that Jane’s in the villa as well. Unfortunately, he’s also locked all the doors and the windows, so that he can have the privacy necessary to dispose of the bodies. For the rest of the film, Jane has to try to get someone to notice that she’s trapped in the villa without drawing the attention of the killer. Needless to say, this proves even more difficult than it sounds.
Torso is often dismissed as being a lesser giallo, particularly when it’s compared to some of Sergio Martino’s later contributions to the gnre. While Torso might not feature as complex a plot as some of Martino’s other films (and you’ll probably guess the killer’s identity long before the film reveals it), it does feature a second act that is so nerve-wracking and suspenseful that I barely breathed while watching it. Visually, Martino does an excellent job of contrasting the beauty of the outside world with the horrors inside the villa and both Suzy Kendall and Tina Aumont give good and sympathetic performances in the lead roles.
Torso totally gave me nightmares but I’d watch it again.
Through the Shattered Lens 