Since today is Francis Ford Coppola’s birthday, it only seems appropriate that today’s song of the day should come from the soundtrack of one of his films.
From 1979’s Apocalypse Now, here is the haunting music that plays as Willard and the boat approach the infamous bridge that is built every day so that it can be destroyed every night. This musical piece was composed by Francis Ford Coppola’s father, Carmine.
In honor of Francis Ford Coppola’s birthday, today’s scene that I love comes from The Godfather.
In this scene, a self-pitying Johnny Fontane (Al Martino) discusses his career problems with Marlon Brando’s Vito Corleone. Johnny is losing his voice. Johnny is up for a role in a big movie but he worries that the producer will never allow him to appear in the film. Johnny says he doesn’t know what to do and he sheds a tear….
….and that’s not a smart thing to do when you’re talking to Don Corleone.
This scene contains some of the best moments of The Godfather. Al Martino was a professional singer with little acting experience. (While Johnny Fontane was a major character in Mario Puzo’s book, he only appeared in two scenes in the film version. Coppola later said that he thought the Johnny Fontane chapters were so poorly written that he would have turned down the film if he had to include too much of the character.) In order to get an effective performance out of Martino, Brando did not warn him that he would actually be slapping him. During one take, Brando got so aggressive that he knocked off Martino’s toupee and caused Robert Duvall to start laughing. It was all worth it, though. Martino was thoroughly convincing as Johnny Fontane and Marlon Brando won (but did not accept) his second Oscar for Best Actor. Coppola did not win Best Director for The Godfather (1972 was a competitive year) but he made up for it 1974 when he was honored for The Godfather Part II.
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Today is Francis Ford Coppola’s birthday! Coppola is a bit of a controversial figure among some film scholars. While everyone agrees that, with the first two Godfathers, he directed two of the greatest films of all time (and some people would include Apocalypse Now on that list as well) and that he was one of the most important directors of the 70s, his post-Apocalypse Now career is often held up as a cautionary tale. Some say that Coppola’s career suffered because of his own excessive behavior and spending. Others argue that he was treated unfairly by a film industry that resented his refusal to compromise his vision and ambitions. Personally, my natural instinct is to always side with the artist over the executives and that’s certainly the case with Coppola. Coppola has only completed five films since the start of this current century and three of them were not widely released. Say what you will about the films themselves, that still doesn’t seem right. For the record, I liked Megalopolis when I saw it but I don’t remember much about it now.
Regardless of how one views his latter career, Coppola is responsible for some of the best and most important films ever made. And today, on his birthday, it’s time for….
4 Shots From 4 Francis Ford Coppola Films
2010’a Groupie tells the story of the Dark Knights.
The Dark Knights are a legendary band with devoted fans. I’m not sure why because, from what we hear of their music, they really suck. I don’t mean that they suck in a funny deliberate way, like Spinal Tap. I mean, they literally suck. Maybe some of their popularity has to do with their habit of setting their lead singer on fire during their performances.
Unfortunately, during one performance, the fire gets out of control. There’s a panic in the club. A 16 year-old fan is stomped to death. A year later, The Dark Knights are ready to launch their comeback tour. And they’ve got a new groupie, Riley (Taryn Manning)! Riley likes to make death masks. Well, I guess everyone needs a hobby. Riley is also the sister of the fan who was stomped to death. She’s looking for revenge against the Dark Knights and their manager, Angus (Eric Roberts).
That this film appears to be based on a real-life tragedy (i.e. the Station Nightclub Fire) gives the whole film are rather icky sheen. Also adding to the film’s oddness is how straight-forward it is. Riley shows up. A mysterious killer strikes. Riley appears to be the killer and, hey — she is the killer! There’s no real attempt to create any sort of suspense or misdirection as to who the killer may be. That said, Taryn Manning is entertainingly unhinged and director Mark L. Lester keeps the action moving quickly.
As far as Eric Roberts is concerned, he plays a pretty sleazy character but he does so with good humor. Indeed, it’s hard not to have sympathy for Angus. While the band is busy setting things on fire, he’s the one who keeps the tour bus moving.
