4 Shots From 4 Jess Franco Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, we pay tribute to the enigmatic master of Spanish horror and suspense, Jesus “Jess” Franco!  It’s time for….

4 Shots From 4 Jess Franco Films

Vampyros Lesbos (1970, dir by Jess Franco, DP: Manuel Merino)

Female Vampire (1973, dir by Jess Franco, DP: Jess Franco)

Countess Perverse (1973, dir by Jess Franco, DP: Manuel Merino)

Faceless (1988, dir by Jess Franco, DP: Maurice Fellous)

 

Lisa Marie’s Grindhouse Trailers: 6 Trailers For The Fourth Tuesday In October


Halloween City by Karl Pfieffer

Since today is Pumpkin Day (yes, they get their own day!), it only makes sense that today’s edition of Lisa Marie’s Favorite Grindhouse trailers should feature just that!

Without further ado, here are today’s pumpkin-centered trailers!  Happy Pumpkin Day, everyone!

  1. Pumpkinhead (1988)

Hey, I reviewed this movie earlier this month!  The monster’s impressive, though I wish his head was a bit more pumpkin-like.  This movie gave Lance Henriksen a rare starring role and we will always be thankful.  Lance is the best!

2. Pumpkinhead II (1994)

Eventually, Pumpkinhead returned.  Consider this proof that you can’t keep a good pumpkin down.

3. Pumpkinhead 3 (2006)

After the first sequel, Pumpkinhead took a 12-year hiatus from appearing in the movies.  It’s rumored that he blew all of his money on cocaine and it was either make a third movie or go to jail for tax fraud.  For whatever reason, he eventually returned in yet another sequel.

4. Pumpkinhead 4 (2007)

To date, this has been the final Pumpinhead movie. Hopefully, Pumpkinhead is doing a better job managing his money and his lifestyle now and he won’t be forced to do a Pumpkinhead 5 just to pay the rent.

5. Pumpkins (2019)

Just when I was getting worried that I might have been too hasty when I decided to devote this edition of Lisa Marie’s Favorite Grindhouse Trailers to movies about pumpkins, I discovered that there literally is a movie called Pumpkins. And here’s the trailer!

6. Trick ‘r’ Treat (2009)

Hey, that kid is dressed like a pumpkin …. kind of. And there are pumpkins in the trailer so, a far as I’m concerned, close enough!

What do you think, Pumpkin Trailer Kitty?

Horror On The Lens: House On Haunted Hill (dir by William Castle)


The original The House on Haunted Hill is a classic and one that we make it a point to share every Halloween.  And since October is nearly over, now seems like the perfect time to do so!

Be sure to check out Gary’s review by clicking here!

Enjoy Vincent Price at his best!

Bruce Campbell and Devon Sawa Provide The Best Customer Service In The Trailer for Black Friday


Yay!  I was just thinking that it would be nice to get a trailer for a new Bruce Campbell film and — surprise! — here it is!

Not only does Black Friday feature Bruce but it also features Devon Sawa, who seems like he deserves to make a bit of comeback.

Here’s the trailer for Black Friday:

Horror on TV: Friday the 13th: The Series 2.16 “Scarlet Cinema” (dir by David Winning)


Tonight, for our horror on the lens, we have the sixteenth episode of the 2nd season of Friday the 13th: The Series!

In this episode, a werewolf-obsessed film student brings his favorite movie monster to life! Needless to say, it’s not a good idea. This episode ends with a clever little twist. Remember it if you ever have a problem with a werewolf in your life.

This episode originally aired on February 25th, 1989.

The TSL’s Grindhouse: Mulberry Street (dir by Jim Mickle)


Rats are the freaking worst, aren’t they?

Seriously, I can see the good in almost all of the creatures of the world but I hate rats and I hate cockroaches and I hate both of them for the exact same reason. They’re just so dirty! I mean, they are two of the filthiest animals on the planet. Look up the source of any plague that nearly wiped out humanity in the pre-modern era and rats are somehow going to be to blame. I’m very proud to say that there has never been a single rat or a mouse in any home in which I’ve ever lived. (When I was in college, however, I did once see a mouse running from classroom to classroom. Consider that. I keep my home cleaner than the average college.)

Mulberry Street is a horror film from 2006 that gives us an entirely new reason to dislike rats. Not only do they spread the Bubonic Plague but they also turn people into human/rat/zombie hybrids! At least, that’s what happens in this film. Set in New York City during one very long and very hot summer day, Mulberry Street imagines a world in which the rats get tired of hiding in the subways and they finally take over Manhattan. People are bitten. People are transformed into humanoid rats. People go crazy and attempt to infect other people. It get wild out there. They say you can see anything in New York and apparently, you can. Unfortunately, the cost of seeing is turning into a rat. That kind of sucks.

Casey (Kim Blair) has just returned from serving her country in Iraq and she would rather not be turned into a rat. Her father, Clutch (Nick Damici), is an ex-boxer and he would also rather not turn into a rat. In a world dominated by rats, what are the ratphobic to do? Clutch, Casey, and a handful of others barricade themselves inside their apartments and they try to survive the night while the rats scratch at the door.

