We previously shared and reviewed this movie two Halloweens ago but so what? It’s a horror classic and watching it is a bit of a Halloween tradition and here at the Shattered Lens, we are all about tradition! Add to that, this is one of the most influential films of all time. First released in 1922, The Cabinet of Dr. Caligari both introduced the world to German expressionism and it was one of the first films to feature a twist ending.
So, the next time you’re thinking about how much you love M. Night Shyamalan, be sure to say a word of thanks to Robert Wiene for directing The Cabinet of Dr. Caligari!
Dave Johnson has earned the reputation of being one of the comic industry’s preeminent cover illustrator. His work has graced the covers of such titles as Vertigo’s 100 Bullets (where he creates the covers to all one hundred issues and the 11 trade paperback collections) and Marvel Comics’ Punisher MAX series. Dave Johnson’s work as a cover illustrator has won him one of the top awards in the comics industry with his 2002 Eisner Award for “Best Cover Artist”.
Born on April 4, 1966, Dave Johnson continues to work as a cover artist for all the different publishers from DC, Marvel, Dark Horse and a slew of independent houses.
I’m currently working on several reviews for horror month here at the Shattered Lens but tonight, rather than just review a film, I want to share one with you. Released in 1920, the German film The Cabinet of Dr. Caligari is one of those films that we’ve all heard about but far too few of us have actually seen. Like most silent films, it requires some patience and a willingess to adapt to the narrative convictions of an earlier time. However, for those of us who love horror cinema, The Cabinet of Dr. Caligari remains required viewing. Not only did it introduce the concept of the twist ending (M. Night Shyamalan owes his career to this film) but it also helped to introduce German expressionism to the cinematic world.
My initial reaction to The Cabinet of Dr. Caligari was that it simply wasn’t that scary. It was certainly interesting to watch and I was happy that I was finally experiencing this film that I had previously only read about. However, the film itself was obviously primitive and it was difficult for my mind (which takes CGI for granted) to adjust to watching a silent film. I didn’t regret watching the film but I’d be lying (much like a first-year film student) if I said that I truly appreciated it after my first viewing.
But you know what? Despite my dismissive initial reaction, the film stayed with me. Whereas most modern films fade from the memory about 30 minutes after the end credits, The Cabinet of Dr. Caligari has stuck with me and the night after I watched it, I even had a nightmare in which Dr. Caligari was trying to break into my apartment. Yes, Dr. Caligari looked a little bit silly staring through my bedroom window but it still caused me to wake up with my heart about to explode out of my chest.
In short, The Cabinet of Dr. Caligari passes the most important test that a horror film can pass. It sticks with you even after it’s over.
For the curious who have 50 minutes to spare and an open mind to watch with, here is Robert Wiene’s The Cabinet of Dr. Caligari…
Through the Shattered Lens 