Previous Eric Roberts Films That We Have Reviewed:
Hi, everyone! Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania! Join us for 2016’s The Perfect Stalker!
You can find the movie on Prime and Tubi and then you can join us on twitter at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) See you then!
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Happy birthday to Baltimore’s own Barry Levinson!
4 Shots From 4 Barry Levison Films
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1991’s The Hitman!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube and hit play at 8 pm et, and use the #MondayActionMovie hashtag! The watch party community is a friendly group and welcoming of newcomers so don’t be shy.
See you soon!
In 2023’s If I Can’t Have You, Michelle (Bailey Kai) is the host of the hottest late night radio show in town but she’s been getting creepy phone calls from someone identifying himself as Curtis. Michelle and her producer (Gina Haraizumi) can’t get get any help from the cops (played by Jackee Harry and Tracy Nelson) so they decide to investigate on their own.
Who is Michelle’s stalker? Could it be the creepy guy (Michael Pare) who lives next door? Could it be their geeky engineer, Keith (Phillip McElroy)? Could it be Stan (Eric Roberts), the owner of the radio station who seems to be really determined to get them to change their time slot? Or could it be just some other random guy with too much time on his hands?
To give credit where credit is due, director David DeCoteau does manage to generate some suspense as to who the stalker actually is. I wouldn’t say I was exactly shocked when the stalker’s identity was revealed but DeCoteau still did a good job of giving us plenty of suspects to consider. That said, this is still a David DeCoteau film and the real pleasure of the film is spotting all of the standard DeCoteauisms. In this case, Joe’s Restaurant — previously seen in The Wrong Mr. Right — makes a return appearance.
In the end, this one isn’t as much fun as DeCoteau’s “Wrong” films. There’s no Vivica A. Fox saying, “Looks like you suspected the Wrong Stalker.” Still, it’s entertaining enough and Eric Roberts appears to have been in a good mood during filming.
Previous Eric Roberts Films That We Have Reviewed:
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Today would have been the 100th birthday of the legendary filmmaker, Roger Corman! And that means that it’s time for….
4 Shots From 4 Roger Corman Films
Not Of This Earth (1957, dir by Roger Corman, DP; John J. Mescall)
House of Usher (1960, dir by Roger Corman, DP: Floyd Crosby)
The Masque of the Red Death (1964, dir by Roger Corman, DP: Nicolas Roeg)
The Trip (1967, dir by Roger Corman, DP: Archie Dalzell)
2012’s The Night Never Sleeps takes place over the course of one very long night in a New York city.
Sgt. Cavanaugh (Dan Brennan) is a tough and plain-spoken cop, the type who might not be great with pleasantries but who is a good enough policeman that he’s not going to let anyone stop him from avenging the deaths of the officers working under him. Each murder leads to Cavanaugh digging deeper and deeper into the city’s underworld. In between phone calls from his ex-wife (played by Eliza Roberts, wife of Eric) and meetings with the skeptical Inspector Romanelli (Armand Assante), Cavanaugh pursues a bloodthirsty hitman (Russ Camarda) and his boss.
The Night Never Sleeps is a low-budget police procedural, one that actually works far better than it has any right to. There’s hardly a cliche that isn’t present and there’s as few scenes where the nonstop “tough talk” verges on self-parody but the actors — especially Dan Brennan — all give good performances and the fact that the action was actually shot on location gives the film an appropriate gritty feel.
As for Eric Roberts, he plays a pimp whose cheerful manner hides a dangerous temperament. This is one of Roberts’s better cameo appearances. Not only does he seem to be invested in the performance but his character is also central to the plot. The film makes good use of Eric Robert’s off-center smile. On the one hand, he seems friendly, or at least as friendly as a pimp can be. On the other hand, there’s just enough fidgety nervousness beneath his amiable manner to indicate only as fool would turn their back on him.
The Night Never Sleeps is a flawed film but it still held my attention.
Previous Eric Roberts Films That We Have Reviewed:
Through the Shattered Lens 