Yes, Mulberry Street is yet another zombie film. I mean, they may be rat hybrids as opposed to being the undead but, in the end, they might as well be a zombies. However, Mulberry Street works better than the average zombie film because it was shot guerilla-style on the streets of New York City. There’s a raw authenticity to Mulberry Street, with its jittery camerawork and it’s cast of talented but unknown actors. The threat feels real. The struggle to survive feels real. The fears feels real. At no point are you confident that Casey, Clutch , and their friends are going to survive the night. Mulberry Street feels as real as any film featuring human/rat hybrids can. Even before the rats attack, Mulberry Street presents us with a New York that feels sick and dying. In the end, the rats are just the next logical step. The city has devolved to such an extent that an attack of zombie rats feels predestined.

Mulberry Street was well-directed by Jim Mickle. Mickle would go on to direct Cold in July, one of the best modern noirs to be released over the past few years. Be sure to check out both films.

The Disappearance of Flight 412 (1974, directed by Jud Taylor)


Because of recent electrical surges aboard its aircrafts, the commander of the Whitney Air Force Base 458th Radar Test Group sends a four-man crew up in Flight 412 to try to figure out what’s happening.  Colonel Pete Moore (Glenn Ford) and Major Mike Dunning (Bradford DIllman) assume that it will just be a routine flight.  Instead, they find themselves at the center of a government cover-up when Captain Bishop (David Soul) and the other members of the crew spot what appears to be a UFO.  When two jets are sent out to intercept the object, the jets vanish.

Suddenly, Flight 412 is ordered to land at a seemingly deserted military base in the desert.  When they do, the airplane is impounded and the crew is forced to undergo an 18-hour debriefing led by government agents.  The agents demand that the crew members sign a statement saying that they didn’t see anything strange in the air before the jets vanished.  Until all four of the men sign the release, the crew of Flight 412 are officially considered to be missing and will not be released until they agree to deny what they saw.

Meanwhile, Col. Moore tries to learn what happened to his men but the government, led by Col. Trottman (Guy Stockwell), is not eager to tell him.

This movie was made-for-television, at a time when people claiming to have been abducted by aliens was still a relatively new phenomenon.  It was also made during the Watergate hearing and in the wake of the release of the Pentagon Papers, so the film’s sinister government conspiracy probably felt relevant to viewers in a way that it wouldn’t have just a few years earlier.  I appreciated that the movie took a semi-documentary approach to the story but that it tried to be serious and even-handed.  The film shows how witnesses can be fooled or coerced into saying that they saw the opposite of what they actually did see.  Unfortunately, The Disappearance of Fight 412 is ultimately done in by its own cheapness.  The overreliance on familiar stock footage doesn’t help the film’s credibility and there’s too many familiar faces in the cast for the audience to forget that they’re just watching a TV movie.  The Disappearance of Flight 412 doesn’t really succeed but it is still interesting as an early attempt to make a serious film about the possibility of alien abduction and the government covering up the existence of UFOs..  Three years after this film first aired, Steven Spielberg would introduce these ideas to an even bigger audience with Close Encounters of The Third Kind.

Game Review: Dungeons and Deadlines (2020, Miles Matrix)


Stressed out, you lose focus and injure yourself using a stapler. You die from an untreated sepsis, because you didn’t make time to see a doctor.

You lasted 3 days.

That was my fate the first time that I played Dungeons and Dragons, a work simulator that is all about the horror of having a job.

I was so angry about dying of sepsis, I decided to try again.  This time, I said, I no stress.  When the game asked if I wanted to work overtime, I said no.  When the game asked if I would arrive early, ontime, or late, I picked late.

You get fired before the end of the probation period. Idiot.

You lasted 3 days.

Well, that didn’t work.  I decided to try again.  When you play Dungeons and Deadlines, the idea is to balance four ratings: stress, family, health, and esteem.  Keep them balanced and I guess you’ll make it.  Let one get too low or too high and you’ll lose your job or maybe your life.  This time, I was determined to be neither too lazy nor too much of a workaholic.  Instead, my goal was to just do an adequate job and keep everything balanced.

At first, my approach of showing up on time, doing the work, but spending the weekend with my family seemed to work well.  I survived past the third day.  On the 9th day, I was told this:

Elon Musk follows you back on Twitter. You’re so thrilled, you come too quickly when you have Sex with your spouse that night.

My family rating went down a little but my esteem rating went up.  Figuring that I had figured this game out, I continued to play.

On Day 17, I was given the choice of pulling a “work card” or a “life card.”  (This game not only simulates having a job but it also simulates playing a card game.)  Since I was at work, I went the the work card.  I made a mistake:

You finish your task faster than projected. Your supervisor is very happy with you. He also expects more from you now.

Up went my stress level.

You faint. All this stress has finally gotten to you. Your stomach ulcer bursts and you die. Ugh.

You lasted 18 days.

18 days!  To win the game, you have to survive 62 days.  Good luck with that.  As for me, I’m going to keep trying.

Play Dungeons and Deadlines.